Susan Orlean Famous Quotes
Reading Susan Orlean quotes, download and share images of famous quotes by Susan Orlean. Righ click to see or save pictures of Susan Orlean quotes that you can use as your wallpaper for free.
When it comes to consumer electronics, I'm a big fat sucker, because even though I know you should never, ever buy anything until the second version of it is released, I just can't resist. I live in a state of perpetual Beta.
We do a lot of bird-watching up in the country, but we almost never have a chance to people-watch. There simply aren't enough human beings up here: there is nowhere you can park yourself with a cup of coffee and observe the species on parade.
It is hard to imagine Thomas Kinkade as anything less than supremely self-assured.
I think on a day-to-day basis, what attracts us in coexisting with another living, evolving thing, is that you have a relationship that's different than with a piece of furniture. We experience the cycle of life through these other beings.
When Rin Tin Tin first became famous, most dogs in the world would not sit down when asked. Dogs performed duties: they herded sheep, they barked at strangers, they did what dogs do naturally, and people learned to interpret and make use of how they behaved. The idea of a dog's being obedient for the sake of good manners was unheard of. When dogs lived outside, as they usually did on farms and ranches, the etiquette required of them was minimal. But by the 1930s, Americans were leaving farms and moving into urban and suburban areas, bringing dogs along as pets and sharing living quarters with them. At the time, the principles of behavior were still mostly a mystery -- Ivan Pavlov's explication of conditional reflexes, on which much training is based, wasn't even published in an English translation until 1927. If dogs needed to be taught how to behave, people had to be trained to train their dogs. The idea that an ordinary person -- not a dog professional -- could train his own pet was a new idea, which is partly why Rin Tin Tin's performances in movies and onstage were looked upon as extraordinary.
I would like to make sleeping my new hobby, except that I'm too tired, really, to have a hobby. But a girl can always dream.
Quoting Althea Warren, librarians should "read as a drunkard drinks, or as a bird sings or a cat sleeps or a dog responds to an invitation to go walking, not from conscience or training, but because they'd rather do it than anything else in the world.
In Senegal, the polite expression for saying someone died is to say his or her library has burned. When I first heard the phrase, I didn't understand it, but over time I came to realize it was perfect. Our minds and souls contain volumes inscribed by our experiences and emotions; each individual's consciousness is a collection of memories we've cataloged and stored inside us, a private library of a life lived.
Dogs really are perfect soldiers. They are brave and smart; they can smell through walls, see in the dark, and eat Army rations without complaint.
It's human nature to set a point in our minds when we feel triumphant and to measure everything that comes after it by how far we fall or rise from that point.
I might have missed my calling as an editor. In the spring, the sight of my empty garden beds gives me the horticultural equivalent of writers' block: So much space! So many plants to choose among, and yet none of them seem quite right!
I think part of a hero construct is overcoming loss, or being abandoned, or having to make your own way in the world.
States should pass laws making it illegal to own or trade wild animals; the phony 'educational' permits that many private owners have used to skirt those laws should be eliminated.
Books are a sort of cultural DNA, the code for who, as a society, we are, and what we know. All the wonders and failures, all the champions and villains, all the legends and ideas and revelations of a culture last forever in its books.
Okay, fuck the sundial. We'll just go straight and eventually we'll get there. What I mean is that we'll get somewhere. Out of here. I mean, logically, we have to get out as long as we walk straight. I've done this millions of times. Whenever everything's killing me, I just say to myself, screw it, and go straight ahead.
They will be given as gifts; books that are especially pretty or visual will be bought as hard copies; books that are collectible will continue to be collected; people with lots of bookshelves will keep stocking them; and anyone who likes to make notes in books will keep buying books with margins to fill.
Oversized houses, like oversized cars, seem to be a particularly American fixation.
You can find out anything you want about a car now, and especially every bit of information about the price, without relying on the dealers.
On the very same day that I ordered an iPad 2, I went shopping to buy myself a letter opener. I like to cover all my bases.
I am dismayed to realize that much of the advice I used to parcel out to aspiring writers has passed its sell-by date.
Places like Hilton Head, with water adjacency and nice climates, are in high demand, and land values are insane. In the case of Hilton Head, which was developed in 1970 on what had been a mosquito- and alligator-infested swampy barrier island, land value has leaped from nearly zero to now unaffordable.
I've used Twitter now and again to try to figure something out; it's an amazing resource. But I think you have to use it judiciously: it's a self-selected group, so it's important not to start thinking of it as the whole world.
