Dark Words Quotes

Why is he scared of the dark?"
I meant the words for a joke, but Shade nodded seriously. "Like all monsters. Because it reminds him of what he truly is". ~ Rosamund Hodge

Yes, Ally?" What have I done? I try to figure out what I should say. Maybe ask to go get a drink? But the thing is that something deep inside me really does want to answer. Because I'm an expert on these two words. I know what they mean. And how they feel. Especially after that butterfly party. Mr. Daniels's eyes are wide, and they are waiting for me. "Ally?" he says. "It's okay, now. Take your time." And it's like he can see right into my guts. Knows how sad I am. Like he's handing me a flashlight in a dark room. I ~ Lynda Mullaly Hunt

I needed somewhere that wasn't bad. I wanted to be light and happy like you, and I wanted never for you to see the dark. I was scared I would infect you with terrible feelings and pictures in my head of walking out in front of the traffic and - No. That's not for you, see? Not for you to hear. I needed you to be my sunlight, Bessi,' and here George paused and her words became very small, 'I lost mine, I lost it. ~ Diana Evans

Never before had he said such long strings of sentences in French before, like he did now. In the sheltering dark, his thrusts were slow, deep, sure, his hands digging bruises into her hips, the French rolling in thick purrs off his tongue; she had the impression it was sexual, whatever he said, the way the words caressed and encouraged her. ~ Lauren Gilley

Try not to breathe," I tell Lira. "It might get stuck halfway out."
Lira flicks up her hood. "You should try not to talk then," she retorts. "Nobody wants your words being preserved for eternity."
"They're pearls of wisdom, actually."
I can barely see Lira's eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow.
Lira pulls a line of ice from her hair, artfully indifferent. "If that is what pearls are worth these days, I'll make sure to invest in diamonds."
"Or gold," I tell her smugly. "I hear it's worth its weight."
Kye shakes the snow from his sword and scoffs. "Anytime you two want to stop making me feel nauseated, go right ahead."
"Are you jealous because I'm not flirting with you?" Madrid asks him, warming her finger on the trigger mechanism of her gun.
"I don't need you to flirt with me," he says. "I already know you find me irresistible."
Madrid reholsters her gun. "It's actually quite easy to resist you when you're dressed like that."
Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile.
"Is it because you think I look sexier wearing nothing?"
Torik lets out a withering sigh and pinche ~ Alexandra Christo

A love poem about the most invisible woman:

The perfect mind, the perfect cover.
I knew her, like… there was no other.
No, I will never, her, forget.
In pure blood - these words are set.
She walks alone now, in my dreams,
where no is never, so it seems.
The night is dark, and near the hour –
to plant a tree, where roses flower.
And then, again, again, once more,
Till hidden is what I adore.
Her heart was pure, and also kind,
And I… should not have acted blind. ~ Will Advise

The light can only shine in the darkness. ~ Lailah Gifty Akita

In the night the song came to me; but you were not there.
It found the words for which I had been seeking all day. Yes, in the stillness a moment after dark they throbbed into music, even as the stars then began to pulse with light; but you were not there. My hope was to sing it to you in the morning; but, try as I might, though the music came, the words hung back, when you were beside me. ~ Rabindranath Tagore

Incredible how the top dog always announces with such an air of discovery that the underdog is childish, stupid, emotional, irresponsible, uninterested in serious matters, incapable of learning - but for god's sake don't teach them anything! - and both cowardly and ferocious. […] The oppressed is also treacherous, incapable of fighting fair, full of dark magics, prone to do nasty things like fighting back when attacked, and contented with their place in life unless stirred up by outside agitators. […] Once I learned the tune I stopped believing the words - about anybody. ~ Julie Phillips

In vain do we extend our view into the heavens, and pry into the entrails of the earth, in vain do we consult the writings of learned men, and trace the dark footsteps of antiquity; we need only draw the curtain of words, to behold the fairest tree of knowledge, whose fruit is excellent, and within the reach of our hand. ~ George Berkeley

The cart slowed as they came to a place so dark and quiet that it seemed as if they had entered some remote forest. Peeking beneath the hem of the cart's canvas covering, Garrett saw towering gates covered with ivy, and ghostly sculptures of angels, and solemn figures of men, women, and children with their arms crossed in resignation upon their breasts. Graveyard sculptures. A stab of horror went through her, and she crawled to the front of the cart to where West Ravenel was sitting with the driver.
"Where the devil are you taking us, Mr. Ravenel?"
He glanced at her over his shoulder, his brows raised. "I told you before- a private railway station."
"It looks like a cemetery."
"It's a cemetery station," he admitted. "With a dedicated line that runs funeral trains out to the burial grounds. It also happens to connect to the main lines and branches of the London Ironstone Railroad, owned by our mutual friend Tom Severin."
"You told Mr. Severin about all this? Dear God. Can we trust him?"
West grimaced slightly. "One never wants to be in the position of having to trust Severin," he admitted. "But he's the only one who could obtain clearances for a special train so quickly."
They approached a massive brick and stone building housing a railway platform. A ponderous stone sign adorned the top of the carriage entrance: Silent Gardens. Just below it, the shape of an open book emblazoned with words had been carved in the stone. Ad Meliora. "Toward be ~ Lisa Kleypas

Who Am I? I am not a disease, nor my weight, nor even my family. I am not my job, or my things, or the house I live in. I am not the words used to describe me (quiet or boring or something else I haven't thought of), the books I read, or the clothes I wear. I am not what you see, on the outside or what I say or even the things I do. It's all illusory. I am, instead, this essence inside. I am the strength that gives me breath each day. I am the love I feel within. I am a light in the dark. I am a little piece of this universe. I am human. I am silence. I am hope burning. I am kindness. I am laughter. I am all of these things. I am. ~ Erica Orloff

When Turkey began approaching the EU, I wasn't the only one who worried that the dark stain in Turkey's history - or rather the history of the Ottoman Empire - could become a problem one day. In other words, what happened to the Armenians in World War I. That's why I couldn't leave the issue untouched. ~ Orhan Pamuk

Recklessness is beauty
Ashbery says. When a car
door opens in the dark
at ninety miles an hour
what rushes in is beauty.
The wind's hymns are
inaudible, the words
chased off by scarecrows
from the blurry fields.
The murmuring heart
beatless all those moments
waiting to see if you
will live. ~ Keith Althaus

