Allusion Quotes

The Matrix itself is not some external evil, but rather an outcome of our own error, our karmic payoff of past actions. Not merely illusion, it is an allusion to a founding myth of our culture. ~ Gregory Benford

Literature is the original Internet – every footnote, every citation, every allusion is essentially a hyperlink to another text, to another mind. ~ Maria Popova

We're like coke heads or chronic masturbators, aren't we? Attempting to crank the last iota of abandonment out of an instrinsically empty and mechanical experience. We push the plunger home, we abrade the clitoris, we yank the penis and we feel nothing. Not exactly nothing, worse than nothing, we feel a flicker or a prickle, the sensual equivalent of a retinal after-image. That's our fun now, not fun itself, only a tired allusion to it. Nevertheless, we feel certain that if we can allude to fun one more time, make a firm statement about it, it will return like the birds after winter. ~ Will Self

I scroll through my own stories in my phone, the ones I write when I can't sleep, when I think about her, about what the fuck happened, when I make like Alvy Singer and try to correct it all with my imagination. ~ Caroline Kepnes

The notes weren't played," he went on, "They were poured from a Grecian urn. ~ Marisha Pessl

Sahl was never a great comic. His nervous, jabbing, keep-them-off-balance delivery was the strategy of a man who was not comfortable in front of an audience. His creative method -- a rapid scanning of the day's output of newspapers, magazines, and radio broadcasts -- was a recipe for superficiality or, at best, the kind of quick, shallow laugh triggered by a topical allusion. Sahl was always devoid of the two basic ingredients of great humor: imagination and soul. He could make fun of the latest Hollywood movies. He could stab at the pieties of his own class. He could take an abrupt insight into politics or wold events and phrase it neatly into a gag. What he could never do was suggest a world of living, breathing people behaving in ridiculous yet recognizably human patterns. ~ Albert Goldman

I don't think you truly realize what it means for the gates of Tyersall Park to be closed to you forever."

Nick laughed. "Jacqueline, you sound like some character out of a Trollope novel! ~ Kevin Kwan

There is no allusion to marriage or family in the Constitution. It is barely mentioned in the Federalist Papers or elsewhere in the ratification debates. The reason why the founders "ignored" the family was that it was not an issue for them. It was not a social problem. On the contrary, the family was the accepted substratum of society. It ~ Jean Bethke Elshtain

he not honestly believed the contrary. And it is precisely on such a point that the judgment of an educated Chinaman will carry most weight. Other internal evidence is not far to seek. Thus in XIII. ss. 1, there is an unmistakable allusion to the ancient system ~ Sun Tzu

Oliver was Oliver,' I said, as if that summed things up.

'Parce que c'était lui, parce que c'était moi,' my father added, quoting Montaigne's all-encompassing explanation for his friendship with Etienne de la Boétie.

I was thinking, instead, of Emily Brontë's words: because 'he's more myself than I am. ~ Andre Aciman

Labourism was to be the bete noire of the Party, hated as much as the capitalist system itself. Its growth was to lead to the hardening of Party attitudes almost to the point where even the wish to improve everyday conditions was considered iniquitous. The resentment was heated by the fact that many of the rising Labour leaders had been fellow members of the Social Democratic Federation and once professed the revolution.No words were strong enough for the Party's contempt. In the the Socialist Standard they were 'fakirs', a strong allusion to self-seeking piety, and on the platforms 'Labour bleeders',... ~ Robert Barltrop

The Eastern allusion bit me again. "I'll not stand you an inch in the stead of a seraglio," I said; "so don't consider me an equivalent for one. If you have a fancy for anything in that line, away with you, sir, to the bazaars of Stamboul without delay, and lay out in extensive slave-purchases some of that spare cash you seem at a loss to spend satisfactorily here. ~ Charlotte Bronte

Open wide the mind's cage-door,
She'll dart forth, and cloudward soar. ~ John Keats