In the course of transferring all my CDs to my iPod, I have found myself wandering the musical hallways of my past and reacquainting myself with music I haven't listened to in years.
My ace in the hole as a human being used to be my capacity for remembering birthdays. I worked at it. Whenever I made a new friend, I made a point of finding out his or her birthday early on, and I would record it in my Filofax calendar.
I remember, when I was a kid, watching my mother jam herself into her girdle - a piece of equipment so rigid it could stand up on its own - and I remember her coming home from fancy parties and racing upstairs to extricate herself from its cruel iron grip.
Writing about fashion forces you to overcome the nagging feeling that fashion doesn't "matter", that it's trivial or fleeting. I just look at it anthropologically, which is different from the way I'd write about art.
Even after I'd published three books and had been writing full-time for twenty years, my father continued to urge me to go to law school.
There was a time when I kept track of it all; when my mind worked like a giant lint brush being swept over the fuzzy surface of popular culture. But these days, pop culture seems to have gotten fuzzier and fuzzier; notoriety comes and goes in the snap of a finger.
I love tearing things out of the ground. I love digging and discarding. I love pruning. In fact, I love pruning so much that I once gave myself carpal-tunnel syndrome because I attacked a trumpet vine with so much dedication.
I loved wandering around the bookshelves, scanning the spines until something happened to catch my eye. Those visits were dreamy, frictionless interludes that promised I would leave richer than I arrived. It wasn't like going to a store with my mom, which guaranteed a tug-of-war between what I wanted and what my mother was willing to buy me; in the library I could have anything I wanted.
Now I was also trying to understand how someone could end such intense desire without leaving a trace. If you had really loved something, wouldn't a little bit of it always linger? A couple of houseplants? A dinky Home Depot Phalaenopsis in a coffee can? I personally have always found giving up on something a thousand times harder than getting it started, but evidently Laroche's finishes were downright and absolute, and what's more, he also shut off any chance of amends.
Having animals in the city is entirely different from having animals out in the country. For one thing, it's more social. When you live on lots of acres without neighbors within a stone's throw, your dog-walks are usually solitary rambles over hill and dale.
I think of myself as something of a connoisseur of procrastination, creative and dogged in my approach to not getting things done.
Sometimes, the Internet can feel like a middle-school playground populated by brats in ski masks who name-call and taunt with the fake bravery of the anonymous. But sometimes - thank goodness - it's nicer than real life.
We're fascinated by animals because it's almost like having Martians living among us. We can see some familiarity in them, but they're entirely different creatures.
The world is so huge that people are always getting lost in it. There are too many ideas and things and people too many directions to go. I was starting to believe that the reason it matters to care passionately about something is that it whittles the world down to a more manageable size. It makes the world seem not huge and empty but full of possibility.
The biggest problem with working at a treadmill desk: the compulsion to announce constantly that you are working at a treadmill desk.
In times of trouble, libraries are sanctuaries.
Writing about someone well known removes that obligation of defending it as a subject, but it also means that some of the surprise and freshness is already gone. It's so different - in some ways much harder for me.
'Brave' is one of those words that has been bleached of most of its meaning these days, thanks to far too many appearances in the glaring light of ad slogans and corporate public relations. I never thought about anything as brave anymore; it just seemed like a flabby, glib cliche.
I've loved some gadgets that were not worthy, and I've loved gadgets that I would have loved more if I had waited for their developers to figure out how to really make them work, but I loved them anyway.
Television wasn't getting rid of animals, but they were no longer cast as creatures that were omniscient and heroic. They were talking horses like Mr Ed or an absurdist pig like Arnold Ziffle ... Just like the heroic animals in silent films became comedians in talkies, animals on television were becoming jesters, something Rin Tin Tin had never been.
Writing about unknown people means I spend a lot of time arguing to the reader about why it's worth knowing about them. That's challenging, but then the piece is pure discovery.
I'm always mystified by the day-to-day workings of entities like Twitter that provide framework but not content, but I suppose it could be compared to the U.S. Postal Service, which manages to keep a lot of people employed doing lots of stuff other than writing letters.
I rarely listen to commercial radio, and when I do, I'm shocked by how many ads there are, and how annoying they are, and how bad the radio station usually is.
You may never learn the names of any of the people you talk to in a dog park, even after many, many hours spent there with them, and many hours of conversation. But if - knock on wood - anything should ever happen to your dog, these nameless non-strangers will rally, sympathize, offer to help, and hold your hand. I know this from experience.
Sometimes it's harder to notice a place you think you know well; you eyes glide over it, seeing it but not seeing it at all. It's almost as if familiarity gives you a kind of temporary blindness. I had to force myself to look harder and try to see beyond the concept of library that was so latent in my brain.
