The Romantic Quotes

What's wrong with slowmance? That should be a word. It's like a slow romance. A way to let the romantic moments linger. ~ Becky Albertalli

Debbie truly had Tess's best interest at heart with the promoting of romanticized contemplation, and she hoped that such contemplation would make transparent a roses and chocolate candy theme that would ignite a passionate desire in her friend for deep intimate companionship that would make lengthy modifications until it became a candlelight connection that would light up brightly and cause a common smile to take form in the lives of two singles. But the detailed scene of Tess's grander purview on the overall picture placed her friend's intent in a corner of stagnant nothingness that had no realistic chance of ever modifying into the romantic reality that she advocated. ~ Calvin W. Allison

I was comfortable in my thirties playing the romantic partner, the hero that saves the day, or the woman who is facing a world that revolves around younger kid actors. ~ Sharon Lawrence

She was afraid of us moving in together. With Mark, domestic intimacy had become domestic claustrophobia; and had riddled romance (though she never quite said this) like woodworm. It wasn't that she was resistant to the glamourlessness of stray toenails and washing up and underpants and mug-rings and hoovering and boredom; on the contrary: it was that she was horrified by her own willingness to sink so deeply into the comfort of such details. A no nonsense streak in her identified the ordinary with truth, the exotic with delusion. She and Mark had delighted in dehumbugging their own romance, had (she confessed) Larkinized themselves into mundanity addicts. In Mark's case (she suspected) because he knew deep down he had no magic in him; in her own because she knew deep down that she had too much (no nonsense streak or not), and that to release it would be to lose him - and perhaps herself. Therefore they had wallowed together in cosiness, both suffering, Mark for fear of her leaving him, her for fear (certainty, actually) that the romantic inside her would rise up and smash their deadening familiarity to pieces. ~ Glen Duncan

Candlelight flickered in the adjacent bedroom. She followed the ambient warmth to the threshold and paused there, marveling at what she saw. Lucan's austere bedroom had been transformed into something out of a dream. Four tall black pillar candles set into intricate silver sconces burned in each corner. Red silk draped the bed. On the floor before the fireplace was a cushioned next of fluffy pillows and even more crimson silk. It looked so romantic, so inviting.
A room intended for lovemaking.
She took a step farther inside. Behind her, the door closed softly on its own.
No, not quite on its own. Lucan was there, standing on the other side of the room, watching her. His hair was damp from a shower. He wore a loosely tied, satiny red robe that skated around his bare calves, and there was a heated look in his eyes that melted her where she stood.
"For you," he said, indicating the romantic setting. "For us tonight. I want things to be special for you."
Gabrielle was moved, instantly aroused by the sight of him, but she couldn't bear to make love the way things had been left between them.
"When I left tonight, I wasn't going to come back," she told him from the safety of distance. If she went any closer, she didn't think she'd have the strength to say what had to be said. "I can't do this anymore, Lucan. I need things from you that you can't give me."
"Name them." It was a soft command, but still a command. He moved toward her with careful ste ~ Lara Adrian

More generally, I made an effort to leave out things that weren't relevant to the main narrative themes of the book, namely that there were two sides to Steve Jobs: the romantic, poetic, countercultural rebel on one side, and the serious businessperson on the other. ~ Walter Isaacson

I created the Katie Fforde Bursary because I was a "nearly there" writer for a long time. I found it a bit of a struggle to pay my annual subscription to the Romantic Novelists' Association so when I finally became published, I wanted to give something back. That's the bursary, a year's subscription and a place at the conference. It does seem to give people a valuable boost to their confidence. People can find out more about the Romantic Novelists' Association at www.rna-uk.org ~ Katie Fforde

Nobody mentions it, but there are two types of insanity. One is the unstable mind, that's the one they make films about, the romantic insanity, a person out of control and capable of almost anything. But the other is the madness of the stable mind, where behaviour is illogical and damaging but every day it is exactly the same. ~ Petra Jacob

Women today are dealing with both their independence and also the fact that their lives are built around finding and satisfying the romantic models we grew up with. ~ Jane Campion

I think most of us who have been married for any substantial length of time realize that the romantic roller coaster of courtship eventually evens out to the terrain of a Midwest interstate - long, flat stretches with an occasional overpass. ~ Gary Thomas

Even if the romantic concept of love loses its splendor and meaning, I'll continue to love by engaging in a Sisyphean task of finding its sublime beauty from interminable meaninglessness, madness, and misery of loving. ~ Danny Castillones Sillada

