A Note On David Brainerd Quotes

Indeed, the case very often such, by the seeming calls of Providence, as made it extremely difficult for him to do more than his strength would admit of. Yea, his circumstances and the business of his mission ... were such that great fatigues and hardships were altogether inevitable. ~ Jonathan Edwards

On a musical level, I do find it rewarding. It's not like I want to blow my brains out while I'm playing these songs from so long ago. I am still surprised by the way the songs are constructed - note choices, the way the arrangements are made, the way these songs are assembled. I'm still amazed at times. ~ David Pajo

The man in the headdress nodded. "On that note, I'd like to quickly ask David if there's been any headway in getting the air conditioning back online." A slight murmur of discontent indicated the importance of this matter, directed at a blond young man with a tanning-bed complexion. "Well, Gary," he sighed. "There isn't much we can do without electricity, but my team has been researching alternatives. One of my engineers proposed a system of fans powered by dogs in giant hamster wheels, but the major issue there is our limited dog inventory. We'll keep looking into it. ~ Yahtzee Croshaw

Virgil reached into the wool cap that contained his dreads, stuffed so full as to give him the appearance, Ted thought, of the Great Kazoo on the latter years of The Flintstones or a Jiffy Pop container expanded to its max. (Ted made a mental note that these are not bad similes and hoped he could find them on a rainy day.) ~ David Duchovny

Some days I'm only passing through. Some days are all hello; some days are all goodbye. Some days I have no idea what I am supposed to be doing, and other days it's abundantly clear, as if the person I am for a day has left me a note, left me instructions. Today I am meant to maintain the golden tether between two people. It doesn't take much strength to hold on to my end. It's good to hold on to something, to feel the pull of another person on the other end, to feel the attachment before I must let go and pass the golden tether back into the person who should really be here instead of me. ~ David Levithan

I'm not sure anyone's ever experienced enlightenment, been born again, been called to repentance or decided to sell their belongings on account of a system. The voice, the tale, the image, the parable that gets through to you
that wins your heart
religiously is the one that makes it past your defenses. You've been won over, and you probably didn't see it coming. You've been enlisted into a drama, whether positively or negatively, and it shouldn't be controversial to note that it happens all the time. When you really think about it, there's one waiting around every corner. It's as near as the story, song or image you can't get out of your head. Religion happens when we get pulled in, moved, called out or compelled by something outside ourselves. It could be a car commercial, a lyric, a painting, a theatrical performance or the magnetic pull of an Apple store. The calls to worship are everywhere. ~ David Dark

Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we've already seen so many of them in dramas, and yet the reason we've seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossibl ~ David Foster Wallace

This attribute of equality within the market system is terribly important; Marx understands it as being fundamental to how capitalism theoretically works. Aristotle, too, understood the need for commensurability and equality in exchange relations, but he couldn't figure out what lay behind it. Why not? Marx's answer is that "Greek society was founded on the labour of slaves, hence had as its natural basis the inequality of men and of their labour-powers" (152). In a slave-holding society there can be no value theory of the sort that we are going to find under capitalism. Again, note the historical specificity of the value theory to capitalism. ~ David Harvey

I know of no actor who is so pure onstage that he thinks only what his character thinks. If he did, he would presumably become the character: a form of madness. This may be of course what happens to Hamlet--he puts on an antic disposition, and gets stuck with it.
[...]
Acting is mostly a twin-track mental activity. In one track runs the role, requiring thoughts ranging from, say, gentle amusement to towering rage. Then there is the second track, which monitors the performance: executing the right moves, body language, and voice level; taking note of audience reaction and keeping an eye on fellow actors; coping with emergencies such as a missing prop or a faulty lighting cue. These two tracks run parallel, night by night. If one should go wrong, then it is likely that the other will misbehave too.
[...]
But there is a third and wholly subversive track that intrudes itself at intervals, full of phantom thoughts and feelings that come and go of their own volition. This ghost train of random musings is, of course, to be discouraged, but it can never be entirely denied. As Bohr and his wife, Margrethe, say in the play: "So many things we think about at the same time. Our lives and our physics...All the things that come into our heads out of nowhere. ~ David Burke

