Jungian Archetypes Quotes

So you put me through all this suffering just to taunt me?'

'Humans suffer because they take seriously that which we create for entertainment.'

'Oh really? Because let me tell you, I wasn't the least bit entertained!'

'That's because you were not being entertained, Mr Fantoccio, you were being enlightened,' stated the Mistress through a pair of foggy eyes. 'You want to know why painting never worked for you? Because painters are creators and you, Mr Fantoccio, are an overseer. You don't care about setting up the puppet show; you are merely interested in giving it a good ending. For you, Mr Fantoccio, creating the world was never enough; you aspire to run it. With every breath, you want to shape it. With every choice, you need to control it. ~ Louise Blackwick

[...] and I said to myself: Aha. George used to have a way of coping."
"When?" I said, confused. "You mean, when I was a kid?"
"Have you ever heard," you said, "of the idea of the shadow self?"
Sure, I told you. It was one of the Jungian archetypes - one of the symbols of the collective unconscious. That was pretty much all I remembered from college.
"Not bad. Do you know what function it plays, in analysis?" you asked. I shook my head. You continued. "The shadow is a frequent figure in dreams. It can appear as a kind of doppelgänger; an evil twin. It embodies our repressed desires. The dark stuff. The shameful stuff. The you-want-to-fuck-your-mother stuff." (48) ~ Justin Evans

Puppets and paintbrushes...
Mario was well on his thousandth decapitation when it occurred to him these simple objects were mere symbolic manifestations of his deep-seated phobias: fear of failure and fear of success. The first one had stopped him from following his dream; the second had stopped the dream from following him.
"To be simultaneously afraid of success and of failure is like going to bed scared and waking up terrified," he reflected. "Your mind's all wooden, your head's screwed on backwards and before you know it, you're a vermillion blotch on someone else's canvas and the entire world is pulling your strings. ~ Louise Blackwick

Yet, we must never 'throw the baby out with the bathwater'".

~R. Alan Woods [2012] ~ R. Alan Woods

We like our archetypes and heroes to be what they are at face value. And life doesn't work out like that. ~ Laura Dern

Like Gnostics, contemporaries feel alienated from their roots and are seeking to overcome the alienation. They are seeking new outlets for their unconscious. Where Gnostics feel cut off from the outer world, contemporaries feel cut off from the inner one. Contemporaries do not, like Gnostics, project their alienation onto the cosmos; through Jungian psychology they seek to discover their true selves within rather than outside themselves. They alone, then, have the chance fully to overcome their alienation. ~ C. G. Jung

Angels and demons were identical
interchangeable archetypes
all a matter of polarity. The guardian angel who conquered your enemy in battle was perceived by your enemy as a demon destroyer. ~ Dan Brown

The Gods and Goddesses of myth, legend and fairy tale represent archetypes, real potencies and potentialities deep within the psyche, which, when allowed to flower permit us to be more fully human. ~ Margot Adler

The truth is, Jung has brought back one member of the old duality, unreason, with a new name; it is no synthesis at all, but only the latest maneuver in the war against rationality that has been conducted with rising hysteria by literary intellectuals and humanists against the laws of a culture they have reason to distrust and disobey. The Jungian theory proposes to every disaffected humanist his "personal myth," as a sanctuary against the modern world. Against the vulgar democracy of intelligence, Jungian theory proposes an aristocracy of feeling. From this proposal derives Jung's persistent influence on modern critical and aesthetic style. ~ Philip Rieff

I'm not interested in types. I'm interested in archetypes. ~ Miuccia Prada

Most religious stories and mythologies have some sort of similar root, some sort of global archetypes. ~ Maynard James Keenan

I feel like a lot of people talk about in rom-coms, there's the female best friend. There's all those archetypes in rom-coms. But even among a movie about man-children hanging out, there is always the one who's often the fat one, often the one with the beard, who is like the man-childest of them all. He's the one that eventually meets the fat girl or the quirky girl of the girl group of friends and really hits it off. ~ Jon Gabrus

