Best Author Ever Quotes

He can smell his cologne, his shampoo, and something else -- he can smell the boy's own scent, something bittersweet. ~ Lidia Roldán

I don't think there's a less elitist thing on earth to do than to try and reach out and connect with another human being . . . And that's what the best writing does, that's what art does. It looks a reader in the eye, and it proceeds honestly with that reader, and nakedly. There is a compact there, a bond, a relationship, a union, a symbiosis . . . It's not about you. Whether you're a genius or an idiot savant. It's about the work. The work is more important than you. So it's not about back-claps and plaudits and "isn't that author smart." It's about, "this book really connected with me. And even though you, my friend, are very different from me, I'm lending it to you, because I think it will connect with you as well." Community. Across the eras. Between people who have never met, who will never meet, who are nonetheless bound in something together, in different ways. ~ Colin Fleming

No one is better than anyone else. Some just simply don't fulfil their potential of being the best they possibly can. ~ S.A. Tawks

Well, unfortunately, my father passed away before my first book was published, so he never lived to see me as an author. But I think my mum was suitably pleased because she was mad about words. If she ever came across a word that she didn't know, she would always look it up in the dictionary. ~ Geraldine McCaughrean

Someone described a writer's world as tormented, and I had to laugh. A tormented writer? I personally wouldn't have put those two words together.
Emotions have the power to torment a soul, yes, I agree to that. But writers, through the formation of our characters, delve so often into the depths of a vast range of emotions that we earn the advantage. For we've examined every little thrumming, fracture, spark, pang, and darkening of the heart to a point that we understand and appreciate the necessity and strength of emotions as well as the cause and effects manipulating them.
We understand.
We can imagine.
We sympathize.
Our knowledge is power over the torment of emotional ignorance.
I would suggest that those truly tormented are the readers of our works because those poor souls shall never know with such clarity and sentiment all the tiny little details that make our characters breath, move, and live before our very eyes.
Perhaps, if torment does lurk among writers, it comes simply through knowing more about an imagined friend than can ever be adequately expressed in words. ~ Richelle E. Goodrich

Author: A person who's best friends are imaginary,and who's most exciting adventures take place on the written page. ~ Theodore Volgoff

For all his pain, he longed to see the author of it. Although he hated Margaret at times, when he thought of that gentle familiar attitude and all the attendant circumstances, he had a restless desire to renew her picture in his mind - a longing for the very atmosphere she breathed. He was in the Charybdis of passion, and must perforce circle and circle ever nearer round the fatal centre. ~ Elizabeth Gaskell

Still. Four words.
And I didn't realize it until a couple of days ago, when someone wrote in to my blog:
Dear Neil,
If you could choose a quote - either by you or another author - to be inscribed on the wall of a public library children's area, what would it be?
Thanks!
Lynn
I pondered a bit. I'd said a lot about books and kids' reading over the years, and other people had said things pithier and wiser than I ever could. And then it hit me, and this is what I wrote:
I'm not sure I'd put a quote up, if it was me, and I had a library wall to deface. I think I'd just remind people of the power of stories, and why they exist in the first place. I'd put up the four words that anyone telling a story wants to hear. The ones that show that it's working, and that pages will be turned:
... and then what happened? ~ Neil Gaiman

There is nothing to suggest a trangression of the universal laws of egotism and malice. It is ridiculous to imagine that at the edge of the cosmos, other well-intentioned and wise beings await to guide us toward some sort of harmony. In order to imagine how they might treat us were we to come into contact with them, it might be best to recall how we treat "inferior intelligences" such as rabbits and frogs. In the best cases they serve as food for us, sometimes also, often in fact, we kill them for the sheer pleasure of killing. Thus, [Author: Lovecraft] warned, would be the true picture of our future relationship to those other intelligent beings. Perhaps some of the more beautiful human species would be honored and would end up on a dissection table - that's all. ~ Michel Houellebecq

I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it - he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one's personal truth.

