On The Page Quotes

Improvisation helps because you get what's on the page and you make it a little more palatable to your tongue. And that's the beauty of creating and being spontaneous. That's the way I love to work. ~ Taraji P. Henson

Expecting to receive a rebuke, her heart lifted when she read the words on the page, I will never leave thee, nor forsake thee. ~ J.E.B. Spredemann

I'm never happy with what I've written. You imagine, before you start, there's a cathedral, and the moment it starts on the page, it's a garden shed. And then you just try to make it the best shed you can. ~ Sadie Jones

I have always loved contemporary dance, but it has always been a bit of a mystery to me. But choreography is very much like what I do when you are putting characters in frame on the page. It's so impressive what they do with their bodies. It's like painting: an abstraction. ~ Michael Leunig

I know that carrot is not the right word. I've
seen dragonflies and beetles, flying around, stuck together, one on the back of the other; I know it's
called mating. I know about ovipositors, for laying eggs, on leaves, on caterpillars, on the surface of the
water; they're right out on the page, clearly labeled, on the diagrams of insects my father corrects at
home. I know about queen ants, and about the female praying mantises eating the males. None of this is
much help. I think of Mr. and Mrs. Smeath, stark-naked, with Mr. Smeath stuck to the back of Mrs.
Smeath. Such an image, even without the addition of flight, will not do. ~ Margaret Atwood

The first thing that goes into shooting a scene is understanding whats on the page. ~ Debbie Allen

Real writers write. Period. No, the muse does not come to visit everyday. She's a lazy, precocious flirt. You cannot get into the habit of being "in the mood" to write. No writer on Earth is in the mood to write everyday, but the good ones do it anyway. They fight through their fatigue, their stress, their doubt, and they write. They get the words on the page. Period.
So stop waiting for your muse. Trust me, she sleeps around. ~ Darynda Jones

They ask how the universe is arranged, philosophers, mathematicians, and they draw pretty pictures, impossibilities on the page. They save phenomena by telling one ugly lie after another, epicycles upon epicycles, and the fools care not. It is not enough, I tell you, to ask how the cosmos is designed. We must ask why. ~ Robin Wasserman

Whatever you want," he said. "Will you please come here now?"
I slipped a piece of protective tissue over my drawing and flipped the book closed. A piece of blue scratch paper slid out, the line I'd copied from Edward;s poetry book. "Hey. Translate for me, Monsieur Bainbridge."
I set the sketchbook on my stool and joined him on the chaise. He tugged me onto his lap and read over his head. "'Qu'ieu sui avinen, leu lo sai.' 'That I am handsome, I know."
"Verry funny."
"Very true." He grinned. "The translation. That's what it says. Old-fashionedly."
I thought of Edward's notation on the page, the reminder to read the poem to Diana in bed, and rolled my eyes. You're so vain.I bet you think this song is about you..."Boy and their egos."
Alex cupped my face in his hands. "Que tu est belle, tu le sais."
"Oh,I am not-"
"Shh," he shushed me, and leaned in.
The first bell came way too soon. I reluctantly loosened my grip on his shirt and ran my hands over my hair. He prompty thrust both hands in and messed it up again. "Stop," I scolded, but without much force.
"I have physics," he told me. "We're studying weak interaction."
I sandwiched his open hand between mine. "You know absolutely nothing about that."
"Don't be so quick to accept the obvious," he mock-scolded me. "Weak interaction can actually change the flavor of quarks."
The flavor of quirks, I thought, and vaguely remembered something about being charmed. I'd sat ~ Melissa Jensen

Words like passion and ecstasy, we learn them but they stay flat on the page. Sometimes we try to turn them over, find out what's on the other side, and everyone has a story to tell os a woman or a brothel or an opium night or a war. We fear it. We fear passion and laugh at too much love and those who love too much. ~ Jeanette Winterson

We flew out of the city and we landed on the page where Moses split the sea and the Jews marched between those suspended mountains of water, hovering, humming on both sides, and the poor expelled merchants wondered if Moses knew what the fuck he was doing. What if his hand got tired and he accidentally dropped his magic cane, or got distracted by a wet desert ass, or lost his sandals, or what if that lush single malt of a God changed his mind again and the fucking Red Sea closed in on them with its menstrual red liquid? ~ Rawi Hage