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren't about the women. They were about men, what men did, and what was important to men. ~ Ursula K. Le Guin

The pictures are of a psychological culture, a Jungian culture, if you will. It emanates from my own psyche ... It's a hard place to get to, honestly. It has taken me many years to get to that place and to define it visually. ~ Roger Ballen

One reason why the cycle of archetypes recurs is that each youth generation tries to correct or compensate for what it perceives as the excesses of the midlife generation in power. For example, Boomers (a Prophet generation, whose strength is individualism, culture and values) raised Millennial children (a Hero generation, whose strength is in collective civic action). Archetypes do not create archetypes like themselves, they create opposing archetypes. Your generation isn't like the generation that shaped you, but it has much in common with the generation that shaped the generation that shaped you. ~ William Strauss

Were it not for the leaping and twinkling of the soul, man would rot away in his greatest passion, idleness. ~ C. G. Jung

Burning Woman is a powerful image. A role model. A metaphor. A warning. A source of power. She is Feminine power incarnate. ~ Lucy H. Pearce

Because I knew that racist Negro Archetypes, like Bebe's Kids, don't die. They multiply. ~ Paul Beatty

Go back to The October Palace, which came out in 1994, and there are poems with windows, doors, the rooms of the gorgeous and vanishing palace that is this ordinary world and ordinary life. Jungian archetype would say the house is a figure for the experienced, experiencing self. ~ Jane Hirshfield

What we do not make conscious emerges later as fate. ~ C. G. Jung

However, the natural symbol, without our being sufficiently conscious of the fact, is identical with the reality of the world that appears to us, for every object in the natural world is at the same time a symbolic reality to us. The psyche certainly does not use an "object" of nature as a "symbol," but rather the experience of an "object" itself is always already symbolic experience. The star or tree in us is no less real and no less symbolic than it is in outward experience. For each possibility of experience either presupposes a spiritually forming, that is to say a symbolic activity, or is identical with this. That is, everything spiritual appears to us first not just in nature but as nature; or we could formulate this just as well the other way around: everything natural, whether outward or inward, appears to us as an image, that is to say as formed spirit. We are surrounded by images, inwardly and outwardly, but at the same time formed and determined in all our experiences by the natural symbol as though by a unitary natural-spiritual reality, for our psychic system only grasps that which appears to us as the real world through the world of natural symbolism. ~ Erich Neumann

What is this mysterious masculine force which spurs you onwards, whence comes this will, this heroic initiative which seems to precede the start of the great journey? This is what prevents you turning back on the path. If you were to do so, if you failed to travel the path to its end, you would be guilty, because the practices of your initiation have mobilised enormous forces which destroy men and drive them insane if they are not aimed in the right direction. The signs will help you open a way for yourself in the virgin forest where no roads exist.

'Even the Gods are your enemies; because their impersonal lives are at risk in this war. You will have to overcome the Archetypes, dethrone them, reincorporating their tremendous numinous energies within yourself. Do you remember the Greek legend? Man was a circular androgynous. He began to roll up Mount Olympus. The Gods were frightened, fearing defeat, and so they resorted to artifice: they divided the man-sphere in half. The result was that he was so busy trying to find his other half that he had no time to make war with them. But, luckily, the Gods made a mistake. Because one day we will bring them back to life as well, giving them a face.

'When the water runs downhill, it gives rise to Samsara and human generations, to the circular movement of the involuted earth; when it runs uphill, the opposite direction, it provokes the mutation of the Gods themselves, the divinisation of the hero; it creates a free, ~ Miguel Serrano

Jung said there are four archetypes adults go through, and these archetypes are reflected in the development of my work. The first archetype is the archetype of the athlete, reflecting the time in our adult life when our primary emphasis is on our body - what it looks like, how beautiful it is, how strong it is, and so on. We identify ourselves with our body. We are our body. Growing adults next move to what Jung called the archetype of the warrior. We take our physical bodies out there to do what warriors do. ~ Wayne Dyer

