Play On Words Quotes

Would you like to hold my sword?" He asked the question with a gleam in his eyes.
Lucy burst out laughing. At least she didn't giggle again. "You did not just say that. But, um, yeah, I'd like to hold your sword, Agent Riley."
Hunter grinned and unzipped his backpack, pulling out something surprisingly small. He held it out to her, and noticed the disappointed look on her face. "Expecting something bigger?"
She smirked at his continued play on words. She had a lifetime of training in verbal and physical sparring; he was no match for her. "They say size doesn't matter, but I disagree."
Hunter, who apparently hadn't expected her response, choked on his own comeback and unsheathed the sword, then placed it in her hand. "You have to stroke it a certain way to make it bigger. ~ Kimberly Kinrade

Did your brother make it?" Uriah says.
"Yeah." Finally I see Tobias, his hand gripping Caleb's arm, coming toward us.
"Not sure why an Erudite like you can't get it through his head," Tobias is saying, "but you aren't going to be able to outrun me."
"He's right," says Uriah. "Four's fast. Not as fast as me, but definitely faster than a Nose like you."
Christina laughs. "A what?"
"Nose." Uriah touches the side of his nose. "It's a play on words. 'Knows' with a 'K,' knowledge, Erudite…get it? It's like Stiff."
"The Dauntless have the weirdest slang. Pansycake, Nose…is there a term for the Candor?"
"Of course." Uriah grins. "Jerks."
Christina shoves Uriah, hard, making him drop the flashlight. Tobias, laughing, leads us to the rest of the group, standing a few feet away. ~ Veronica Roth

Just as I got to the door, Dolf opened it, read my shirt, and promptly burst out laughing. "You have got to tell me where you get those."
Smirking, I shook my head. "It's a well-guarded secret."
Today I wore a black shirt with white writing: Be careful when you follow the masses…. Sometimes the M is silent. "Masses" was in light blue, as was the letter M, to draw attention to the play on words. I'd been known to follow an ass or two in my day. Those days were over now. ~ M.A. Church

Small people will find your flaw and make it huge; big people will find your flaw and block it out completely, by sitting next to you. Therefore, hang out with big people. ~ Shannon L. Alder

I worried that what I had seen in the driver was something I'd seen in myself, that it took me to know me. ~ Catherine Lacey

The Queen said, "I want you to be in charge of all the details - greeting our guests, introducing them to Trent, planning dates and travel when it comes time for that. You'll need to get with Trent to make sure he has a say in how things go." ...
"With all due respect, that seems way beyond the boundaries of my job description." ...
"Here's my proposal," the Queen said, looking pleased with her play on words. "I'll give you a twenty-five-thousand dollar bonus if Trent gets engaged before summer. ~ Tracy March

When Ole Kirk Kristiansen established the company name LEGO in 1934, it was a fortunate play on words. The entrepreneur had been inspired by the Danish phrase "leg godt" - "play well." He took the beginning of each respective word and made what he considered to be a pleasant-sounding, imaginary word out of them. The company owner was unaware that as the first person present singular of the verb legere, "lego" is also the Latin word for "I assemble" - and therefore completely appropriate for the modularity of the company's later invention, the LEGO brick. ~ Christian Humberg

I could dance with you till the cows come home. Better still, I'll dance with the cows and you come home.
Groucho Marx was never one to pass up an opportunity for a play on words and this occurs in his dialogue of the 1933 film Duck Soup: ~ Groucho Marx

I think the play on words for 'Punky' Brewster has definitely played itself out. ~ Jordana Brewster

Snarky should never be confused with clever ...
(Snarky just showcases immaturity and a need to make other feel small in order to make oneself feel better. Clever shows wit, intelligence and the gift of play on words. Hurtful is as hurtful does and its just wrong.) ~ Marianne Morea

We are trapped by language to such a degree that every attempt to formulate insight is a play on words. ~ Niels Bohr

To suggest that war can prevent war is a base play on words and a despicable form of warmongering. The objective of any who sincerely believe in peace clearly must be to exhaust every honorable recourse in the effort to save the peace. The world has had ample evidence that war begets only conditions that beget further war. ~ Ralph Bunche

