Fiction With Art And Artist Quotes

I want to paint something that no one has ever painted before," he was saying. I almost laughed at that -- doesn't every artist? We are all touched, however lightly, by the finger of god, and long to be gods ourselves, bringing forth new creations, and yet, so very few achieve it. Michelangelo, Rembrandt, Titian. We stumble in their footsteps, and wait at the closed door. ~ Mary F. Burns

The artist is the only one qualified to criticize his art, because only the artist knows what he was trying to express and how satisfied he is with the attempt. ~ Ron Brackin

When I first made photographs, they were too plain to be considered art and I wasn't considered an artist. I didn't get any attention at all. The people who looked at my work thought, well, that's just a snapshot of the backyard. Privately I knew otherwise and through stubbornness stayed with it ... ~ Walker Evans

Van Gogh's view of the world becomes a lamp that reveals corners of my heart that I didn't know were there- and all of this happens immediately, even though he died 88 years before I was born.
So ask yourself this:

Is The Starry Night infallible?
The questions doesn't make sense. Though grammatically sound, it is a query with no meaning. I could just as easily ask "How much does a sunset weigh?" The beauty of The Starry Night isn't in it being fallible or infallible. It's a window into another person's soul.
Let's try another question:

Is The Starry Night true?
If we're talking logic or math, this question is as nonsensical as the first. But if we ask with the perspective of an artist or philosopher, we might find that, yes, The Starry Night is very true- it tells us truths about the human experience. It's a testament to how grief feels and the numinous quality we often experience when we peer deeply into the night sky...

It is somehow more true than facts- it resonates in some deeper chamber of the human heart.
So let me ask you two more questions:

Is the Bible infallible? Is it true? ~ Mike McHargue

Novels are political not because writers carry party cards
some do, I do not
but because good fiction is about identifying with and understanding people who are not necessarily like us. By nature all good novels are political because identifying with the other is political. At the heart of the 'art of the novel' lies the human capacity to see the world through others' eyes. Compassion is the greatest strength of the novelist. ~ Orhan Pamuk

All great contemporary artists, schooled or not, are essentially self-taught and are de-skilling like crazy. I don't look for skill in art ... Skill has nothing to do with technical proficiency ... I'm interested in people who rethink skill, who redefine or reimagine it: an engineer, say, who builds rockets from rocks. ~ Jerry Saltz

This kind of painting with its large frames is a bourgeois drawing-room art. It is an art dealer's art-and that came in after the civil wars following the French Revolution. ~ Edvard Munch

Difficulty itself may be a path toward concentration - expended effort weaves us into a task, and successful engagement, however laborious, becomes also a labor of love. The work of writing brings replenishment even to the writer dealing with painful subjects or working out formal problems, and there are times when suffering's only open path is through an immersion in what is. The eighteenth-century Urdu poet Ghalib described the principle this way: 'For the raindrop, joy is in entering the river - / Unbearable pain becomes its own cure.'
"Difficulty then, whether of life or of craft, is not a hindrance to an artist. Sartre called genius 'not a gift, but the way a person invents in desperate circumstances.' Just as geological pressure transforms ocean sediment into limestone, the pressure of an artist's concentration goes into the making of any fully realized work. Much of beauty, both in art and in life, is a balancing of the lines of forward-flowing desire with those of resistance - a gnarled tree, the flow of a statue's draped cloth. Through such tensions, physical or mental, the world in which we exist becomes itself. Great art, we might say, is thought that has been concentrated in just this way: honed and shaped by a silky attention brought to bear on the recalcitrant matter of earth and of life. We seek in art the elusive intensity by which it knows. ~ Jane Hirshfield

I asked Geertrui the other day what she thought love is-real love, true love. She said that for her real love is observing another person and being observed by another person with complete attention. If she's right, you only have to look at the pictures Rembrandt painted of Titus, and there are quite a lot, to see that they loved each other. Because that is what you're seeing. Complete attention, one of the other ... "but in that case," he said, speaking the words as the thought came to him, "all art is love, because all art is about looking closely, isn't it? Looking closely at what's being painted."
"The artist looking closely while he paints, the viewer looking closely at what has been painted. I agree. All true art, yes. Painting, Writing-literature-also. I think it is. And bad art is a failure to observe with complete attention. So, you see why I like the history of art. It's the study of how to observe life with complete attention. It's the history of love. ~ Aidan Chambers

