Ishmael Reed Quotes

I'm sure that you could go back and make a graph showing that all the killings of black males increased in times of economic difficulty. As a matter of fact, a black man was lynched last year.

We will leap tall couplets in a single bound

What was once dormant is now a Creeping Thing

My novels and poems are meant to be read aloud. That's why jazz musicians have been able to adapt my stuff.

I was roommates with 2 of the guys who were influential in forming the Black Arts philosophy. I called them "goons," and [Amiri] Baraka took offense at that. But if you read his autobiography, the night we went up there for a fundraiser, he talks about how he wished that some violence would happen to us. How do you like Baraka as a gracious host?

Have you ever seen people line up outside a Van Gogh exhibit? When they get inside there are so many they can't even see the paintings, they just pass by like sheep or like mourners passing the tomb of a fallen hero, a bier, with the same solemnity. And the extent of their knowledge concerning Van Gogh is that he "cut off his ear." Man, it's religion they make it into.

I asked Joe Weixlmann why he would print a death threat like that in light of the fact that there are all of these armed ideological nuts wandering around loose. He said that for him, to "ice" someone means to reprimand them.

Whites have been the most subsidized group in the history of the United States and maybe the history of the world, while Blacks were enslaved and were the assets of Whites.

I try to do what has never been done before.

I consider racism to be a medical problem. Racists need serious medical and psychiatric help, because they are killing themselves and making others suffer along with them.

Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island.

Fear stalks the land. (As usual; so what else is new?)

As for [Amiri] Baraka, he and I have disagreements. I mean, he becomes a demagogue when there's an audience. He's a nice guy in private. I mean I like the guy; he's a terrific writer. I've published two of his books. Baraka is one of these fundamentalists who is prone to idol worship.

Native Americans were driven off their land. Lincoln even took part in the Black Hawk campaign against the Native Americans in Illinois. While they were being exterminated and driven off their land, Whites were collecting assets.

Phillip Roth uses his Black women characters to make anti intellectual remarks about Black history month, begun by a man who reached intellectual heights that Roth will never attain.Roth is a petty bigot and his ignorant remarks about black culture expose him as a buffoon to scholars the world over.

American cultural institutions seem so bent on preserving the values of "Western civilization," the mythical "Whitetown," that welearn about one another's cultures the same way we learn about sex: in the streets.

But what have Cortes and Pizarro or the others to do with me?

You carry them in your blood as I carry the blood of Montezume; expeditions of them are harbored by your heart and your mind carries their supply trains. You've changed your helmet for a frontier hat while I have changed my robes for overalls and a black leather jacket. The costumes may have changed but the blood is still the same, gringo.

I get most my information about what's happening in the United States from reports and studies, which are often in conflict with what you read on the editorial pages, or handouts from right wing institutions like the American Enterprise Institute.

In Haitian mythology there is the figure Ghede, who in West Africa, is Iku, whose role is to show "each man his devil." He's represented by a figure wearing a top hat and smoking a cigar. That's my gig.

My stuff is direct. Critics have compared my writing style with boxing all the way back to 1978 when my first book of essays appeared: it was compared to Muhammad Ali's style.

My work holds up the mirror to hypocrisy, which puts me in a tradition of American writing that reaches back to Nathaniel Hawthorne.

How does the [New York] Times treat White pathology? They reported an epidemic of heroin addiction in the Philadelphia suburbs. which included emergency admissions and overdoses; these White people in the suburbs were doing heroin like it was going out of style. I counted the words: the article consisted of 200 words. "Heroin Epidemic" in the back section. Out here in California, the typical drug addict is a housewife or suburban White woman.

A lot of great art comes from the Afro-American male experience. Black men are geniuses, and many times their desperation, their position as being pariahs, leads them to great originality.

Constance L. Rice, co-director of the Los Angeles of the Advancement Project, told the Times that Seltzer might have been influenced by David Simon's fake ghetto series, "The Wire." It figures. Isn't this sexism? Isn't this a double standard? They're hard on this young woman for her fake ghetto book, yet praise these White guys for theirs. So there's a big market in downing Black men.