I just called the slaveholder version of Christianity "false." I believe that. But note that in situations of conflict participants view reality differently. The more intractable the conflict, especially where both sides have the capacity to hurt each other, the more difficult it is to determine who is "victim" and who is "oppressor." Think about how nothing is quite as predictable and fruitless as hearing estranged spouses blame each other for being abusive or oppressive. Liberation theology dealt with this perceptual gulf in conflicted situations by speaking of the "epistemological privilege of the poor/oppressed." This meant: the view of the truth of a conflictual situation is clearer from the underside than from the position of power. But this assumes that we know who is on the underside and who holds the power. I am not saying that the exodus-liberation-deliverance motif is invalidated; I am saying that few situations present themselves to us in such clarity as Exod. 1-2 enslavement and infanticide do. ~ David P. Gushee

I made it when I was young, by my standards, after years of playing on various harps. I shaped its pieces out of Ymris oak beside night fires in far, lonely places where I heard no man's voice but my own. I carved on each piece the shapes of leaves, flowers, birds I saw in my wanderings. In An, I searched three months for strings for it. I found them finally; sold my horse for them. They were strung to the broken harp of Ustin of Aum, who died of sorrow over the conquering of Aum. Its strings were tuned to his sorrow, and its wood was split like his heart. I strung my harp with them, matching note for note in the restringing. And then I returned them to my joy." Morgon ~ Patricia A. McKillip

Some people will tell you that Toronto, in the summer, is the nothing more than a cesspool of pollution, garbage, and the smells of a hundred ethnicities competing for top spot in a race won historically by curry, garlic, and the occasional cauldron of boiled cabbage. Take a walk down College Street West, Gerrard Street East, or the Danforth, and you'll see; then, they add - these people, complaining - that the stench is so pervasive, so incorrigible, nor merely for lack of wind, but for the ninety-nine percent humidity, which, after a rainstorm, adds an eradicable bottom-note of sweaty Birkenstocks and the organic tang of decaying plant life. This much is true; there is, however, more to the story. Take a walk down the same streets and you'll find racks of the most stunning saris - red with navy brocade, silver, canary, vermillion and chocolate; marts with lahsun and adrak, pyaz and pudina; windows of gelato, zeppole, tiramisu; dusty smoke shops with patio-bistros; you'll find dove-white statuary of Olympian goddesses, mobs in blue jerseys, primed for the World Cup - and more, still, the compulsory banter of couples who even after forty years can turn foul words into the bawdiest, more unforgettable laughter (and those are just the details). Beyond them is the container, the big canvas brushed with parks and valleys and the interminable shore; a backdrop of ferries and islands, gulls and clouds - sparkles of a million wave-tips as the sun decides which colours to leave on it ~ Cory Ingram

I know this sounds ridiculous," he spoke solemnly, lacing his fingers in my hair. "But sometimes I feel like I'm caught in your gravity. And no matter where I am, anywhere in the world, if I wrote 'I love you' on a note, and made a paper airplane, and threw it into the breeze...it would still find you. My words couldn't escape you, any more than I can." (Ryan) ~ Dan Skinner

Boys,
I'm probably sleeping, but hopefully y'all got up on time. You need to be down at the factory by 9. Ask for Zeke.I listened to your interview with Starnes-it's good work, but I've changed my mind about some things.
At six hours per person, we'll never get through the whole town. I'd like you only to ask the following four questions: Where would you live if you could live anywhere? What would you do for a living if you didn't work for the factory? When did your people come to the country? And What do you think makes Gutshot special? I think that'll move things along nicely. They're expecting you at the factory. Lindsey will accompany you.
See you tonight.Hollis.
PS.I'm writing this note at 5:30., SO don't wake me up. ~ John Green

I love to live on the brink of eternity. ~ David Brainerd

The craziest of all political systems, the unique dictatorship, found its earned end. History will note for eternity that the German people were not able on their own initiative to shake off the yoke of the National Socialists. The victory of the Americans, English and Russians was a necessary occurrence to disrupt the National Socialists' delusions and plans for world domination. ~ Friedrich Kellner

Did you find anything special?' Blackie asked.

T. nodded. 'Come over here,' he said, 'and look.' Out of both pockets he drew bundles of pound notes. 'Old Misery's savings,' he said. 'Mike ripped out the mattress, but he missed them.'

'What are you going to do? Share them?'