We have artists with no scientific knowledge and scientists with no
artistic knowledge and both with no spiritual sense of gravity at all,
and the result is not just bad, it is ghastly. ~ Robert M. Pirsig

I would advise puppeteering for any artist. It's a way to break down pretensions. It's a sculpture that can talk. It's a painting that can talk. And it's pure play. I think every artist needs to stay in touch with the idea of playing. The artist should always be playing, always. All art is performance. ~ Wayne White

The credit for Erté's rediscovery must be given to French writer Jacques Damase, who met the artist when preparing a book on the Parisian music-hall. It was not merely his active presence which astounded Damase, but the fact that neatly stored away were thousands of perfectly preserved drawings representing a life's work. The immediate result was an exhibition at Galerie Motte in 1965, organised with Jacques Perrin, who the following year held another exhibition at his own gallery in Paris. Through the Motte exhibition, Erté was brought to the attention of galleria Milano, which in 1965 included some of his work in a pioneering exhibition of Art Déco. The most prominent event in this sequence was was Erté inclusion in the important exhibition Les Années 25 held at Musée des Arts Décoratifs, Paris, in 1966, which put an historical and artistic seal on Art Déco and the diverse artistic activities of the 'twenties.

It is fair to say, however, that complete international reappraisal only came about after Grosvenor gallery in London became his world agents. Jacques Damase had suggested an exhibition of Erté's work to this London gallery, to which, at that time, I was acting as an art consultant. As a result we were able to prepare his first ever London exhibition in 1967. The remarkable success it achieved was presaged by a smaller exhibition in New York a few months earlier. It had planned to follow the London show with a similar collection in new York, based on work b ~ Charles Spencer

Literature is the extant body of written art. All novels belong to it.
The value judgement concealed in distinguishing one novel as literature and another as genre vanishes with the distinction.
Every readable novel can give true pleasure. Every novel read by choice is read because it gives true pleasure.
Literature consists of many genres, including mystery, science fiction, fantasy, naturalism, realism, magical realism, graphic, erotic, experimental, psychological, social, political, historical, bildungsroman, romance, western, army life, young adult, thriller, etc., etc…. and the proliferating cross-species and subgenres such as erotic Regency, noir police procedural, or historical thriller with zombies.
Some of these categories are descriptive, some are maintained largely as marketing devices. Some are old, some new, some ephemeral.
Genres exist, forms and types and kinds of fiction exist and need to be understood: but no genre is inherently, categorically superior or inferior.

(Hypothesis on Literature vs. Genre) ~ Ursula K. Le Guin

The object of art is not to make salable pictures. It is to save yourself.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces.
There is no special trick about writing or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.
The thing of course, is to make yourself alive. Most people remain all of their lives in a stupor.
The point of being an artist is that you may live.
You won't arrive. It is an endless search. ~ Sherwood Anderson

The portrait artist must acknowledge human complexity with each brushstroke. The eyes, nose and mouth that compose a sitter's face, just like the suffering and joy that compose his soul, are similar to those of ten million others yet still singular to him. This acknowledgment is where art begins. It may also be where mercy begins. If criminals drew the faces of their victims before perpetrating their crimes and judges drew the faces of the guilty before sentencing them, then there would be no faces for executioners to draw. ~ Anthony Marra

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique. ~ Steven Brust

I know that I stopped thinking about extreme grief as the sole vehicle for great art when the grief started to take people with it. And I get it. The tortured artist is the artist that gets remembered for all time, particularly if they if they either perish or overcome. But the truth is that so many of us are stuck in the middle. So many of us begin tortured and end tortured, with only brief bursts of light in between, and I'd rather have average art and survival than miracles that come at the cost of someone's life. ~ Hanif Abdurraqib

An odd contradiction, if the layman were correct in his unconscious assumption that an artist begins with reality and ends with art: the converse is true - to the degree that this dichotomy has any truth - the artist begins with art, and through it arrives at reality. ~ Robert Motherwell

Who's the artist?"
"My favorite." She pauses. "Unknown." Edydie sits cross-legged on the couch. "There is something so pure about an artist creating something for the sheer joy of it, then sharing it with people and claiming no credit. To me that's the height of romance. ~ Adriana Trigiani