It seems jolly on the page. But imagine poverty, violence, natural disasters, or political fear driving you away from everything you know. Imagine how bad things get to make you leave behind your family, your friends, your lovers; your home, as humble as it might be; your church, say. Let's take it further - you've said good-bye to the graveyard, the dog, the goat, the mountains where you hunted, your grade school, your state, your favorite spot on the river where you fished and took time to think. ~ Luis Alberto Urrea

Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page. ~ Vito Acconci

There are three things that robots cannot do," wrote Maxon. Then beneath that on the page he wrote three dots, indented. Beside the first dot he wrote "Show preference without reason (LOVE)" and then "Doubt rational decisions (REGRET)" and finally "Trust data from a previously unreliable source (FORGIVE). ~ Lydia Netzer

I know that the Bible is a special kind of book, but I find it as seductive as any other. If I am not careful, I can begin to mistake the words on the page for the realities they describe. I can begin to love the dried ink marks on the page more than I love the encounters that gave rise to them. ~ Barbara Brown Taylor

I think whenever a writer is really enjoying themselves and liking what they are doing, that shows on the page. ~ Sarah Dessen

Above all, believe. Cultivate your swagger. Make this your new religion: You are funny and talented, and you're going to try something new. This is the exact right time for that. This is the most important year of your life, and for once you are NOT going to let yourself down. If you fall down and feel depressed, you will get back up. If you feel lethargic and scared, you will try something else: a new routine, a new roommate situation, a healthier diet. You will read books about comedy. You will work tirelessly and take pride in your tireless work. And you will take time every few hours to stop and say to yourself, "Look at me. I'm doing it. I'm chasing my dream. I am following my calling." It doesn't matter if your dreams come true, if agents swoon and audiences cheer. Trust me on that: It truly doesn't matter. What matters is the feeling that you're doing it, every day. What matters is the work - diving in, feeling your way in the dark, finding the words, trusting yourself, embracing your weird voice, celebrating your quirks on the page, believing in all of it. What matters is the feeling that you're not following someone else around, that you're not half-assing this, that you're not waiting for something to happen, that you're not waiting for your whole life to start.

What matters is you, all alone at your desk at five in the morning. I write this from my own desk at five in the morning, my favorite place, a place where I know who I am and what I'm meant to ac ~ Heather Havrilesky

Writing on Paper

A benefit of writing in a paper journal is that the only limitation is the size of the page. Be creative and make the book a reflection of your personality. Besides writing, you can draw or paint, glue in mementos like ticket stubs or photos, use different-colored pens and pencils, and insert letters and notes. You can write sideways or upside down on the page, and doodle in the margins. Writing in the journal can be fun. Your journal can be an expression of your individuality. ~ Heather Moehn

Realize that people are hypocrites. The sooner you accept this fact the better. I NEVER sensor my stories. I NEVER sacrifice historical accuracy for sake of political correctness. And I apologize for nothing because I've noticed a sense of hypocrisy in regard to writing. People will buy a Stephen King book and read 900 pages of gruesome murder, graphic sex, and sometimes even kid fu**ing. And they will praise his artistic genius and buy his next filthy book. Then the same people will want to sensor every line I put on the page. To hell with that. I'm an artist too. ~ Catalina DuBois

Writing down call numbers with short pencils, searching up and down aisles that would turn dark when the timers on the lights expired. She recalls, visually, certain passages in the books she'd read. Which side of the book, where on the page. ~ Jhumpa Lahiri

There are certain episodes that on the page I thought, "Oh boy, this is going to be the funniest episode." And there are other ones that went in, fingers crossed, saying, "Oh well, let's hope something good comes out of it." Oftentimes, those ones wind up being the best ones. ~ Charlie Day

I've always hated quotation marks: they're ugly on the page and they classify the text for you, putting dialogue in one box and narration in another. ~ Catherine Brady

You don't always have to go so far as to murder your darlings – those turns of phrase or images of which you felt extra proud when they appeared on the page – but go back and look at them with a very beady eye. Almost always it turns out that they'd be better dead. (Not every little twinge of satisfaction is suspect – it's the ones which amount to a sort of smug glee you must watch out for. ~ Diana Athill

I wouldn't say I see things visually first, but what I do think is important, for a lot of screenwriters, is to not just think about the words on the page, but also the world as a whole and the vibe of the movie, rather than a sequence of scenes written on the page. ~ Evan Daugherty

