Pinter Old Times Quotes

The people of jewel," said Olga Ciavolga,"treat their children like delicate flowers. They think they will not survive without constant protection. But there are parts of the world where young boys and girls spend weeks at a time with no company except a herd of goats. They chase away wolves. They take care of themselves, and they take care of the herd. And so, when hard times come - as they always do in the end - those children are resourceful and brave. If they have to walk from one end of the county to the other, carrying their baby brother and sisters, they will do it. If they have to hide during the day and travel at night to avoid soldiers, they will do it. They do not give up easily."
The tunnel took a sharp right-hand turn and, for a moment, the old woman s voice was lost. Something dropped onto Goldie's arm, and she opened her mouth to yelp - and thought of those children carrying their baby brothers and sisters through the night - and closed her mouth and kept going.
She rounded the corner in time to hear Olga Ciavolga murmur,"Of course, I am not saying that it is a good thing to give children such heavy responsibility's. They must be allowed to have a childhood. But they must also be allowed to find their courage and their wisdom, and learn when to stand and when to run away. After all, if they are not permitted to climb the trees, how will they ever see the great and wonderful world that lies before them? ~ Lian Tanner

Trip? Could you do me a favor and try not to look so damn pleased with yourself?"
That made him chuckle. "I can't help it. I'm about to bang my old girlfriend in my old room. You know how many times I jerked off right there just thinking about it? And now you're here. And I totally get to nail your ass."
"Yeah, um, you go anywhere near my ass and you'll be whacking off alone again. ~ T. Torrest

My several years in the word game have learnt me several rules:
(1) Avoid alliteration. Always
(2) Prepositions are not words to end sentences with.
(3) Avoid clichés like the plague. (They're old hat.)
(4) Employ the vernacular.
(5) Eschew ampersands & abbreviations, etc.
(6) Parenthetical remarks (however relevant) are unnecessary.
(7) It is wrong to ever split an infinitive.
(8) Contractions aren't necessary.
(9) Foreign words and phrases are not apropos.
(10) One should never generalize.
(11) Eliminate quotations. Ralph Waldo Emerson said, "I hate quotations. Tell me what you know."
(12) Comparisons are as bad as clichés.
(13) Don't be redundant; don't use more words than necessary; it's highly superfluous.
(14) Profanity sucks.
(15) Be more or less specific.
(16) Understatement is always best.
(17) Exaggeration is a billion times worse than understatement.
(18) One-word sentences? Eliminate.
(19) Analogies in writing are like feathers on a snake.
(20) The passive voice is to be avoided.
(21) Go around the barn at high noon to avoid colloquialisms.
(22) Even if a mixed metaphor sings, it should be derailed.
(23) Who needs rhetorical questions? ~ Frank L. Visco

While our men seem thoroughly abreast of the times on almost every other subject, when they strike the woman question they drop back into sixteenth century logic. They leave nothing to be desired generally in regard to gallantry and chivalry, but they actually do not seem sometimes to have outgrown that old contemporary of chivalry
the idea that women may stand on pedestals or live in doll houses, ... but they must not furrow their brows with thought or attempt to help men tug at the great questions of the world. ~ Anna Julia Cooper

This raises the age-old problem of mind-body reductionism. I'm not about to solve it and fortunately I don't need to. I can take a pragmatic approach. Sometimes, it works to think of myself as a mechanical system. Sometimes, it works to think of myself as a perceiver and maker of meaning. Sometimes thinking of myself as an agent with free will helps and sometimes, especially when the scope of the will is exaggerated, it doesn't. (At times telling myself to "buck up" just leads to a debilitating kind of neurochemical backfiring.) The ~ Susan J. Brison

When you are young, you think that the old lament the deterioration of life because this makes it easier for them to die without regret. When you are old, you become impatient with the way in which the young applaud the most insignificant improvements ... while remaining heedless of the world's barbarism. I don't say things have got worse; I merely say the young wouldn't notice if they had. The old times were good because then we were young, and ignorant of how ignorant the young can be. ~ Julian Barnes