Hell had become, over the years, a wearisome speculation. Even its proselytizers have neglected it, abandoning the poor, but serviceable, human allusion which the ecclesiastic fires of the Holy Office once had in this world: a temporal torment, of course, but one that was not unworthy, within its terrestrial limitations, of being a metaphor for the immortal, for the perfect pain without destruction that the objects of divine wrath will forever endure. Whether or not this hypothesis is satisfactoy, an increasing lassitude in the propaganda of the institution is indisputable. (Do not be alarmed; I use propaganda here not in its commercial but rather in its Catholic genealogy: a congregation of cardinals.) ~ Jorge Luis Borges

Since I've moved here a Chinese takeaway on the main street has ominiously renamed itself from whatever it was before to the Golden Bowl, but other than that, the landscape is the last place on earth that might call Mizuko to mind. ~ Olivia Sudjic

Fangirl rage. It demands to be feared. ~ Zechariah Barrett

A little bit of one story joins onto an idea from another, and hey presto, ... not old tales but new ones. Nothing comes from nothing. ~ Salman Rushdie

To my surprise, I found that geology demanded a type of whole-brain thinking I hadn't encountered before. It creatively appropriated ideas from physics and chemistry for the investigation of unruly volcanoes and oceans and ice sheets, It applied scholarly habits one associates with the study of literature and the arts - the practice of close reading, sensitivity to allusion and analogy, capacity for spatial visualization - to the examination of rocks. Its particular form of inferential logic demanded mental versatility and a vigorous but disciplined imagination. And its explanatory power was vast; it was nothing less than the etymology of the world. ~ Marcia Bjornerud

Although most earlier versions of pastoral had been set in never-never lands, and although The Tempest contains only one allusion to the actual New World, its setting is not wholly fanciful. We begin with a commonplace event of the age: a ship caught in a storm and beached on an uninhabited island. It is like an Elizabethen news report. ~ Leo Marx

Verse 12 [of Ex. 12) tells us that the judgment of Yahweh is not only on the Egyptians but also on their deities. This is probably an allusion to the fact that Egyptians would often pray for the safety of their firstborn, particularly firstborn sons, as was the custom in many ancient patriarchal cultures. The death of the firstborn would be seen as a sign of the anger or perhaps the impotence of their gods. This is worth pondering when it comes to the death of Jesus as God's only begotten, or beloved, Son. Would Jesus' contemporaries have assumed his death was a manifestation of God's wrath? Probably so. In any event, Yahweh is showing his superiority over the spirits behind the pagan deities, and thus we should not overlook the supernatural struggle that is implied to be behind the contest of wills between Moses and Pharaoh. ~ Ben Witherington III

The grave, as has been pointed out, is a fine place, not to mention a private one. ~ Neil Gaiman

Thus we have on stage two men, each of whom knows nothing of what he believes the other knows, and to deceive each other reciprocally both speak in allusions, each of the two hoping (in vain) that the other holds the key to his puzzle. ~ Umberto Eco

I was extremely shy of approaching my hero but he, as I found out, was sorely in need of company. By then almost completely blind, he was claustrated and even a little confused and this may help explain the rather shocking attitude that he took to the blunt trauma that was being inflicted in the streets and squares around him. 'This was my country and it might be yet,' he intoned to me when the topic first came up, as it had to: 'But something came between it and the sun.' This couplet he claimed (I have never been able to locate it) was from Edmund Blunden, whose gnarled hand I had been so excited to shake all those years ago, but it was not the Videla junta that Borges meant by the allusion. It was the pre-existing rule of Juan Perón, which he felt had depraved and corrupted Argentine society. I didn't disagree with this at all - and Perón had victimized Borges's mother and sister as well as having Borges himself fired from his job at the National Library - but it was nonetheless sad to hear the old man saying that he heartily preferred the new uniformed regime, as being one of 'gentlemen' as opposed to 'pimps.' This was a touch like listening to Evelyn Waugh at his most liverish and bufferish. (It was also partly redeemed by a piece of learned philology or etymology concerning the Buenos Aires dockside slang for pimp: canfinflero. 'A canfinfla, you see,' said Borges with perfect composure, 'is a pussy or more exactly a cunt. So a canfinflero is a trafficker in cunt: in Ang ~ Christopher Hitchens