Oftentimes we call Life bitter names, but only when we ourselves are bitter and dark. And we deem her empty and unprofitable, but only when the soul goes wandering in desolate places, and the heart is drunken with overmindfulness of self.
Life is deep and high and distant; and though only your vast vision can reach even her feet, yet she is near; and though only the breath of your breath reaches her heart, the shadow of your shadow crosses her face, and the echo of your faintest cry becomes a spring and an autumn in her breast.
And life is veiled and hidden, even as your greater self is hidden and veiled. Yet when Life speaks, all the winds become words; and when she speaks again, the smiles upon your lips and the tears in your eyes turn also into words. When she sings, the deaf hear and are held; and when she comes walking, the sightless behold her and are amazed and follow her in wonder and astonishment. ~ Kahlil Gibran

If Sawtooth could put words to the brambled knot forming in his throat, he would tell her: Girl, don't go. I am marooned in this place without you. What I feel for you is more than love. It's stronger, peninsular. You connect me to the Mainland. You are my leg of land over dark water. ~ Karen Russell

Such moments passed and the wasting fires of lust sprang up again. The verses passed from his lips and the inarticulate cries and the unspoken brutal words rushed forth from his brain to force a passage. His blood was in revolt. He wandered up and down the dark slimy streets peering into the gloom of lanes and doorways, listening eagerly for any sound. He moaned to himself like some baffled prowling beast. He wanted to sin with another of his kind, to force another being to sin with him and to exult with her in sin. He felt some dark presence moving irresistibly upon him from the darkness, a presence subtle and murmurous as a flood filling him wholly with itself. Its murmur besieged his ears like the murmur of some multitude in sleep; its subtle streams penetrated his being. His hands clenched convulsively and his teeth set together as he suffered the agony of its penetration. He stretched out his arms in the street to hold fast the frail swooning form that eluded him and incited him: and the cry that he had strangled for so long in his throat issued from his lips. It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal. ~ James Joyce

Disillusioned words like bullets bark
As human gods aim for their marks
Made everything from toy guns that sparks
To flesh-colored Christs that glow in the dark
It's easy to see without looking too far
That not much
Is really sacred.

While preachers preach of evil fates
Teachers teach that knowledge waits
Can lead to hundred-dollar plates
Goodness hides behind its gates
But even the President of the United States
Sometimes must have
To stand naked.

An' though the rules of the road have been lodged
It's only people's games that you got to dodge
And it's alright, Ma, I can make it.

Advertising signs that con you
Into thinking you're the one
That can do what's never been done
That can win what's never been won
Meantime life outside goes on
All around you.

Although the masters make the rules
For the wise men and the fools
I got nothing, Ma, to live up to.

For them that must obey authority
That they do not respect in any degree
Who despite their jobs, their destinies
Speak jealously of them that are free
Cultivate their flowers to be
Nothing more than something
They invest in.

While some on principles baptized
To strict party platforms ties
Social clubs in drag disguise
Outsiders they can freely criticize
Tell nothing except who to idolize
And then say God Bl ~ Bob Dylan

You sleep like an angel" Jacks said. The shock of his words in the dark room sent Maddy's stomach leaping into her throat. She didn't even realize she had screamed until it came out of her mouth. "Don't be frightened," Jacks said, sounding worried. "It's just me. I'm sorry, I so didn't mean for that to sound creepy. Let me start over. ~ Scott Speer

Julian," she said huskily, "you were right the other morning. You know me so well. I'm not made for illicit affaires, all that sneaking around to avoid discovery." In the dark, her hands crept up to his shoulders, then his face. Her finger teased through his hair. "Why should we hide at all? Let all London see us together. I don't care what anyone says or thinks. I love you, and I want the world to know."
He wanted to weep. For joy, for frustration. She was so brave, his beautiful Lily, and the situation was so damned unfair. It wasn't her fault that she made these heartrending declarations at a moment when their lives were probably in danger and he couldn't possibly reciprocate. That fault was his, for choosing to live the way he had and making the decisions he'd made. He didn't deserve her, didn't deserve her love. He most certainly didn't merit those warm brushes of her lips against his skin. But damned if he could bring himself to stop them.
"We're in love, Julian. Isn't it wonderful?"
"No," he murmured as she kissed him again. "It's not wonderful. It's a disaster."
Her lips grazed his jaw, then his throat. "I can feel you speaking, and I know you're probably making some valiant protest. But you know I can't hear those words. Your body is making an altogether different argument, and I'm listening to it." Her fingers crept inside his waistcoat, splaying over the thin lawn of his shirt. "Take your heart, for example."
Yes, take it. Take it and keep ~ Tessa Dare

I try to be confident, always have, but despite my best efforts, sometimes I come off like I'm a total ... "
"Dick?" I finished for him. "I'm just randomly picking words out of the air. Tell me if you think I'm close. ~ Michelle Rowen

Pa said, "Won't you say a few words? Ain't none of our folks ever been buried without a few words."
Connie led Rose of Sharon to the graveside, she reluctant. "You got to," Connie said. "It ain't decent not to. It'll jus' be a little.
The firelight fell on the grouped people, showing their faces and their eyes, dwindling on their dark clothes.All the hats were off now. The light danced, jerking over the people.
Casy said, It'll be a short one." He bowed his head, and the others followed his lead. Casy said solemnly, "This here ol' man jus' lived a life an' just died out of it. I don't know whether he was good or bad, but that don't matter much. He was alive, an' that's what matters. An' now his dead, an' that don't matter. Heard a fella tell a poem one time, an' he says 'All that lives is holy.' Got to thinkin', an' purty soon it means more than the words says. An' I woundn' pray for a ol' fella that's dead. He's awright. He got a job to do, but it's all laid out for'im an' there's on'y one way to do it. But us, we got a job to do, an' they's a thousan' ways, an' we don' know which one to take. An' if I was to pray, it'd be for the folks that don' know which way to turn. Grampa here, he got the easy straight. An' now cover 'im up and let'im get to his work." He raised his head. ~ John Steinbeck

for we all have
our own

twilights
and mists
and abysses

to return to. ~ Sanober Khan

In these times of Darkness, I keep dreaming of a better tomorrow, and praying my soul won't be corrupted.
These are Gudrun's words and thoughts. She is living in a troubled world, where only the strong can be free.
She is a Fantasy character you find on The Art of Isis Sousa & Guests! ~ Isis Sousa

Ash nazg durbatulûk, ash nazg gimbatul, ash nazg thrakatulûk agh burzum-ishi krimpatul. The change in the wizard's voice was astounding. Suddenly it became menacing, powerful, harsh as stone. A shadow seemed to pass over the high sun, and the porch for a moment grew dark. All trembled, and the Elves stopped their ears. 'Never before has any voice dared to utter words of that tongue in Imladris, Gandalf the Grey,' said Elrond, as the shadow passed and the company breathed once more. ~ J.R.R. Tolkien