I had known his books before I knew him; a faint disgust was already replacing the ~ Vladimir Nabokov

We have a sickness in our society. If you say that somebody is a 'success', isn't it that usually what you mean is that they've made a lot of money, or have a lot of money? ... Whrereas I would define a successful human being - - if you think twice about it, and question that assumption, you know, wouldn't that actually be somebody who brings out the best in other people? Someone who gives - - adds beauty to the lives of others, in some way? John Robbins - author of 'The Good Life ~ John Robbins

Lately it's started to seem to me that here in America our fetishization of self-reliance has taken a wrong turn and has helped enable us to jettison compassion as a national value while still maintaining a vision of ourselves as essentially well-meaning. It hasn't taken a whole lot of common sense, given the evidence of the last few years, to puzzle out the heartlessness of unregulated capitalism, and yet our political class has embraced even more fervently the notion of every man for himself, even given the ever-growing numbers such a philosophy leaves behind. ~ Jim Shepard

If you believe that that the one opportunity you missed is the last one you'll ever get, then that is exactly what will happen: no more opportunities ever. ~ Stephen Richards

The best author will be the one who is ashamed to become a writer. ~ Friedrich Nietzsche

KA: What is your basic process working with a writer?

LB: I read a manuscript very quickly first, then I sit down the second time and start reading very carefully and do the detail work, the minute hammering on every page. At this point, I know where the story goes so I'm looking for holes. I'm looking for anything that doesn't add up. The best way to edit is to live entirely in the world as much as you can. Before I had a child I would edit ten hours on Friday ten hours on Saturday and ten hours on Sunday (obviously I had no hobbies or any nee to go outdoors). You knew everything about the book. You were in tune with every character. You have the voice in your head. Then the author gets a hugely marked up manuscript with all these little scribbles. I'm asking them every question that occurs to me. I give them as much time as they want to sit and digest it. Again, this is one of the reasons I like working far in advance. I have time with the manuscript and they have time with the manuscript. I'm happy to let them work in peace and quiet.

Then we go back and forth as long as is helpful to them. They do the revision and it lands on my desk again. I read it again beginning to end. I assume it doesn't need a line edit at that point, although I tend to read with a pencil in my hand. There could be one big thing still sticking in your craw that didn't get fixed, so you just roll up your sleeves… ~ Lee Boudreaux

This is the funniest book I've ever held in my hands.
Dave Barry, Pulitzer Prize winning humorist and author says about Radical Sabbatical ~ Dave Barry

THE NAME OF THE WIND has everything fantasy readers like, magic and mysteries and ancient evil, but it's also humorous and terrifying and completely believable. As with all the very best books in our field, it's not the fantasy trappings (wonderful as they are) that make this novel so good, but what the author has to say about true, common things, about ambition and failure, art, love, and loss. ~ Tad Williams

I first read The Lord of the Rings and The Hobbit when I was eighteen. It felt as though the author had taken every element I'd ever want in a story and woven them into one huge, seamless narrative; but more important, for me, Tolkien had created a place, a vast, beautiful, awesome landscape, which remained a resource long after the protagonists had finished their battles and gone their separate ways. In illustrating The Lord of the Rings I allowed the landscapes to predominate. In some of the scenes the characters are so small they are barely discernible. This suited my own inclinations and my wish to avoid, as much as possible, interfering with the pictures being built up in the reader's mind, which tends to be more closely focussed on characters and their inter-relationships. I felt my task lay in shadowing the heroes on their epic quest, often at a distance, closing in on them at times of heightened emotion but avoiding trying to re-create the dramatic highpoints of the text. With The Hobbit, however, it didn't seem appropriate to keep such a distance, particularly from the hero himself. I don't think I've ever seen a drawing of a Hobbit which quite convinced me, and I don't know whether I've gotten any closer myself with my depictions of Bilbo. I'm fairly happy with the picture of him standing outside Bag End, before Gandalf arrives and turns his world upside-down, but I've come to the conclusion that one of the reasons Hobbits are so quiet and elusive is to avoid the pr ~ Alan Lee (artist)

Don't you think it would be interesting if you could read the story of your life- written perfectly truthfully by an omniscient author? And suppose you could only read it on this condition: that you would never forget it, but would have to go through life knowing ahead of time exactly how everything you did would turn out, and forseeing to the exact hour the time you would die. How many people do you suppose you have the courage to read it then? Or how many could suppress their curiosity sufficiently to escape from reading it, even at the price of having to live without hope, without surprise? Life is monotonous enough at best; you have to eat and sleep about so often. But imagine how deadly monotonous it would be if nothing unexpected could happen between meals? ~ Jean Webster

