Jack Kirby Famous Quotes
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Drawing a good figure doesn't make you a good artist. I can name you ten men, right off the bat, who draw better than I do. But I don't think their work gets as much response as mine. I can't think of a better man to draw Dick Tracy than Chester Gould, who certainly is no match for Leonardo Da Vinci. But Chester Gould told the story of Dick Tracy. He told the story of Dick Tracy the way it should have been told. No other guy could have done it. It's not in the draftsmanship, it's in the man.
Like I say, a tool is dead. A brush is a dead object. It's in the man.
If you want to do, you do it. If you think a man draws the type of hands that you want to draw, steal 'em. Take those hands.
The only thing I can say is: Caniff was my teacher, Alex Raymond was my teacher, even the guy who drew Toonerville Trolley was my teacher. Whatever he had stimulated me in some way. And I think that's all you need. You need that stimulation. Stimulation to make you an individual. And the draftsmanship, hang it. If you can decently: learn to control what you can, learn to control what you have, learn to refine what you have. Damn perfection. You don't have to be perfect. You are never going to do a Sistine Chapel, unless someone ties you to a ceiling. Damn perfection.
All a man has in this field is pressure. And I think the pressure supplies a stimulation. You have your own stresses, that will supply your own stimulation. If you want to do it, you'll do
I never had stock endings. I didn't believe in stock endings. To make the [reader] happy was not my objective, but to make the [reader] say, "Yeah, that's what would happen" - that was my objective.
There was one time they knocked me out and laid me in front of my mother's door. And in order for my mother not to be shocked they readjusted my clothes and they saw that nothing was rumpled and I looked very comfortable next to the apartment door, so when my mother would open the door it wouldn't be that much of a shock.
I wouldn't call Adolf Hitler a corporal. Adolf Hitler was looked up to. He was revered almost like a God because he was feared. Adolf Hitler took all of Europe, and my generation had to confront Adolf Hitler.
I've done things that I wouldn't ordinarily seem capable of doing. And I've proven myself in situations where there's life and death at stake. And so, I can live with myself knowing that it's not a matter of guts or anything like that. It's a matter of willingness to go the length, to transcend yourself.
An artist has to be humble, an editor must be officious, and a publisher must be somewhere out in the galaxy enjoying godhood. It was a caste system, pure and simple. And it was accepted that way. Nobody thought of contracts, nobody thought of insisting on better deals.
Remember how unimportant you are because that knowledge will gain you more respect than someone who thinks the world revolves around them.
Comics have a caste system - an editor has to act in a certain way, an artist has to be humble.
I write from a people's point of view. I love people because I understand them. I understand an enemy, I understand a friend, I understand grey areas, and I understand black areas.
I'll never speak to another person without telling the truth. I've been a cruel man in my time, I've been a devious man in my time, like everybody else. I've told lies in my time. But I've seen enough suffering to experiment with the truth.
I achieved perfection, my type of perfection - visual storytelling. Storytelling was my style.
If you're a thorough professional, and they won't let you do a professional job, nobody's going to benefit from it. The people who produce it won't benefit. The people who buy it won't benefit from it. They're going to get a half-assed product.
I was a good student in the subjects that I wanted to be good in. The curriculum in my section was excellent.
I don't want to take somebody else's beating. That makes me unhappy.
I'd had a belly-full of being subservient. I had to find something else to do, and I did. I went to the animation houses. I went to new fields.
I admired anybody who could make a buck with his drawing.
I was being brought up on peasant stories; my mother came from Europe and she'd been a peasant and that was the area where the Frankensteins and the Draculas came from and it was entertainment for the people. Nobody had TV, and that was the way peasants would entertain themselves, by telling these stories.
I didn't have an affinity for horror. But I knew that commercially it was viable.
Aw, where we come from the Anti-Life Equation is one of many others
almost as awesome!! But they merely exist!!
My parents loved me. My father used to carry me around on my shoulders. I know my father loved me. All families love their children, and we were good boys.