I wish for everyone to fall in love with their own work. Did you just paint something that you think is cool? Photograph it! Are you struggling over an issue that's affecting your creativity? Write about it! Your art is the story of your life and you are the only one who can tell it. Tell people what you want them to know about you. Tell them why your art is special. Be constantly overflowing with enthusiasm for your work. Be you, not another artist. Meet the world as you are, and grow with them. The art experience and the human experience can be very similar at times. ~ Shayla Maddox

There are artists with palettes and easels selling the kind of modern art that Soviet art critics used to critique with bulldozers. Judging by the paintings I saw, the Soviets were right the first time. ~ P. J. O'Rourke

Whether your purpose for writing is artistic expression, communication with friends and family, the healing of the inner life, or achieving public recognition for your art - the foundation is the same: the claiming of yourself as an artist/writer and the strengthening of your writing voice through practice, study, and helpful response from other writers. ~ Pat Schneider

It's fine being terribly cynical and ironic when I'm out in the evening and I'm with my mates, but when I want to look at art, I want to have a sincere on-to-one experience with it because I'm a serious artist. I've dedicated my life to it. So I go to exhibitions in the morning on my own when I can go, "Hmm,' and maybe have a little bit of a moment. I have to protect my tender parts from that wicked irony. ~ Grayson Perry

Strictly speaking, there are no holidays for art; art pursues you everywhere, and that's just fine with the artist. ~ Elfriede Jelinek

Nothing in the world is more common than unsuccessful people with talent, leave the house before you find something worth staying in for. ~ Banksy

To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor ... . Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth" (Minor White, Newhall, 281). ~ Minor White

And this love of definite conception, this clearness of vision, this artistic sense of limit, is the characteristic of all great work and poetry; of the vision of Homer as of the vision of Dante, of Keats and William Morris as of Chaucer and Theocritus. It lies at the base of all noble, realistic and romantic work as opposed to the colourless and empty abstractions of our own eighteenth-century poets and of the classical dramatists of France, or of the vague spiritualities of the German sentimental school: opposed, too, to that spirit of transcendentalism which also was root and flower itself of the great Revolution, underlying the impassioned contemplation of Wordsworth and giving wings and fire to the eagle- like flight of Shelley, and which in the sphere of philosophy, though displaced by the materialism and positiveness of our day, bequeathed two great schools of thought, the school of Newman to Oxford, the school of Emerson to America. Yet is this spirit of transcendentalism alien to the spirit of art. For the artist can accept no sphere of life in exchange for life itself. For him there is no escape from the bondage of the earth: there is not even the desire of escape. He is indeed the only true realist: symbolism, which is the essence of the transcendental spirit, is alien to him. The metaphysical mind of Asia will create for itself the monstrous, many-breasted idol of Ephesus, but to the Greek, pure artist, that work is most instinct with spiritual life which conforms ~ Oscar Wilde

Cooking is an art and patience a virtue... Careful shopping, fresh
ingredients and an unhurried approach are nearly all you need. There is one more thing - love. Love for food and love for those you invite to your table. With a combination of these things you can be an artist - not perhaps in the representational style of a Dutch master, but rather more like Gauguin, the naïve, or Van Gogh,
the impressionist. Plates or pictures of sunshine taste of happiness and love. ~ Keith Floyd

The art, the art of living, involves the act of creation. The work of art is nothing. It is only the tangible, visible evidence of a way of life, which, if it is not crazy is certainly different from the accepted way of life. The difference lies in the act, in the assertion of a will, and individuality. For the artist to attach himself to his work, or identify himself with it, is suicidal. An artist should be able not only to spit on his predecessor's art, or on all works of art, but on his own too. He should be able to be an artist all the time, and finally not be an artist at all, but a piece of art. ~ Henry Miller

If people were able to be convinced that art is precise advance knowledge of how to cope with the psychic and social consequences of the next technology, would they all become artists? ~ Marshall McLuhan

Nor is it merely that we can discern in Christ that close union of personality with perfection which forms the real distinction between the classical and romantic movement in life, but the very basis of his nature was the same as that of the nature of the artist - an intense and flamelike imagination. He realised in the entire sphere of human relations that imaginative sympathy which in the sphere of Art is the sole secret of creation. He understood the leprosy of the leper, the darkness of the blind, the fierce misery of those who live for pleasure, the strange poverty of the rich. Someone wrote to me in trouble, 'When you are not on your pedestal you are not interesting.' How remote was the writer from what Matthew Arnold calls 'the Secret of Jesus.' Either would have taught him that whatever happens to another happens to oneself, and if you want an inscription to read at dawn and at night-time, and for pleasure or for pain, write up on the walls of your house in letters for the sun to gild and the moon to silver, 'Whatever happens to oneself happens to another. ~ Oscar Wilde