The most interesting thing about writing is the way that it obliterates time. Three hours seem like three minutes. Then there is the business of surprise. I never know what is coming next. The phrase that sounds in the head changes when it appears on the page. Then I start probing it with a pen, finding new meanings. Sometimes I burst out laughing at what is happening as I twist and turn sentences. Strange business, all in all. One never gets to the end of it. That's why I go on, I suppose. To see what the next sentences I write will be. ~ Gore Vidal

Write a page every single day, even if what you put on the page that day is no good - it's the only way to get better. ~ Emma Forrest

Just do it. Get it down on the page. Work hard. And then let go. Ask yourself why you want to write. You have to be clear about that. ~ Yann Martel

Accident is as much a part of fiction as anything else, symbolic of the grace that, along with will, conspires to put words on the page. ~ Mark Helprin

Writing, therefore, is also an act of courage. How much easier is it to lead an unexamined life than to confront yourself on the page? How much easier is it to surrended to materialism or cynicism or to a hundred other ways of life that are, in fact, ways to hide from life and from our fears. When we write, we resist the facile seduction of theses simpler roads. We insist on finding out and declaring the truths that we find, and we dare to out those truths on the page. ~ Jack Heffron

I try to combine in my paintings cinematic feeling, emotional feeling, and sometimes actually writing on the page to combine all the different elements of communication. ~ Sylvester Stallone

A reader finds a new reality on the page, interacts with an imaginary world, and is enriched by doing so. ~ Mark Rubinstein

I think if you're a competent actor with a good imagination, and if it's on the page, it makes your job a lot easier. ~ Miguel Ferrer

After a noticeable silence, he'd recently published a book of technically baffling poems, with line breaks so arbitrary and frequent as to be useless, arrhythmic. On the page they look like some of Charles Bukowski's skinny, chatty, muttering-stuttering antiverses. Impossibly, Mark's words make music, the faraway strains of an irresistible jazz. It's plain to any reader, within a few lines - well, go read the poems and see, Marcus Ahearn traffics with the ineffable. He makes the mind of the speaker present, in that here-and-now where the reader actually reads - that place. Such a rare thing. Samuel Beckett. Jean Follain, Ionesco - the composer Billy Strayhorn. Mark calls his process "psychic improvisation" and referred me to the painter Paul Klee; the term was Klee's. "You just get out a pen and a notebook and let your mind go long," he told me. ~ Denis Johnson

The writer creates the role on the page and then the actor takes it and makes it their own. ~ Joanna Kerns

Your characters get angry at you if you speak about them and stop you from giving birth to them on the page in revenge. Real writers sit down and write. Wannabe writers sit around and talk. ~ Joe Eszterhas

Whatever is on the page is what I'm married to. I'm very prepared. I'm a thespian. I don't like to improv. I don't like to go off course 'cause I think that's where stuff happens. When you stick to the material 'cause it's written so well, that's where the magic happens. ~ Kevin Hart

In general children from low-income families are at risk of being failed by schools because of the erroneous belief that their parents lack ambition for them. A focus on the need for aspirations as widely set is necessary for closing the achievement gap between marginalized and privileged people. Yet an environment where students may not see themselves represented in person or on the page, what exactly are they inspiring to? Who sets those standards and are they achievable in the wider world without culturally sensitive and competent teachers? ~ Mikki Kendall

She's the words on the page that tell me to stay. ~ Jessica Pennington

Sugar leans her chin against the knuckles of the hand that holds the pen. Glistening on the page between her silk-shrouded elbows lies an unfinished sentence. The heroine of her novel has just slashed the throat of a man. The problem is how, precisely, the blood will flow. Flow is too gentle a word; spill implies carelessness; spurt is out of the question because she has used the word already, in another context, a few lines earlier. Pour out implies that the man has some control over the matter, which he most emphatically doesn't; leak is too feeble for the savagery of the injury she has inflicted upon him. Sugar closes her eyes and watches, in the lurid theatre of her mind, the blood issue from the slit neck. When Mrs Castaway's warning bell sounds, she jerks in surprise.
Hastily, she scrutinises her bedroom. Everything is neat and tidy. All her papers are hidden away, except for this single sheet on her writing-desk.
Spew, she writes, having finally been given, by tardy Providence, the needful word. ~ Michel Faber

The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ... and it's magic and wonderful and strange. ~ Neil Gaiman