I feel like an independent man, and I am. This is the kind of feeling I always wanted. You can rarely get that ... Well, I could rarely get that in the early part of my life.
A good commander can beat the odds. A great commander can beat the gods.
My monsters were lovable monsters. I gave them names - some were evil and some were good. They made sales, and that's always been my prime object in comics.
Homo Sapiens and their guns.
I came out of school one day, and there was this pulp magazine. It was a rainy day, and it was floating toward the sewer in the gutter. So I pick up this pulp magazine, and it's Wonder Stories, and it's got a rocket-ship on the cover, and I'd never seen a rocket-ship.
You fought fair. If the other guy wants to fight and you knocked him out, you did your best for him. You didn't want to hurt him any more.
I tried to, from my very early years, I've been an inveterate movie goer and still am and I, I love the medium. So what I, what I draw and what I'm still doing, is part of that particular orientation.
I began to learn about the universe myself and take it seriously. I know the names of the stars. I know how near or far the heavenly bodies are from our own planet. I know our own place in the universe. I can feel the vastness of it inside myself. I began to realize with each passing fact what a wonderful and awesome place the universe is, and that helped me in comics because I was looking for the awesome.
Perfectionists are their own devils.
I was happy because I made enough money to give to my parents. I made enough money to get married on. I made enough money to enjoy myself a little more than I would have if I didn't have enough money.
It's not letting your anger out that gets people hurt. Its keeping the anger locked up in side that hurts you.
My own son feels I'm uncool but my grandson loves me. Being cool or uncool is a generational thing. But as a personal thing, I really love everybody in sight.
The average politician was crooked. That was my ambition, to be a crooked politician. I'd see them in these restaurants, and they'd all hold these conferences. I'd see politicians who were supposed to be on opposite sides of issues all together at one table.
Superman is going to live forever. They'll be reading Superman in the next century when you and I are gone. I felt, in that respect, I was doing the same thing. I wanted to be known. I wasn't going to sell a comic that was going to die quickly.
There was violence because first of all, there were ethnic differences and names. If you were small, they called you a runt, and you had to do something about that even if there were five other guys.
I feel that any man that tries, any man that comes out with something we like, is a good man. A man doesn't have to be Leonardo Da Vinci to be sincere.
In the Army when we had judo classes, out of the class of 27 just me and another guy graduated. I grew to enjoy it because I knew I could do it well. I tried to do everything well.
I hated to fight all the time just to enjoy my day. Fighting wasn't the kind of thing that I enjoyed, but I grew to enjoy it because I did it so long.
I get a lot of comics, and I can look at a comic and tell immediately whether I'll enjoy it or not. There are elements in the stories that I have no rapport with. I see dirty language, I see sleazy backgrounds; I see it reflected in the movies, the movies are comics to me. And I don't see a sleazy world. I see hope. I see a positive world.
I feel my characters are valid, my characters are people, my characters have hope. Hope is the thing that'll take us through.
I could do whatever I liked to do during the day. I didn't have to work in an office. I could work at home. I could work at my leisure. I worked 'til four in the morning. I worked with the TV and radio on - it was a great setup. I was a night person and still am.
The people who worked in comics were terrific guys. I had a good association with them, and I enjoyed comics for that very reason.
I didn't save my money for a lawyer. I was a very young man, and saved my money for having a good time.
All human beings have the capability of doing what they want, what they're attracted to.
Ideas can never be traced to any one source. They are tossed back and forth between people until the decision makers step in and choose what they think is a success formula.
I feel that my characters all have some part of my character. I feel that they're all me in some way, certainly not in individuality, but they all bear elements of what I feel.
I felt the comics grew because they became the common man's literature, the common man's art, the common man's publishing.
I wasn't the kind of student that Pratt was looking for. They wanted patient people who would work on something forever. I didn't want to work on any project forever. I intended to get things done.
A man is entitled to draw things in his own style. I didn't hurt Superman. I made him powerful. I admire Superman, but I've got to do my own style.