I was never any good at remembering dates, but now I hardly have to. When the first bulb catalogs get delivered and the hens start laying again, that's all the notice I'll need to know that winter has passed.
If only feelings and ideas and stories and history really could be contained in a block of marble - if only there could be a gathering up of permanence - how reassuring it would be, how comforting to think that something you loved could be held in place, moored and everlasting, rather than bobbing along on the slippery sea of reminiscence, where it could always drift out of reach.
When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.
Sometimes I think I've figured out some order in the universe, but then I find myself in Florida
You read and read and read and read," she said, "and then what?
I really believed that anything at all was worth writing about if you cared about it enough, and that the best and only necessary justification for writing any particular story was that I cared about it.
When my son was born, and after a day of lying-in I was told that I could leave the hospital and take him home, I burst into tears. It wasn't the emotion of the moment: it was shock and horror.
When I heard about the Microsoft Kinect, though, I felt an urgency rising in me. A game you played without touching any machinery? A chance to wave your hands around, Minority-Report style, and move things around on a screen? This sounded like almost too much fun, with gadget-y pizzazz that sounded astonishing.
We were very much a reading family, but we were a borrow-a-book-from-the-library family more than a bookshelves-full-of-books family. My parents valued books, but the grew up in the Depression, aware of the quicksilver nature of money, and they learned the hard way that you shouldn't buy what you could borrow. Because of that frugality, or perhaps independent of it, they also believed that you read a book for the experience of reading it.
Winter in the country is very white. There is black grit on all the shoulders of the roads and on the big mounds from the plows, and all the cars are filthy, but the fields are dazzling and untouched and pristine.
I remember three- and four-week-long snow days, and drifts so deep a small child, namely me, could get lost in them. No such winter exists in the record, but that's how Ohio winters seemed to me when I was little - silent, silver, endless, and dreamy.
A book feels like a thing alive in this moment, and also alive in a continuum, from the moment the thoughts about it first percolated in the writer's mind to the moment it sprang from the printing press -- a lifeline that continues as someone sits with it and marvels over it, and it continues on, ...
I teach a non-fiction writing class at New York University, and one of my great pleasures is deciding on the syllabus.
I didn't want to talk, and I didn't think dogs could solve my problems. But they were so uncritical and un-judgmental. Sometimes when you're really blue, you don't want to talk, but you want that sense of companionship. I certainly enjoy that with my beasts.
I never thought very many people in the world were very much like John Laroche, but I realized more and more that he was only an extreme, not an aberration - that most people in some way or another do strive for something exceptional, something to pursue, even at their peril, rather than abide an ordinary life.
When I wonder what the future of books will be, I often think about horses. Before automobiles existed, everyone had a horse. Then cars became available, and their convenience, compared to horses, was undeniable.
I've definitely taken a lot of consolation from animals in my life. There have been times when I've been really sad, and they gave solace and comfort and companionability more than a person.
Who on earth is going to use 'utilize' in a text message, a whopping seven characters including the always-hard-to-type 'z,' when you can say the exact same thing in three characters? I can't think of a sentence in which 'use' can't replace 'utilize.'
In the universe there are only a few absolutes of value; something is valuable because it can be eaten for nourishment or used as a weapon or made into clothes or it is valuable if you want it and you believe it will make you happy. Then it is worth anything as well as nothing, worth as much as you will give to have something you think you want.
There is nothing more melancholy than empty festive places.
You have to appreciate the spiritual component of having an opportunity to do something as wondrous as writing. You should be practical and smart and you should have a good agent and you should work really, really hard. But you should also be filled with awe and gratitude about this amazing way to be in the world.
Human relationships used to be easy: you had friends, boy- or girlfriends, parents, children, and landlords. Now, thanks to social media, it's all gone sideways.
I love Japanese design and fabrics. I also love people who make clothes for mass consumption but do it well and cleverly.
I'm happy to be reminded that an ordinary day full of nothing but nothingness can make you feel like you've won the lottery.
An ordinary life examined closely reveals itself to be exquisite and complicated and exceptional, somehow managing to be both heroic and plain.
The iPhone calendar isn't bad, but it isn't great, either. It only offers a day view and a month view - it doesn't have a week view, which drives me crazy.
