The Ballad Of Jessie Pearl Quotes

With the poetry of plain speaking, Shannon Hitchcock recreates the daily drama of a vanished world. ~ Richard Peck

O no, O no, True Thomas," she says,
"That name does not belong to me;
I am but the queen of fair Elfland,
And I'm come here for to visit thee. ~ Anonymous, Thomas Rymer And The Queen Of Elfland

That was the ballad of suburbia: give me loud to drown out the silence. ~ Stephanie Kuehnert

I

On the calm black water where the stars are sleeping
White Ophelia floats like a great lily;
Floats very slowly, lying in her long veils...
- In the far-off woods you can hear them sound the mort.

For more than a thousand years sad Ophelia
Has passed, a white phantom, down the long black river.
For more than a thousand years her sweet madness
Has murmured its ballad to the evening breeze.

The wind kisses her breasts and unfolds in a wreath
Her great veils rising and falling with the waters;
The shivering willows weep on her shoulder,
The rushes lean over her wide, dreaming brow.

The ruffled water-lilies are sighing around her;
At times she rouses, in a slumbering alder,
Some nest from which escapes a small rustle of wings;
- A mysterious anthem falls from the golden stars.

II

O pale Ophelia! beautiful as snow!
Yes child, you died, carried off by a river!
- It was the winds descending from the great mountains of Norway
That spoke to you in low voices of better freedom.

It was a breath of wind, that, twisting your great hair,
Brought strange rumors to your dreaming mind;
It was your heart listening to the song of Nature
In the groans of the tree and the sighs of the nights;

It was the voice of mad seas, the great roar,
That shattered your child's heart, too human and too soft;
It was a hands ~ Arthur Rimbaud

The flowers that I left in the ground,
that I did not gather for you,
today I bring them all back,
to let them grow forever,
not in poems or marble,
but where they fell and rotted.

And the ships in their great stalls,
huge and transitory as heroes,
ships I could not captain,
today I bring them back
to let them sail forever,
not in model or ballad,
but where they were wrecked and scuttled.

And the child on whose shoulders I stand,
whose longing I purged
with public, kingly discipline,
today I bring him back
to languish forever,
not in confession or biography,
but where he flourished,
growing sly and hairy.

It is not malice that draws me away,
draws me to renunciation, betrayal:
it is weariness, I go for weariness of thee,
Gold, ivory, flesh, love, God, blood, moon-
I have become the expert of the catalogue.

My body once so familiar with glory,
My body has become a museum:
this part remembered because of someone's mouth,
this because of a hand,
this of wetness, this of heat.

Who owns anything he has not made?
With your beauty I am as uninvolved
as with horses' manes and waterfalls.
This is my last catalogue.
I breathe the breathless
I love you, I love you -
and let you move forever. ~ Leonard Cohen

I'm interested in feedback and learning what people want. It's a tricky thing for me when I do a set list. You get bored doing the same songs. Let's say we do one ballad in two hours, and it's "Wild Horses." If you say, I'm tired of that, let's try something less well known, and then you're out there stumbling through this song you just relearned at sound check, and you realize people probably want "Wild Horses" instead of this (laughs). You do need to do some songs that aren't so well known. The question is how many? I'm open to people posting their requests. ~ Mick Jagger

I compelled myself all through to write an exercise in verse, in a different form, every day of the year. I turned out my page every day, of some sort
I mean I didn't give a damn about the meaning, I just wanted to master the form
all the way from free verse, Walt Whitman, to the most elaborate of villanelles and ballad forms. Very good training. I've always told everybody who has ever come to me that I thought that was the first thing to do. ~ Conrad Aiken

I played a few rough versions of songs while Chad sat by, looking lost. Mia came in wearing black leather pants and a tight sweater. As I strummed the Gibson, she made her way over to the piano. She smiled and threw her hand up, waving to Chad. He smiled back and then I watched him study her as she passed. Then his dipshit, googly eyes dropped to her ass while she moved the piano bench out.