Kid ... Comics will break your heart.
My anatomy was self-taught. I feel everybody has that ability. I drew instinctively. Mine was an instinctive style.
I feel that every professional is the art school for the next guy. I feel that maybe a lot of the dynamism in my own work, having been felt by the rest of the artists, they'll react to it and put elements of that in their own work, feeling that it'll help it.
I never duck out of a fight; I don't care what the hell the odds are, and I'm rough at times, but I try to be a decent guy all the time. That's the way I've always lived.
Life at best is bittersweet.
I've never done anything bad. I can't do anything bad. It's got to be professional. It's got to look professional. It's got to read professional. In other words, it serves its purpose by entertaining a reader.
The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
Everybody was wary. This was a time when communists marched through the streets, waving flags and shouting. The unions did the same thing so you began to associate them.
If you're drawing a Western town, you can duplicate that Western town from instinct alone. Some artists may take it from other illustrations or duplicate what you've drawn, but it will never have that gut reality that's instinctive in the artist.
I was an artist, but not a self-proclaimed great artist, just a common man who was working in a form of art which is universal.
My parents were immigrants. And the place for all immigrants was the factories. They were the source of cheap labor.
I taught myself how to draw, and I soon found out it was what I really wanted to do. I didn't think I was going to create any great masterpieces like Rembrandt or Gauguin. I thought comics was a common form of art, and strictly American in my estimation, because America was the home of the common man - and show me the common man that can't do a comic. So comics is an American form of art that anyone can do with a pencil and paper.
It's not in the draftsmanship, it's in the man. Like I say, a tool is dead. A brush is a dead object. It's in the man. If you want to do it, you do it.
A climb-out fight is where you climb a building. You climb fire escapes. You climb to the top of the building. You fight on the roof, and you fight all the way down again.
Nobody ever wrote a story for me. I told in every story what was really inside my gut, and it came out that way. My stories began to get noticed because the average reader could associate with them.
Mort Meskin was a consummate professional, dedicated to his work. A great talent.
A character to me can't be contrived. I don't like to contrive characters. They have to have an element of truth.
I never sued anybody, I never fought anybody or was in conflict or contention with any other party in a legal way. I feel that it hurts people, it hurts their families.
Once we've learned enough about the universe we will admit to ourselves that we will never know everything.
I always resent anybody interfering with anybody else trying to do his job. Everybody has his own job to do. If he's good, he'll do well, but if he's mediocre, he's not going to do as well as he should.
I had to make a living. I was a married man. I had a wife. I had a home. I had children. I had to make a living. That's the common pursuit of every man.
Of course, mothers were very conventional, everything was very conventional. You had to have approval.
I took a great joy with inventing new kinds of mechanisms. I invented new kinds of machines. I've been a student of science fiction for a long, long time, and I'm very well-versed in science fact and science fiction.
If a carpenter makes a chair that's comfortable for the person who's going to sit in it, he's done his job. If a train engineer gets a train in on time, he's going to make someone happy who's waiting at the station. And if an artist draws the kind of a picture that people are going to enjoy looking at, or he makes a visual story which people are going to enjoy reading, he's done his job.
Every father was his own man. He did what he wanted. If your mother went shopping, your father never went with her.
I didn't like Army life. I didn't like taking orders. I didn't like discipline. I didn't like being yelled at. You'd get 10 years for punching a sergeant so I couldn't punch a sergeant.
I like entertainment. I'm an innate admirer of good entertainment. I'll listen to MTV, I'll listen to Mozart, I'll listen to anything that has a good element in it.
I'm OMAC! Evacuate this section! I'm going to destroy it!
It's funny how easy it is to point out other peoples mistakes and make our own mistakes seem insignificant.
I had very high respect for the Pratt Institute, but I thought that I had done my best, and that was not their version of the best.
There are people that I didn't like, but I saw them suffer and it changed me. I promised myself that I would never tell a lie, never hurt another human being, and I would try to make the world as positive as I could.