It may seem that my discussion of synchronicity has led me away from my main theme, but I feel it is necessary to make at least a brief introductory reference to it because it is a Jungian hypothesis that seems to be pregnant with future possibilities of investigation and application. Synchronistic events, moreover, almost invariably accompany the crucial phases of the process of individuation. But too often they pass unnoticed, because the individual has not learned to watch for such coincidences and to make them meaningful in relation to the symbolism o f his dreams. ~ C. G. Jung

An armchair Jungian would say the whole thing is about my own ongoing spiritual search. My interior life has always been one of trying to find a spiritual link, maybe because I'm from a family of separate religious philosophies: Protestant and Catholic. ~ David Bowie

One experience that led Jung to this conclusion took place in 1906 and involved the hallucination of a young man suffering from paranoid schizophrenia. One day while making his rounds Jung found the young man standing at a window and staring up at the sun. The man was also moving his head from side to side in a curious manner. When Jung asked him what he was doing he explained that he was looking at the sun's penis, and when he moved his head from side to side, the sun's penis moved and caused the wind to blow. At the time Jung viewed the man's assertion as the product of a hallucination. But several years later he came across a translation of a two-thousand-year-old Persian religious text that changed his mind. The text consisted of a series of rituals and invocations designed to bring on visions. It described one of the visions and said that if the participant looked at the sun he would see a tube hanging down from it, and when the tube moved from side to side it would cause the wind to blow. Since circumstances made it extremely unlikely that the man had had contact with the text containing the ritual, Jung concluded that the man's vision was not simply a product of his unconscious mind, but had bubbled up from a deeper level, from the collective unconscious of the human race itself. Jung called such images archetypes and believed they were so ancient it's as if each of us has the memory of a two-million-year-old man lurking somewhere in the depths of our unconscious minds ~ Michael Talbot

The starry vault of heaven is in truth the open book of cosmic projection, in which are reflected the mythologems, i.e., the archetypes. In this vision astrology and alchemy, the two classical functionaries of the psychology of the collective unconscious, join hands. ~ C. G. Jung

If there's a lot of fear that's going on, if there's a lot of anxiety, it's manifesting itself in your nocturnal world so that analyzing it can help open up basically thoughts about what you need to do during the day. So a lot of people who subscribe to the psychoanalysis, the Jungian thought will really focus a lot on dreams, the meaning, and how it can be used to help you during the day. ~ Shelby Harris

I drove all night, northeast, and once again I felt it was literature I had been confronting these past days, the archetypes of the dismal mystery, sons and daughters of the archetypes, images that could not be certain which of two confusions held less terror, their own or what their own might become if it ever faced the truth. I drove at insane speeds. ~ Don DeLillo

Once we have broken free of the prejudices of our own provincially limited ecclesiastical, tribal, or national rendition of the world archetypes, it becomes possible to understand that the supreme initiation is not that of the local motherly fathers, who then project aggression onto the neighbors for their own defense. The good news, which the World Redeemer brings and which so many have been glad to hear, zealous to preach, but reluctant, apparently, to demonstrate, is that God is love, the He can be, and is to be, loved, and that all without exception are his children. Such comparatively trivial matters as the remaining details of the credo, the techniques of worship, and devices of episcopal organization (which have so absorbed the interest of Occidental theologians that they are today seriously discussed as the principal questions of religion), are merely pedantic snares, unless kept ancillary to the major teaching. Indeed, where not so kept, they have the regressive effect: they reduce the father image back again to the dimensions of the totem. And this, of course, is what has happened throughout the Christian world. One would think that we had been called upon to decide or to know whom, of all of us, the Father prefers. Whereas, the teaching is much less flattering: "Judge not, that ye be not judged." The World Savior's cross, in spite of the behavior of its professed priests, is a vastly more democratic symbol than the local flag. ~ Joseph Campbell