What - what - what are you doing?" he demanded.
"I am almost six hundred years old," Magnus claimed, and Ragnor snorted, since Magnus changed his age to suit himself every few weeks. Magnus swept on. "It does seem about time to learn a musical instrument." He flourished his new prize, a little stringed instrument that looked like a cousin of the lute that the lute was embarrassed to be related to. "It's called a charango. I am planning to become a charanguista!"
"I wouldn't call that an instrument of music," Ragnor observed sourly. "An instrument of torture, perhaps."
Magnus cradled the charango in his arms as if it were an easily offended baby. "It's a beautiful and very unique instrument! The sound box is made from an armadillo. Well, a dried armadillo shell."
"That explains the sound you're making," said Ragnor. "Like a lost, hungry armadillo."
"You are just jealous," Magnus remarked calmly. "Because you do not have the soul of a true artiste like myself."
"Oh, I am positively green with envy," Ragnor snapped.
"Come now, Ragnor. That's not fair," said Magnus. "You know I love it when you make jokes about your complexion."
Magnus refused to be affected by Ragnor's cruel judgments. He regarded his fellow warlock with a lofty stare of superb indifference, raised his charango, and began to play again his defiant, beautiful tune.
They both heard the staccato thump of frantically running feet from within the house, the swish of skirts ~ Cassandra Clare

Only in very rare circumstances will you see something cut out of my first drafts. Maybe it's because of the way I write. I'm very focused on the logical progression of the story, and every character has a role to play. ~ R.A. Salvatore

Liberty and equality," said the vicomte contemptuously, as if at last deciding seriously to prove to this youth how foolish his words were, "high-sounding words which have long been discredited. Who does not love liberty and equality? Even our Saviour preached liberty and equality. Have people since the Revolution become happier? On the contrary. We wanted liberty, but Buonaparte has destroyed it. ~ Leo Tolstoy

He checked her face first to see if she was all right, then dropped his eyes to the keyboard. It was like someone had plugged him in. His eyes widened, his mouth dropped open, and he stretched his fingers.
"Will you play it, Blake? Will you?" Livia almost jumped with excitement.
Blake covered his smile. He nodded. Livia plopped the keyboard on the kitchen table, which was still moist from where he'd wiped it with the kitchen sponge.
Blake kissed her and then spoke solemnly. "I'll play it for you. ~ Debra Anastasia

Over a bowl of noodles [the younger Cantonese man] waxed eloquent on the subject of mantras. 'Ordinary people, Ah Jon, use mantras as spells to win good fortune or ward off disease and other evils. Perhaps they are right to do so, for the mantras are often successful, but I do not ask you to believe that. What I beg you to believe is that they are of the greatest help in altering states of consciousness. They do this by making your mind stay still instead of chasing after thoughts.'

He went on to explain that, being devoid of meaning, they do not promote conceptual thought as prayers, invocations and so forth are apt to do; and that, as each mantra has a mysterious correspondence (he could not explain what kind of correspondence) with the various potentialities embedded deeply in our consciousness […] it could cause one to snap into a state otherwise hard to reach. I do not remember his actual words, but I do remember that he was the first to voice an idea which was later to be abundantly confirmed by my own experience. […] he went on to say that to use meaningful words in any kind of religious practice is useless, since words encourage dualistic thought which hinders the mind from entering upon a truly spiritual state. His last words […] were: 'People who pray with words are just beginners. Don't do it!' Several passengers who understood English glanced at him as though they thought him a bit mad and I myself was quite taken aback by his un-Chinese vehemence, but ~ John Blofeld

A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. ~ Roland Barthes

If anything, 'Friday Night Dinner' is quite mean. All these pranks that we play on each other, there's a lot of hitting and slapping and jumping at each other trying to scare each other. But underneath it all it is a family, so we all love each other. ~ Simon Bird

And now the measure of my song is done:
The work has reached its end; the book is mine,
None shall unwrite these words: nor angry Jove,
Nor war, nor fire, nor flood,
Nor venomous time that eats our lives away.
Then let that morning come, as come it will,
When this disguise I carry shall be no more,
And all the treacherous years of life undone,
And yet my name shall rise to heavenly music,
The deathless music of the circling stars.
As long as Rome is the Eternal City
These lines shall echo from the lips of men,
As long as poetry speaks truth on earth,
That immortality is mine to wear. ~ Ovid

That afternoon she was wearing a yellow dress the same shade as her hair, and again his throat tightened when he saw her, and again he could not speak. But when the first moment passed and words came, it was all right, and their thoughts flowed together like two effervescent brooks and coursed gaily through the arroyo of the afternoon. This time when they parted, it was she who asked, "Will you be here tomorrow?" - though only because she stole the question from his lips - and the words sang in his ears all the way back through the woods to the cabin and lulled him to sleep after an evening spent with his pipe on the porch. ~ Robert F. Young