When he looked back at me, I glared at him and began strumming a dreary and much louder tune. His body sank into his chair and he dropped his head down to stare at his fidgeting hands. Mia began playing a sullen little melody in an attempt to accompany the monotonous song I was forming, and then she stopped abruptly and turned toward me.

I continued playing.

"Is this going to be a ballad?" she asked.

Without taking my eyes off of dipshit, I said, "No, baby, this is what's called a funeral march."

Chad threw his arms up and said, "I get it. I get it. I'm sorry."

"Sorry for what?" Mia asked.

"Nothing!" Chad and I both shouted.

"Let's move on," I said, arching one eyebrow at him.

Chad kept his eyes trained on either the ground or me through the rest of the session ~ Renee Carlino

That innate love of melody, which she had inherited from her ballad-singing mother, gave the simplest music a power which could well-nigh drag her heart out of her bosom at times. ~ Thomas Hardy

The scene was horrid, yet it had the purity of a stanza from a ballad come to life, a ballad composed about tragic events in some border hell. ~ Lucius Shepard

Like the old soldier of the ballad, I now close my military career and just fade away, an old soldier who tried to do his duty as God gave him the light to see that duty. Goodbye. ~ Douglas MacArthur

The farmer's daughter hath soft brown hair And I met with a ballad, I can't say where, That wholly consisted of lines like these. ~ Charles Stuart Calverley

Light - both physical and moral - was a central concern to the men and women living in the medieval age. They attempted to explore its properties in the colors of a stained glass canopy, in the tenor of a brisk saltarello, in the lilt of a Jongleur's ballad, in the sweet savor of a banqueting table, in the rhapsody of a well planned garden, indeed, in every arena and discipline of life. ~ Douglas Wilson Douglas Jones

A Ballad of Going Down to the Store

First I went down to the street
by means of the stairs,
just imagine it,
by means of the stairs.

Then people known to people unknown
passed me by and I passed them by.
Regret
that you did not see
how people walk,
regret!

I entered a complete store:
lamps of glass were glowing.
I saw somebody - he sat down -
and what did I hear? what did I hear?
rustling of bags and human talk.

And indeed,
indeed,
I returned.

--Miron Bialoszewski (Poland, 1922-1983) ~ Ilya Kaminsky

The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child's skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and - an afterthought - some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of "When Tay's Bank," and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. "No matter," said the Dowager cheerfully, when told. "Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can't have that." He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid a ~ Dorothy Dunnett

Probably your biggest mistake was doing funk-dance to Unchained Melody," the dog offered earnestly. "It's a ballad, Alf, and to be honest, it's one of the slowest songs I can think of. You'd have been better off doing a slow waltz to something with that tempo. The other factor may have been the large amount of beer you consumed beforehand. ~ Mark Jackman

The Ballad of Lucy Jordan
The morning sun touched lightly on the eyes of Lucy Jordan
In a white suburban bedroom in a white suburban town
As she lay there 'neath the covers dreaming of a thousand lovers
Till the world turned to orange and the room went spinning round.

At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair.
So she let the phone keep ringing and she sat there softly singing
Little nursery rhymes she'd memorised in her daddy's easy chair.

Her husband, he's off to work and the kids are off to school,
And there are, oh, so many ways for her to spend the day.
She could clean the house for hours or rearrange the flowers
Or run naked through the shady street screaming all the way.

At the age of thirty-seven she realised she'd never
Ride through Paris in a sports car with the warm wind in her hair
So she let the phone keep ringing as she sat there softly singing
Pretty nursery rhymes she'd memorised in her daddy's easy chair.

The evening sun touched gently on the eyes of Lucy Jordan
On the roof top where she climbed when all the laughter grew too loud
And she bowed and curtsied to the man who reached and offered her his hand,
And he led her down to the long white car that waited past the crowd.