Ian bit his right index finger, watching in fascination as the dark ruby drop of blood welled and bloomed out of his skin. Gently, he coaxed Angelica's lips open with the fingers of his left hand and let his blood drip into her mouth. With a barely audible whisper, Ian whispered the ancient words of the ritual that would bind her to him. "I, Ian Ashton, Duke of Burnrath and Lord of London, Mark this mortal, Angelica Winthrop, as mine and mine alone. With this Mark I give Angelica my undying protection. Let all others, immortal and mortal alike, who cross her path sense my Mark and know that to act against her is to act against myself and thus set forth my wrath as I will avenge what is mine." A ~ Brooklyn Ann

A few minutes later, a tall, bronze-skinned woman with masses of dark hair, eyes like pale emeralds, and more curves than the Nürburgring racetrack appeared next to my table. My SEAL stood and started to intervene, but I held up a lazy hand, gave a droopy-eyed smile, slurred my words, and waved him off. The stripper sat on my lap with nothing between her and the Lord but a smile and three pieces of strategically placed duct tape. She slipped a glittering arm around my shoulders - she apparently was wearing lotion with metal flakes in it and it felt rough. Then she leaned her décolletage my way, placing her head next to my ear. "You know what you're supposed to do, right?" she whispered, smiling and acting like she had just said something terribly wrong. She was a good actress for Elizabeth City.
Laughing, smiling, and acting wasted, I slurred as loudly and obnoxiously as I could, "Oh, I know exactly what I'm doing, woman!" With that, I reached up and placed my hand on her massive breast, just as I'd been instructed to do - all for the good of my country.
The slap that followed could[…]"

Excerpt From: Jamie Smith. "Gray Work ~ Jamie Smith

*I treat my poor heart like a sick child, and gratify its every fancy
* The human race is but a monotonous affair
*and O Wilhelm, I vowed at that moment, that a maiden whom I loved, or for whom I felt the slightest attachment, never, never should waltz with any one else but with me, if I went to perdition for it! - you will understand this.
*I felt as though a dagger went through my heart.
* I gazed upon her rich dark eyes during these remarks, how my very soul gloated over her warm lips and fresh, glowing cheeks, how I became quite lost in the delightful meaning of her words, so much so, that I scarcely heard the actual expressions
*"As long as I see those eyes open, there is no fear of my falling asleep."
* I left her asking permission to visit her in the course of the day. She consented, and I went, and, since that time, sun, moon, and stars may pursue their course: I know not whether it is day or night; the whole world is nothing to me.
*We should deal with children as God deals with us, we are happiest under the influence of innocent delusions ~ Johann Wolfgang Von Goethe

The night is falling down around us. Meteors rain like fireworks, quick rips in the seam of the dark ... Every second, another streak of silver glows: parentheses, exclamation points, commas - a whole grammar made of light, for words too hard to speak. ~ Jodi Picoult

Pride and Prejudice opens with one of the most famous sentences ever written: "It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife." With these words, Jane Austen announced to her readers that they were about to meet such a man and the people eager to marry him off. What was more, they were going to have fun. The dark cynicism of Sense and Sensibility was largely gone, blown away by a clean, fresh wind. ~ Catherine Reef

And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. ~ Sylvia Plath

"What is good for a bootless bene?" With these dark words begins my tale; And their meaning is, Whence can comfort spring When prayer is of no avail? ~ William Wordsworth

Stronger Than Time

Since I have set my lips to your full cup, my sweet,
Since I my pallid face between your hands have laid,
Since I have known your soul, and all the bloom of it,
And all the perfume rare, now buried in the shade;

Since it was given to me to hear on happy while,
The words wherein your heart spoke all its mysteries,
Since I have seen you weep, and since I have seen you smile,
Your lips upon my lips, and your eyes upon my eyes;

Since I have known above my forehead glance and gleam,
A ray, a single ray, of your star, veiled always,
Since I have felt the fall, upon my lifetime's stream,
Of one rose petal plucked from the roses of your days;

I now am bold to say to the swift changing hours,
Pass, pass upon your way, for I grow never old,
Fleet to the dark abysm with all your fading flowers,
One rose that none may pluck, within my heart I hold.

Your flying wings may smite, but they can never spill
The cup fulfilled of love, from which my lips are wet;
My heart has far more fire than you can frost to chill,
My soul more love than you can make my soul forget ~ Victor Hugo

There are so many dirty names for her that one rarely learns them all, even in one's native language. There are dirty names for every female part of her body and for every way of touching her. There are dirty words, dirty laughs, dirty noises, dirty jokes, dirty movies, and dirty things to do to her in the dark. Fucking her is the dirtiest, though it may not be as dirty as she herself is. Her genitals are dirty in the literal meaning: stink and blood and urine and mucous and slime. Her genitals are also dirty in the metaphoric sense: obscene. She is reviled as filthy, obscene, in religion, pornography, philosophy, and in most literature and art and psychology. where she is not maligned she is magnificently condescended to, as in this diary entry by Somerset Maugham written when he was in medical school:

The Professor of Gynaecology: He began his course of lectures as follows: Gentlemen, woman is an animal that micturates once a day, defecates once a week, menstruates once a month, parturates once a year and copulates whenever she has the opportunity.

I thought it a prettily-balanced sentence.

Were she loved sufficiently, or even enough, she could not be despised so much. were she sexually loved, or even liked, she and what is done with or to her, in the dark or in the light, she would not, could not, exist rooted in the realm of dirt, the contempt for her apparently absolute and irrevocable; horrible; immovable; help us, Lord; unjust. She is n ~ Andrea Dworkin

Space is so dark that looking out at it confounds the brain. The more you stare at the vastness of it, at the hanging stars and the swirling galaxies, the more you start to notice how imprecise words like 'dark' and 'black' and 'endless' are. There are so many gradients of shadow, all of them terrifying to me. That's why I keep the lights on. ~ Holly Black

In this little booklet, which had belonged to a maternal great-uncle of ... mine, who spent some time working as an office clerk in northern Italy towards the end of the last century, everything seemed arranged in the best of all possible ways, quite as though the world was made up purely of letters and words and as if, through this act of transformation, even the greatest of horrors were safely banished, as if to each dark side there were a redeeming counterpart, to every evil its good, to every pain its pleasure, and to every lie a measure of truth. ~ W.G. Sebald

Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is. ~ Jeff Buckley

You find my words dark. Darkness is in our souls, do you not think? ~ James Joyce

Yes, I read. I have that absurd habit. I like beautiful poems, moving poetry, and all the beyond of that poetry. I am extraordinarily sensitive to those poor, marvelous words left in our dark night by a few men I never knew. ~ Louis Aragon