And this one is relatively common: iatrophobia, or fear of doctors. Or gynophobia, which is fear of women, and naturally only afflicts only men. Very widespread in Mexico, although it manifests itself in different ways. Isn't that a slight exaggeration? Not a bit: almost all Mexican men are afraid of women. I don't know what to say to that, said Juan de Dios Martínez. Then there are two fears that are really very romantic: ombrophobia and thalassophobia, or fear of rain and fear of the sea. And two others with a touch of the romantic: anthophobia, or fear of flowers, and dendrophobia, fear of trees. Some Mexican men may be gynophobes, said Juan de Dios Martínez, but not all of them, it can't be that bad. What do you think optophobia is? asked the director. Opto, opto, something to do with the eyes, my God, fear of the eyes? Even worse: fear of opening the eyes. In a figurative sense, that's the answer to what you just said about gynophobia. In a literal sense, it leads to violent attacks, loss of consciousness, visual and auditory hallucinations, and generally aggressive behavior. ~ Roberto Bolano

Right now religion has the romantic aura of the forbidden - Christ is cool. We need to bring it into the schools, which kids already hate, and associate it firmly with boredom, regulation, condescension, makework and de facto segregation ... Prayer in the schools will rid us of the bland no-offense ecumenism that is so infuriating to us anticlericals: Oh, so now you say Jews didn't kill Christ - a little on the late side, isn't it? ~ Katha Pollitt

Let those who wish have their respectability- I wanted freedom, freedom to indulge in whatever caprice struck my fancy, freedom to search in the farthermost corners of the earth for the beautiful, the joyous, and the romantic. ~ Richard Halliburton

The romantic idea is that everybody around a writer must suffer for his talent. I think a writer is a citizen of humanity, part of his nation, part of his family. He may have to make some compromises. ~ Irwin Shaw

Victor-Marie Hugo (26 February 1802 - 22 May 1885) was a French poet, novelist, playwright, essayist, visual artist, statesman, human rights campaigner, and perhaps the most influential exponent of the Romantic movement in France. In France, Hugo's literary reputation rests on his poetic and dramatic output. Among many volumes of poetry, Les Contemplations and La Légende des siècles stand particularly high in critical esteem, and Hugo is sometimes identified as the greatest French poet. In the English-speaking world his best-known works are often the novels Les Misérables and Notre-Dame de Paris (sometimes translated into English as The Hunchback of Notre-Dame). Though extremely conservative in his youth, Hugo moved to the political left as the decades passed; he became a passionate supporter of republicanism, and his work touches upon most of the political and social issues and artistic trends of his time. Source: Wikipedia ~ Victor Hugo

Unconsciously he defines for me the lines of a fresh new school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. The harmony of soul and body - how much that is! We in our madness have separated the two, and have invented a realism that is vulgar, an ideality that is void. Harry! If only you knew what Dorian Gray is to me! ~ Oscar Wilde

a man who whipped out a double-headed dildo on a first date was probably not the romantic type. ~ Marshall Thornton

Yah-da, yah-da, yah-da, yah-da, yah, carburetor, gear ratio, compression, yah-da-yah, piston, plugs, intake, yah-da-yah, on and on and on. That is the romantic face of the classic mode. ~ Robert M. Pirsig

Before drawing any affirmative conclusions let us first note the absence of the concept of imitation as a general pastoral or moral guideline. There is in the New Testament no Franciscan glorification of barefoot itinerancy. Even when Paul argues the case for celibacy, it does not occur to him to appeal to the example of Jesus. Even when Paul explains his own predilection for self-support there is no appeal to Jesus' years of village artisan. Even when the Apostle argues strongly the case for his teaching authority, there is no appeal to the rabbinic ministry of Jesus. Jesus' trade as a carpenter, his association with fishermen, and his choice of illustrations from the life of the sower and the shepherd have through Christian history given momentum to the romantic glorification of the handcrafts and the rural life; but there is none of this in the New Testament, which testifies throughout to the life and mission of a church going intentionally into the cities in full knowledge of the conflicts which awaited here there. That the concept of imitation is not applied by the New Testament at some of those points where Franciscan and romantic devotion has tried most piously to apply it, is all the more demonstration of how fundamental the thought of participation in the suffering of Christ is when the New Testament church sees it as guiding and explaining her attitude to the powers of the world. Only at one point, only on one subject - but then consistently, universally - is Jesus ~ John Howard Yoder