Not all are called to be artists in the specific sense of the term. Yet, as Genesis has it, all men and women are entrusted with the task of crafting their own life: in a certain sense, they are to make of it a work of art, a masterpiece. ~ Pope John Paul II

I work backwards with the ending in mind as I create art, stories, poems and books. Always in a process of becoming. ~ Jill Telford

From the outside looking in, i think my life would appear very isolated, occupying a huge empty space, with hollow-sounding, emotional echoes. But in reality, this solitary sanctuary i inhabit, allows my artistic nature to sing at the top of its lungs. My feelings have the space they need to breathe. And my art can gain the momentum, it requires, to bubble up to the surface of consciousness. For me, creativity is a chaotic and quiet hybrid, an entity that seeks a safe place to call home. ~ Jaeda DeWalt

Truth? Sometimes I question every last thing I'm doing.
Truth? Right now, those questions swirl every damn day.
Is this also true for you?
Still, we keep moving forward, you and I. We try new things. We doggedly keep on doing the old things because though they may not have worked in the past it doesn't feel like crazy to continue, it feels like the space of trusting some wild sort of knowing. We love, good and hard. We show up for life. In the midst of depression, insanely messy houses, and bank accounts sliding closer and closer to that fine red line, and panic attacks, and kids who won't listen but who damn well know how to question and love.
And we make stuff. My god, the way we keep on making stuff. Because we can and we have to. Because it's the only damn thing that feels right when everything else feels a hundred kinds of wrong. We create. Defiant and determined and true. Weary hearts brought to blazing life if only for those wild moments we dance with the muse. ~ Jeanette LeBlanc

This was my first encounter with art as art (he saw 'Pinky' painted by Sir Thomas Lawrence and 'The Blue Boy painted by Thomas Gainborough) ... somebody actually MADE those paintings ... (it) was the first time I realized you could be an artist. ~ Robert Rauschenberg

Seizing new ground, making connections between people or ideas, working without a map - these are works of art, and if you do them, you are an artist, regardless of whether you wear a smock, use a computer, or work with others all day long. ~ Seth Godin

I wanted Kimi to be a Japanese record with a Japanese title. I wanted it to be for them. They appreciate things on a different level, and take their art very seriously - that's special if you're an artist. ~ Matthew Sweet

I was associated with the Artist Placement Group in the early 1970s and David Hall, the video artist, was an Artist Placement Group artist. I was completely broke at that time, and he said to me, "Come and do some teaching" - he was head of department at Maidstone College of Art. And I went and did a couple of teaching days and practically the only person who showed up was David Cunningham [Flying Lizard's main man], with all of this finished work ~ David Toop

Artists and artisans both demonstrate with perfect clarity that a person is least able to appropriate for himself those things which are most peculiarly his. His works leave him as birds do the best in which they were hatched.

In this respect an architect's fate is the strangest of all. How often he employs his whole intellect and warmth of feeling in the creation of rooms from which he must exclude himself. Royal halls owe their splendor to him, and he may not share in the enjoyment of their finest effects. In temples he draws the line between himself and the holy of holies; the steps he built to ceremonies that lift up the heady, he may no longer climb; just as the goldsmith worships only from afar the monstrance which he wrought in the fire and set with jewels. With the keys of the palace the architect hands over all it's comforts to the wealthy man, and has not the least part in them. Surely in this way art must little by little grow away from the artist, if the work, like a child provided for, no longer teaches back to touch its father. ~ Johann Wolfgang Von Goethe

No one escapes that moment of innocence when the world attacks him and installs within him the spirit of opposites ... As long as everything within you is saying yes and no, dark and light, with big earth-shaking ideas, you come nowhere near art, I think. Light and dark don't exist for us as artists. Light is something given to you and you're allowing it to pass through. ~ Milton Resnick

The truth is, anyone who puts so much of herself and her life into art as you do must naturally fear any failure in that art as a potential threat to your life. And so you protect your art more than you protect your health or the common forms of happiness the rest of us have. And you probably have this in common with every artist you admire. ~ Arthur Phillips