When alone in a dark forest waiting for an audience with an evil god, the most prudent course of action is to be quiet and wait. 'Prudent' wasn't one of my favourite words.
"Hello? I've come to borrow a cup of sugar. Anybody? Perhaps there is an old woman with a house made of candy who could help me?"
"Marrying for love isn't wise."
The voice came from somewhere to the left. Melodious, but not soft, definitely female and charged with a promise of hidden power. Something told me that hearing her scream would end very badly for me.
I stopped and pivoted toward the voice.
"Marry for safety. Marry for power. But only fools marry for love."
When a strange voice talks to you in the black woods, only idiots answer.
I was that idiot. "Thank you, counsellor. How much do I owe you for this session? ~ Ilona Andrews

It's not like I don't have words in my head. I'm good with words. I'm great. On my own. In the dark. They come flooding. Sometimes I can't sleep I'm swimming in so many words. ~ Cath Crowley

I can't bring myself to open my eyes. I am an ember, glowing from the inside out. The dark and silent room keeps everything else at bay, every sensation, except the two of us, Nick and Lily, who have just made love. ~ Beatriz Williams

Sorry, but I have plans elsewhere," William said darkly. "I'm leaving tomorrow morning, and I'll be gone for a few weeks."
"What plans?"
"Doesn't matter why I kept you in the dark. I'm going and that's final."
"You can't go without me," Gilly said.
"I can and I will."
"You promised to protect me always. How can you protect me if you're gone?"
"I didn't lie to you. I will always protect you," William told her gently. He stood, reached for her, but realized what he was doing and dropped his arms to his sides. "You have to trust me on this. ~ Gena Showalter

Now, standing here, it is clear as day: more than anything else, you want to find words for what you feel and think and everything that is dark. And then this terrifying thought hits you: Yes, your father wrote poetry to find a language for his wounds. Yes, you in your own way have become your father. ~ Bilal Tanweer

Zane reached up to take Ty's wrist in a firm grip and pull his hand away, but he didn't let go. Ty was still, holding his breath as he waited. Slowly, Zane looked up at him. His dark eyes watered with pain and emotion. "We can still cut and run," he whispered. Ty's chest tightened, and his insides seemed to lurch with the words. He nodded as he let his fingers curl over, trying to touch the hand that still gripped his wrist. "We will. But I need revenge first," he said softly. Zane's brow furrowed as he loosened his fingers. "What for?" he asked quietly. "You," Ty answered simply. ~ Madeleine Urban

1) Everyone nodded in silent agreement,
and then one by one
disappeared into the castle's dark shadows
where night met blackened air
and creepy things
whispered the most haunting words into the wind. ~ Kenya Wright

In other words: the slime mold likes the small, unlit pile of oats about as much as it likes the big, brightly lit one. But if you introduce a really small unlit pile of oats, the small dark pile looks better by comparison; so much so that the slime mold decides to choose it over the big bright pile almost all the time.

This phenomenon is called the "asymmetric domination effect," and slime molds are not the only creatures subject to it. Biologists have found jays, honeybees, and hummingbirds acting in the same seemingly irrational way. ~ Jordan Ellenberg

Do you have a girlfriend?" Holy shit balls on Sunday, I did not just ask that. Ren looked over his shoulder at me, one eyebrow arched. I did ask that. Those words really did come out of my mouth and I wanted to maim myself, but I waited to hear his answer. Ren's grin was like dark chocolate, smooth and rich. "Not yet. ~ Jennifer L. Armentrout

Occupation, curfew, settlements, closed military zone, administrative detention, siege, preventive strike, terrorist infrastructure, transfer. Their WAR destroys language. Speaks genocide with the words of a quiet technician.

Occupation means that you cannot trust the OPEN SKY, or any open street near to the gates of snipers tower. It means that you cannot trust the future or have faith that the past will always be there.

Occupation means you live out your live under military rule, and the constant threat of death, a quick death from a snipers bullet or a rocket attack from an M16.

A crushing, suffocating death, a slow bleeding death in an ambulance stopped for hours at a checkpoint. A dark death, at a torture table in an Israeli prison: just a random arbitrary death.

A cold calculated death: from a curable disease. A thousand small deaths while you watch your family dying around you.

Occupation means that every day you die, and the world watches in silence. As if your death was nothing, as if you were a stone falling in the earth, water falling over water.

And if you face all of this death and indifference and keep your humanity, and your love and your dignity and YOU refuse to surrender to their terror, then you know something of the courage that is Palestine. ~ Suheir Hammad

Dark wings, dark words," Ned said grimly. ~ George R R Martin

Holy places are dark places. It is life and strength, not knowledge and words, that we get in them. Holy wisdom is not clear and thin like water, but thick and dark like blood. ~ C.S. Lewis

In the sea of words, the in print is foam, surf bubbles riding the top. And it's a dark sea, and deep, where divers need lights on their helmets and would perish at the lower depths. ~ Jonathan Lethem

So she ignored Mrs. Arbuthnot's remark and raised forefinger, and said with marked coldness - at least, she tried to make it sound marked - that she supposed they would be going to breakfast, and that she had had hers; but it was her fate that however coldly she sent forth her words they came out sounding quite warm and agreeable. That was because she had a sympathetic and delightful voice, due entirely to some special formation of her throat and the roof of her mouth, and having nothing whatever to do with what she was feeling. Nobody in consequence ever believed they were being snubbed. It was most tiresome. And if she stared icily it did not look icy at all, because her eyes, lovely to begin with, had the added loveliness of very long, soft, dark eyelashes. No icy stare could come out of eyes like that; it got caught and lost in the soft eyelashes, and the persons stared at merely thought they were being regarded with a flattering and exquisite attentiveness. And if ever she was out of humour or definitely cross - and who would not be sometimes in such a world? - -she only looked so pathetic that people all rushed to comfort her, if possible by means of kissing. It was more than tiresome, it was maddening. Nature was determined that she should look and sound angelic. She could never be disagreeable or rude without being completely misunderstood. ~ Elizabeth Von Arnim

In Russia, as I sat there day after day wearing headphones, listening to the interpreter struggle to make our words relevant, I wondered if we could establish meaningful rapport with a nation that had never seen raisins dance in dark glasses on TV ... never had a garage sale. ~ Erma Bombeck

I offered my love wrapped in words, But she knew she could do much better than just words. And now she is in love again, Undressed in the arms of another man… ~ Piyush Rohankar