What's a meet-cute? <> It's the moment in a movie when the romantic leads meet. They never just meet normally. It's never like, "Harry, meet Sally. Sally, this is Harry." They always meet in a cute way, like, "Hey, you just got chocolate in my peanut butter!" / "What are you talking about? You just got peanut butter in my chocolate! ~ Rainbow Rowell

To the romantic soul, the rituals of Valentine's Day echo every day of the year. ~ Richelle E. Goodrich

Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree. ~ Robert Moor

This miserable trick the romantic plays upon himself: of setting just beyond his reach the very thing he prizes. ~ Walker Percy

I do know its important to keep the romantic spark alive in your marriage. But with four kids, sometimes it's enough just to keep yourself alive. ~ Ray Romano

The Romantic movement among other things was concerned to bring back into permitted human experience occasions when the 'invisible but real world' was of paramount importance, when the non-visual or dark senses were operating as organs of knowledge. ~ Peter Redgrove

But the romantic atmosphere only heightened his feeling of icy fatness. ~ Nathanael West

The possibilities of pleasure seemed that morning so enormous and so various that to have only a moth's part in life, and a day moth's at that, appeared a hard fate, and his zest in enjoying his meagre opportunities to the full, pathetic. He flew vigorously to one corner of his compartment, and, after waiting there a second, flew across to the other. What remained for him but to fly to a third corner and then to a fourth? That was all he could do, in spite of the size of the downs, the width of the sky, the far-off smoke of houses, and the romantic voice, now and then, of a steamer out at sea. What he could do he did. ~ Virginia Woolf

My favorite movies are all romantic comedies. I love the romantic comedies. I'd still have to say Pretty Woman. I still think that it's one of the best ever. ~ Teryl Rothery

You know, I always got offered other stuff. Not the romantic leads, obviously. But very often it's a role that's underwritten, where the character has no personality at all. And they need a character actor who can fill it in. ~ Harvey Fierstein

This psychic wound appears to be suffered largely by men. Women writers weren't included in the Romantic roll-call, and never had a lot of Genius medals stuck onto them; in fact, the word 'genius' and the word 'woman' just don't fit together in our language, because the kind of eccentricity expected of male 'geniuses' would simply result in the label 'crazy,' should it be practiced by a woman. ~ Margaret Atwood

I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self? ~ Dorothy Allison

Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both. ~ Henri Frederic Amiel

The romantic hero is also "fatal" because, to the extent that he increases in power and genius, the power of evil increases in him. Every manifestation of power, every excess, is thus covered by this "It is so." That the artist, particularly the poet, should be demoniac is a very ancient idea, which is formulated provocatively in the work of the romantics. At this period there is even an imperialism of evil, whose aim is to annex everything, even the most orthodox geniuses. "What made Milton write with constraint," Blake observes, "when he spoke of angels and of God, and with audacity when he spoke of demons and of hell, is that he was a real poet and on the side of the demons, without knowing it." The poet, the genius, man himself in his most exalted image, therefore cry out simultaneously with Satan: "So farewell hope, and with hope farewell fear, farewell remorse ... Evil, be thou my good." It is the cry of outraged innocence. ~ Albert Camus

From all that urges and admonishes, the romantic turns away. He wants to dream, enjoy, immerse himself, instead of clearing his way by striving and wrestling. That which has been and rises out of what is past occupies him far more than what is to become and also more than what wants to become; for the word of the future would always be command. Experiences with their many echoes and their billows stand higher in his estimation than life with its tasks; for tasks always establish a bond with harsh reality. And from this he is in flight. He does not want to struggles against fate, but rather to receive it with an ardent and devout soul; he does not want to wrestle for the blessing, but to experience it, abandoning himself, devoid of will, to what spells salvation and bliss. ~ Leo Baeck