'We aren't thieves,' T. said. 'Nobody's going to steal anything from this house. I kept these for you and me - a celebration.' He knelt down on the floor and counted them out - there were seventy in all. 'We'll burn them,' he said, 'one by one,' and taking it in turns they held a note upwards and lit the top corner, so that the flame burnt slowly towards their fingers. The grey ash floated above them and fell on their heads like age. 'I'd like to see Old Misery's face when we are through,' T. said.

'You hate him a lot?' Blackie asked.

'Of course I don't hate him,' T. said. 'There'd be no fun if I hated him.' The last burning note illuminated his brooding face. 'All this hate and love,' he said, 'it's soft, it's hooey. There's only things, Blackie,' and he looked round the room crowded with the unfamiliar shadows of half things, broken things, former things. 'I'll race you home, Blackie,' he said. ("The Destructors") ~ Graham Greene

Once more, Never think that you can live to God by your own power or strength; but always look to and rely on him for assistance, yea, for all strength and grace. ~ David Brainerd

While I can't be there, know that when you finally open this note, I'm smiling down on you. If it's sunny, it's because I'm shining. If it's raining, it's because I wanted to make your makeup run, because that's what sisters do. However, if it's a hurricane, then Daddy is probably trying to send you a message or you just have really shitty luck. ~ Corinne Michaels

In subtle ways, Professor Vaughn showed us how to pay the land its due respect. He was patient with us if we tied an inept half hitch or ran the jeep into quick mud, but he bristled if we complained too much about the heat, or the smell of the cattle tank we used for a bath, or joked sarcastically about the social life of some small town. At the university, he lectured with such precision and speed that two students often teamed up for note taking. But stopped out on some two-track road in Jornada del Muerto, he could chew on a shaft of grass for an hour, languidly exchanging philosophy with a local cowboy. The professor even adopted a slower, lulling speech pattern in the field, and used local phrases liberally.

Time moved slowly in the desert and we were expected to fall into that rhythm. ~ Michael Novacek

Spooky Twisties:

All things Spooky, here begin
They lay and wait, in books within.
They sometimes pass, in open space.
Then leave and go, without a trace.
Some appear on the spot.
Some we know, others not.
Sometimes we are afraid to say,
"leave us now", or beg to stay.
At times they leave a sign beyond,
A gentle breeze, or note from song.
Be not afraid, to read story's close.
For in the dark, your spirit goes. ~ Terri Bertha

Phish has run its course and that we should end it now while it's still on a high note. ~ Trey Anastasio

A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me.

My eyes flew wide. I'd never been that close to her before. I'd only ever touched her hand.

If I pushed her down across my knees, I could spank her ass.

She grabbed her phone and whirled off my lap. "It's Sloan. I've been waiting for this call all day." She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. "Hey, Sloan, what's up?"

"Did you send me a potato?"

Kristen covered her mouth with her hand and I had to stifle a snort. "Why? Did you get an anonymous potato in the mail?"

"Something is seriously wrong with you," Sloan said. "Congratulations, he put a ring on it. PotatoParcel.com." She seemed to be reading a message. "You found a company that mails potatoes with messages on them? Where do you find this stuff?"

Kristen's eyes danced. "I don't know what you're talking about. Do you have the other thing though?"

"Yeeeess. The note says to call you before I open it. Why am I afraid?"

Kristen giggled. "Open it now. Is Brandon with you?"

"Yes, he's with me. He's shaking his head."

I could picture his face, that easy smile on his lips.

"Okay, I'm opening it. It looks like a paper towel tube. There's tape on the - AHHHHHH! Are you kidding ~ Abby Jimenez

Read the sticky note on this personal cup: personal grande sugar-free caramel, caramel affogato caramel blended coffee light. Really? This isn't a hard beverage to make, but who in their right mind orders a beverage that lists caramel three times? I'm willing to bet this drink was suggested by someone who works here. Bet it was Julie. ~ J. Lorraine

We talk of strong personalities, and they are strong, until the not-every-day when we see them as we might see one woman alone in a desert, and know that all the strength we thought we knew was only courage, only her lone song echoing among the stones; and then at last when we have understood this and made up our minds to hear the song and admire its courage and its sweetness, we wait for the next note and it does not come. The last word, with its pure tone, echoes and fades and is gone, and we realize - only then - that we do not know what it was, that we have been too intent on the melody to hear even one word. We go then to find the singer, thinking she will be standing where we last saw her. There are only bones and sand and a few faded rags. ~ Gene Wolfe