I shake my head, knowing that if it hadn't been for me, Ben wouldn't have been there in the first place. I try to tell him that, but he swats my words away with his hand and says he wants to show me something.
"Sure," I say, wondering if he's really as nervous as he seems.
He clenches his teeth and hesitates a couple of moments; the angles of his face seem to grow sharper. Finally, he motions to the pant leg of his jeans.
There's a tear right over his thigh.
"I know you saw it in the hospital," he says, exposing the chameleon tattoo through the torn fabric. "I felt you . . . looking at it. Anyway, I wanted you to know that I did this back home, before I ever came to Freetown. Before I ever met you."
"So it's a coincidence?"
His dark gray eyes swallow mine whole. "Do you honestly believe that?"
"No," I say, listening as he proceeds to tell me that a few months before he got to town, he touched his mother's wedding band - something that reminded him of soul mates - and the image of a chameleon stuck inside his head.
"I couldn't get it out of my mind," he explains. "It was almost like the image was welded to my brain, behind my eyes, haunting me even when I tried to sleep."
"And you got the tattoo because of that?"
"Because I hoped its permanence might help me understand it more - might help me understand what it had to do with my own soul mate."
"And do you understand now?" I ask, swallowing hard.
"Yeah." He smiles. "I ~ Laurie Faria Stolarz

Do not write. I am sad, and want my light put out.
Summers in your absence are as dark as a room.
I have closed my arms again. They must do without.
To knock at my heart is like knocking at a tomb.
Do not write!
Do not write. Let us learn to die, as best we may.
Did I love you? Ask God. Ask yourself. Do you know?
To hear that you love me, when you are far away,
Is like hearing from heaven and never to go.
Do not write!
Do not write. I fear you. I fear to remember,
For memory holds the voice I have often heard.
To the one who cannot drink, do not show water,
The beloved one's picture in the handwritten word.
Do not write!
Do not write those gentle words that I dare not see,
It seems that your voice is spreading them on my heart,
Across your smile, on fire, they appear to me,
It seems that a kiss is printing them on my heart.
Do not write! ~ Louis Simpson

Thus, I am here where poets come to drink a dark strong poison with tiny shards of ice, something to loosen my primate tongue and its syllables
of debris. I know all words come from preexisting words and divide until our pronouncements develop selves. ~ Terrance Hayes

He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out. ~ William Gay

She sat beside her sister, as unlike her in looks, with her dark hair and heavily lidded eyes, as she was in bearing and demeanor; where Narcissa sat rigid and impassive, Bellatrix leaned toward Voldemort, for mere words could not demonstrate her longing for closeness. "No higher pleasure," repeated Voldemort, his head tilted a little to one side as he considered Bellatrix. "That means a great deal, Bellatrix, from you." Her face flooded with color; her eyes welled with tears of delight. "My Lord knows I speak nothing but the truth!" "No higher pleasure . . . even compared with the happy event that, I hear, has taken place in your family this week?" She stared at him, her lips parted, evidently confused. ~ J.K. Rowling

Life can take us on many journeys. But when life turns dark, hope begins to fade away. You feel lost. Abandoned. Alone. Then when you least expect it, a door opens and light streams through. Friends show you a different path with words and acts of kindness. You no longer feel forgotten. You begin to see the light and feel hopeful again. ~ C.F. Corbett

What's going on, Mystique?" I whispered. "What are we doing in this very dark bedroom, exchanging flirty eyes?" She held up her hands, her words coming out in a breathless tumble. "This room is Vegas. Okay? What happens here stays here. Or, rather, what's said here stays here. ~ Christina Lauren

Look,' said Cyrus, raising his knife again and pointing it at her. 'Give me one reason why we shouldn't kill your boyfriend over there. Come on. The dark scowling face is reason enough in my book.'
She could have sworn she heard the sound of Lucas's eyes narrowing to slits.
'Come on, just one reason,' Cyrus repeated, 'and it better not include the words love, eternal or soul. ~ Sarah Alderson

Arin glanced up as she approached. One tree shadowed the knoll, a laran tree, leaves broad and glossy. Their shadows dappled Arin's face, made it a patchwork of sun and dark. It was hard to read his expression. She noticed for the first time the way he kept the scarred side of his face out of her line of sight. Or rather, what she noticed for the first time was how common this habit was for him in her presence--and what that meant.
She stepped deliberately around him and sat so that he had to face her fully or shift into an awkward, neck-craned position.
He faced her. His brow lifted, not so much in amusement as in his awareness of being studied and translated.
"Just a habit," he said, knowing what she'd seen.
"You have that habit only with me."
He didn't deny it.
"Your scar doesn't matter to me, Arin."
His expression turned sardonic and interior, as if he were listening to an unheard voice.
She groped for the right words, worried that she'd get this wrong. She remembered mocking him in the music room of the imperial palace (I wonder what you believe could compel me to go to such epic lengths for your sake. Is it your charm? Your breeding? Not your looks, surely.).
"It matters because it hurts you," she said. "It doesn't change how I see you. You're beautiful. You always have been to me." Even when she hadn't realized it, even in the market nearly a year ago. Then later, when she understood his beauty. Again, when she saw his face ~ Marie Rutkoski

Allowing ourselves to become pure point of view, we hang in midair over the city. What we see now is a gigantic metropolis waking up. Commuter trains of many colors move in all directions, transporting people from place to place. Each of those under transport is a human being with a different face and mind, and at the same time each is a nameless part of the collective identity. Each is simultaneously a self-contained whole and a mere part. Handling this dualism of theirs skillfully and advantageously, they perform their morning rituals with deftness and precision: brushing teeth, shaving, tying neckties, applying lipstick. They check the morning news on TV, exchange words with their families, eat, defecate. ~ Haruki Murakami

He clipped the male again, this time in the shoulder, sending Einar flying backward.
He was vaguely aware of Cyn racing to Leilani. He could hear her calling out his own name, but he tuned everything out, including her.
Con couldn't go to her yet. The threat needed to be eliminated.
A red haze had descended across his vision as he body-slammed Einar, who was attempting to stand. That male wasn't walking out of here.
He knew he wasn't acting rational, that the threat could be put down easier than this, but he couldn't stop the rage that had overtaken him.
Einar pumped a fist against Con's ribcage as they tumbled to the ground. He barely felt it as he slammed a left hook across the male's jaw. Didn't feel anything as he jabbed him in the gut, the ribs, the face. Over and over. He felt a bloodlust overtake him as he pounded at Einar's face. This male had wanted to hurt Leilani, to take her from Con.
Strong arms wrapped around Con, tackling him to the ground and rolling him off his target. "Con!" Cyn held him tight, his eyes wild as he kept him pinned down. "It's done. You're scaring her."
Those words snapped him out of the dark fog of savagery that had overtaken him. Leilani stood a few feet away, her eyes wide as she stared at him. Fuck, he had scared her. "I'm fine," he rasped to his brother.
Cyn paused before loosening his grip. When he did, Con stood, terrified he'd screwed things up for good. He didn't glance at Einar, who he ~ Savannah Stuart

It is the inability to bear dark emotions that causes many of our most significant problems, in other words, not the emotions themselves. When we cannot tolerate the dark, we try all kinds of artificial lights, including but not limited to drugs, alcohol, shopping, shallow sex, and hours in front of the television set or computer. There are no dark emotions, Greenspan says – just unskillful ways of coping with emotions we cannot bear. The emotions themselves are conduits of pure energy that want something from us: to wake us up, to tell us something we need to know, to break the ice around our hearts, to move us to act. ~ Barbara Brown Taylor

Japan

Today I pass the time reading
a favorite haiku,
saying the few words over and over.