At the age of thirty-seven she knew she'd found forever
As she rode along t ~ Marianne Faithfull

By the Angel, Bridget's depressing," said Henry, setting down his newspaper directly on his plate and causing the edge to soak through with egg yolk. Charlotte opened her mouth as if to object, and closed it again. "It's all heartbreak, death and unrequited love."
"Well, that is what most songs are about," said Will. "Requited love is nice, but it doesn't make much of a ballad. ~ Cassandra Clare

I like "God Give Me the Strength" very much. It's not really a blues and to call it a ballad is absurd. I don't know, its mid-tempo. Mark (St. John) actually wrote it and I think its very telling of our lives in the 60s. Its just a good song, ya know ... ~ Dick Taylor

Who claims Truth, Truth abandons. History is hir'd, or coerc'd, only in Interests that must ever prove base. She is too innocent, to be left within the reach of anyone in Power,- who need but touch her, and all her Credit is in the instant vanish'd, as if it had never been. She needs rather to be tended lovingly and honorably by fabulists and counterfeiters, Ballad-Mongers and Cranks of ev'ry Radius, Masters of Disguise to provide her the Costume, Toilette, and Bearing, and Speech nimble enough to keep her beyond the Desires, or even the Curiosity, of Government. ~ Thomas Pynchon

Worse, in the video for it (which is also played everywhere constantly), Boris is singing to a girl who is dying in a hospital bed, and Boris is telling her (lyrically) that he'll give her a million stars (plus his love) if she'll find the strength within herself to not die, and love him forever.
Of course the girl is so moved by this hot rocker dude's amazing song that she doesn't die. Because it is a medical fact that people with fatal diseases only need a hot rocker dude to sit on the edge of their hospital bed and sing them a rock ballad in order to give them the strength to go on living. ~ Meg Cabot

The people who live happily ever after - they don't appear in the history books. They just fade away. I reckon that's what happiness is.
Pauline Foster - " The Ballad of Tom Dooley ", Sharyn McCrumb, p. 271 ~ Sharyn McCrumb

When she had arranged her household affairs, she came to the library and bade me follow her. Then, with the mirror still swinging against her knees, she led me through the garden and the wilderness down to a misty wood. It being autumn, the trees were tinted gloriously in dusky bars of colouring. The rowan, with his amber leaves and scarlet berries, stood before the brown black-spotted sycamore; the silver beech flaunted his golden coins against my poverty; firs, green and fawn-hued, slumbered in hazy gossamer. No bird carolled, although the sun was hot. Marina noted the absence of sound, and without prelude of any kind began to sing from the ballad of the Witch Mother: about the nine enchanted knots, and the trouble-comb in the lady's knotted hair, and the master-kid that ran beneath her couch. Every drop of my blood froze in dread, for whilst she sang her face took on the majesty of one who traffics with infernal powers. As the shade of the trees fell over her, and we passed intermittently out of the light, I saw that her eyes glittered like rings of sapphires.

("The Basilisk") ~ R. Murray Gilchrist

Like the Society for Creative Anachronism, The Ballad of the White Horse depicted "the Middle Ages as they should have been." Chesterton's ballad made a lasting impression on Robert E. Howard, who praised it in letters to his friend Clyde Smith. ~ Joseph Laycock

I don't know. Sometimes I feel like New Yorkers do New York wrong. Where are the people swinging from subway poles and dancing on fire escapes and kissing in Times Square? The post office flash mob proposal was a start, but when's the next big number? I pictured New York like West Side Story plus In the Heights plus Avenue Q--but really, it's just construction and traffic and iPhones and humidity. They might as well write musicals about Milton, Georgia. We'd open with a ballad: 'Sunday at the Mall.' And then 'I Left My Heart at Target,' If Ethan were here, he'd have the whole libretto written by the time we stepped out of the car. ~ Becky Albertalli

In eternity this world will be like Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. ~ Marilynne Robinson

And all men kill the thing they love,
By all let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!"
Ballad of Reading Gaol, 1898 ~ Oscar Wilde

I have a passion for ballad ... They are the gypsy children of song, born under green hedgerows in the leafy lanes and bypaths of literature,
in the genial Summertime. ~ Henry Wadsworth Longfellow