I have discovered that a famed familiarity in great ones is a note of certain usurpation on the less; for great and popular men feign themselves to be servants to others to make those slaves to them. ~ Ben Jonson

[Every] believer will receive a reward for his works. The New Testament teaches these rewards are called "crowns." We will surely be surprised to note who receives the crowns and who doesn't. The lowliest servant may sparkle with more jewels than the philanthropist who endowed the church and whose name is engraved on the plaque in the narthex. ~ Billy Graham

What a general could do, Thomas did; no more dependable soldier for a moment of crisis existed on the North American continent, or ever did exist ... Thomas comes down in history as the Rock of Chickamauga, the great defensive fighter, the man who could never be driven away but who was not much on the offensive. That may be a correct appraisal, Yet it may also be worth making note that just twice in all the war was a major Confederate army driven away from a prepared position in complete rout - at Chattanooga and at Nashville. Each time the blow that routed it was launched by Thomas. ~ Bruce Catton

Do you prefer to be called Richard or Dick?"
"Ric."
"Dick? I'll make a note of that on your file." I spoke aloud as I wrote. "Patient prefers to be called Dick. ~ Zathyn Priest

Where were you?" she asked before he turned the knob. He paused, and she clarified: "I came to the cottage last week to find you, to tell you about Reading, but you weren't there. Where were you?"
He glanced back at her. "You'll have to be more specific."
"Tuesday," she said. "I searched for a hint . . . waited, but you never came. I left the note on your windowsill."
A small smile touched his lips - almost a sheepish smile, of all things. Ceony had never before seen such an expression on his face. "Just out for a stroll. ~ Charlie N. Holmberg

What I can make people do . . . it's not what they want to do. It may sound corny, but I want people to like me for me, not because I can force them to or because of who my mom is or who I am in the Family. You know?"
He raised his green gaze to my blue one. "That's one of the things I like about you, Lila. You don't care about any of that."
"Just one of the things?" I teased, trying to make him laugh a little, just so he'd forget his guilt and grief, if only for a few moments.
"Just one." His voice took on a low, husky note. "I could list all the others, if you want."
My gaze locked with his and my soulsight kicked in, showing me all of his emotions. And I felt them, too - more intensely than I ever had before. His heart still ached with that soul-crushing guilt, and it always would. But that hot spark I'd seen inside him that first day at the Razzle Dazzle had finally ignited into a roaring fire, burning as hot and bright as my own emotions were right now.
Devon hesitated, then leaned in, just a little. My breath caught in my throat.
He inched forward a little more. I wet my lips.
He came even closer, so close that his warm breath brushed my cheek and his scent flooded my nose, that sharp, fresh tang of pine. Clean and crisp, just like he was, inside and out. I sighed. Suddenly, my hands itched to touch him, to trace my fingers over the sharp planes of his face, and then slide them lower, over all of his warm, delicious muscles . . .
~ Jennifer Estep

Speaking of debutantes," Jake continued cautiously when Ian remained silent, "what about the one upstairs? Do you dislike her especially, or just on general principle?"
Ian walked over to the table and poured some Scotch into a glass. He took a swallow, shrugged, and said, "Miss Cameron was more inventive than some of her vapid little friends. She accosted me in a garden at a party."
"I can see how bothersome that musta been," Jake joked, "having someone like her, with a face that men dream about, tryin' to seduce you, usin' feminine wiles on you. Did they work?"
Slamming the glass down on the table, Ian said curtly, "They worked." Coldly dismissing Elizabeth from his mind, he opened the deerskin case on the table, removed some papers he needed to review, and sat down in front of the fire.
Trying to suppress his avid curiosity, Jake waited a few minutes before asking, "Then what happened?"
Already engrossed in reading the documents in his hand, Ian said absently and without looking up, "I asked her to marry me; she sent me a note inviting me to meet her in the greenhouse; I went there; her brother barged in on us and informed me she was a countess, and that she was already betrothed."
The topic thrust from his mind, Ian reached for the quill lying on the small table beside his chair and made a note in the margin of the contract.
"And?" Jake demanded avidly.
"And what?"
"And then what happened-after the brother barged in?"
"He ~ Judith McNaught