It feels like eating
the same small, perfect grape
again and again.

I walk through the house reciting it
and leave its letters falling
through the air of every room.

I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.

I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.

And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.

It's the one about the one-ton
temple bell
with the moth sleeping on its surface,

and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.

When I say it at the window,
the bell is the world
and I am the moth resting there.

When I say it into the mirror,
I am the heavy bell
and the moth is life with its papery wings.

And later, when I say it to you in the dark,
you are the bell,
and I am the tongue of the bell, ringing you,

and the moth has flown
from its line
and moves like a hinge in the air above our bed. ~ Billy Collins

When a train goes through a tunnel and it gets dark, you don't throw away the ticket and jump off. You sit still and trust the engineer. ~ Corrie Ten Boom

She looked at the strong hand holding hers. "Oh my goodness, what did you do?" Harper asked, eyebrows raised and mouth open as she studied the cuts and bruises.
"Had a conversation with a streetlight once you got into the cab," he said, pulling her closer to him.
"I'm sorry, Trent. I really am. If I blew you and me because of all this, I get it and I don't blame you. I'm done running. I'm done being scared. I'm done doubting whether you and your friends will help me if I need it. I am done with everything except being in love with you. I - "
Harper was flipped onto her back and underneath Trent in the blink of an eye.
"Say it again." His dark eyes were fierce as he held each side of her face in his big, safe hands.
"I'm sorry, I - "
"No." He cut her off. "Not that part. The 'I love you' part."
"I love you." Harper had barely gotten the words out of her mouth before Trent's lips descended on hers. Their mouths clashed together, banging teeth before soothing bitten lips with soft tongues.
Trent pulled away, taking a deep breath before staring deep into her eyes. Harper could feel his very soul merging with hers.
"I love you, Harper. Everything else is details. A lot of fucking details, granted, but just details. ~ Scarlett Cole

Perhaps it was simple reflex, her own instinct for survival. Or perhaps it had been his
words, bringing back the horror of her mother's death. But when he reached for the
satchel, Adrianne ignored the knife and brought her foot up hard between his legs. The
knife clattered to the ground only seconds before he did.
"Bastard," she muttered as she sent the knife careening into the dark. "Now your pride's
as small as your brain and just as useless."
"Well put," Philip said as he came up behind her. ~ Nora Roberts

You are sitting in my chair, my lord." She said the words very civilly, she thought. Although he quirked a brow and lowered his chin as if giving her one of those looks. Like really? In a way that wasn't a question. She was telling a fae king, a hawk fae king, and a guest of the dark fae, that he should be sitting in her seat? But she didn't stop there. "You may sit there if it pleases you." She pointed to Micala's seat since he was not at the meal. Her mother's mouth gaped and for once she didn't have an immediate rebuke ready for Ritasia. The king gave Ritasia such a sinister smile, she was afraid she might have gone a little too far with her first encounter with him. She quickly remembered her manners, curtseyed, though, because she wasn't wearing a gown, she thought she looked a little ridiculous, then looked back up at him. ~ Terry Spear

In dark days, your best shelter is your clever thoughts! ~ Mehmet Murat Ildan

I meant to ask Erik to say something to Victoria, to follow what had happened at the dance, but I couldn't settle on the right words. An apology for fleeing, sure, but then what? 'I only think of you as a friend'? 'I think we should see other people'? 'It's not you, it's the fact that I'm secretly a girl who sacrificed a foot and a half of perfectly good hair to the dark gods of a capella'? ~ Riley Redgate

Rhi looked out the windshield to the dark blue waters of the North Sea. "I can spot a liar easily, Ulrik."
"I've told you the truth."
"You've told me part of it."
"That's all there is."
She turned her head to him, and was surprised when he suddenly leaned over and kissed her. When he pulled back, she asked, "What was that for?"
"I've always wanted to know if your kiss would taste as spirited as your words, or as sweet as your walk."
"And?" she asked, unable to keep her curiosity at bay.
He licked his lips. "It's a wee bit of both."
"That's all you'll ever know," she said and teleported out. ~ Donna Grant

But I believe the words entered me and changed me and still work in me. The words eat me and sustain me. And when I'm dead and in a box in the dark dark ground, and all my various souls have died and I am nothing but insensible bones, something in the marrow will still feel yearning, desire persisting beyond flesh. ~ Charles Frazier

And what if you weren't a jinni? What if you were free from their rules?"
I stare at him. His jaw tightens, his eyes steely with determination that frightens me to my core. A cloud drifts across the face of the crescent moon, and the courtyard darkens. Here and there, the grass is still bent where Aladdin and I danced just hours earlier. I drop my gaze and glare at it, shaking from head to toe.
"Don't say it, Aladdin. Don't you even think it." Dread rises in me like a storm cloud, dark and menacing.
Aladdin moves closer. He takes my hands. His skin is warm and crackling with energy, setting me on fire.
"I have one wish left," he murmurs. "And this one is for you."
"No, Aladdin! Don't speak it. Don't make the Forbidden Wish. The cost - "
"Damn the cost. Zahra, I wish - "
I stop him with a kiss.
Because it is the first thing I think of to stop the terrible words. Because he fills me with light and hope and deep, deep fear. Because I have been longing to for days. ~ Jessica Khoury

It took some time for his storm to pass, some time for him to stop shuddering in her arms. But after they stood there locked together awhile, his strong arms began to loosen their grip and his shaking to subside.
Encouraged by that, she stretched up to brush soothing kisses over his jaw, his cheek, his lips.
He jerked back, and as he searched her face, the dark shadows in his eyes receded a little. "Oh, God, Jane, why did I let you go?" he asked in an aching voice that resonated to her very soul. "I've been lost ever since."
The words melted the last corner of ice in her heart, and when he lowered his head to hers, she rose to him like a shoot stretching for the sun.
Moaning low in his throat, he devoured her mouth, his kiss pure hot passion, so all-consuming that within moments she had to pull free just to breathe. Then he shifted his kisses to her cheek and ear and jaw, branding everything as his.
"I need you," he said against her throat. "God help me for it, but I do. All these years without you have been hell." Kissing her neck, he fisted his hands in her sleeves. "I want to strip this gown from you. I want to lay you down in that straw over there and have my way with you."
The words made her exult. "Then do it," she murmured against his hair. "Now. Tonight. Have your way with me, and I'll have mine with you. ~ Sabrina Jeffries

Via Negativa

Sometimes it's too hard with words or dark or silence.
Tonight I want a prayer of high-rouged cheekbones
and light: a litany of back-lit figures,
lithe and slim, draped in fabrics soft and wrinkleless and pale
as onion slivers. Figures that won't stumble or cough:
sleek kid-gloved Astaires who'll lift
ladies with glamorous sweeps in their hair -
They'll bubble and glitter like champagne.
They'll whisper and lean and waltz and wink effortlessly
as figurines twirling in music boxes, as skaters in their dreams.