While archetypes may emanate through us for short periods of time, in what we call numinous experience, no woman can emanate an archetype continuously. Only the archetype itself can withstand such projections such as ever-able, all giving, eternally energetic. We may try to emulate these, but they are ideals, not achievable by humans, and not meant to be. Yet the trap requires that women exhaust themselves trying to achieve these unrealistic levels. To avoid the trap, one has to learn to say 'Halt' and 'Stop the music,' and of course mean it. ~ Clarissa Pinkola Estes

How many of those who are insecure seek power over others as a compensation for inadequacy and wind up bringing consequences down upon their heads and those around them? How many hide out in their lives, resist the summons to show up, or live fugitive lives, jealous, projecting onto others, and then wonder why nothing ever really feels quite right. How many proffer compliance with the other, buying peace at the price of soul, and wind up with neither? ~ James Hollis

I start out giving characters archetypes and parameters. Once I know the basics and have a rudimentary model, it's easier to carve unique curves and edges. It's quite easy to guess how a character is going to react if you know their background, and at a certain point, you realize you understand them personally. ~ Victoria Aveyard

The writer Lee Smith, who once had a New York copy editor query in the margin of her manuscript "Double-wide what?" tells a perfectly marvelous, spot-on story about Eudora Welty when she came to Hollins College, where Smith was a student. Welty read a short story in which one female character presents another with a marble cake. In the back of the audience Smith noted a group of leather-elbowed, goatee-sporting PhD candidates, all of whom were getting pretty excited. One started waving his hand as soon as she stopped reading and said, "Miz Welty, how did you come up with that powerful symbol of the marble cake, with the feminine and masculine, the yin and the yang, the Freudian and the Jungian all mixed together like that?" Smith reported that Welty looked at him from the lectern without saying anything for a while. Finally she replied mildly, "Well, you see, it's a recipe that's been in my family for some time. ~ Sally Mann

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. ~ Jane Yolen

We must examine what we envy or dislike in others and acknowledge those very things in ourselves. This helps to prevent our blaming or envying others for what we have not done ourselves. ~ James Hollis

Between the theme parks and the movies, the Disney iconography was probably the first set of archetypes that I was exposed to. Walt was able to expose me as a child to the full array of emotions, including fear and sorrow. Those movies and attractions haunted my dreams and made a deep impression on me as a child. ~ Jon Favreau

Some Jungian or Freudian would tell me I'm just trying to go back to the womb ... at gunpoint, if necessary. ~ Guy Maddin

It seems essential to try to find some meaning to life and I guess Jungian philosophy is the one that's helped me understand myself and the world more than anything else. ~ Noah Taylor

Psychedelic drugs, especially psilocybin, allow a searchlight to be thrown on these deeper levels of the psyche, as Jung correctly stated. But it is not a museum of archetypes or psychic constructs, as he seemed to assume. It is a frontier of wholeness into which any person, so motivated and so courageous as to wish to do it, can go and leave the mundane plane far behind. ~ Terence McKenna

Although I have suggested that American culture tends to favor the side of independence over the side of inclusion (and I would extend that to Western culture in general), it is not a generalization that seems to apply uniformly to men and women in our culture. Indeed, although I have no idea why it may be, it seems to me that men tend to have more difficulty acknowledging their need for inclusion, tend to me more oriented toward differentiation, and that women tend to have more difficulty acknowledging their need for distinctness, tend to be more oriented toward inclusion. Whether this is a function of social experience throughout the lifespan, the effects of parenting anatomical (even genital) density, or some combination, I do not know. Whatever the source of this distinction between men and women, I believe it is also the case that this very distinction is to be found within any one person as well. Whatever the source of this distinction between men and women, I believe it is also the case that this very distinction is to be found within any one person as well. In this respect constructive-developmental theory revives the Jungian notion that there is a man in every woman and a woman in every man; saying so is both a consequence of considering that all of life is animated by a fundamental evolutionary ambivalence, and that 'maleness'/'femaleness' is but one of its expressions. Similarly, I believe that while Western and Eastern cultures reflect one side or the other of thi ~ Robert Kegan

So the older models, when you look at Freudian, when you look at Jungian thought, and there's still people who really - who really use the Jungian thought of dream analysis, is really that you would analyze the dreams. The dreams are there for a purpose. ~ Shelby Harris

