Ronald Frame Quotes

I can remember in my early days of writing going to sort of writers' functions and parties and things like that, and I used to get very irritated because when people heard that you came from the suburbs, they had this notion that it was very un-cool to come from there.

As a writer, you need a strong sense of self-belief. And when it comes to writing, I've always had that.

That's what friends are for," Sheba said.
"I don't know what they're for," I told her.
"So that we don't get out of our depth," Mouse said.

I like French films, Chabrol in particular. With him, you often get a skewed morality in which you sympathise with the person you shouldn't.

The funny thing about writing is, although you are writing about an experience which only you have had, you are trying to welcome other people into it, and there are ways I think of doing this, and one of them is through the senses, through the sounds and the smells.

'Ghost City' began as a idea. I felt that I hadn't read or heard a great deal about the sort of life that I thought I had, and I just thought that it would be interesting to sit down and see if I could put it down onto paper.

Life is an enigma. We have to approach it not scientifically but poetically.

The gift of a writer as good as Dickens is not to explain everything; that way, the reader has, in terms of their imagination, somewhere to go.

Originally I wanted somewhere to set my short stories about the sort of people I recognise having grown up with. Carnbeg was staring me in the face all the time, only I had somehow failed to see that. Not seeing the wood for the trees, I suppose.

Experience can never be undone, or knowledge unlearned.

I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on.

What appears on the page comes out of your experience, and no-one is going to see it in quite the same way - so, that being so, you're already doing something in a thoroughly individual and idiosyncratic way anyway.

I'm here to get the story on to the page. It would be good to catch your attention, and I have to make you want to read on, and I suppose I prefer you don't actually think about the 'how' at all - the writing technique, the 'style', or even who it is that's putting this together.

A writer's life suits me. It's fairly, well, other people might think it was actually rather dull, but that's fine because I feel that my imagination is enough to kind of keep me happy.

'Ghost City' was actually one of the few instances of non-fiction that I had written, and I felt that I probably said what I wanted. I think it must be different for every author; I haven't done very much of it, and perhaps, in a way, I found it rather painful, which is why I don't really do it very often.

I'm not just a face, or a body. I'm a Havisham.

Dancing takes a certain lightness, a spring in the step, an elasticity in the calves; a kind of joie de vivre, or alternatively a leavening element of self-proclaiming stupidity in one's make-up.

Sundays in my teens were spent on homework: from 8 am until at least 8 pm, with stoppages to be fed and watered. I was carrying up to ten subjects simultaneously.

We were perfectly decorous together. It took the will of both of us. I trusted him with me, and myself with him.

At the age of nine, I could cross the length of Glasgow on a succession of buses, wearing regulation garter-topped stockings and compulsory cap and - if I'd done well enough to earn the honour in last week's test - with a First World War medal on a striped ribbon pinned to my brown blazer. I must have looked like a chocolate soldier.

When I was younger, when I was at school, I did read a lot of fiction. I think as you get older perhaps you're interested in essays and biographies and things like that. I think it's just important to just read as much as you can.

For ten years, I went to piano lessons. I don't think I'm a very musical person, and the theory quite defeated me, but I had a freak aptitude for Debussy and Ravel.

I'm very interested in how corruption works - and it's not necessarily the way one might expect.

Some people say that you should read people who think completely differently from you so that everything you read and everything that they say is a challenge to you but there's something to be said for reading people where you think, 'Yes, that's how I would have said it if I could have found the words for it'.