I like to work in watercolor, with as little under-drawing as I can get away with. I like the unpredictability of a medium which is affected as much by humidity, gravity, the way that heavier particles in the wash settle into the undulations of the paper surface, as by whatever I wish to do with it. In other mediums you have more control, you are responsible for every mark on the page - but with watercolor you are in a dialogue with the paint, it responds to you and you respond to it in turn. Printmaking is also like this, it has an unpredictable element. This encourages an intuitive response, a spontaneity which allows magic to happen on the page. When I begin an illustration, I usually work up from small sketches - which indicate in a simple way something of the atmosphere or dynamics of an illustration; then I do drawings on a larger scale supported by studies from models - usually friends - if figures play a large part in the picture. When I've reached a stage where the drawing looks good enough I'll transfer it to watercolor paper, but I like to leave as much unresolved as possible before starting to put on washes. This allows for an interaction with the medium itself, a dialogue between me and the paint. Otherwise it is too much like painting by number, or a one-sided conversation. ~ Alan Lee (artist)

How have you kept yourself as yourself all these years? 'Books,' the boy said. 'Thousands of books.' 'They must have been the right books.' 'Some were, some weren't. You figure out which are which.' 'How do you figure it out?' 'At first by how you feel.' 'And later?' 'By reading what's there on the page and also what's not.' 'Between the lines,' she said. 'Under the lines,' he said. -Annamaria and Timothy -Odd Apocalypse by Dean Koontz pg 328 chapter 49 ~ Dean Koontz

There: the white butterfly has crossed the whole valley, and from the reader's book has flown here, to light on the page I am writing. ~ Italo Calvino

I'm not much of a preparer. I think sometimes as an actor you need to go out and learn some skills, but in terms of preparation for understanding the character, it's all on the page, and if it's not on the page, you're in trouble. ~ William H. Macy

I think if an actor is right for a role, casting sees that, and the words that are on the page, depending on how it's written, can really help your character develop. ~ Scott Michael Foster

But death on the page is just a typo, I said: You can't say for example, She is dead–"she" no longer is. You can't say for example, She was dead–death itself, a condition coterminous with eternity, renders the past tense inaccurate. ~ Joshua Cohen

Depicting yourself as a whole person on the page doesn't only mean recognizing your role in a bad situation. It means being emotionally authentic. It means showing all of yourself: the shameful parts, the embarrassing parts, the parts that you might regret or that you wish weren't true. ~ Kerry Cohen

Paul's One Way Out is a fresh, intelligently arranged, and satisfyingly complete telling of the lengthy (and unlikely) history of the group that almost singlehandedly brought rock up to a level of jazz-like sophistication and virtuosity, introducing it as a medium worthy of the soloist's art. Oral histories can be tricky things: either penetrating, delivering information and backstories that get to the heart of how timeless music was made. Or too often, they lie flat on the page, a random retelling of repeated facts and reheated yarns. I'm happy to say that Paul's is in that first category. ~ Ashley Kahn

I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page. ~ Kathleen Battle

On a Bioware game, if I say anything that's not on the page, It would create a bug in the system, and it would kick back, and I would have to do it again due the technical demands they deal with. ~ Jennifer Hale

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. ~ Sarah Stodola

Words make love on the page like flies in the summer heat and the poet is only the bemused spectator. ~ Charles Simic

The girl looked up, blinking, a far-off expression in here eyes. I recognized it, understood the shock of realizing the world inside your book wasn't real. Even worse, you were in another world entirely and no one understood - or even cared - that you preferred the one living on the page. ~ Michelle Zink

I've always thought that one of the least successful encounters is meeting a writer one admires. For one thing, writers are generally much kinder, more empathetic, more generous people on the page than they are in person. ~ Hanya Yanagihara

I became a Christian man in a very real way. I could have just said the prayers that were on the page, but it was a real thing that really saved me. And you can't identify unless you're really going through it. It's a full-blown exchange of heart, a surrender of control. ~ Shia Labeouf

Whether it is television or film, the character on the page has to speak to me. ~ Yvonne Strahovski

Actors are such wonderful creatures and such wonderful instruments. It's always different on the page or in my head. I hear it differently. I see it differently. And then, you give it to an actor, and it comes alive in a way that you didn't expect. ~ Kelly Masterson

Liberman said to me, 'I must cut back on the work you do for Vogue. The editors don't like it. They say the photographs burn on the page . After some years, I began to understand that what they wanted of me was simply a nice, sweet, clean-looking image of a lovely young woman. ~ Irving Penn