Hearing may make shorter intuitive leaps than sight, but it too is subject to illusions. The most pleasant of these are 'mondegreens,' named by the author Sylvia Wright from her youthful mishearing of the Scottish ballad that actually says, 'They hae slain the Earl o' Moray / and they layd him on the green'--not, alas, 'the Lady Mondegreen.' Children, with their relaxed expectations for logic, are a rich source of these (pledging allegiance to 'one Asian in the vestibule, with little tea and just rice for all'), but everyone has the talent to infer the ridiculous from the inaudible--and, what's more, to believe in it. Here, at least, we do behave like computers, in that our voice-recognition software has little regard for probability but boldly assumes we live in a world of surrealist poets. We are certain that Mick Jagger will never leave our pizza burning and that the Shadow knows what evil lurks in the hot cement. ~ Michael Kaplan

Then a soft air, a simple melody, rose to the ears of the suddenly hushed court; and for me, it was May Day again, and I was no longer cold, for the sun burned bright and the grass smelled of its sour-sweet bruisings and an old man fashioned a ballad for the Nut-Brown maid, who would ever be true to her lover. I leaned towards the brightness and, in an abandonment of joy and because there was none to see, tore off my henin and let my nut-brown hair fall to my knees. For I would be a child again, for five minutes, and remember the time when men stopped to gaze at me, with my chaplet of flowers crowning that at which they all marvelled, and longed to touch and stroke and possess. ~ Rosemary Hawley Jarman

And while thou
livest, dear Kate, take a fellow of plain and
uncoined constancy; for he perforce must do thee
right, because he hath not the gift to woo in other
places: for these fellows of infinite tongue, that
can rhyme themselves into ladies' favours, they do
always reason themselves out again. What! a
speaker is but a prater; a rhyme is but a ballad. A
good leg will fall; a straight back will stoop; a
black beard will turn white; a curled pate will grow
bald; a fair face will wither; a full eye will wax
hollow: but a good heart, Kate, is the sun and the
moon; or, rather, the sun, and not the moon; for it
shines bright and never changes, but keeps his
course truly. If thou would have such a one, take
me; and take me, take a soldier; take a soldier,
take a king. And what sayest thou then to my love?
speak, my fair, and fairly, I pray thee ~ William Shakespeare

He looks like a faerie lover stepped out of a ballad, the kind where no good comes to the girl who runs away with him. ~ Holly Black

Kato's expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical.

"Maybe we're not meant to kill it." He keeps playing. "Doesn't music soothe the beast? I'll play, you sing."

"I sound like a strangled Satyr when I sing."

He smiles. "Somehow that doesn't surprise me."

"There's no need for mudslinging," I say with a huff.

He chuckles softly. "I can carry a tune."

"Great!" I pat his arm. "That'll be your job. I'll stand back - waaaaay back - while you calm the beast. I'm confident you'll sound as good as you look."

His chest puffs out. "How do I look?"

"Terrible." I grin. "You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all" - I flap my hands around - "hair."

His chest deflates. He eyes me wryly. "I could say the same about you."

I gasp. "I grew a beard? Do you think Griffin will like it? I've been trying to keep it neat, but I may have picked up an eel."

Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. "I was talking about this." He gives one of my tousled waves a light tug ~ Amanda Bouchet

Skotos performed music in two different genres. When he wasn't singing about love, his music fell in the genre I can only describe as doucherock. When he was singing about love, he was all about the power ballad. Or even the pop ballad. It just depended on where his cheesy muse took him. Given a choice between listening to Skotos sing and listening to a lawn mower, I would pick the mower.

