Literary References Quotes

I have often noticed that we are inclined to endow our friends with the stability of type that literary characters acquire in the reader's mind. No matter how many times we reopen 'King Lear,' never shall we find the good king banging his tankard in high revelry, all woes forgotten, at a jolly reunion with all three daughters and their lapdogs. Never will Emma rally, revived by the sympathetic salts in Flaubert's father's timely tear. Whatever evolution this or that popular character has gone through between the book covers, his fate is fixed in our minds, and, similarly, we expect our friends to follow this or that logical and conventional pattern we have fixed for them. ~ Vladimir Nabokov

I love pop culture
the Rolling Stones, the Doors, David Lynch, things like that.
That's why I said I don't like elitism. ~ Haruki Murakami

Probably I'm more of a fan of the literary references than the pop-culture references. But I do go to the pop-culture well quite frequently because people, I think, are sort of inherently ready to laugh at that. It's a free laugh almost. Usually, everybody gets it. ~ Adam Reed

We had literary references, so we knew what we were talking about. We could quote things, talk about books we'd read; you can say something, you don't have to explain it. ~ Kevin Ayers

Warning: Contains old friends, old enemies, a dramatic cat rescue, soft drink references and a lot of teasing before the steamy sex. Readers are cautioned against drinking any beverage while reading to avoid accidental snorting or spraying of said beverages. ~ K.A. Mitchell

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do.

I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason.

And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every haw ~ Sarah Schmelling

I have no literary interests; I am made of literature. I am nothing else and cannot be anything else. ~ Franz Kafka

Inevitably, the flood of literary pornography loosed on us is dulling our reactions of surprise or shock. Its writers are forced to raise the ante, to provide stronger and stronger stimulants. Or try to provide them, since both the manner, the naming of parts and the few inexpressive four-letter words, and the matter, are narrowly limited. ~ Storm Jameson

There is in Albert Camus' literary craftsmanship a seductive intelligence that could almost make a reader dismiss his philosophical intentions if he had not insisted on making them so clear. ~ Aberjhani

The one thing I would like more credit for is being part of a movement which involves recognising the importance of plot and asserting that books of literary worth could be written that had plots. ~ Scott Turow

NMK is a well know maxillofacial surgeon, from India, pens his first poetry book Miracle Mix, favourably reviewed by literary critic Prof. M Krishnan Nair. He says "Every poem has an emotional reality. This is rarely found in modern poetry."
Almost all the poems have a curious mix of humour and pathos. This anthology captures impressions made on poet's mind by various images and objects ranging from passing clouds, flowing streams to life itself. In simple yet evocative manner, the poet introduces the readers to his world of imagination through these poems. Sometimes he becomes one with the elements of nature and at others he narrates an old legend.
Dr. Nikhil Kurien writes under the pen name NMK, he is an oral and maxillofacial surgeon.

ISBN: 978-93-85020-82-7
Publisher: Zorba Books
book available on Zorba Book Store, Flipkart, amazon, Infibeam and shop clues and on Kindle. ~ NMK

Ever since I could remember, I'd been engaging in literary transference/transplantation/translation from one culture to another. Growing up on English literature, I taught myself to see my daily reality reflected in my reading material, while plumbing its universal truths in search of particulars... In reading English literature with a Pakistani lense, it seemed to me that all cultures were concerned with the same eternal questions and that people were more similar to one another than they were different. As Alys Binat says in Unmarriagble, "Reading widely can lead to an appreciation of the universalities across cultures."

But as Valentine Darsee says, "We've been forced to seek ourselves in the literature of others for too long. ~ Soniah Kamal

Few poets better convey the uneasy transition from Victorianism to Modernism than Thomas Hardy. His novels, written between 1870 and 1895, made him not only the recorder of his distinctive region of 'Wessex', but the explorer of the transition of lives and minds from the age of traditional values and religious certainties to the age of godlessness and modern tragedy, a transition sometimes described as 'the clash of the modern'. ~ Ronald Carter

Inez and I had been in the same book club for a while. She once told me that literary theory was reading without imagination, and I've loved her ever since. ~ John Dufresne

A great number of elements in the characters' lives, both psychic and factual, are not communicated to us. [ ... ] These characters, I believe, enjoy a much greater autonomy than we usually think, and are able to take initiatives unknown both to the writer and the reader. When characters have their own will, their own autonomy, it gives the literary universe a greater internal mobility; it also makes the texts through which we view this world all the more open and incomplete. ~ Pierre Bayard