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well. ~ George Bernard Shaw

In his head he felt the confused whirling of images seeking a name. Words, sounds, surged up inside him, clean and clear, and settled on everything around him. He named, and saw what he named recognize itself. ~ Gioconda Belli

Maman had been a gifted writer. Pari has read every word Maman had written in French and every poem she had translated from Farsi as well. The power and beauty of her writing was undeniable. But if the account Maman had given of her life in the interview was a lie, then where did the images of her work come from? Where was the wellspring for words that were honest and lovely and brutal and sad? Was she merely a gifted trickster? A magician, with a pen for a wand, able to move an audience by conjuring emotions she had never known herself? Was that even possible?
Pari does not know - she does not know. And that, perhaps, may have been Maman's true intent, to shift the ground beneath Pari's feet. To intentionally unsteady and upend her, to turn her into a stranger to herself, to heave the weight of doubt on her mind, on all Pari thought she knew of her life, to make her feel as lost as if she were wandering through a desert at night, surrounded by darkness and the unknown, the truth elusive, like a single tiny glint of light in the distance flickering on and off, forever moving, receding. ~ Khaled Hosseini

The zombie is in a lot of ways the perfect horror movie bad guy. It plays on so many fears all at once. The fear of predators, the fear of disease and the fear of loved ones betraying us - the ones we care about are turning around and trying to eat us. ~ James Gunn

THE NEXT DAY Reef, Cyprian, and Ratty were out on the Anarchists' golf course, during a round of Anarchists' Golf, a craze currently sweeping the civilized world, in which there was no fixed sequence - in fact, no fixed number - of holes, with distances flexible as well, some holes being only putter-distance apart, others uncounted hundreds of yards and requiring a map and compass to locate. Many players had been known to come there at night and dig new ones. Parties were likely to ask, "Do you mind if we don't play through?" then just go and whack balls at any time and in any direction they liked. Folks were constantly being beaned by approach shots barreling in from unexpected quarters. "This is kind of fun," Reef said, as an ancient brambled guttie went whizzing by, centimeters from his ear. ~ Thomas Pynchon

Jamie came back to the apartment one night to find her spreading a viscous fluid onto a canvas. It was threaded wtih blood. "Good God," he said. "What the hell is that?"
Pia didn't bother to look up but continued to knead the clear slime across the canvas. "It's my new piece."
"But what is it?" He kept pointing. He'd never seen something so disgusting in his life. And her hands were completely in it.
"It's Jodie's placenta. She gave it to me. I'm going to tack it up and let it dry on this canvas. Then I'm gonna glue-gun pictures of dead fetuses onto Lucite and make them the centerpeice."
"Uh huh."
She raised her sticky hands to him. "It's about women, you know? The way that the world opresses them, all right? And it's about babies, and . . . I don't know . . . I just got the placenta today."
"Wow, that's wow . . . that's . . ." No words for this. He scratched his chin as she spread her hands in a concentric motion across the canvas. "So, do you really think anyone's gonna want to put that up on their wall when it's done?" he asked.
She scowled, displeased. ~ K. Stephens

So which guideline should a writer follow, "Avoid elegant variation" or "Don't use a word twice on one page"? Traditional style guides don't resolve the contradiction, but psycholinguistics can help. Wording should not be varied capriciously, because in general people assume that if someone uses two different words they're referring to two different things. And as we shall soon see, wording should never be varied when a writer is comparing or contrasting two things. But wording should be varied when an entity is referred to multiple times in quick succession and repeating the name would sound monotonous or would misleadingly suggest that a new actor had entered the scene. ~ Steven Pinker

I guess I always thought," Ivy said softly, "that if I was strong enough, if I was formidable enough, if I was successful enough - I could be enough. For you. I thought that if I became this person who could take on the world, then I could take care of you." She shook her head - at her past self, maybe, or to snap herself out of it. "When I came to Montana that summer, Tess, I thought I was ready. I really did. I was going to give you everything. But Gramps called me out, and he was right, Tessie. I wasn't doing it for you. You were thriving. You were happy. And I . . ." The words got caught in her throat, but she forced them out. "I was your sister. I was never going to be strong enough or successful enough. There was never going to be a right time to tell you. You were happy. And you deserved to be happy. ~ Jennifer Lynn Barnes