Sometimes I think that creativity is a matter of seeing, or stumbling over, unobvious similarities between things - like composing a fresh metaphor, but on a more complex scale. One night in Hiroshima it occurred to me that the moon behind a certain cloud formation looked very like a painkiller dissolving in a glass of water. I didn't work toward that simile, it was simply there: I was mugged, as it were, by the similarity between these two very different things. Literary composition can be a similar process. The writer's real world and the writer's fictional world are compared, and these comparisons turned into text. But other times literary composition can be a plain old slog, and nothing to do with zones or inspiration. It's world making and the peopling of those worlds, complete with time lines and heartache. ~ David Mitchell

It is a silent, shady place, with a paved courtyard so full of echoes, that sometimes I am tempted to believe that faint responses to the noises of old times linger there yet, and that these ghosts of sound haunt my footsteps as I pace it up and down. ~ Charles Dickens

I haven't gotten fired from many jobs, but you finish a job and nine times out of ten you're just unemployed and you don't know where the next one is. And that does get old. It's stressful. ~ Tom Selleck

Babies of around one year old are often active by day and wake frequently at night, for no obvious reason. Then a mother can feel desparate for sleep yet equally desparate to comfort her baby when he needs her at night. I have spoken to many mothers who have sacrificed their own sleep, waking up numerous times every night because their babies cried for them. It seems terrible that these hardworking women think of themselves as failures as a result. Surely a mother who has chosen to sacrifice her sleep deserves respect and admiration for her generous mothering. ~ Naomi Stadlen

The city had changed beyond recognition. Wrecking balls and bulldozers had leveled the old buildings to rubble. The dust of construction hung permanently over the streets. Gated mansions reached up to the northern foothills, while slums fanned out from the city's southern limits.
I feared an aged that had lost its heart, and I was terrified at the thought of so many useless hands. Our traditions were our pacifiers and we put ourselves to sleep with the lullaby of a once-great civilation and culture. Ours was the land of poetry flowers, and nightingales - and poets searching for rhymes in history's junkyards. The lottery was our faith and greed our fortune. Our intellectuals were sniffing cocaine and delivering lectures in the back rooms of dark cafés. We bought plastic roses and decorated our lawns and courtyards with plaster swans. We saw the future in neon lights. We had pizza shops, supermarkets, and bowling alleys. We had trafric jams, skyscrapers, and air thick with noise and pollution. We had illiterate villagers who came to the capital with scraps of paper in their hands, begging for someone to show them the way to this medical clinic or that government officee. the streets of Tehran were full of Mustangs and Chevys bought at three times the price they sold for back in America, and still our oil wasn't our own. Still our country wasn't our own. ~ Jasmin Darznik

It is the bareness of drawing that I like. The act of drawing is what locates, suggests, discovers. At times it seems enough to draw, without the distractions of color and mass. Yet it is an old ambition to make drawing and painting one. ~ Philip Guston

One is telling a story about old times when someone breaks in with a little detail that he happens to know, implying that one's own version is inaccurate - disgusting behavior! ~ Sei Shonagon

M. Mabeuf's political opinion was a passionate fondness for plants, and a still greater one for books. He had, like everybody else, his termination in ist, without which nobody could have lived in those times, but he was neither a royalist, nor a Bonapartist, nor a chartist, nor an Orleanist, nor an anarchist; he was an old-bookist. ~ Victor Hugo

When yet another woman old enough to be his grandmother headed Reyes off and demanded his attention before he could get to me, I giggled at the forced smile on his face. She flirted, batted her lashes, and patted his biceps about twelve times too many for his comfort. He took out his phone and typed as the woman spoke to him, her movements exaggerated. I couldn't be certain but I had a feeling she was talking to him about how she used to be a pole dancer until her hip gave out.

My phone chimed. I took it out of the delicate clutch that matched my dress and read Reyes's text.