I mention all this to make the point that if you were designing an organism to look after life in our lonely cosmos, to monitor where it is going and keep a record of where it has been, you wouldn't choose human beings for the job.
But here's an extremely salient point: we have been chosen, by fate or Providence or whatever you wish to call it. It's an unnerving thought that we may be living the universe's supreme achievement and its worst nightmare simultaneously.
Because we are so remarkably careless about looking after things, both when alive and when not, we have no idea-- really none at all-- about how many things have died off permanently, or may soon, or may never, and what role we have played in any part of the process. In 1979, in the book The Sinking Ark, the author Norman Myers suggested that human activities were causing about two extinctions a week on the planet. By the early 1990s he had raised the figure to about some six hundred per week. (That's extinctions of all types-- plants, insects, and so on as well as animals.) Others have put the figure ever higher-- to well over a thousand a week. A United Nations report of 1995, on the other hand, put the total number of known extinctions in the last four hundred years at slightly under 500 for animals and slightly over 650 for plants-- while allowing that this was "almost certainly an underestimate," particularly with regard to tropical species. A few interpreters think most extinction figures are grossl ~ Bill Bryson

Wise Blood has reached the age of ten and is still alive. My critical powers are just sufficient to determine this, and I am gratified to be able to say it. The book was written with zest and, if possible, it should be read that way. It is a comic novel about a Christian malgré lui, and as such, very serious, for all comic novels that are any good must be about matters of life and death. Wise Blood was written by an author congenitally innocent of theory, but one with certain preoccupations. That belief in Christ is to some a matter of life and death has been a stumbling block for some readers who would prefer to think it a matter of no great consequence. For them, Hazel Motes's integrity lies in his trying with such vigor to get rid of the ragged figure who moves from tree to tree in the back of his mind. For the author, Hazel's integrity lies in his not being able to do so. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen.

(Preface to second edition, 1962) ~ Flannery O'Connor

Most people think of Stephen King as a horror author, but his best work usually comes with a side order of nostalgic Americana. ~ Stewart Stafford

LEXICOGRAPHER, n. A pestilent fellow who, under the pretense of recording some particular stage in the development of a language, does what he can to arrest its growth, stiffen its flexibility and mechanize its methods. For your lexicographer, having written his dictionary, comes to be considered "as one having authority," whereas his function is only to make a record, not to give a law. The natural servility of the human understanding having invested him with judicial power, surrenders its right of reason and submits itself to a chronicle as if it were a statue. Let the dictionary (for example) mark a good word as "obsolete" or "obsolescent" and few men thereafter venture to use it, whatever their need of it and however desirable its restoration to favor - whereby the process of improverishment is accelerated and speech decays. On the contrary, recognizing the truth that language must grow by innovation if it grow at all, makes new words and uses the old in an unfamiliar sense, has no following and is tartly reminded that "it isn't in the dictionary" - although down to the time of the first lexicographer (Heaven forgive him!) no author ever had used a word that was in the dictionary. In the golden prime and high noon of English speech; when from the lips of the great Elizabethans fell words that made their own meaning and carried it in their very sound; when a Shakespeare and a Bacon were possible, and the language now rapidly perishing at one end and slowly renewed at t ~ Ambrose Bierce

In many ways ... the completeness of biography, the achievement of its professionalization, is an ironic fiction, since no life can ever be known completely, nor would we want to know every fact about an individual. Similarly, no life is ever lived according to aesthetic proportions. The "plot" of a biography is superficially based on the birth, life and death of the subject; "character," in the vision of the author. Both are as much creations of the biographer, as they are of a novelist. We content ourselves with "authorized fictions. ~ Ira Bruce Nadel

Among the extremely diverse books lumped together as 'mysteries,' I shall try to judge each fairly according to the best standards of the type which the author intended to produce. ~ Anthony Boucher

My house has too many distractions. There's the email. There's checking my Amazon ranking. I know I'm the only author who's ever done that, ever. There's the fax. Too many distractions. I like to go out and write. ~ Harlan Coben

I hadn't been in proper school in three years. My parents were my two best friends. My third best friend was an author who did not know I existed. ~ John Green