Pünd remembered their first case together when Fraser had failed to notice that his travelling companion, on the three-fifty train from Paddington, was actually dead. ~ Anthony Horowitz

When Paul was exhorted to be baptized and to wash away his sins, there was an evident allusion to the use of water in the ordinance of baptism, and had there been no application of water on which to ground such an allusion, we may be certain that we should never have heard of washing away sins in baptism. ~ Adoniram Judson

The bee has round it a mysterious inscription, which has been variously interpreted. It contains an allusion to beeswax, and one scholar has suggested that the tesserae were druggists' tokens for the purpose of advertising the sale of beeswax. Another explanation is that the inscription might be one of the mysterious magic formulae used as charms, and that the tokens might be charms to call the bees home when swarming; but the most plausible solution seems to be that the tesserae were connected with the secret rites of Artemis, especially as the stag of the goddess is the one on the reverse side of the tokens.

One of the most important animals connected with the worship of the Asiatic Great-Mother was the lion, and it is a curious fact that we often find a connection between bees and lions. At the old Hittite town of Carchemish behind her a long line of priestesses bearing various articles. We do not suggest that these were called Melissae, but in the jewellry we see how the goddess with her lions merges in or is connected with the 'Bee-goddess. ~ Hilda M. Ransome

The road ran along the north side of the river, a shy and obsequious road that dodged every bank and lift and wound through the pecan trees and never insisted on its own way. ~ Paulette Jiles

Allusion is lovely, and experience with other forms of writing brings the ability to use that device pervasively. This in turn sets high expectations for the reader- in that you are expecting him to pick up on it- and this is a way of respecting your readers. And when you respect your readers, they will come to respect you. ~ Douglas Wilson

Via Negativa

Sometimes it's too hard with words or dark or silence.
Tonight I want a prayer of high-rouged cheekbones
and light: a litany of back-lit figures,
lithe and slim, draped in fabrics soft and wrinkleless and pale
as onion slivers. Figures that won't stumble or cough:
sleek kid-gloved Astaires who'll lift
ladies with glamorous sweeps in their hair -
They'll bubble and glitter like champagne.
They'll whisper and lean and waltz and wink effortlessly
as figurines twirling in music boxes, as skaters in their dreams.

And the prayer will not be crowded.
You'll hear each click of staccato heel
echo through the glassy ballrooms - too few shimmering skirts;
the prayer will seem to ache
for more. But the prayer will not ache.
When we enter, its chandeliers and skies
will blush with pleasure. Inside
we will be weightless, and our goodness will not matter
in a prayer so light, so empty it will float. ~ Mary Szybist

When you have known someone your whole life you don't need a lot of warm-up time to get into a big argument. All the fore-play has been done years ago, and so the battle sits in your memory like stove gas awaiting the match. A wrong word, a careless allusion, and the old fire is suddenly raging. ~ Roland Merullo

Out here, where the sand is so white,
so Westernized, how could I not
sink into it
& burn with questions
like what am I doing here
I am in the wrong book
I am in the wrong era
I am not Dorothea
I am Analicia ~ Analicia Sotelo

She crossed her legs and kicked out her feet, clad in thick wool socks and boots big enough to house a little old lady. ~ Drew Magary

SHAKESPEARE

What is a man,
If his chief good and market of his time
Be but to sleep and feed? A beast, no more

(Hamlet)

There is no one kind of Shakespearean hero, although in many ways Hamlet is the epitome of the Renaissance tragic hero, who reaches his perfection only to die. In Shakespeare's early plays, his heroes are mainly historical figures, kings of England, as he traces some of the historical background to the nation's glory. But character and motive are more vital to his work than praise for the dynasty, and Shakespeare's range expands considerably during the 1590s, as he and his company became the stars of London theatre. Although he never went to university, as Marlowe and Kyd had done, Shakespeare had a wider range of reference and allusion, theme and content than any of his contemporaries. His plays, written for performance rather than publication, were not only highly successful as entertainment, they were also at the cutting edge of the debate on a great many of the moral and philosophical issues of the time.