If we perform the romantic repertoire we need more musicians. ~ Neville Marriner

John Milton (December 9, 1608 – November 8, 1674) was an English poet, prose polemicist, and civil servant for the English Commonwealth. Most famed for his epic poem Paradise Lost, Milton is celebrated as well for his eloquent treatise condemning censorship, Areopagitica. Long considered the supreme English poet, Milton experienced a dip in popularity after attacks by T.S. Eliot and F.R. Leavis in the mid 20th century; but with multiple societies and scholarly journals devoted to his study, Milton's reputation remains as strong as ever in the 21st century. Very soon after his death – and continuing to the present day – Milton became the subject of partisan biographies, confirming T.S. Eliot's belief that "of no other poet is it so difficult to consider the poetry simply as poetry, without our theological and political dispositions…making unlawful entry." Milton's radical, republican politics and heretical religious views, coupled with the perceived artificiality of his complicated Latinate verse, alienated Eliot and other readers; yet by dint of the overriding influence of his poetry and personality on subsequent generations - particularly the Romantic movement - the man whom Samuel Johnson disparaged as "an acrimonious and surly republican" must be counted one of the most significant writers and thinkers of all time. Source: Wikipedia ~ John Milton

Suppose the looking glass smashes, the image disappears, and the romantic figure with the green of forest depths all about it is there no longer, but only that shell of a person which is seen by other people - what an airless, shallow, bald, prominent world it becomes! A world not to be lived in. As we face each other in omnibuses and underground railways we are looking into the mirror that accounts for the vagueness, the gleam of glassiness, in our eyes. ~ Virginia Woolf

She had thought of literature all these years (her seclusion, her rank, her sex must be her excuse) as something wild as the wind, hot as fire, swift as lightning; something errant, incalculable, abrupt, and behold, literature was an elderly gentleman in a grey suit talking about duchesses…

Orlando then came to the conclusion (opening half-a-dozen books)…that it would be impolitic in the extreme to wrap a ten-pound note round the sugar tongs when Miss Christina Rossetti came to tea…next (here were half-a-dozen invitations to celebrate centenaries by dining) that literature since it all these dinners must be growing very corpulent; next (she was invited to a score of lectures on the Influence of this upon that; the Classical revival; the Romantic survival, and other titles of the same engaging kind) that literature since it listened to all these lectures must be growing very dry; next (here she attended a reception given by a peeress) that literature since it wore all those fur tippets must be growing very respectable; next (here she visited Carlyle's sound-proof room at Chelsea) that genius since it needed all this coddling must be growing very delicate… ~ Virginia Woolf

The prosaic fact of the universe's existence alone defeats both the pragmatist and the romantic. ~ Stephen King

Considering what Adam went through to appreciate Eve to the utmost, I wondered how beautiful it is that you and I were created to need each other. The romantic need is just the beginning, because we need our families and we need our friends. In this way, we are made in God's image. Certainly God does not need people in the way you and I do, but He feels a joy at being loved, and He feels a joy at delivering love. It is a stinking thought to realize that, in paradise, a human is incomplete without a host of other people. We are relational indeed. And the Bible, with all its understanding of the relational needs of humans, was becoming more meaningful to me as I turned the pages. God made me, He knows me, He understands me, and He wants community. ~ Donald Miller

Weird that a house so new could feel haunted, and not in the romantic Victorian-novel way, just really gruesomely, shittily ruined. ~ Gillian Flynn

In fact, Lig never formally resigned his editorship - he merely left his office late one morning, and has never returned since. Though well over a century has now passed, many members of the Guide staff still retain the romantic notion that he has simply popped out for a sandwich and will yet return to put in a solid afternoon's work.
Strictly speaking, all editors since Lig Lury Jr., have therefore been designated acting editors, and Lig's desk is still preserved the way he left it, with the addition of a small sign that says LIG LURY, JR., EDITOR, MISSING, PRESUMED FED. ~ Douglas Adams

The romantic vision she'd held of her marriage where the two of them came first and children, no matter whose they were, came after that relationship had disappeared, and she had no idea where to find it. ~ Sarah Jo Smith

The romantic love we feel toward the opposite sex is probably one extra help from God to bring you together, but that's it. All the rest of it, the true love, is the test. ~ Joan Chen

I love the romantic comedy genre. It's a genre rich with many of the best movies ever made and I try to treat it with the respect that Shakespeare treated it with. ~ Nicholas Stoller

Imagination is not, as some poets have thought, simply synonymous with good. It may be either good or evil. As long as art remained primarily mimetic, the evil which imagination could do was limited by nature. Again, as long as it was treated as an amusement, the evil which it could do was limited in scope. But in an age when the connection between imagination and figuration is beginning to be dimly realized, when the fact of the directionally creator relation is beginning to break through into consciousness, both the good and the evil latent in the working of imagination begin to appear unlimited. We have seen in the Romantic movement an instance of the way in which the making of images may react upon the collective representations. It is a fairly rudimentary instance, but even so it has already gone beyond the dreams and responses of a leisured few. The economic and social structure of Switzerland is noticeably affected by its tourist industry, and that is due only in part to increased facilities of travel. It is due not less to the condition that (whatever may be said about their 'particles') the mountains which twentieth-century man sees are not the mountains which eighteenth-century man saw.