If you have to work at McDonald's, good for you. But on a side note, good luck with the rest of your life. ~ Chelsea Handler

The idea of going back to basketball drills made her stomach tighten, but she stood up on her tiptoes and leaned into Jay, whispering against his cheek. "I got your note last night. Would've been better if I'd have found you in my bed instead."
Jay groaned and grabbed her by the shoulders. There was the hint of accusation buried behind his breathy chuckle as he set her away from him. "You're playing with fire, Vi. You shouldn't tease me at school. Besides, I think if I hid in your room, your father - check that, your mother - would skin me alive."
Violet heard the coach shouting her name, and she knew she'd be getting a demerit for slacking off. But she didn't care.
She flashed him her most wolfish smile. "Next time, you should totally take that chance. It could've been fun," she promised before sauntering away. ~ Kimberly Derting

I'm tired of people disturbing the peace, getting on the radio and sounding a hot mess. If I can tell what the note really is, why let them go to the note they think it is? I've got that mama vibe. I don't look at it with an ego. ~ Betty Wright

It gave Jane a wicked sense of satisfaction that he'd noticed that aspect of her sister's personality, but she tried not to sound too arrogant. "Savannah doesn't worry about homework. Apparently they don't care about your GPA when you apply for beauty school."
"Beauty school, huh? I would have thought she'd already graduated valedictorian from there."
Jane blinked at him in frustration.
Fairy's side note: Adults are constantly telling teen- agers that it's what's on the inside that matters. It's al- ways painful to find out that adults have lied to you.
Hunter shrugged. "I guess I shouldn't have assumed you'd be like Savannah where math is concerned."
Meaning: After all, you aren't pretty like she is. ~ Janette Rallison

[O]ften one listens and hears nothing, if it is a piece of music at all complicated to which one is listening for the first time. And yet when, later on, this sonata had been played over to me two or three times I found that I knew it quite well. And so it is not wrong to speak of hearing a thing for the first time. If one had indeed, as one supposes, received no impression from the first hearing, the second, the third would be equally 'first hearings' and there would be no reason why one should understand it any better after the tenth. Probably what is wanting, the first time, is not comprehension but memory. For our memory, compared to the complexity of the impressions which it has to face while we are listening, is infinitesimal, as brief as the memory of a man who in his sleep thinks of a thousand things and at once forgets them, or as that of a man in his second childhood who cannot recall, a minute afterwards, what one has just been saying to him. Of these multiple impressions our memory is not capable of furnishing us with an immediate picture. But that picture gradually takes shape, and, with regard to works which we have heard more than once, we are like the schoolboy who has read several times over before going to sleep a lesson which he supposed himself not to know, and finds that he can repeat it by heart next morning. It was only that I had not, until then, heard a note of the sonata, whereas Swann and his wife could make out a distinct phrase that was as far bey ~ Marcel Proust

I dried my hands and took out my pocket-book from the inside of my tunic hanging on the wall. Rinaldi took the note, folded it without rising from the bed and slid it in his breeches pocket. He smiled, "I must make on Miss Barkley the impression of a man of sufficient wealth. You are my great and good friend and financial protector."
"Go to hell," I said. ~ Ernest Hemingway,

He takes out his cell and starts entering the address. "I was surprised to see you at Josh's party on Saturday," he says, his eyes glued to the screen.
"I don't know why. Everyone was there."
"Yeah, but you know…with Nan home and all, I just figured that you'd want to spend time with her."
"I have been spending time with Nan, thank you very much," I snap in annoyance. How dare he insinuate that I'd abandoned my sister? She's the one who made me go, who swore that it would make her somehow anxious to know I was "missing out"--her words, not mine.
"You and Patrick looked awfully cozy," Ryder says, setting Mama's note back on the counter.
So I was right--he had been watching us.
"So?"
"So, nothing." He shrugs. "Just making an observation."
"Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you're not leading her on. You know she likes you."
A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. "That's the kind of guy you think I am? Seriously, Jem?"
I swallow hard, unable to reply. Because the truth is, I don't know.
"I'll see you later," he says, his voice cold and clipped. He turns and stalks out. ~ Kristi Cook