Shakespeare's earliest concern was with kingship and history, with how 'this sceptr'd isle' came to its present glory. As his career progressed, the horizons of the world widened, and his explorations encompassed the geography of the human soul, just as the voyages of such travellers as Richard Hakluyt, Sir Walter Raleigh, and Sir Francis Drake expanded the horizons of the real world. ~ Ronald Carter

Extremely self-conscious in its craft, in many ways The Hand of Ethelberta is an exploration of fiction as illusion, which involves parody of the conventions it employs; romance, melodrama and farce, and a rejection of realism for absurdist and surrealistic effects. The 'hand' of Ethelberta is an obvious, ironic allusion to courtship, and the sub-title, 'A Comedy in Chapters', suggests the novel's affinity with the conventions of Restoration and eighteenth-century comedy of manners. ~ Geoffrey Harvey

From now on Anne saw herself as someone indelibly marked by suffering. Her letters to Sarah often ended with an allusion to her tragic history of bereavement, for she took to signing them "your poor unfortunate faithful Morley. ~ Anne Somerset

Danny strolled to the town common, sat on one of the benches in Teenytown and took one of the bottles out of the bag, looking down on it like Hamlet with Yorick's skull ~ Stephen King

Suddenly, stupidly, she started singing: "If Adelita went off with another man. ~ Carmen Posadas

Done with the whole dark
& the insect dirge
under blue lit lamps.
Done trying to remember

June, first stars & August
when I was Penelope
when I was Eurydice
when July was missing

& I was my own dull shade. ~ Emily Skaja

Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers. ~ Amy Waldman

If I am allowed to give a metaphorical allusion to the future state of the blessed, I should imagine it by the orange-grove in that sheltered glen on which the sun is now beginning to shine, and of which the trees are at the same time, loaded with sweet golden fruit and balmy silver flowers. Such objects may well portray a state in which hope and fruition become one eternal feeling. ~ Humphry Davy

How wide the gulf between Henry as he was and Henry as Helen thought he ought to be! And she herself - hovering as usual between the two, now accepting men as they are, now yearning with her sister for Truth. Love and Truth - their warfare seems eternal. Perhaps the whole visible world rests on it, and if they were one, life itself, like the spirits when Prospero was reconciled to his brother, might vanish into air, into thin air. ~ E.M. Forster

Little gusts of sunshine blew, strangely bright, and lit up the celandines at the wood's edge, under the hazel-rods, they spangled out bright and yellow. And the wood was still, stiller, but yet gusty with crossing sun. The first windflowers were out, and all the wood seemed pale with the pallor of endless little anemones, sprinkling the shaken floor. 'The world has grown pale with thy breath.' But it was the breath of Persephone, this time; she came out of hell on a cold morning. Cold breaths of wind came, and overhead there was an anger of entangled wind caught among the twigs. It, too, was caught and trying to tear itself free, the wind, like Absalom. How cold the anemones looked, bobbing their naked white shoulders over crinoline skirts of green. But they stood it. A few first bleached little primroses too, by the path, and yellow buds unfolding themselves. ~ D.H. Lawrence

As Deborah sits below a tree to give advice to her people, the cat could envision itself above Deborah. In the cats mind, the visual allusion would first point to the prophetess as being a predator. This consideration would not be hard to reach for the lucid intelligent cat as she is giving advice to her people here as how to engage in war. Envisioning this text, the cats would find it hard not to recognize the predatory nature of the human beneath it. This fact means that Deborah becomes, in feline hermeneutics, the antagonist. The prophetess would be seen as a danger to the cat. This could lead the cat to deduce that the enemy of the prophetess was a fellow protagonist. Then the advice that Deborah gave to Barak would seem as a malicious attack on a ally or worse an innocent. ~ Leviak B. Kelly

Earnshaw is quite a famous name, thanks to Miss Brontë . I did not realise there were Earnshaws in this country."