It may be objected that this is a very small matter, and that it will be a long time before the imagination of man substantially alters those appearances of nature with which his figuration supplies him. But then I am taking the long view. Even so, we need not be too confi ~ Owen Barfield

All the romantic lore of our culture has told us when we find true love with a partner it will continue. Yet this partnership lasts only if both parties remain committed to being loving. Not everyone can bear the weight of true love. Wounded hearts turn away from love because they do not want to do the work of healing necessary to sustain and nurture love. Many men, especially, often turn away from true love and choose relationships in which they can be emotionally withholding when they feel like it but still receive love from someone else. Ultimately, they choose power over love. To know and keep true love we have to be willing to surrender the will to power. ~ Bell Hooks

Don't think you can watch all the romantic movies, soap operas, TV shows and read all the romantic books out there and not be affected. Ninety-nine percent of the romantic stuff out there is garbage ... and what you put in always comes out ... UGLIER! ~ Osayi Emokpae Lasisi

It is this brighter side, the romantic side, the emotional side, that appeals to me. ~ Fennel Hudson

I believe in a passionately strong feeling for the poetry of life - for the beautiful, the mysterious, the romantic, the ecstatic - the loveliness of Nature, the lovability of people, everything that excites us, everything that starts our imagination working, LAUGHTER, gaiety, strength, heroism, love, tenderness, every time we see - however dimly - the godlike that is in everyone and want to kneel in reverence. ~ Leopold Stokowski

It's the fun part 'cause you don't have any of the real heavy-lifting to do. You just come in and shout and chew scenery, and just be awful and say a few jokes, and you don't have to carry the romantic storyline or the quest part of the story. You just pop up, every now and again. ~ Justin Theroux

It's hard to explain, but it's related to me know that for every moment of beauty this place gives me, I probably miss a thousand more. And I want them all. I swear I'd live on the dunes if I could. I was born out of my time. I should have been around during the end of the eighteenth century, when the Romantic Era kicked off, and writers and artists were obsessed with nature: the ocean, the mountains, the sky. And they believed in following their own path, experimenting, not blindly obeying rules.
I found a quote by Henry David Thoreau- "I wanted to live deep and suck out all the marrow of life" ... It made me cry. Urgency is so beautiful. ~ Kirsty Eagar

I'm very much a romantic. I'm highly attuned to an older sensibility, which I believe is alive and well. We're not that far ahead of the Romantic Age in society. ~ Rufus Wainwright

Ressentiment is always to some degree a determinant of the romantic type of mind. At least this is so when the romantic nostalgia for some past era (Hellas, the Middle Ages, etc.) is not primarily based on the values of that period, but on the wish to escape from the present. Then all praise of the "past" has the implied purpose of downgrading present-day reality. ~ Max Scheler

Satan, really, is the romantic youth of Jesus re-appearing for a moment. ~ James Joyce

You are the most dangerous kind of female the world can ever know. You carry the seeds for your own destruction and the destruction of everyone who loves you. And a great many will love you for your beautiful face for your seductive body; but you will fail them all because you will believe they all fail you first. You are an idealist of the worst kind - the romantic idealist. Born to destroy and self destruct. ~ V.C. Andrews

Ever since the romantic comedy-drama 'She's Gotta Have It' antagonized black women and black men in 1986, Spike Lee's films have enjoyed the outrage of various groups. ~ Lee Siegel

Playboy isn't like the downscale, male bonding, beer-swilling phenomena that is being promoted now by (some men's magazines). My whole notion was the romantic connection between male and female. ~ Hugh Hefner

Emotions are the lowest form of consciousness. Emotional actions are the most contracted, narrowing, dangerous form of behavior.

The romantic poetry and fiction of the last 200 years has quite blinded us to the fact that emotions are an active and harmful form of stupor.

Any peasant can tell you that. Beware of emotions. Any child can tell you that. Watch out for the emotional person. He is a lurching lunatic.

Emotions are caused by biochemical secretions in the body to serve during the state of acute emergency. An emotional person is a blind, crazed maniac. Emotions are addictive and narcotic and stupefacient.