I like to give the actors freedom to take what we have on the page and improve on it. And they do that quite a bit. ~ Denis Leary

Even though I now speak the language fairly well, the spoken language doesn't help me. A conversation involves a sort of collaboration and, often, an act of forgiveness. When I speak I can make mistakes, but I'm somehow able to make myself understood. On the page I am alone. The spoken language is a kind of antechamber with respect to the written, which has a stricter, more elusive logic. ~ Jhumpa Lahiri

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles. ~ Robert Bringhurst

On the page was exactly what I had written, but it was clearer, more immediate. The erasures, the transpositions, the small additions, and, in some way, her handwriting itself gave me the impression that I had escaped from myself and now was running a hundred paces ahead with an energy and also a harmony that the person left behind didn't know she had. ~ Elena Ferrante

Reading in bed can be heaven, assuming you can get just the right amount of light on the page and aren't prone to spilling your coffee or cognac on the sheets. ~ Stephen King

Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole - so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page. ~ Willa Cather

I'd always envied actors who got to play real people or got to do research. I've always just had these scripts where, I mean not in a bad way, but it was right on the page. ~ Luke Wilson

No amount of photography could replace the memories of a life lived, of lives observed and known, of lives elaborated in the mind and on the page. ~ M.G. Vassanji

I came across an account of a young man named Kim Malthe-Bruun, who was eventually captured and executed by the Nazis when he was only twenty-one years old. I read his story as I had read many others, turning the pages, skimming here and there: this sabotage, that tactic, this capture, that escape. After a while even courage becomes routine to the reader. Then, quite unprepared, I turned the page and faced a photograph of Kim Malthe-Bruun. He wore a turtleneck sweater, and his thick, light hair was windblown. His eyes looked out at me, unwavering on the page. Seeing him there, so terribly young, broke my heart. ~ Lois Lowry

When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere. ~ Walter Kirn

I tend to write out the first iteration of a lyric here and then go over here and make variations on it, on the page opposite. ~ James Taylor

The simple answer is that I have changed my techniques in order to avoid the relentless sameness of my material, but I have probably only found new costumes, not new creatures entirely. In the past, if I wanted to sound a note on a piano (in prose), I didn't just have to purchase and install the piano, I had to build it. But before I built it I had to grow the trees whose wood would yield the piano, and probably I had to create the soil and landscape through which those trees would burst. Then there was the problem of the fucking seeds. Where did they come from? I had to source them. With such mania I was either onto something or I completely misunderstood what a fiction writer was supposed to do. Simple things, even entirely undramatic ones, could not occur unless I created them from whole cloth. I was superstitious about taking anything for granted, but it also locked me into a kind of fanatical object fondling that could, on a bad day, preclude any exploration of the human (even though the process of trying to remake the world on the page is fairly, pathetically, human). This set of interests kept me away from what is usually called narrative. It wasn't some ideological position, or an artistic stance, it was just one set of obsessions winning out over another. On the other hand, I think that I have always tried to create feeling, and then to pulse it into the reader with language. It's very difficult to figure out how to do this. Storytelling is one way - conventional n ~ Ben Marcus

I take inspiration where I can, and devour it in one piece like I'm starving. Not because I think it's something fleeting that will never return but because I think the best inspiration is the kind that makes you feel urgent. Like you're racing against yourself to get a story on the page while you still remember what that magic feels like. ~ Roshani Chokshi

I am obsessed by the idea of silence. I went through an entire library studying art, artists and their critics, philosophers, too, on the meaning and significance of the color white. I dreamed of white birds and white bears. I thought about the white pages of my mother's journals. I became enthralled with John Cage and his work, 4'33, his masterpiece of ambient sound. Rauschenberg, too. And then at some point I let go. What sticks to the soul is what gets placed on the page. Maybe that's the unknown part, the mystery, the power of the empty page. ~ Terry Tempest Williams

[...]No human being has ever directly seen their own face. It's impossible within nature - the most you can do is glimpse your nose and, for those with full lips, the curve of you upper lip. And so we only see ourselves through external sources, whether as images in mirrors, pixels on the screen, or words on the page, words of love from a mother, words of hate from an ex-lover.
Long before Furo's story became my own, I was already trying to say what I see now, that we are all constructed narratives. ~ A. Igoni Barrett