Aren't you going to save me?

I don't know. I'm having a lot of fun right now. Wanna sext?

He crossed an arm over his chest while holding his phone. One corner of his mouth twitched as he leaned back against the tree and typed.

Absolutely.

Sweet. What are you wearing?

His eyes sparkled with mirth.

Animal print boxers and striped socks

I burst out laughing, gaining the attention of everyone around me. ~ Darynda Jones

...the prose tradition had died two centuries before and the recreation of a full canon of all-purpose Scots was beyond even Scott's skill, nor did he attempt it, except, perhaps in the magnificent Wandering Willie's Tale. He took the only course open to him, of writing his narrative in English and using Scots only for those who, given their social class, would still be speaking it: daft Davie Gellatley in Waverley, the gypsies and Dandie Dinmont in Guy Mannering, the Headriggs in Old Mortality, Edie Ochiltree and the fisher-folk of Musselcrag in The Antiquary, Andrew Fairservice in Rob Roy, the Deanses in The Heart of Midlothian, Meg Dods in St. Ronan's Well, and so on.

The procedure gave reality to the Scots characters whose ways and ethos it was Scott's main purpose to portray, and the author in his best English, which lumbered along rather badly at times, did little more than lay out the setting for the action and act as impressario for the characters as they played their roles...

...Scott's felicity in conveying character and action through their Scots speech inspired his imitators for the next hundred years - Susan Ferrier, Hogg, Macdonald, Stevenson, Barrie, Crockett, Alexander, George Douglas, and John Buchan. The tradition of narrative in standard English and dialogue in various degrees of dialect has been the usual procedure since. ~ David Murison

Over the course of two years, from June 2004 to June 2006, two separate deaths did nothing to ease my overall anxiety. Steve's beloved Staffordshire bull terrier Sui died of cancer in June 2004. He had set up his swag and slept beside her all night, talking to her, recalling old times in the bush catching crocodiles, and comforting her.
Losing Sui brought up memories of losing Chilli a decade and a half earlier. "I am not getting another dog," Steve said. "It is just too painful."
Wes, the most loyal friend anyone could have, was there for Steve while Sui passed from this life to the next. Wes shared in Steve's grief. They had known Sui longer than Steve and I had been together.
Two years after Sui's death, in June 2006, we lost Harriet. At 175, Harriet was the oldest living creature on earth. She had met Charles Darwin and sailed on the Beagle. She was our link to the past at the zoo, and beyond that, our link to the great scientist himself. She was a living museum and an icon of our zoo.
The kids and I were headed to Fraser Island, along the southern coast of Queensland, with Joy, Steve's sister, and her husband, Frank, our zoo manager, when I heard the news. An ultrasound had confirmed that Harriet had suffered a massive heart attack.
Steve called me. "I think you'd better come home."
"I should talk to the kids about this," I said.
Bindi was horrified. "How long is Harriet going to live?" she asked.
"Maybe hours, maybe days, but not ~ Terri Irwin

The problem was that those old bad times, once they got keyed up, were hard to quiet. It was all around me in the air now, all those miserable fucking memories, the terrified lowing of the cattle and the ka-thunk of the bolt gun. The heat and stench of the workroom, my cramped grip on the saw, the cows' slow turning in the air, bloated and dripping gore. My brother Castle, his big eyes in the darkness. I was trying to go along now and get on with my work, and all these snatches of vision hovered like bits of ash or motes of dust, flickering glimpses of an old world, my old world, floating around me and settling on my skin as I came out onto Central Avenue, breathing hard. ~ Ben H. Winters

'Old times' never come back and I suppose it's just as well. What comes back is a new morning every day in the year, and that's better. ~ George Edward Woodberry