Do not trust anyone who comes on emotional.

What are the emotions? In a book entitled Interpersonal Diagnosis of Personality, written when I was a psychologist, I presented classifications of emotions and detailed descriptions of their moderate and extreme manifestations. Emotions are all based on fear. [...]

The emotional person cannot think; he cannot perform any effective game action (except in acts of physical aggression and strength). The emotional person is turned off sensually. His body is a churning robot. [...]

The only state in which we can learn, harmonize, grow, merge, join, understand is the absence of emotion. This is called bliss or ecstasy, attained through centering the emotions. [...]

Conscious love is not an emotion; it is serene merging with yourself, with other ~ Timothy Leary

To some extent the romantic condemnation of rationality stems from the very effectiveness of rationality in uplifting men from primitive conditions. ~ Robert M. Pirsig

Within the classic mode, however, the romantic has some appearances of his own. Frivolous, irrational, erratic, untrustworthy, interested primarily in pleasureseeking. Shallow. Of no substance. Often a parasite who cannot of will not carry his own weight. A real drag on society. ~ Robert Pirsig

In two weeks, despite these notes, I shall no longer believe in what I am experiencing now. One must leave behind a trace of this journey which memory forgets. One must, when this is impossible, write or draw without responding to the romantic solicitations of pain, without enjoying suffering like music, tieing a pen to one's foot if need be, helping the doctors who can learn nothing from laziness. ~ Jean Cocteau

All Jane Austen novels have a common storyline: an attractive and virtuous young woman surmounts difficulties to achieve marriage to the man of her choice. This is the age-long convention of the romantic novel, but with Jane Austen, what we have is Mills & Boon written by a genius. ~ P.D. James

The romantic fairy tales we grew up with -- where marriage is the happy ending rather than the opening scene -- are not useful for grown-ups. ~ Ada Calhoun

I'm always trying to perfect the romantic comedy, though. ~ David Duchovny

Monogamy, it follows, is the sacred cow of the romantic ideal, for it is the marker of our specialness: I have been chosen and others renounced. When you turn your back on other loves, you confirm my uniqueness; when your hand or mind wanders, my importance is shattered. Conversely, if I no longer feel special, my own hands and mind tingle with curiosity. The disillusioned are prone to roam. Might someone else restore my significance ~ Esther Perel

I want to do the romantic comedies. You know, the stuff that Meg Ryan and Julia Roberts or Reese Witherspoon would choose, of course. ~ Jessica Simpson

Also, he was young enough that she didn't have to worry about any misunderstandings of the romantic variety - but not so young that she had to feel guilty about appreciating the view. ~ Claudia Gray

I didn't see anybody I knew and I began to feel lonely, but pleasantly so. I was at that stage of the evening where you fantasize that everyone is looking at you, the romantic stranger, out of the corners of their eyes. ~ Stephen King

The romantic temper, so often and so grievously misinterpreted and not more by others than by its own, is an insecure, unsatisfied, and impatient temper which sees no fit abode here for its ideals and chooses therefore to behold them under insensible figures. As a result of this choice it comes to disregard certain limitations. Its figures are blown to wild adventures, lacking the gravity of solid bodies, and the mind that has conceived them ends by disowning them. ~ James Joyce

How to be in harmony with the cosmos? It seems that certain preliminaries are indispensable: Rid yourself of all beliefs; leave metaphysics to the sectarians of the absurd; understand that hope is fear gone bad; confront reality directly; stop upholding the romantic dream of realization; forget sentimental neurosis; play with your own limits; look at your confusion; confront life without the bric-a-brac of the religious and the spiritual - without, for all that, becoming a narrow-minded materialist who would make a new God out of rationalism; dare to be alone; do not oppose Essence against reality; give yourself over to the pleasures of pure subjectivity; understand that everything is real; and finally, one day, know exhilarating silence. ~ Daniel Odier

The ascendancy over men's minds of the ruins of the stupendous past, the past of history, legend and myth, at once factual and fantastic, stretching back and back into ages that can but be surmised, is half-mystical in basis. The intoxication, at once so heady and so devout, is not the romantic melancholy engendered by broken towers and mouldered stones; it is the soaring of the imagination into the high empyrean where huge episodes are tangled with myths and dreams; it is the stunning impact of world history on its amazed heirs. ~ Rose Macaulay