Mrs. Earnshaw gave a sharp nod. "Aye. And Heathcliffs and Eyres, as well. Proper little thieves, those Brontë girls. ~ Deanna Raybourn

Everything in dancing is style, allusion, the essence of many thoughts and feelings. The abstraction of many moments. ~ Alvin Ailey

I had no allusions of radio success. I just loved being in studios. I was having fun and in that sense I now feel a lot like I did when I did that record. ~ Matthew Sweet

For the benefit of your research people, I would like to mention (so as to avoid any duplication of labor): that the planet is very like Mars; that at least seventeen states have Pinedales; that the end of the top paragraph Galley 3 is an allusion to the famous "canals" (or, more correctly, "channels") of Schiaparelli (and Percival Lowell); that I have thoroughly studied the habits of chinchillas; that Charrete is old French and should have one "t"; that Boke's source on Galley 9 is accurate; that "Lancelotik" is not a Celtic diminutive but a Slavic one; that "Betelgeuze" is correctly spelled with a "z", not an "s" as some dictionaries have it; that the "Indigo" Knight is the result of some of my own research; that Sir Grummore, mentioned both in Le Morte Darthur ad in Amadis de Gaul, was a Scotsman; that L'Eau Grise is a scholarly pun; and that neither bludgeons nor blandishments will make me give up the word "hobnailnobbing". ~ Vladimir Nabokov

For Hobie, who sorrowed over these elegant old remnants as if they were underfed children or mistreated cats, it was a point of duty to rescue what he could and then with his gifts as carpenter and joiner to recombine them into beautiful young Frankensteins that were in some cases plainly fanciful but in others such faithful models of the period that they were all but indistinguishable from the real thing. p452 ~ Donna Tartt

Life has been compared to a race, but the allusion improves by observing, that the most swift are usually the least manageable and the most likely to stray from the course. Great abilities have always been less serviceable to the possessors than moderate ones. ~ Oliver Goldsmith

I think we must quote whenever we feel that the allusion is interesting or helpful or amusing. ~ Clifton Fadiman

In wrestling, nothing exists unless it exists totally, there is no symbol, no allusion, everything is given exhaustively; leaving nothing in shadow, the gesture severs every parasitical meaning and ceremonially presents the public with a pure and full signification, three dimensional, like Nature. Such emphasis is nothing but the popular and ancestral image of the perfect intelligibility of reality. What is enacted by wrestling, then, is an ideal intelligence of things, a euphoria of humanity, raised for a while out of the constitutive ambiguity of everyday situations and installed in a panoramic vision of a univocal Nature, in which signs finally correspond to causes without obstacle, without evasion, and without contradiction. ~ Roland Barthes

I had a keen delight in receiving the new ideas he offered, in imagining the new pictures he portrayed, and following him in thought through the new regions he disclosed, never startled or troubled by one noxious allusion. ~ Charlotte Bronte

My dear!" I remonstrated, in allusion to the epithet and the vigorous emphasis Miss Jellyby set upon it. "Your duty as a child - " "Oh! Don't talk of duty as a child, Miss Summerson; where's Ma's duty as a parent? All made over to the public and Africa, I suppose! Then let the public and Africa show duty as a child; it's much more their affair than mine. You ~ Charles Dickens