When Suzie introduced Helen, she told the audience that one of the best things about books is that they are an interactive art form: that while the author may describe in some detail how a character looks, it is the reader's imagination that completes the image, making it his or her own. "That's why we so often don't like movies made from books, right?" Suzie said. "We don't like someone else's interpretation of what we see so clearly." She talked, too, about how books educate and inspire, and how they soothe the soul-"like comfort food without the calories," she said. She talked about the tactile joys of reading, the feel of a page beneath one's fingers; the elegance of typeface on a page. She talked about how people complain that they don't have time to read, and reminded them that if they gave up half an hour of television a day in favor of reading, they could finish twenty-five books a year. "Books don't take time away from us," she said. "They give it back. In this age of abstraction, of multitasking, of speed for speed's sake, they reintroduce us to the elegance-and the relief!-of real, tick-tock time. ~ Elizabeth Berg

So here you are now, ready to attack the first lines of the first page. You prepare to recognize the unmistakable tone of the author. No. You don't recognize it at all. But now that you think about it, who ever said this author had an unmistakable tone? On the contrary, he is known as an author who changes greatly from one book to the next. And in these very changes you recognize him as himself. ~ Italo Calvino

Since I can barely write two books a year the best solution seems to be co-author projects. My goal isn't to get another writer to clone me ... it's more to produce a book that shares my vision of positive, fun entertainment. ~ Janet Evanovich

Translation is always a treason, and as a Ming author observes, can at its best be only the reverse side of a brocade- all the threads are there, but not the subtlety of colour or design. ~ Okakura Kakuzo

[Confiscating a book and punishing its author] is a sign that one does not have a good case, or at least doesn't trust it enough to defend it with reasons and refute the objections. Some people even go so far as to consider prohibited or confiscated books to be the best ones of all, for the prohibition indicates that their authors wrote what they really thought rather than what they were supposed to think ... ~ Laszlo Radvanyi

I love short stories - reading and writing them. The best short stories distill all the potency of a novel into a small but heady draught. They are perfect reading material for the bus or train or for a lunchtime break. Everything extraneous has been strained off by the author. The best short stories pack the heft of any novel, yet resonate like poetry. ~ Ian Rankin

When you don't have the pressure of pleasing someone else and do something because you love doing it, that's when the best works are born. ~ Vishwas Mudagal

No successful business was ever made without someone taking a chance, no successful person got to where they are without taking risks, and no endeavor ever succeeded without people taking a gamble. ~ Stephen Richards

Many an author will speak of writing, in his best work, more than he actually knows. ~ Nancy Hale

Chris says that Creativity, is the most crucial for the leader to think out of the box and provide the best way of getting things done. ~ Chris Salamone

The brave princess Lucretia raced through the marble halls of the palace. "I must find Cordelia, " she gasped. "I must save her."
"I believe Prince James holds her even now, captive in his throne room!" Sir Jerrod exclaimed. "But Princess Lucretia, even though you are the most beautiful and wise lady that I have ever met, surely you cannot fight your way through a hundred of his stoutest palace guard!" The knight's green eyes flashed. His straight black hair was is disarranged, and his white shirt entirely undone.
"But I must!" Lucretia cried. ~ Cassandra Clare

Love at first sight is a polite phrase used when one wants to fuck a stranger. ~ Sheeja Jose

I can take two people, throw a world of obstacles at them, defy the odds, and still give them a happily-ever-after. Together. I am a romance author. What's your superpower? ~ Kelly Moran

At all ages, if [fantasy and myth] is used well by the author and meets the right reader, it has the same power: to generalize while remaining concrete, to present in palpable form not concepts or even experiences but whole classes of experience, and to throw off irrelevancies. Bat at its best it can do more; it can give us experiences we have never had and thus, instead of 'commenting on life,' can add to it. ~ C.S. Lewis

Irving Karchmar, a Sufi convert and friend, and the author of the novel Master of the Jinn, said it best: at some point, the devoted pass from belief into certainty. ~ G. Willow Wilson

Cathy Clamp is a visionary author, creating new worlds that are both strong and vividly drawn. Adventure and excitement at its best. ~ Yasmine Galenorn

An author ought to write for the youth of his own generation, the critics of the next, and the schoolmaster of ever afterwards. ~ F Scott Fitzgerald

Writing in English is the most ingenious torture ever devised for sins committed in previous lives. The English reading public explains the reason why. ~ James Joyce