He remembered an old tale which his father was fond of telling him - the story of Eos Amherawdur (the Emperor Nightingale). Very long ago, the story began, the greatest and the finest court in all the realms of faery was the court of the Emperor Eos, who was above all the kings of the Tylwydd Têg, as the Emperor of Rome is head over all the kings of the earth. So that even Gwyn ap Nudd, whom they now call lord over all the fair folk of the Isle of Britain, was but the man of Eos, and no splendour such as his was ever seen in all the regions of enchantment and faery. Eos had his court in a vast forest, called Wentwood, in the deepest depths of the green-wood between Caerwent and Caermaen, which is also called the City of the Legions; though some men say that we should rather name it the city of the Waterfloods. Here, then, was the Palace of Eos, built of the finest stones after the Roman manner, and within it were the most glorious chambers that eye has ever seen, and there was no end to the number of them, for they could not be counted. For the stones of the palace being immortal, they were at the pleasure of the Emperor. If he had willed, all the hosts of the world could stand in his greatest hall, and, if he had willed, not so much as an ant could enter into it, since it could not be discerned. But on common days they spread the Emperor's banquet in nine great halls, each nine times larger than any that are in the lands of the men of Normandi. And Sir Caw was the seneschal ~ Arthur Machen

I was delighted to hear that a number of people returned to see Orphée (as much as five or six times), to the amazement of the managements. This is significant, for the cinema is usually regarded as a place where one drops in for a little entertainment as one would for a glass of beer.
This is why film societies, those Courts of Appeal, have so important a part to play, and why they deserve all the support we can give them. This is why I accepted nomination as President of the fédération des Cinéclubs. But, alas, even film societies are sometimes unable to retrieve old films, which the industrial squall sweeps away in order to clear a space for new ones. We had imagined that great actresses like Greta Garbo would be granted the privilege which was denied to a Rachel or a Sarah Bernhardt. But we were wrong. Today it is impossible to show Garbo in The lady of the Camelias for instance, to the young people who could not see the film when it came out, for all the copies have been meticulously destroyed. The lady of the Camelias is to be remade with new stars and new methods, using all the latest technical inventions, colour, three dimensions, and what not. It is a real disaster. Mrs B., the head of the new York Film Library, finds herself confronted with the same difficulties as Langlois of the Cinémathèque française whenever she endeavours to save a film from oblivion. She finds that she cannot obtain a single copy. Chaplin alone escapes that terrible destruction, because h ~ Jean Cocteau

The old folk, time's doting chronicles. ~ William Shakespeare

The clay or putty-like material stays soft and malleable enough to do so many, many times. In his infinite wisdom, God manufactured the self-image of similar material, so it remains malleable throughout our entire lives. No one is ever too old, too jaded, too frightened, or too traumatized to "wet the clay" and begin remaking it as they imagine and desire. ~ Maxwell Maltz

Very well, but - who are you?' again asked Gil Gil, in whom curiosity was beginning to get the better of every other feeling.

'I told you that when I first spoke to you - I am your friend. And bear in mind that you are the only being on the face of the earth to whom I accord the title of friend. I am bound to you by remorse! I am the cause of all your misfortunes.'

'I do not know you,' replied the shoemaker.

'And yet I have entered your house many times! Through me you were left motherless at your birth; I was the cause of the apoplectic stroke that killed Juan Gil; it was I who turned you out of the palace of Rionuevo; I assassinated your old house-mate, and, finally, it was I who placed in your pocket the vial of sulfuric acid.'

Gil Gil trembled like a leaf; he felt his hair stand on end, and it seemed to him as if his contracted muscles must burst asunder.

'You are the devil!' he exclaimed, with indescribable terror.

'Child!' responded the black-robed figure in accents of amiable censure, 'what has put that idea into your head? I am something greater and better than the wretched being you have named.'

'Who are you, then?'

'Let us go into the inn and you shall learn.'

Gil hastily entered, drew the Unknown before the modest lantern that lighted the apartment, and looked at him with intense curiosity.