The romantic artist expects people to ask, 'What has he got to say?' The classical artist expects them to ask, 'How does he say it? ~ Robin G. Collingwood

In Darwin's work, time moves at two speeds: there is the vast abyss of time in which generations change and animals mutate and evolve; and then there is the gnat's-breath, hummingbird-heart time of creaturely existence, where our children are born and grow and, sometimes, die before us...The space between the tiny but heartfelt time of human life and the limitless time of Nature became Darwin's implicit subject. Religion had always reconciled quick time and deep time by pretending that the one was in some way a prelude to the other - a prelude or a porlogue or a trial or a treatment. Artists of the Romantic period, in an increasingly secularized age, thought that through some vague kind of transcendence they could bridge the gap. They couldn't. Nothing could. The tragedy of life is not that there is no God but that the generations through which it progresses are too tiny to count very much. There isn't a special providence in the fall of a sparrow, but try telling that to the sparrows. The human challenge that Darwin felt, and that his work still presents, is to see both times truly - not to attempt to humanize deep time, or to dismiss quick time, but to make enough of both without overlooking either. ~ Adam Gopnik

I'm Tiny And My Reach Is Limited. I Can Give YOU Only What I Have And Surely When I Give, I Don't Keep Anything For Me. To YOU, It's Nothing Probably As YOU've Got Everything. My Everything Would Be Unnoticed. It Seems Like "A Rain Drop To The Ocean" ... (From The Romantic Story "Reflection of The Rainbow") ... ~ Muhammad Imran Hasan

Between the sleeping and the waking, it is there.

Between the rising and the resting, it is there.

It is always there.

It gnaws on my heart. It chews on my soul.

I turn aside and see it. I stop my ears and hear it. I cover myself and feel it.

There are no human words for what I mean.

It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down.

It is what the unseeing eye sees. It is what the deaf ear heres.

It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple.

Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye.

Our bones are bleached within our skin; our empty sockets regard the crow.

Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air.

Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us. ~ Rick Yancey

It's been such a deep and amazing journey for me, getting close to John Keats, and also I love Shelley and Byron. I mean, the thing about the Romantic poets is that they've got the epitaph of romantic posthumously. They all died really young, and Keats, the youngest of them all. ~ Jane Campion

A better name for nirvana might be endless love. Love not even in the sense that we see it if we're watching the romantic movie, but love in a sense of no absence. ~ Frederick Lenz

Dr Allendy said that it was necessary to become equal to life, that the romantic was defeated by life, really died of it, whether by tuberculosis in the old days, or by neurosis today. I had never thought before of the connection between neurosis and romanticism. Wanting the impossible? Dying when unable to reach it? Not wanting to compromise? ~ Anais Nin

The romantic reunion and thank-you-for-saving-my-life sex would have to wait until later. ~ Jennifer Estep

Nobody ever plays the romantic part I write for them in my head. ~ Somi Ekhasomhi

In freeing myself from the romantic dream of finding another man to come along and rescue me, I learned that no one can rescue me except myself. ~ Erica Jong

The butterflies were performing circus tricks now, flying through hoops of fire. Lexi had read about infatuation once. Some writer had doused the romantic notion of winged insects. He'd said the funny feeling was simply the motion of common sense fleeing the body. It made more sense, in a world where few things did. Lexi smiled, reveling in the feeling. ~ Angela Panayotopulos

Now, did you really mean that about not wanting to do this the rest of your life?" he asked. That familiar, playful grin appeared in the corner of his mouth.
I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn't meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans.
"Hey, we don't have to do this now," Marlboro Man said, standing back up. "I'll just do it later."
"No, I'm fine," I answered, walking back toward my horse with newfound resolve.
I took another deep breath and climbed back on the horse. As Marlboro Man and I rode back toward the thicket of trees, I suddenly understood: if I was going to marry this man, if I was going to live on this isolated ranch, if I was going to survive without cappuccino and takeout food…I sure wasn't going to let this horse beat me. I'd have to toughen up and face things.
As we rode, it became even more clear. I'd have to apply this same courage to all areas of my life--not just the practical, day-in and day-out activities of ranch life, but also the reality of my parents' marital collapse and any other problems that would arise in the coming years. Suddenly, running off and getting married no longer seemed like the romantic adventures I was trying to convince myself it would be. Suddenly I realized that if I did that, if I ran away and said "I do" in some dark, hidden corner of the ~ Ree Drummond