People read for a multiplicity of reasons. Nearly forty years in, I can tell you why I inhale books like oxygen: I'm grateful for my one life, but I'd prefer to live a thousand --and my favorite books allow me to experience more on the page than I ever could in my actual life. ~ Anne Bogel

As proof of her faith, my mother used to carry a samll leatherette Bible when she went to the First Chinese Baptist Church every Sunday. But later, after my mother lost her faith in God, that leatherette Bible would up wedged under a too-short table leg, a way for her to correct the imbalances of life. It's been there for over twenty years.
My mother pretends that Bible isn't there. Whenever anyone asks her what it's doing there, she says, a little too loudly, "Oh, this? I forgot." But I know she sees it. My mother is not the best housekeeper in the world, and after all these years that Bigle is still clean white...
My mother, she stills pay attention to it. That Bible under the table, I know she sees it. I remember seeing her write in it before she wedged it under.
I lift the table and slide the Bible out. I put the Bible on the table, flipping quickly through the pages, because I know it's there. On the page before the New Testament begins, there's a section called "Deaths," and that's where she wrote "Bing Hsu" lightly, in erasable pencil. ~ Amy Tan

DFW: I think there are different people on the page than in real life. I do six to eight drafts of everything that I do. Um, I am probably not the smartest writer going. But I also
and I know, OK, this is gonna fit right into the persona
I work really really hard. I'm really
you give me twenty-four hours? If we'd done this interview through the mail? I could be really really really smart. I'm not all that fast. And I'm really self-conscious. And I get confused really easily. When I'm in a room by myself alone, and have enough time, I can be really really smart. And people are different that way. You know what I mean? I may not
I don't think I'm quite as smart, one-on-one with people, when I'm self-conscious, and I'm really really confused. And it's like, My dream would be for you to write this up, and then to send it to me, and I get to rewrite all my quotes to you. Which of course you'll never do ... ~ David Lipsky

My mother's most common childhood memory of me is standing next to me trying to be heard over the voice on the page. I didn't really commit to writing until I understood that it meant making that happen for someone else. ~ Alexander Chee

You're trying to bring an emotional and psychological reality to a character that's on the page and make them three-dimensional. ~ Tom Irwin

Once we get those muddy, maddening, confusing thoughts [nebulous worries, jitters, and preoccupations] on the page, we face our day with clearer eyes. ~ Timothy Ferriss

Casting is so important, with any film you do. You have to get actors that you believe will fulfill the promise of the characters that are on the page. ~ Jerry Bruckheimer

Well, each interpretation of an event, setting or character is unique to each of those who read it because they clothe the author's description with the memory of their own experiences. Every character they read is actually a complex amalgam of people they've met, read or seen before - far more real than it can ever be just from the text on the page. Because every reader's experiences are different, each book is unique for each reader. ~ Jasper Fforde

The process of a book's coming to life is not fully complete until your imagination meets mine on the page. The words evoke pictures and something altogether new is created, something different from the limits of my own skills and imagination. Something that is a marriage between your heart, mind, and body - and mine. ~ Rebecca Wells

I guess I've just gotten to the point where I don't want to be bored by the characters that I play, and I don't want to feel like I'm having to make something more interesting or I'm having to force something that's not really there on the page. ~ Mary Elizabeth Winstead

I think what's difficult is proving to people that a script actually does work and sometimes the laughter might not be on the page, it might be between the lines. ~ Alice Lowe

Be warned, the ink you use is magical and your oath will be binding. If you carry falsehoods in your heart, the ink will know and it will signal us. The punishment for a false oath will be harsh, I assure you."
Haung paused to give the troops a hard stare and then he waved the first one forward, watching as the man approached the sorcerer's apprentice who stood behind the desk. The apprentice placed a pre-prepared sheet of paper in front of the man and handed him the brush pen. With a trembling hand, the man dipped the brush into the ink bowl and shakily signed his name. The ink stayed as ink and there was an audible sigh, echoed by the other recruits, from the man.
Four more times this happened. When the fifth shaking and nervous man approached, he took the brush, dipped it into the ink and drew the character for his name. As he handed the brush back the ink on the page hissed and bubbled giving off an acrid blue smoke. Guards grabbed the man and dragged him, kicking, screaming and pleading his innocence into the dark room behind the desk. There was more shouted pleading and then a chilling, bone grating, scream erupted from the doorway followed by silence. The guards re-appeared, wiping their daggers with sword-cloth and replacing them in their belt scabbards. ~ G.R. Matthews