This false distance is present everywhere: in spy films, in Godard, in modern advertising, which uses it continually as a cultural allusion. It is not really clear in the end whether this 'cool' smile is the smile of humour or that of commercial complicity. This is also the case with pop, and its smile ultimately encapsulates all its ambiguity: it is not the smile of critical distance, but the smile of collusion ~ Jean Baudrillard

Something had shifted between us, faintly, but the change was almost palpable. Our friendship had sat lightly between us, an ephemeral thing, without weight or gravity. Once, in the Boboli Gardens, under the shadow of a cypress tree on an achingly beautiful October afternoon, he had kissed me, a solemnly sweet and respectful kiss. But weeks had passed and we had not spoken of it. I had attributed it to the sunlight, shimmering gold like Danaë's shower, and had pressed it into the scrapbook of memory, to be taken out and admired now and then, but not to be dwelled upon too seriously. Perhaps I had been mistaken. ~ Deanna Raybourn

Layer upon layer it comes, dense and rich within the texts, echo upon echo, allusion and resonance tumbling over one another, so that for those with ears to hear it becomes un-missable, a crescendo of questions to which in the end there can be only one answer. Why are you speaking like this? Are you the one who is to come? Can anything good come out of Nazareth? What sign can you show us? Why does he eat with tax-collectors and sinners? Where did this man get all this wisdom? How can this man give us his flesh to eat? Who are you? Why do you not follow the traditions? Do the authorities think he's the Messiah? Can the Messiah come from Galilee? Why are you behaving unlawfully? Who then is this? Aren't we right to say that you're a Samaritan and have a demon? What do you say about him? By what right are you doing these things? Who is this Son of Man? Should we pay tribute to Caesar? And climactically: Are you the king of the Jews? What is truth? Where are you from? Are you the Messiah, the son of the Blessed One? Then finally, too late for answers, but not too late for irony: Aren't you the Messiah? Save yourself and us! If you're the Messiah, why don't you come down from that cross?
…
And Jesus had his own questions. Who do you say I am? Do you believe in the Son of Man? Can you drink the cup I'm going to drink? How do the scribes say that the Messiah is David's son? Couldn't you keep watch with me for a single hour? And finally and horribly: My God, my God, why did ~ N.T. Wright

It is a curious fact, but a fact it is, that your witty people are the most hard-hearted in the world. The truth is, fancy destroys feeling. The quick eye to the ridiculous turns every thing to the absurd side; and the neat sentence, the lively allusion, and the odd simile, invest what they touch with something of their own buoyant nature. Humor is of the heart, and has its tears; but wit is of the head, and has only smiles - and the majority of those are bitter. ~ Letitia Elizabeth Landon

I'll give you a cake if you get him in the stream by the end of the afternoon,' Mori said to Six.

'Hold on,' Thaniel said. 'No making criminals of the orphans, Fagin.'

'But I want some cake,' Six frowned. 'And his name isn't Fagin. ~ Natasha Pulley

Your move should be determined by your strengths, not your opponent's expectations.' Darcy's smile deepened as he warmed to her allusion to fencing. 'Always move to your advantage. ~ Pamela Aidan

The Stetson passage is an allusion to Frazer theory in The Golden Bough that religion originated as agricultural engineering. Through a grotesque process of literalization, all of the dying gods and heroes in The Golden Bough, along with Christ and the Fisher King, are transferred from mythic to modern consciousness ( Frazer himself was an unabashed positivist) to be made explicable in scientific terms as fertilizer. ~ Jewel Spears Brooker

When I encountered "The Lady of Shallot" (to take a "for instance" allusion from the many in the book, this one from the "Etiology" section) it was still considered a "great poem." What does that poem - or rather a particular presentation of that poem (hey, admire this!) - do to a young woman? ~ Laura Mullen

[The movies] make the sort of comment only a novel can make, an allusion to the world in which people live, the psychological and economic motivations, the influences of the period in which they lived. ~ Orson Welles