Richard Price got a million dollar advance on one fake film book based on a paragraph outline and is able to seduce gullible White reviewers who know less about ghetto life than he. The New York Times has devoted more space to Price's tourist, ghetto writing than to any Black writer in history.

Unfortunately, in the world today, we have dogmatic people entering into politics. I don't think the two mix.

I had no systematic way of learning but proceeded like a quilt maker, a patch of knowledge here a patch there but lovingly knitted. I would hungrily devour the intellectual scraps and leftovers of the learned.

Hateful material travels the globe. A few years ago, CNN, America's Der Sturmer, ran a story about Black parents being so low down that they abandoned their children and the children had to eat rats. I was at a University in Wisconsin at the time and the mother of a student from South Africa called to see whether the story was true. She had seen it all the way over there. The story was untrue. The children lied. CNN never corrected the story.

I think Black intellectuals see too deeply. That's the problem. It's a cause of anxiety, because we see things differently.

David Simon [the creator of The Wire] and I have a running controversy for years. It all stems from a telephone call I made to KPFA [Pacifica radio] when he was a guest there in the 90's on Chris Welche's show. He was going around the country with a Black kid from the Ghetto to promote something called The Corner - it was all about Blacks as degenerates selling drugs, etc.

One of the joys of reading is the ability to plug into the shared wisdom of mankind.

When I say Afro-American aesthetic, I'm not just talking about the United States, I'm talking about the Americas. People in the Latin countries read my books because they share the same international aesthetic that I'm into and have been into for a long time. And it's multicultural.

I walked out on American Gangster: this evil piece of dreck. Defenders of this junk say that these movies give Black actors jobs. So did "Birth of a Nation."

For generations comedians have made jokes about Scots-Irish in the South inter-breeding. "I am my own grandpa" and all that stuff; you know, because they all were marrying their first cousins.

Ethnic life in the United States has become a sort of contest like baseball in which the blacks are always the Chicago Cubs.

I have Black guys who tell me they put my books on their bed stands to read at night like something for guidance or information. That really pleases me a lot. I think my work has changed some things. It's changed me.

My generation of writers has been prone to premature illness and death, especially the women. When Black male writers meet it's like a session of the American Diabetic Association.

David Simon goes to the Jewish Weekly and said he's made all this money, but he can't enjoy it because of criticism by people like Ishmael Reed.

Joel Chandler Harris, who created a multi billion dollar industry, everything from his books, to Disney's "Song of the South" based upon the Uncle Remus stories. He got his start by transcribing the stories of slave Informants. I'm sure that none them got a dime.

I think that when people like you , Mr. Von Vampton, say "The Negro Experience" you are saying that all Negroes experience the world the same way. In that way you can isolate the misfits who would propel them into penetrating the ceiling of this bind you and your assistants have established in this country. The ceiling above which no slave would be allowed to penetrate without stirring the kept bloodhounds.

61 lynchings occurred in 1920 alone. In 1921, 62, some of the victims, soldiers returning from the Great War who after fighting and winning significant victories - just as they had fought in the Revolutionary and Civil wars and the wars again the Indians - thought that America would repay them for the generosity of putting their lives on the line, for aiding in salvaging their hides from the Kaiser who had been tagged "enemy" this time. Instead, a Protestant country ignorant even of Western mysteries executes soldiers after a manner of punishments dealt to witches in the "Middle Ages." Europe and the Catholic Church are horrified but not surprised at this "tough guy" across the waters whose horrendous murders in Salem led Europe to reform its "witch laws.

The liberal wing of the feminist movement may have improved the lives of its middle- and upper-class constituency
indeed, 1992 was the Year of the White Middle Class Woman
but since the leadership of this faction of the feminist movement has singled out black men as the meta-enemy of women, these women represent one of the most serious threats to black male well-being since the Klan.

I was challenged to a fistfight by Margo Jefferson, the Pulitzer Prize winner, New York Times writer, who is part of a feminist clique at the Times, which believes that Black men are the principal threat to the women of the world.

Time is a pendulum. Not a river. More akin to what goes around comes around.

I wasn't part of any sixties movement. I'm skeptical of movements. I'm part of the times that I'm in.