Movie SF is, by definition, dumbed down - there have only been three or four SF movies in the history of film that aspire to the complexity of literary SF. ~ Dan Simmons

A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words. ~ Orhan Pamuk

Social media listening tools make it easy to track brand references and mentions, and these functions can still be handled ably by a small, dedicated team. ~ Ryan Holmes

It is interesting to note that poetry, a literary device whose very construct involves the use of words, is itself the word of choice by persons grasping to describe something so beautiful it is marvelously ineffable. ~ Vanna Bonta

I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people. ~ Lily James

Depression is so smart - it uses all your references and patterns. ~ Brooke Shields

When we discuss a novel it is only partially to hear another person's 'view', it is much more to find out
what we ourselves think in order to possess the text more completely. Such a possession is then a composite one, it is the book itself and the articulated reaction to it. So vivid can be the latter that it is not uncommon to find that the pleasure survives the cause; some novels seem more enjoyable to talk about than to read. ~ Ian Gregor

What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism . ~ Terry Eagleton

My mom and dad were actors when they were younger and had a horrible experience of it. My dad became a literary agent and my mom a casting director. ~ Daniel Radcliffe

In certain kinds of writing, particularly in art criticism and literary criticism, it is normal to come across long passages which are almost completely lacking in meaning. ~ George Orwell

Sometimes, instructing children in the old days, he had been asked by some black lozenge-eyed Indian child, What is God like? and he would answer facilely with references to the father and the mother, or perhaps more ambitiously he would include brother and sister and try to give some idea of all loves and relationships combined in an immense and yet personal passion....But at the centre of his own faith there always stood the convincing mystery - that we were made in God's image. God was the parent, but He was also the policeman, the criminal, the priest, the maniac, and the judge. Something resembling God dangled from the gibbet or went into odd attitudes before bullets in a prison yard or contorted itself like a camel in the attitude of sex. He would sit in the confessional and hear the complicated dirty ingenuities which God's image had thought out, and God's image shook now, up and down on the mule's back, with the yellow teeth sticking out over the lower lip, and god's image did its despairing act of rebellion with Maria in the hut among the rats. He said, Do you feel better now? Not so cold, eh? Or so hot? and pressed his hand with a kind of driven tenderness upon the shoulders of God's image.

Such a lot of beauty. Saints talk about the beauty of suffering. Well, we are not saints, you and I. Suffering to us is just ugly. Stench and crowding and pain. That is beautiful in that corner - to them. It needs a lot of learning to see things with a saint's eye: a s ~ Graham Greene

The first unanalysed impression that most readers receive from Jane Eyre is that it has a very violent atmosphere. If this were simply the effect of the plot and the imagined events then sensation novels like Walpole's The Castle of Otranto or Mrs Radcliffe's The Mystery of Udolpho ought to produce it even more powerfully.
But they do not. Nor do they even arouse particularly strong reader responses. Novelists like Charlotte Brontë or D. H. Lawrence, on the other hand, are able quite quickly to provoke marked reactions of sympathy or hostility from readers. The reason, apparently, is
that the narrator's personality is communicating itself through the style with unusual directness. ~ Ian Gregor

The real truth is one thing, and the literary truth is another; and there is nothing more difficult than to want both truths to coincide. ~ Mario Vargas-Llosa

The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy; I loved that book. ~ Isaac Marion

The tedious and convoluted reasoning behind the Supreme Court's ongoing project to expunge all references to God from the public domain. ~ Benjamin Hart

In interest-bearing capital, therefore, this automatic fetish is elaborated into its pure form, self-valorizing value, money breeding money, and in this form no longer bears any marks of its origin. The social relation is consummated in the relationship of a thing, money, to itself ... Capital is now a thing, but the thing is capital. The money's body is now by love possessed.
Karl Marx, Capital, Vol. 3, p. 516-517, containing a literary reference at the end there to Goethe, Faust, Part I. The context is Marx's discussion of how the commodity fetish's obfuscation of the true relations of capitalist production (i.e. the exploitation of labor) reaches its epitome in the form of interest-bearing capital (i.e. finance capital). ~ Karl Marx

I have three younger siblings, and used to tell them an awful lot of lies when they were growing up. The best thing about being a writer is that now I can say that my lies were all in the name of literary creativity. Unfortunately, my brothers and sister don't believe me. ~ Marie Rutkoski