The Enlightenment needs more shadow; the Romantic Movement less. ~ Mason Cooley

A poet has to be a bit childlike at heart, and in that sense all the romantic stereotypes about poets being "eternal children", etc, are all accurate. They believe, whatever they may say, that art and words can change the world. ~ John Thomas Allen

The remoter poetry in particular was replete with effects, an effect being something hypnotic we cannot quite understand, whiteness of moon and wave related to the setting of Time in a manner "too subtle for the intellect." And all over Europe, by the late 19th century, poets had decided that effects were intrinsic to poetry, and were aiming at them by deliberate process. By the end of the century, in France, whole poems have been made "too subtle for the intellect," held together, as effects are, by the extra-semantic affinities of their words. Picking up a name that was once thrown around as their authors, we have learned to call them "Symbolist" poems. In the Symbolist poem the Romantic effect has become a structural principle, and we may say that Symbolism is scientific Romanticism, thus an effort to anticipate the work of time by aiming directly at the kind of existence a poem may have when a thousand years have deprived it of its dandelions and its mythologies, an existence purely linguistic, determined by the molecular bonds of half-understood words. ~ Hugh Kenner

I'm infected with the romantic fever. It began in my teens when I read Baudelaire in secret. ~ Renee Vivien

I don't know about the romantic comedy route, although never say never. ~ Kristen Wiig

For church planters, the motivation is not about the romantic or heroic venture ... it is because you realize you can't not plant one. ~ Dan Kimball

Great historians can make the discovery of the real story more exciting than the romantic myth. Stacy Schiff, a great historian as well as a wonderful writer, peels away the layers to reveal the true Cleopatraa much more interesting woman than the Hollywood version and, as it turns out, a formidable queen after all. ~ Evan Thomas

I've done five films directed by women. I did like it. They had qualities, particularly in the romantic tenderness of scenes. I felt sometimes they were a little bit soft, but maybe they were clever to get the guys working the way they wanted them to. ~ Jacqueline Bisset

But in some curious way - I wonder will you understand me?- his personality has suggested to me an entirely new manner in art, an entirely new mode of style. I see things differently, I think of them differently. I can now recreate life in a way that was hidden from me before. 'A dream of form in days of thought:' ... Unconsciously he defines for me the lines of a fresh school, a school that is to have in it all the passion of the romantic spirit, all the perfection of the spirit that is Greek. ~ Oscar Wilde

However, ana al-haqq as it stands has raised a few literary questions as well and, within the tradition of mystic poetry, the attitude preserved in Hallaj's expression has given rise to mixed reactions regarding its content. It is held that it is an exaggeration of subjective experience, and ana - the personal "I" - shows leanings toward megalomania and egotism. It is the personal "I" which overshadows al-haqq, and thereby invites total attention to itself. In fact, the personal "I" absorbs al-haqq, and reaches out to the romantic cult of the egostistical sublime. In this context, the truth tends to become subjective and, therefore, relative, and in its social implications it shows the possibility of numerous diversions. Extreme individualism, in contrast to institutionalism, is also held to be related to ana al-haqq. The personal "I" is supposed to be potentionally explosive and destructive for values of the Establishment. A.J. Arberry has summed up the position by saying that Hallaj had dared to declare that his direct awareness of God was for him a clearer proof than both revelation and reason. ~ Gilani Kamran

The conventional wisdom is that if you are gay, you cannot play the romantic straight lead in a movie. ~ Ian McKellen

What reader or dreamer doesn't imagine the romantic life of a writer, who lingers between the desk and the fridge in the morning and in the evening attends cocktail parties thrown by nouveaux riches and the society ladies who hardly ever have the time to read? ~ Rawi Hage

The ultimate source of energy, the sun is ready to set. The leaves of the blooming lotus flower in the pond are losing their lustre. A bumblebee, sitting on that lotus is enjoying the romantic pleasure and murmuring passionate songs. ~ Manmohan Acharya

I began to experience, over the course of the next three months, full-blown insomnia. I'm not talking about the romantic kind, not the sweet sleeplessness one has when one is in love, anxiously awaiting the morn so one can rendezvous with a lover in an illicit gazebo. No, this was the torturous, clammy kind, when one's pillow slowly takes on the properties of a block of wood and one's sheets, the air of the Everglades. ~ Marisha Pessl

The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don't believe they are the Source. They have access to the Source. Endless access. But don't get confused. ~ Tori Amos