Walker Evans Quotes

Color tends to corrupt photography and absolute color corrupts it absolutely. Consider the way color film usually renders blue sky, green foliage, lipstick red, and the kiddies' playsuit. These are four simple words which must be whispered: color photography is vulgar.

It is the way to educate your eye and more. Stare, pry, listen, eavesdrop.

The meaning of quality in photography's best pictures lies written in the language of vision. That language is learned by chance, not system.

The photographs are not illustrative. They, and the text, are coequal, mutually independent, and fully collaborative. By their fewness, and by the importance of the reader's eye, this will be misunderstood by most of that minority which does not wholly ignore it. In the interests, however, of the history and future of photography, that risk seems irrelevant, and this flat statement necessary.

When I first made photographs, they were too plain to be considered art and I wasn't considered an artist. I didn't get any attention at all. The people who looked at my work thought, well, that's just a snapshot of the backyard. Privately I knew otherwise and through stubbornness stayed with it ...

What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.

Science has discovered much. The engineering is wonderful, epicycles and all. And yet, as we look at this vast, elaborate structure built on layer and layer of complex constituents, can we help but be reminded of the Land of Oz. Have we found the Emerald City? Is this what we were searching for? Is this the ultimate fabric of reality? Is this all there is?

Good photography is unpretentious.

Photography is not cute cats, nor nudes, motherhood or arrangements of manufactured products. Under no circumstances it is anything ever anywhere near a beach.

I think there is a period of esthetic discovery that happens to a man and he can do all sorts of things at white heat.

Leaving aside the mysteries and the inequities of human talent, brains, taste, and reputations, the matter of art in photography may come down to this: it is the capture and projection of the delights of seeing; it is the defining of observation full and felt.

What America needs is a political revolution.

It is easy to imagine fantasy as physical and myth as real. We do it almost every moment. We do this as we dream, as we think, and as we cope with the world about us. But these worlds of fantasy that we form into the solid things around us are the source of our discontent. They inspire our search to find ourselves.

Many photographers are apt to confuse color with noise, and to congratulate themselves when they have almost blown you down with screeching hues alone-a bebop of electric blues, furious reds, and poison greens.

I do note that photography, a despised medium to work in, is full of empty phonies and worthless commercial people. That presents quite a challenge to the man who can take delight in being in a very difficult, disdained medium.

I used to try to figure out precisely what I was seeing all the time, until I discovered I didn't need to. If the thing is there, why, there it is.

I never took it upon myself to change the world. And those contemporaries of mine who were going around falling for the idea that they were going to bring down the United States government and make a new world were just asses to me.

That's my idea of what a portrait ought to be, anonymous and documentary and a straightforward picture of mankind.

I'm sometimes called a 'documentary photographer' but ... a man operating under that definition could take a sly pleasure in the disguise. Very often I'm doing one thing when I'm thought to be doing another.

Somewhere in our search for reality we have passed something by, something important that we no longer find amid the bits and pieces of disassembled matter-something vital that we cannot build out of these parts. There is surely something else, some piece of divinity in us, something that was before the elements, and that owes no homage to the sun.

I say half jokingly that photography is the most difficult of the arts. It does require a certain arrogance to see and to choose. I feel myself walking on a tightrope instead of on the ground.

It's easy to photograph light reflecting from a surface, the truly hard part is capturing the light in the air.

Incidentally, part of a photographer's gift should be with people. You can do some wonderful work if you know how to make people understand what you're doing and feel all right about it, and you can do terrible work if you put them on the defense, which they all are at the beginning. You've got to take them off their defensive attitude and make them participate.

Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let's say, "visual impact" may not mean much to anybody. I could point it out though. I mean it's a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong ...

I wanted so much to write that I couldn't write a word.

Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.