And the prayer will not be crowded.
You'll hear each click of staccato heel
echo through the glassy ballrooms - too few shimmering skirts;
the prayer will seem to ache
for more. But the prayer will not ache.
When we enter, its chandeliers and skies
will blush with pleasure. Inside
we will be weightless, and our goodness will not matter
in a prayer so light, so empty it will float. ~ Mary Szybist

She follows her heart
Burns with the fire
Shines through the dark
Takes her brain along

She is growing
By burning the bridges and
Lighting the candles ~ Jyoti Patel

Ode, Elegy, Aubade, Pslam"

1
The songbird that escapes
from a burning house
will build its nest
in the shape of a cage.

2
This is one thing
we know: song begs
for the places that make it
grow from seed to starling,

3
places that put the heart's hemlock
in an empty rowboat
and heave it from the shore.

4
We only praise what we cannot
keep: violin strings berried with rain,
teacups overflowing with brandywine,
radios sickened with static.

5
Glass tossed out with the tide
will come back smoother and stranger,
but never to the same person.

6
This is something we want
to know. The woman in love
never touches her ears.

7
The man in his house is always lost
without her.

8
Morning pulls light
from the dark like a boy
hoisting a trout from the lake
by its clean, pink gills.

9
When the woman escapes
from a burning house
she will know the path of the wind,

10
how it writes its scripture
in peach blossoms blown
into a baby's empty pram.

11
She'll feel it compose its words
against her body, against the night,
against the water, in an endless, artless psalm. ~ Ryan Teitman

At start of spring I open a trench
In the ground. I put into it
The winter's accumulation of paper,
Pages I do not want to read
Again, useless words, fragments,
errors. And I put into it
the contents of the outhouse:
light of the suns, growth of the ground,
Finished with one of their journeys.
To the sky, to the wind, then,
and to the faithful trees, I confess
my sins: that I have not been happy
enough, considering my good luck;
have listened to too much noise,
have been inattentive to wonders,
have lusted after praise.
And then upon the gathered refuse,
of mind and body, I close the trench
folding shut again the dark,
the deathless earth. Beneath that seal
the old escapes into the new. ~ Wendell Berry

God was neither surprised nor afraid. You see, there is no mystery with God. He is never caught off guard. He never wonders how he is going to deal with the unexpected thing. I love the words of Daniel 2:22: "He knows what is in the darkness, and light dwells with him." God is with you in your moments of darkness because he will never leave you. But your darkness isn't dark to him. Your mysteries aren't mysterious to him. Your surprises don't surprise him. He understands all the things that confuse you ~ Paul David Tripp

Suddenly he smiled, and the sadness was vanquished by whisky heat. "Aye, Jessica, I like you. And I'm not just stuck with you. You fit me here, woman." He thumped his chest with his fist. Then he shook her hand from his forearm and pushed off with the cart again. Jessi watched him move down the aisle, all sleek animal muscle and dark grace.
Wow. He wasn't a man of many words, but when he used them, he certainly used the right ones.
You fit me here. You are the exception to everything.
Crimeny.
It was how she'd always thought a relationship should be. People should fit each other: some
days like sexy, strappy high-heeled shoes, other days like comfortable loafers - but always a good fit. And if you cared about someone, they should be the exception to everything; the number-one priority, the one who came before all others.
He was halfway down the aisle from her now, plucking a
can from the shelf - her primal hunter/gatherer procuring food by modern means, she thought, with a soft snort of amusement. ~ Karen Marie Moning

Sometimes writing can take you to such dark places it can be nearly impossible to come back from; a part of you is left there, in the words you've bled onto paper, in the emotions you've let loose upon the page, and eventually, the world. ~ D. Michael Hardy

He stroked her pale cheek with his thumb, willing her to open those dark gypsy eyes he loved so much. He needed her impish gaze, her light laughter and intoxicating touch. He needed everything about her. She'd made him feel more alive than when he was human. Needing her kiss as much as he needed blood to survive, he pressed his lips to hers. "I beg of you, wake. Please, my precious Angel," he prayed as he held her in his arms. "Wake so I can tell you how sorry I am, and how much I love you. God, I love you." He couldn't say the words enough. "I love you. I love you." He repeated the litany over and over again until exhaustion overcame him and he fell asleep, still clinging to her with a vow never to let her go again. ~ Brooklyn Ann

Sometimes I thought it was a good thing that he had gone blind, because that way he would never see me, never see my face, never see the look on my face when I was with him, which wasn't the look of a prostitute or a thief or a spy, but an expectant look, the look of someone hoping for anything and everything, from a kind word to a life-changing declaration.
There weren't many kind words, because Maciste didn't talk much, but there were kind gestures. And there were no life-changing declarations, or at least none I recognized at the time, though since then I've come to remember each of Maciste's words as a key or a dark bridge that surely could have led me elsewhere, as if he were a fortune-telling machine designed exclusively for me, which I know isn't true, though sometimes I like to think so, not often, because I don't lie to myself the way I used to, but every once in a while. ~ Roberto Bolano

These stories have a dark side. Outsiders and eccentrics are regarded with suspicion, tortured, even killed. The major theme that emerges is of families diminished by conflict; almost a generation of adult males appears to be missing. Their absence is balanced by a number of strong female presences. This also reflects the dominance of women in the Acehnese household.