As the Great Creatrix, the feminine is no vessel and passage for an alien, masculine Other that condescends towards her, enters into her, and favors her with the seed of living. Life originates in her and issues from her, and the light that appears projected on the night sky, which she is herself, is rooted in her depths. For she is not only the protomantis, the first and great Prophetess, but also she who gives birth to the Spirit-Light, which, like consciousness and the illumination that arises in transformation, is rooted in her creative efficacy. She is the creative Earth, which not only brings forth and swallows life, but as that which transforms also lets the dead thing be resurrected and leads the lower to the higher. All developments and transformations that lead from the simple and insignificant through all gradations of life to the complicated and intricately differentiated fall under her sovereignty. This matriarchal world is geocentric; the stars and signs of the zodiac are the heavenly girdle of the Earth Goddess and are arranged around her as the true center around which everything revolves. ~ Erich Neumann

The stories are there first, and they come from my experiences wandering around in the world. They will resonate into bigger things, forces sweeping the planet, themes and archetypes, but I'm not smart enough to have lucid integration of all that in my head as I'm writing. ~ Bob Shacochis

Our bodies speak, if you would only listen. They speak another language: the mother tongue. It's half the puzzle, the missing pieces you have been searching for, the how and why behind the symptoms you fixate on, the whole behind the healing, which cannot be found at the bottom of a bottle of pills.
But you do not speak our language. My sick sisterhood, whose bodies have been felled by mysterious illnesses, bearing the arcane names of men long dead, to signify their suffering with no cure, no hope. The mothers who long for answers to the questions that their bodies are living, for soul-utions to the protest against this cold, hard world.
Into their dry hungry mouths are dropped pills not answers. Prescriptions and descriptions of symptoms – not cures or laws to halt the toxic corporate world that is allowed to carry on felling us like trees in the Amazon…
Each woman is an Amazon. But she does not know it. Instead she is treated. Separately. Her pile of notes, her bills, growing higher. Each one believes the sickness is hers alone. Each is sent home, ignored, tolerated.
Alone. In the darkness.
Until one day Medicine Woman arises within her.
And there in the centre of her pain she finds her outrage, her strength, her persistence as she searches for answers. She finds the will to die to this world and the right to live a different life where she is honoured for the value of her soul, not the sweat of her brow.
She begins to understand the messa ~ Lucy H. Pearce

But this is the power of storytelling, isn't it? To make sense of the things we can't figure out ourselves. We make up gods and monsters and origin stories and archetypes and tell each other it's all explainable so we don't have to feel the weight of the unknown. That's the theory anyway. The practice is that we're all so much better at seeing the faults of others, at watching them make their mistakes and judging from afar, our social telescopes so much more powerful than the microscopes we forget to use on ourselves. ~ Eda J. Vor

I must quote from Dr. Faustus, with which the tragedy ends: "Often he talked of eternal grace, the poor man, and I don't know if it will be enough. But an understanding heart, believe me, is enough for everything."
Let us understand these words correctly. They are not proud or arrogant; on the contrary they are desperately modest. We really do not know any longer whether grace is enough, precisely because we are as we are and are beginning to see ourselves as we are. But at a time of overwhelming crisis, the questionable nature of grace, or rather our knowledge that we are unworthy of grace, compels us to understand and love mankind, the fallible mankind that we ourselves are. Behind this abysmal crisis, the archetype of the Eternal Feminine as earth and as Sophia would seem to be discernible; it is no accident that these words are spoken by Frau Schweigestill, the mother. That is to say, it is precisely in chaos, in hell, that the New makes its appearance. Did not Kwanyin descend into hell rather than spend her time with the serene music makers in heaven? ~ Erich Neumann

My characters are all kind of geek archetypes of people I've encountered at gaming and comic book conventions. ~ Ernest Cline

All psychological suffering (or happiness, taken in its usual sense) is a matter of comparison. ~ Robert A. Johnson