Justin Theroux Famous Quotes
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There's a logic to dreams that doesn't necessarily follow linear narrative. You don't know why things happen, it's your subconscious pushing you, to give you information.
I stole a lot from Gary Oldman. I stole the hairdo from his incarnation of Dracula. We cheated it just enough, so we couldn't get accused of copyright infringement.
In the '90s, there was a big bell-bottom craze. Everyone was wearing grungy bell-bottoms. It was so repugnant to me.
It's the fun part 'cause you don't have any of the real heavy-lifting to do. You just come in and shout and chew scenery, and just be awful and say a few jokes, and you don't have to carry the romantic storyline or the quest part of the story. You just pop up, every now and again.
I would always choose the script. You get more creative control that way. But, when you're in a situation like this, where everyone is really funny and you really want to do it, that's the chance of a lifetime, so you want to do it. But, a script has longer legs than a performance and, in the end, is more satisfying. It's harder, but it's more satisfying.
You can get stuff done in New York that you can't in Los Angeles. If you wanted to get some milk and get your shoes repaired and drop something off at the dry cleaner, that's an all-day adventure in Los Angeles. In New York, you can bang that out in half an hour.
I've never been shocked by anything on television, except the news.
In New York, you can bump into someone on the street and go to a thing, go get coffee real quick.
I feel more comfortable writing firmly comedic or slightly comedic stuff.
I had such a distaste for '70s clothing. So, the '90s were a rough period for me because I got made fun of for wearing what they used to call "pegged pants." Now they call them "skinny jeans."
I think we need to tell stories that reflect our world.
I always try to do the most interesting, fun thing for me.
I was always acting. I was doing after-school plays and stuff like that.
Unless you hit your television with a sledgehammer, you're not going to be able to be an individual.
If I was roped into a seven-year TV contract I'd probably hang myself.
There was a moment, late into the season, where I was noticing I was darkening a little bit at night. I was like, 'It will be nice when the show is over for the season. I need a vacation.'
I'm not method or anything like that, but sometimes you get the scenes and you're like 'Really, Damon [Lindelof]? More of this? Can I have one scene where it's a walk in the park?' But he doesn't do that. He puts every character through their paces.
I don't miss much about my childhood. I lived in a good neighborhood, a wacky neighborhood. It was a very boy-heavy neighborhood - kind of Lord of the Flies-y. So many weird things happened, funny things.
I mean the good thing about Marvel is that they're really good about reading what they call the shareholders - the fans. Because they really are the keepers of what keeps these movies going, you know?
I hate when people make a really good product and then stop making it. I get annoyed.
I've always been pretty happy with my style. I've been wearing tapered jeans since 1980 something.
There was a time when doing "Zoolander 2" that I was literally flying between the "Zoolander" shoot and "The Leftovers" in Texas and at that point, I was getting comedy whiplash. It was a relief, though, to get to Rome and be like, "Oh my God, I get to laugh on set."
After my parents got divorced, I had to go right into public school in the fourth grade. The Steiner school had never really taught me how to read, so it was a rude awakening. I was playing catch-up the whole time.
I always go to bed thinking I'm the luckiest guy in the world.
Though there is something cruel about being in Hawaii and you have a computer in front of you the whole time.
I didn't have a lot of ambition, which I think was a good thing. I mean, I was ambitious about quality, but I wasn't ambitious in the "I've got to get a pilot!" way. I never went out to L.A. for pilot season.
I've never been the guy who's like, 'I take it home with me.'