So tonight I reach for my journal again. This is the first time I've done this since I came to Italy. What I write in my journal is that I am weak and full of fear. I explain that Depression and Loneliness have shown up, and I'm scared they will never leave. I say that I don't want to take the drugs anymore, but I'm frightened I will have to. I am terrified that I will never really pull my life together.
In response, somewhere from within me, rises a now-familiar presence, offering me all the certainties I have always wished another person would say to me when I was troubled. This is what I find myself writing on the page:

I'm here. I love you. I don't care if you need to stay up crying all night long. I will stay with you. If you need the medication again, go ahead and take it - I will love you through that, as well. If you don't need the medication, I will love you, too. There's nothing you can ever do to lose my love. I will protect you until you die, and after your death I will still protect you. I am stronger than Depression and Braver than Loneliness and nothing will ever exhaust me.

Tonight, this strange interior gesture of friendship - the lending of a hand from
me to myself when nobody else is around to offer solace - reminds me of something that happened to me once in New York City. I walked into an office building one afternoon in a hurry, dashed into the waiting elevator. As I rushed in, I caught an unexpected glance of myself in ~ Elizabeth Gilbert

What appears on the page comes out of your experience, and no-one is going to see it in quite the same way - so, that being so, you're already doing something in a thoroughly individual and idiosyncratic way anyway. ~ Ronald Frame

I think it's very easy to disgust the reader with violence on the page - that's incredibly easy - but it's far harder to make a reader care about a character. ~ Mark Billingham

I just look for characters that have dimensions. If I don't see it written on the page, then I try to put it in there somehow. You don't want to play the same role twice. ~ Boyd Holbrook

Wait: His boyfriend? He was gay? The focus on the lens sharpened, and I could see it clearly now. Of course he was gay. Everyone could see that, except the chubby little lonely heart sitting at seven o'clock, drawing sparkly rainbows on the page with her glitter crayons. I was still beating myself up when the round robin arrived to me, and I sputtered along trying to assemble some phony epiphany with strong verbs, but tears dripped down my face.
The room fell into silence as people waited for me to explain. But what could I possibly say? That I had just discovered my future husband was gay? That I was going to live the rest of my life surrounded by nothing but empty lasagna pans and an overloved cat destined to die before me?
"I'm sorry," I finally said. "I was just reminded of something very painful." And I guess that wasn't a lie. ~ Sarah Hepola

The fact of progress is written plain and large on the page of history; but progress is not a law of nature. ~ H.A.L. Fisher

I like to write books that I would have liked as a child, that would have got me thinking and imagining beyond the words on the page. In a way, my audience is always how I remember myself as a child. ~ Garth Nix

You lose somebody you've possibly known for years and on top of that you lose a character that you love seeing on TV so I think that kind of makes it cool that we pay a price too. That it is painful on many levels and its amazing to be writing that moment and crossing that line right on the page and seeing the ugliness of it and having to deal with it. It's a very weird thing. ~ Scott M. Gimple

Sometimes with certain writing, you feel like you've got to be literal, hit it hard on the nose, just to get the point across. Good writing is more subversive I think - or good scenes. They are about one thing on the page but you can make it about something completely different. ~ Chace Crawford

... writing is about developing the capacity to expose yourself on the page, if not your life story at the very least your prevailing anxieties and the people who caused them. ~ Steve Almond

On the page, 'Gone Girl' was a literary game: a tennis match of alternating chapters from Nick and Amy, with the reader offering to take each character's side every few pages. ~ Richard Corliss

You have to examine a scene on the page first. Then you get into the basics of acting: Who are you? Who are you talking to? How do you feel about that person? ~ Debbie Allen

The great thing about making an ensemble show is it becomes modular. It might work on the page to cut from one scene to another, but on the screen, it's more powerful to take that second scene and move it first or move it later. ~ Noah Hawley

You die. You get old and die. Your anger curdles, your grief dries,
your talent fades on the page. Your cells metastasise into an army
dedicated to the overthrow of you. You become dependent on paid
strangers for the maintenance of your blood and your brittle bones.
You understand that thought is the enemy, the source of all lesions,
tumours, and sarcomas; then thought becomes flesh becomes the
emblem of your shame. ~ Jeet Thayil

It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is. ~ Ioan Gruffudd