He was a person about thirty-three years old; tall, handsome, pale ~ Pedro Antonio De Alarcón

But these vague whisperings may arise from Mr. Snagsby's being, in his way, rather a meditative and poetical man; loving to walk in Staple Inn in the summer time; and to observe how countrified the sparrows and the leaves are ... and to remark (if in good spirits) that there were old times once, and that you'd find a stone coffin or two, now, under that chapel, he'd be bound, if you was to dig for it. ~ Charles Dickens

Remember that old Disney movie, the cartoon with the dogs, Lady and the Tramp?" she said with a jerky laugh. "it's Jade's favorite of course. We've watched it a million times. This reminds me of that scene where they're eating spaghetti."
He raised his eyebrows. He knew exactly the scene. Both dogs both slurped the same piece and ended up kissing. ~ Roxanne Snopek

I figure heaven will be a scratch-and-sniff sort of place, and one of my first requests will be the Driftwood in its prime, while it was filled with our life. And later I will ask for the smell of my dad's truck, which was a combination of basic truck (nearly universal), plus his cologne (Old Spice), unfiltered Lucky Strikes, and when I was very lucky, leaded gasoline. If I could have gotten my nose close enough I would have inhaled leaded gasoline until I was retarded. The tendency seemed to run in my family; as a boy my uncle Crandall had an ongoing relationship with a gas can he kept in the barn. Later he married and divorced the same woman four times, sometimes marrying other women in between, including one whose name was, honestly, Squirrelly. ~ Haven Kimmel

I sit for a few moments in the empty courtroom. If this were like old times, I would got home and tell Delia that I'd lost the hearing. I'd repeat verbatim what the judge had said, and I'd ask her to interpret it. We'd dissect my performance until she finally threw up her hands and said we were going nowhere with any of this.
She will not be back tonight, I suppose. And we're still going nowhere. ~ Jodi Picoult

"Some would call you a saint, some a chandala; some a lunatic, others a demon. Go on then straight to thy work without heeding either" - thus saith one of our great Sannyasins, an old emperor of India, King Bhartrihari, who joined the order in old times. ~ Swami Vivekananda

One knew nothing. One lived and walked about on the earth or rode through the forests, and so many things looked at one with such challenge and promise, rousing such longing: an evening star, a bluebell, a lake green with reeds, the eye of a human being or of a cow, and at times it seemed as if the very next moment something never seen but long yearned for must happen, as if a veil must drop from everything. But then it passed, and nothing happened, and the riddle was not solved, nor was the secret spell lifted, and finally one became old ... and perhaps one still knew nothing, would still be waiting and listening. ~ Hermann Hesse

Then Chameroy spoke. 'You always put the blame on opium, but as I see it the case of Freneuse is much more complicated. Him, an invalid? No - a character from the tales of Hoffmann! Have you never taken the trouble to look at him carefully? That pallor of decay; the twitching of his bony hands, more Japanese than chrysanthemums; the arabesque profile; that vampiric emaciation - has all of that never given you cause to reflect? In spite of his supple body and his callow face Freneuse is a hundred thousand years old. That man has lived before, in ancient times under the reigns of Heliogabalus, Alexander IV and the last of the Valois. What am I saying? That man is Henri III himself. I have in my library an edition of Ronsard - a rare edition, bound in pigskin with metal trimmings - which contains a portrait of Henri engraved on vellum. One of these nights I will bring the volume here to show you, and you may judge for yourselves. Apart from the ruff, the doublet and the earrings, you would believe that you were looking at the Due de Freneuse. As far as I'm concerned, his presence here inevitably makes me ill - and so long as he is present, there is such an oppression, such a heaviness... ~ Jean Lorrain

Nevertheless, it was not necessary to assume, as Wolfe had in the case of Viola Duday, that if he had killed Priscilla Eads he had probably done so by contrivance and not by perpetration. In spite of his pure white hair and wrinkled old skin, I would have bet, from the way he looked and moved and held his shoulders and head, that he could still have chinned himself up to five or six times. ~ Rex Stout