I am plenty romantic. Just this morning while he slept, I had left Carter a box of his favorite candy next to his pillow - Globs: piles of white chocolate covered, crushed potato chips and pretzels drizzled with caramel. I figured it would soften him up to the note I placed next to the box telling him if he left the toilet seat up one more time and my ass got an involuntary bath at six in the morning, I would put super glue on the head of his penis while he slept. I had even signed the note with a couple of Xs and Os. Who says romance is dead? ~ Tara Sivec

The older books were quite light-hearted. But I think most of my novels do end on a deep note of pessimism. Shadows seem to be closing in. The final conclusion isn't that life is wonderful and everything is bright and cheery and in the garden. ~ Ruth Prawer Jhabvala

Ma kept the alcohol for company in the dining room china cabinet. All the sweet after-dinner liqueurs nestle there together. But there is one bottle she never knew about right here in the kitchen. I reach deep into the cabinets and remove Dad's hidden bottle of Lagavulin. I set a tumbler on the counter and pour him two fingers of scotch. 'This is a tumbler, watch it tumble,' he said. The golden brown liquid, more gold than brown, somewhere between weak tea and apple juice. I stare at it. Nothing.
Out loud I say, "This is a tumbler, watch it tumble," an incantation or a toast or both, and drink it down.
It's like drinking a handful of matches. It burns and then smokes. I fight back a cough. There's a note of something deep and earthy, like beets or truffles, which then vanishes, leaving only a palate seared clean. ~ Jael McHenry

At least that's what his note said, along with a scathing reminder that dishes didn't wash themselves and the fungus in the bathroom was one day away from evolving into sentient life. I folded the note into an airplane and sailed it across the room. It ended up perched jauntily on top of the ancient television. It looked good there and I left it as a tribute to freedom-loving fungi everywhere. ~ Rob Thurman

Dogwalker is a book of fiction, with characters based on the types of people who truly exist in the world. I've seen them and know them - some of them I know really well. Although the stories are sometimes gritty and unsettling, my hope is that in the end they hit a positive note. ~ Arthur Bradford

Not today! No, never again would she sit by the window, her back turned so she would not see him walk down the flagstone path with Dr Danzer, the limp volume of her favourite Bach spread open to the first page of the text, the black notes swarming before her eyes, her fingers arching in elaborate dumb-show as they practised the first trill, her mind on the beats, the leaning upon the upper note, the precise apperception of the stopping point - not a moment to soon, not a moment too late - and in her ears once more the sound, the slow dignity, of Anna Magdalena's sarabande, a delicate ornament for her melancholy. ~ John Franklin Bardin

A budget?"
He'd expected an explosion.Even, perversely,hoped for one.Margo's tantrums were always so..stimulating.It didn't appear that he was going to be disappointed.
"A budget?" she repeated,storming to him. "Of all the unbelievable,bloody nerve.You arrogant son of a bitch. Do you think I'm going to stand here and let you treat me like some sort of brainless bimbo who needs to be told how much she can spend on face powder?"
"Face powder." Deliberately, he scanned the papers,took a pen out of his pocket,and made a quick note. "That would come under 'Miscellaneous Luxuries.' I think I've been very generous there. Now,as to your clothing allowance-"
"Allowance!" She used both hands to shove him back a step. "Just let me tell you what you can do with your fucking allowance."
"Careful,duchess." He brushed the front of his shirt. "Turnbill and Asser."
The strangled sound in her throat was the best she could do.If there had been anything at all to throw,she'd have heaved it at his head. "I'd rather be picked apart,alive, by vultures than let you handle the money."
"You don't have any money," he began, but she barreled on as she whirled around the room. Watching her, he all but salivated.
"I'd rather be gang-raped by midgets, staked naked to a wasp nest,be force-fed garden slugs."
"Go three weeks without a manicure?" he put in and watched her hands curl into claws. "You go after my face with those, I'll have to hurt you."
"Oh,I hat ~ Nora Roberts

I didn't understand key signatures or anything, you know. I'd say silly things at the top of a trumpet part like, 'Note, when you play B naturals, make the B naturals a half step lower because they sound funny if they're B naturals.' And some guy said: 'Idiot, just put a flat on the third line and it's a key signature, you know?' ~ Quincy Jones