Azhari is a master of suspense. He wastes no words; his narration is sparse. The overall atmosphere of the stories in Nutmeg Woman is tense and anxious. If there is a message, it is a plea for peace and tolerance and an end to bloodshed and oppression. ~ Heather Curnow

Answer me, Kat. Did you see him in Lyon?" "Yes. For a second. It was--" "Why didn't you tell me?" Hale moved toward her, and she was glad for the dark. "Everything was happening so fast and... it was just for a second!" There was an anger in Hale's eyes, but something more than that. A hurt went deepr than Kat had ever seen. "You should've told me." Nick laughed. "I don't think she reports to you." "You really don't get it, new guy." Hale shook his head and stepped away. "She doesn't report to anyone." When Hale turned and started for the opposite side of the deck, Kat was the only one who followed. "I kissed you!" Kat hadn't meant to yell it, but she wasn't exactly sorry she did. The words had been there, throbbing like a pulse for weeks. She felt lighter without them--one more thing she didn't have to carry. "In New York--in the limo-- I kissed you." Hale stopped. "I remember." "I kissed you and you left. So either I am not someone you want to be kissing..." "No." He shook his head slowly. "That's not it." "Or I am a really bad kisser." Kat couldn't stop herself from going through the reasons--through the options--like it was just another con and she could master it if only her mind would stop spinning. "Kat--" He reached for her, but her reflexes were too strong. She pulled away and looked at him. "I kissed you and you left. ~ Ally Carter

Rage is really only for the good days. The truth is there's little of that left. the truth is that the forms I see have been slowly emptied out. They no longer have any content. They are shapes only. A train, a wall, a world. Or a man. A thing dangling in senseless articulation in a howling void. No meaning to its life. Its words. Why would I seek the company of such a thing? Why? ~ Cormac McCarthy

Write about patriotism, about victory and defeat. Write about revolutions and rebels and prisoners and wars. About emotions, of love and hatred and disappointment and regret. Intangible love and uncolored hatred and heartbreaking disappointments and abysmal regrets. Write about the seven deadly sins, about stealth and murder and gluttony and greed. Don't forget to write about saints and sinners all the same. Write the poor and the rich using the same words, make them equal for once. Write about mothers who lost their children, about those who never had to lose; I challenge you to tell me which hurts more. Write about darkness and light, about light in the dark and darkness in the light. Remember to write about lost friendships, about those who never found a shoulder when life shut its lights dim, or those who kept the secret to their sadness within. Be fair to them too. Remind the world of those who always had someone to love but not someone to love them back, craft their nights and dreams carefully. Don't forget the writers, who keep promises with words and silence. Be subtle. Be warm. Remember heartbeats and heartbreaks. Remember everything, remember all, equally.
And then let the world remind you: Words will never be fair to whatever you write. ~ Nema Al-Araby

Why can't you marry him?" he whispered.
She broke her word to herself and looked at him. "Because of you."
Arin's hand flinched against her cheek. His dark head bowed, became lost in its own shadow. Then he slipped from his seat and knelt before hers. His hands fell to the fists on her lap and gently opened them. He held them as if cupping water. He took a breath to speak.
She would have stopped him. She would have wished herself deaf, blind, made of unfeeling smoke. She would have stopped his words out of terror, longing. The way terror and longing had become indistinguishable.
Yet his hands held hers, and she could do nothing.
He said, "I want the same thing you want."
Kestrel pulled back. It wasn't possible his words could mean what they seemed.
"It hasn't been easy for me to want it." Arin lifted his face so that she could see his expression. A rich emotion played across his features, offered itself, and asked to be called by its name.
Hope. ~ Marie Rutkoski

'Will You Still Love Me Tomorrow,' if you go through the lyrics, is such a haunting melody, and the words are, for a pop song, pretty deep and dark. ~ Jake Epstein

At first it had no name. It was the thing itself, the vivid thing. It was his friend. On windy days it danced, demented, waving wild arms, or in the silence of evening drowsed and dreamed, swaying in the blue, goldeny air. Even at night it did not go away. Wrapped in his truckle bed, he could hear it stirring darkly outside in the dark, all the long night long. There were others, nearer to him, more vivid still than this, that came and went, talking, but they were wholly familiar, almost a part of himself, while it, steadfast and aloof, belonged to the mysterious outside, to the wind and the weather and the goldeny blue air. It was a part of the world, and yet it was his friend.
Look, Nicolas, look! See the big tree!
Tree. That was its name. And also: the linden. They were nice words. He had known them a long time before he knew what they meant. They did not mean themselves, they were nothing in themselves, they meant the dancing singing thing outside. In wind, in silence, at night, in the changing air, it changed and yet it was changelessly the tree, the linden tree. That was strange.
The wind blew on the day that he left, and everything waved and waved. The linden tree waved. Goodbye! ~ John Banville

Let me out, witch," growled Alice. She began to hum off key.
Griselda stepped away from the door.
"I can help the little wee babes," Alice sung sweetly. "Through the woods and into the dark. Where he whispers the words to make his mark. Little boy of green..." Alice chuckled. "...has gone to the wizard who is evil and mean. ~ Kathy Cyr

I don't know if I can do this anymore," Jack's husky voice muttered sounding defeated. It was such a strange sound coming out of him.
"I know what you mean."
"I'm not sure I want to break up with Kate though."
That snapped her right out of her own pity party. Break up with Kate! Holy shit! "Uh, Jack?"
He tilted his head to look at her under his thick dark lashes. "Yes, my dear?"
"You've been thinking of breaking up with Kate?" She couldn't keep the disbelief out of her voice.
He nodded choking on his own words. "Ever since I saw you like a vision on the beach the first day you got here."
"Wh ... Why would you do that?" She knew the answer. But she wanted to hear him say it.
"I thought that was quite obvious ... for you. ~ K.A. Linde

Words are the writer's hocus-pocus, our dark arts and our deception. They're our charm and our temptation. Sometimes the writer overindulges himself and it gets out of hand, but that's how we like it, it's how we've ghosted some of our best creations. ~ Karl Wiggins

In a small, dark room with no windows, a man hunched over his cluttered workstation. Papers were scattered all over the surface of the desk and he had to dig through them to find the keyboard. He sat down and turned on the monitor. As the display warmed up, a bright green typing arrow faded into view in the bottom corner of the screen. The man scraped his hand across his scraggly beard and typed into the screen on his computer. "How are you doing today?" The display beeped and words formed on the screen as someone responded. "When can I have someone to play with?" The man sighed and typed again. "I'm sorry, but you know why you must be alone right now." The computer beeped as the reply came across the screen. "I'm doing better." "I'm sure you are, but I have to be sure you can't hurt anyone." "I promise I won't." "I believe you. But there are some things I have to do to make sure. ~ Steve DeWinter

There are beautiful places inside him, where laughter comes easy, where sweet words appear like surprises. But I also know his bitter valleys. The dark caves where he hides his fears, his hurts, and his disillusionments. ~ Lia Riley

I love you," he told her, wiping impatiently at the tears that kept trickling down his face. "I couldn't say it before. I couldn't
" He clenched his trembling jaw, trying to control the hot flow of tears. It only made them worse. Giving up, he buried his face in her hair. "Bloody hell," he muttered.
Sara had never seen him so undone, had never imagined it possible. Stroking his dark head, she whispered meaningless words, trying to give him comfort.
"I love you," he repeated hoarsely, burrowing against her. "I would have given my life to have one more day with you, and tell you that. ~ Lisa Kleypas