But Wordsworth stuck with me when he said, "Poetry is the spontaneous overflow of powerful feelings: it takes its origin from emotion recollected in tranquillity." This book is a spontaneous overflow in the middle of chaos, not tranquillity. So it's not a poem to you. It's a half poem. It's a "po." It's a Poehler po. Wordsworth also said that the best part of a person's life is "his little, nameless, unremembered, acts of kindness and of love." I look forward to reading a book one day in which someone lists mine. I feel like I may have failed to do so. Either way, it's obvious I am currently on a Wordsworth kick and this should give you literary confidence as you read Yes Please. The ~ Amy Poehler

Determining the value of individual texts has been an ideological scuffle in literary criticism for centuries: but the environmental cost of printing them hauls this dispute from the ivory tower into day-to-day decision-making. Is it right to write? The publishing industry is slowly beginning to commit to using sustainably harvested trees. ~ Tristram Stuart

What I find difficult, when I read, is to encounter other people's achievements passed off as one's own. I find it difficult to discover literary tradition so warmly embraced and coddled, as if artists existed merely to have flagrant intercourse with the past, guaranteed to draw a crowd but also certain to cover that crowd in an old, heavy breading. I find it difficult when a narrative veers toward soap opera, when characters are explained by their childhoods, when setting is used as spackle to hold together chicken-wire characters who couldn't even stand up to an artificial wind, when depictions of landscape are intermissions while the author catches his breath and gets another scene ready. I find writing difficult that too readily subscribes to the artistic ideas of other writers, that willingly accepts language as a tool that must be seen and not heard, that believes in happy endings, easy revelations, and bittersweet moments of self-understanding. I find writing difficult that could have been written by anyone. That's difficult to me, horribly so. Mr. Difficult? It's not Gaddis. Mr. Difficult is the writer willing to sell short the aims of literature, to serve as its fuming, unwanted ambassador, to apologize for its excesses or near misses, its blind alleys, to insult the reading public with film-ready versions of reality and experience and inner sensations, scenes flying jauntily by under the banner of realism, which lately grants it full critical immunity. ~ Ben Marcus

All the children in the world, when they go to school, have the right to study in their mother tongue. But we go to school and run into literary Arabic as children. It sounds like a foreign language. The words for "house" or "table" or "lamp" are not the same as the words we use at home, and most of the other words are alien to children at school. Classical Arabic is one of the prisons of the Arab world. ~ Hassan Blasim

Every utopia - let's just stick with the literary ones - faces the same problem: What do you do with the people who don't fit in? ~ Margaret Atwood

Her entire life, she'd been told sin was wrong, a black and white interpretation of what is evil and what is holy in the world - colored like a priest's robe and collar - but she never believed it to be true. Sin was colorful: scarlet like rose blood, azure like skin deprived oxygen, violet as bruises, jade as rot; a colorful contradiction to the darkness and blinding light all are taught sin and holiness to be. ~ Madi Merek

The 1970s and 1980s: feminism, androgyny, modernism, aesthetics

In the 1970s and 1980s, Woolf studies expanded in a number of directions,
most notably in relation to feminism. Critical interest in Woolf developed at the same time as feminism developed in related academic disciplines. In this period her writings became central to the theoretical framing of feminism, in
particular to debates on Marxist and materialist feminism and to the emergent theories of androgyny. Both these areas of debate takeWoolf 's A Room of One's Own as a major point of reference...
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At the same time as feminist approaches to Woolf were developing and expanding, so, too, was the critical interest in her modernist theories and her formal aesthetics. Again, Woolf 's writing became central to critical and theoretical formulations on modernism.

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This period also saw considerable critical interest in the influence of the visual arts on Woolf 's writing, and particularly in the influence of the formalist theories of her Bloomsbury colleagues Roger Fry and Clive Bell. ~ Jane Goldman

I remembered how de Man had said to us in class, 'don't confuse any of this literary theory with your lives' - how we hadn't believed him, how we had wanted our criticism to tell us how to think and how to speak and how to live. De Man made literature matter more than anything in the world and then said it was only literature. ~ Alice Kaplan

Books lay on the floor in literary dunes. ~ Chris Columbus

You already know what the machine will write on your arm. That lie you've been telling yourself - you know what it is. That blind spot is not really a blind spot - you're choosing to look away. Perhaps more to the point, you already know whether you want to see it. You already know whether you're going to use the machine. So why are you still reading this? ~ David Burr Gerrard

How dare anyone, parent, schoolteacher, or merely literary critic, tell me not to act colored. ~ Arna Bontemps

At that moment in her life, Elisa was, he realized, almost pathologically attracted not to status or money or good looks but to literary and intellectual potential. ~ Adelle Waldman

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. ~ Geoffrey Harvey