I thought about my mother, who died when I was halfway done with this book, and I knew how pleased she would have been to see me in the library, and I was able to use that thought to transport myself for a split second to a time when I was young and she was in the moment, alert and tender, with years ahead of her, and she was beaming at me as I toddled to the checkout counter with an armload of books. I knew that if we had come here together, to this enchanted place of stucco and statuary and all the stories in the world for us to have, she would have reminded me just about now that if she could have chosen any profession in the world, she would have been a librarian.
The first thing I think about when I wake up most mornings is the fact that I'm tired. I have been tired for decades. I am tired in the morning and I am tired while becalmed in the slough of the afternoon, and I am tired in the evening, except right when I try to go to sleep.
When a machine can do something better and faster than a person can, I am happy to let the machine do it.
Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
I am unusually Halloween-attentive, because, as it happens, I was born on Halloween, so for me it has always been an occasion of great moment.
Notionally, it was the anchor of the region, but it existed at such a spiritual and sociological remove that it could have been the moon. Most likely, people settling in the San Jacinto Valley hoped not to make their way closer to Los Angeles but to make their way farther from it.
A snow day literally and figuratively falls from the sky, unbidden, and seems like a thing of wonder.
Most writing doesn't take place on the page; it takes place in your head.
I love convincing a reader that an unusual or seemingly ordinary subject is worth his or her time - it's part of the fun for me as a writer.
The thing is, I have a zillion apps, and I'm always looking for the perfect arrangement for them, so scrambling my home screen is part of that eternal quest.
Good quote: Lee was thirty-nine, still what we would consider a fairly young man, but for the dog-for all dogs- time dashes forward at a speed we humans can hardly perceive, until the day we realize that the puppy is no longer a puppy and has outpaced us. And yet a part of us lags behind, still seeing that old dog as a young dog even when he is standing at life's finish line.(less)
I heard a computer scientist the other day refer to playing with the Kinect as 'storytelling.' At first I thought that sounded a little high-minded, but after trying a few games I could see what she meant.
The lesson we have yet to learn from dogs, that could sustain us, is that having no apprehension of the past or future is not limiting but liberating.
I'm much more willing to buy a novel electronically by someone I don't know. Because if halfway through I think, I don't really like this, I can just stop. I can't throw books out, even if I think they're crummy. I feel like I've got to give it to the library. I've got to loan it to somebody, or I keep it on my shelf. It's like a plant.
Sense of smell, of course, is only one of those dog qualities that can't be replicated or improved upon. I've been researching dogs in warfare for my book about 'Rin Tin Tin,' and I've read many accounts of their heroics: carrying messages through battle, alerting troops to enemy planes, and even parachuting behind enemy lines.
Parents, it seems, have an almost Olympian persistence when it comes to suggesting more secure and lucrative lines of work for their children who have the notion that writing is an actual profession. I say this from experience.
It seems that half the point of being in Miami Beach - particularly the northern end of South Beach - is to be observed by people-watchers like me, and the display along Ocean Drive during my visit was, as always, sublime.
Why, I wonder, should the popularity of a news story matter to me? Does it mean it's a good story or just a seductive one?
The fact that dogs are not people means you don't have as much response to the particulars.
What's funny is that the idea of popularity - even the use of the word 'popular' - is something that had been mostly absent from my life since junior high. In fact, the hallmark of life after junior high seemed to be the shedding of popularity as a central concern.
I went to a football school, which meant that I went to a university that served up education and was simultaneously operating a sports franchise.
One of the very best reasons for having children is to be reminded of the incomparable joys of a snow day.
I don't like hiking with convicts carrying machetes.
There's a marvelous sense of mastery that comes with writing a sentence that sounds exactly as you want it to.
There were orchids for sale, for one and two and three and five hundred dollars, a madhouse of orchids in every color, in every shape, with wide leaves and skinny leaves and no leaves at all, with fat jutting lips and lips cupped like thimbles, and with blackish-red hoods and freckles, with ruffles, with pleats, with corkscrew curls, big as fists, small as fingernails, smelling of honey, grass, citrus, cinnamon, or of nothing, not a smell at all but just the heavy warm quality that air has after it has been sitting in a flower.
If you set out alone and sovereign, unconnected to a family, a religion, a nationality, a tradition, a class, then pretty soon you are too lonely, too self-invented and unique, and too much aware that there is no one else like you in the world. If you submerge yourself completely in something - your town or your profession or your hobby - then pretty soon you have to struggle up to the surface because you need to be sure that even though you are a part of something big, some community, you still exist as a single unit with a single mind. It is the fundamental contradictoriness of the United States of America - the illogical but optimistic notion that you can create a union of individuals in which every man is king.
Animals can seem more pure. Without complication, I mean, animals are selfless. What animals do for us, they do out of instinct.