If we see a child who is two or three, perhaps four years old, we find a free human. Why is this human free? Because this human does whatever he or she wants to do. The human is completely wild. Just like a flower, a tree, or an animal that has not been domesticated – wild! And if we observe humans who are two years old, we find that most of the time these humans have a big smile on their face and they're having fun. They are exploring the world. They are not afraid to play. They are afraid when they are hurt, when they are hungry, when some of their needs are not met, but they don't worry about the past, don't care about the future, and only live in the present moment. Very young children are not afraid to express what they feel. ~ Miguel Ruiz

Liberty is only possible on the condition of regularity. We cannot be free and play the game of life without abiding to the rules, but the rules have to be adapted constantly in line with our experiences and the events we encounter. ( "If he doesn't play ball " ) ~ Erik Pevernagie

No more than six words on a slide. Ever. There is no presentation so complex that this rule needs to be broken. ~ Seth Godin

I looked up from the ground and glared at Scarlett, who helped Steven stand up. "You bitch." I growled, sitting up.
She looked back at me and walked over to where I was. I kept my glare on her, and just as I was about to stand up, her foot came and hit me in the face. I flung back around and my vision started to blur as my head hit the ground. I heard the squishing noise of Scarlett's heels against the wet ground and her say her last words to me: "See you in a while, Aiyanna. We'll do lunch." And then they were gone, just like that. That's when I couldn't hold on any longer and I let the blackness consume me. ~ Sara Massa

Paths of the mirror"

I
And above all else, to look with innocence. As if nothing was happening, which is true.

II
But you, I want to look at you until your face escapes from my fear like a bird from the sharp
edge of the night.

III
Like a girl made of pink chalk on a very old wall that is suddenly washed away by the rain.

IV
Like when a flower blooms and reveals the heart that isn't there.

V
Every gesture of my body and my voice to make myself into the offering,
the bouquet that is abandoned by
the wind on the porch.

VI
Cover the memory of your face with the mask of who you will be and scare the girl you once were.

VII
The night of us both scattered with the fog. It's the season of cold foods.

VIII
And the thirst, my memory is of the thirst, me underneath, at the bottom, in the hole,
I drank, I remember.

IX
To fall like a wounded animal in a place that was meant to be for revelations.

X
As if it meant nothing. No thing. Mouth zipped. Eyelids sewn. I forgot.
Inside, the wind. Everything closed and the wind inside.

XI
Under the black sun of the silence the words burned slowly.

XII
But the silence is true. That's why I write. I'm alone and I write. No, I'm not alone.
There's somebody here shivering.

XIII
Even if I say sun and moon and star I'm t ~ Alejandra Pizarnik

It may well be that we will have to repent in this generation. Not merely for the vitriolic words and the violent actions of the bad people, but for the appalling silence and indifference of the good people who sit around and say, Wait on time. ~ Martin Luther King, Jr.

The only disability you have is between your ears.

We all have our disabilities; we all have our little insecurities--some are just more visible than others. How do you handle yours? Do you let them hold you back? I've learned that our brains play many tricks on us. Fear and doubt are only in your mind and have as much power as you give them. When Amy was lying in a hospital bed, being pumped full of fluids and fighting to stay alive, a doctor asked her what she believed in. "I believe in love," she told him. "And I've got a lot more love to give." It's incredible to know someone who's been on the brink of death and come out on the other side. Amy doesn't want sympathy or pity or special treatment. Her legs are her legs--she doesn't see them as a disability. It's not about what you have or don't have--it's what you give and you share with others. The more you put into something, the more fulfillment you get back in return. ~ Derek Hough

My music is based on melody and when I play the piano, it's as if I'm singing with them. When you try to transform that into a vocal, there was very little adjustment. ~ Yanni

My father was a really good athlete, so his pop-ups really were sky high. Eventually I learned how to judge them properly and catch them well. It was great training for when I started to play on teams, which I did all through school. ~ Artie Lange

It was the 'Are the boys doing it?' basis on which I finally decided I was against women wearing burkas. Yes, the idea is that it protects your modesty, and ensures that people regard you as a human being, rather than just a sexual object (...) But who are you being protected from? Men. And who - so long as you play by the rules, and wear the correct clothes - is protecting you from the men? Men. And who is it that is regarding you as a sexual object, instead of another human being, in the first place? Men.
Well. This all seems like quite a man-based problem, really. (...) I don't know why we're suddenly having to put things on our heads to make it better. ~ Caitlin Moran

How bad will it hurt?" I ask suddenly as Cain pulls the car onto the road to head back to my house.
"How bad will what hurt?"
"The spankings, the torture, all the ways you want to punish me."
"I'm not a sadist, Evan. I don't get off on hurting women."
"So it won't hurt?"
"Oh, it will, but you'll love the way it hurts," he says, and as his words fall upon my ears in a harmony of exhilaration and foreboding, I think I'm beginning to understand. ~ Lilly Black