He also spent a good deal of time doing theater. He was a master of melodrama, and there were certain Dynamisians who thought that was the pinnacle of acting. I personally found him over the top. When we were assigned to do a scene together I had to pinch myself to keep from asking him where he spit out all the scenery he'd chewed. ~ Darinne Paciotti

He was a strong and noble lord with piercing eyes of grey.
He sat upon his noble throne shining like the dawn.
His sword flashed like the brightest star.
He led our people well.
Yet here and now he lays in blood pierced with arrows.
He was the friend of many knights.
He loved the warrior games.
His heart was won by a lady fair for marriage they did wait.
A kindly prince, his duty carried him to another's bed.
And on her death true love returned, finally they wed.
He felt the grief of children lost to murder and to pain.
I was the youngest of his blood.
I'll never be the same.
Here lays my father and my lord.
I know not what to say.
Except my father and my lord was slain here on this day.
Here lays my father and my lord.
I know not what to say.
Except my father and my lord was slain here on this day ... . ~ Laurel A. Rockefeller

I have been thinking about existence lately. In fact, I have been so full of admiration for existence that I have hardly been able to enjoy it properly ... I feel sometimes as if I were a child who opens its eyes on the world once and sees amazing things it will never know any names for and then has to close its eyes again. I know this is all mere apparition compared to what awaits us, but it is only lovelier for that. There is a human beauty in it. And I can't believe that, when we have all been changed and put on incorruptibility, we will forget our fantastic condition of mortality and impermanence, the great bright dream of procreating and perishing that meant the whole world to us. In eternity this world will be Troy, I believe, and all that has passed here will be the epic of the universe, the ballad they sing in the streets. Because I don't imagine any reality putting this one in the shade entirely, and I think piety forbids me to try. ~ Marilynne Robinson

The subconscious leaves its fingerprints, but there's a stranger down there, too. A hell of a weird guy who knows a hell of a lot. (Ballad of the Flexible Bullet) ~ Stephen King

An important dimension of Tess of the d'Urbervilles is its debt to the oral tradition; to stories about wronged milkmaids, tales of superstition, and stories of love, betrayal and revenge, involving stock figures. This gives Tess of the d'Urbervilles an anti-realistic inflection. From the world of ballad and folktale Hardy draws such fateful coincidences as the failure of Angel to encounter Tess at the 'Club-walking' on which he intrudes with his brothers, the letter to Angel that she accidentally slips under the carpet, the loss of her shoes when she tries to visit his family, and the family portraits on the wall of their honeymoon dwelling, as well as several omens. This chimes effectively with a world in which the rural folk have a superstitious and fatalistic attitude to life. ~ Geoffrey Harvey

Street Ballad

From high above the birds look down and sing because
they see
the monstrous comedies they miss, living several storeys
higher:
the dirty degradations and the gross humiliations,
they, like the gods, without pity, look down upon from a
telephone wire.

but as they sit there high above and gaze down upon our
brutal
short and messy circumstances, they do not see the one
who stands behind a cardboard tree examining them
coldly
with one eye closed and the other staring along the barrel
of a gun. ~ George Barker

Between the sleeping and the waking, it is there.

Between the rising and the resting, it is there.

It is always there.

It gnaws on my heart. It chews on my soul.

I turn aside and see it. I stop my ears and hear it. I cover myself and feel it.

There are no human words for what I mean.

It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down.

It is what the unseeing eye sees. It is what the deaf ear heres.

It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple.

Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye.

Our bones are bleached within our skin; our empty sockets regard the crow.

Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air.

Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us. ~ Rick Yancey

THE BALLAD OF READING GOAL: The vilest deeds, like poison weeds, Bloom well in prison air; It is only what is good in Man That wastes and withers there. Pale Anguish keeps the heavy gate, And the Warder is Despair. ~ Emma Goldman

Only a drummer-boy in a ballad or a story could have been so in the thick of the fight. She was taken into the confidence of passions on which she fixed just the stare she might have had for images bounding across the wall in the slide of a magic-lantern. Her little world was phantasmagoric - strange shadows dancing on a sheet. It was as if the whole performance had been given for her - a mite of a half-scared infant in a great dim theatre. She was in short introduced to life with a liberality in which the selfishness of others found its account, and there was nothing to avert the sacrifice but the modesty of her youth. ~ Henry James

During the 'ballad' years for me, the politics was latent; I was just falling in love with the ballads and my boyfriend. And there was the beauty of the songs. ~ Joan Baez