I was on a panel with light skinned Blacks and a famous gay science fiction writer, who were complaining about how Blacks are against gays and light skinned Blacks and how intolerant Blacks are of different groups. My position was that Blacks were among the most humanistic, tolerant groups in the country and that across the street from my house in Oakland was one inhabited by White gays.

The last publicized center of American writing was Manhattan. Its writers became known as the New York Intellectuals. With important connections to publishing, and universities, with access to the major book reviews, they were able to pose as the vanguard of American culture when they were so obsessed with the two Joes
McCarthy and Stalin
that they were to produce only two artists, Saul Bellow and Philip Roth, who left town.

The cultural wars of the sixties are over. I've reconciled with those who were my critics and opponents years ago. I was at odds with some those who were Black nationalists. Yet when feminists attempted to end my career and leave me as literary road kill, it was the Black nationalists who came to my rescue.

Given all of the anti-Muslim propaganda that's being disseminated by The American Nazi media, you have to be careful. It can stress you out.

I'm sure that a previous generation of Jews who published radical newspapers and journals would be critical of [David] Simon's projects. These were left wingers who suffered casualties in some of bloodiest strikes in American history.

democracy and freedom began bouncing all over the world
like bad checks

I think I have a pugnacious style. My style is not pretty. I don't use words like "amber" or "opaque."

Do you think that Gwendolyn Brooks would give an award to someone who hated Black women, the lie that was circulated throughout New York and reached all the way down to Martinique where I was a guest Professor? The lie was circulated by people who don't read my books.

I don't know why people always compare me [ with Amiri Baraka] I was never part of the Black Arts Repertory Theater or the Black Arts Movement; people who claim that I was are wrong. I was downtown. I was living in Chelsea when they were operating in Harlem.

I reached the age of 70, because I have cultivated an association of multicultural intellectuals who are informed and alert to whatever "tricknology" that's laid on us by the powers that be. These include White ethnic intellectuals- people who know their roots- as well as Native American, Asian American, Hispanic and Black intellectuals. These are thirty, forty-year associations with some of the best minds around. Minds that are ignored by the media.

Howard University holds something called "Heart's Day," an all day ceremony in which a writer is honored. I was the recipient of this honor. It's a wonderful ceremony that Eleanor Traylor chair of English at Howard University organizes for writers. Writers from around the country came to pay tribute to my work. It was very flattering.

All art must be for the end of liberating the masses. A landscape is only good when it shows the oppressor hanging from a tree.

Americans are fickle. And what constitutes the enemy is always changing. Believe it or not, at one time Blacks were the favored model minority over Asian Americans.

I think there are fundamentalists all over the world. I think all religions have fundamentalists who have different interpretations of scriptures that are very vague.

I've always wondered why European politicians as a group seemed brighter than American politicians as a group. Maybe it's becausemany American politicians have the race issue to fall back on. They become lazy, suspicious of innovative ideas, and as a result American institutions atrophy.

If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.

Statistic: the us bureau of missing persons reports
that in 1968 over 100,000 people disappeared
leaving no solid clues
nor traceonly
a space
in the lives of their friends.

What I can't understand why Blacks can't achieve royal status when it comes to forms that they have largely created? I mean there's a White King of Rock n' Roll, there's a White King of Jazz, how come we can never achieve titles of royalty in these fields we are supposed to prevail in? They held a so called Rock and Roll Hall of Fame the other night, where White judges credit people who resemble them with the invention of Rock and Roll. I didn't even see Blacks in the audience.

Two of the great leaders of the past - Booker T. Washington and Frederick Douglass - had White fathers - who deserted them. Now Margo Jefferson, who is hard on me and the fellas, wrote in the Times that she has nocturnal, erotic fantasies about John Wayne. What's up with these feminists? Do you see these double standards these feminists have? They dream about John Wayne, but they're hard on us [Black men].

Another California study counted 30,000 substance abusers who are pregnant are White woman. So, The Wire paints the picture of drug addiction, drug dealing, and drug abuse as being a specifically a Black issue.

The treatment of African and African American culture in our education was no different from their treatment in Tarzan movies.