It can't happen here is number one on the list of famous last words. ~ David Crosby

S., a clever and truthful man, once told me the story of how he ceased to believe. On a hunting expedition, when he was already twenty-six, he once, at the place where they put up for the night, knelt down in the evening to pray -- a habit retained from childhood. His elder brother, who was at the hunt with him, was lying on some hay and watching him. When S. had finished and was settling down for the night, his brother said to him: 'So you still do that?' They said nothing more to one another. But from that day S. ceased to say his prayers or go to church. And now he has not prayed, received communion, or gone to church, for thirty years. And this not because he knows his brother's convictions and has joined him in them, nor because he has decided anything in his own soul, but simply because the word spoken by his brother was like the push of a finger on a wall that was ready to fall by its own weight. The word only showed that where he thought there was faith, in reality there had long been an empty space, and that therefore the utterance of words and the making of signs of the cross and genuflections while praying were quite senseless actions. Becoming conscious of their senselessness he could not continue them. ~ Leo Tolstoy

Jason shot to his feet, nostrils flaring. Ben stopped dead.
The cafeteria went still. Everyone watched the boys square off.
"Im not a violent person, Blue." Jason bit off the words. "But Ive had enough of your mouth. Ill kick your ass right here."
Ben's jaw tightened. "You think so, rich boy?"
"You heard me." A vein was bulging in Jason's neck.
Ben's breathing quickened. The tiniest spark of gold flickered in his irises.
My stomach backflipped.
Oh my God! He's going to flare!
"Get him out of here!" I hissed at Shelton and Hi. "Hurry!"
Recognizing the danger, Hi jumped to his feet, planted both hands on Ben's chest and pushed him towards the door, whispering, "Use your head, use your head, use your head!"
Ben tried to hold his ground, but Shelton joined the effort. "Get it together! People are watching. Dont lose control!"
Slowly, the duo managed to back Ben away, but his glare never strayed from Jason. At the exit, Ben shrugged free, and stalked down the hall alone.
I took my first breath since Jason stood.
Crisis averted, but only barely. ~ Kathy Reichs

I then moved to LA when I was 16 ... but before that I had done a play on Broadway. ~ Danny Masterson

I love you," he says quietly. I want to take his words, the truth of them I can see on his face, and cup them in my hands like a glowing coal from the fire. Keep them with me warm and bright, a talisman. ~ Amy Engel

If You Can Stand It, Play the Long Game ...
What I mean here is that you have to remain committed to the ultimate goal, which isn't to win the immediate approval of the online world, or dazzle a workshop, but to improve your storytelling day by day.
Finding the right balance of feedback - encouragement versus vigorous criticism - will help immeasurably.
But your own commitment has to be to the process of improvement, not to the anticipated reward.
If it's any consolation, I'm still working on this final lesson. ~ Steve Almond

Forget that old adage 'forgive and forget.' It's an impossible standard. The human heart never forgets its pain. We can and often do choose to forgive and heal and move on. But the scars remain. Like words pounded out on an old typewriter leave impressions that can never truly be erased, the heart remembers. ~ L.R. Knost

You are new here, so I will explain. In this land, nobility comes not from one's fathers or a title or from the land one owns, but from one's actions." His voice was hard-edged, and his words seemed harsh to her. "The MacKinnon brothers are the highest nobility to those who live on the frontier - true warriors, men who know how to fight and survive, men who put the lives of others before their own. Your family's wealth, your title, your virtue - they mean nothing out here. They won't fill your belly, and they won't keep you alive. What matters most right now is your survival. (Joseph to Lady Sarah) ~ Pamela Clare

I wonder if there has been a book written on toes - the bottom parts of a body are just as important as the top parts. Each chapter would focus on one of the ten toes and each would inspire singular, existential commentary: the potential of our toes as leaders, the solidity of our little instruments, the dangers of relating size and value. It would be called The Toe Manifesto and people would be interested in reading it because, after all, it is the toe that goes forward first and foremost, and the toe that helps to tell us if our bodies are hot or cold - in other words, the toe experiences far more than we give it credit for. ~ Meia Geddes

Democracy, Republic: What do these words signify? What have they changed in the world? Have men become better, more loyal, kinder? Are the people happier? All goes on as before, as always. Illusions, illusions ~ Haile Selassie