Puppets On Strings Quotes

SOME PEOPLE BELIEVE IN FATE, OTHERS DON'T. I DO, and I don't. It may seem at times as if invisible fingers move us about like puppets on strings. But for sure, we are not born to be dragged along. We can grab the strings ourselves and adjust our course at every crossroad, or take off at any little trail into the unknown. ~ Thor Heyerdahl

So you put me through all this suffering just to taunt me?'

'Humans suffer because they take seriously that which we create for entertainment.'

'Oh really? Because let me tell you, I wasn't the least bit entertained!'

'That's because you were not being entertained, Mr Fantoccio, you were being enlightened,' stated the Mistress through a pair of foggy eyes. 'You want to know why painting never worked for you? Because painters are creators and you, Mr Fantoccio, are an overseer. You don't care about setting up the puppet show; you are merely interested in giving it a good ending. For you, Mr Fantoccio, creating the world was never enough; you aspire to run it. With every breath, you want to shape it. With every choice, you need to control it. ~ Louise Blackwick

Puppets and paintbrushes...
Mario was well on his thousandth decapitation when it occurred to him these simple objects were mere symbolic manifestations of his deep-seated phobias: fear of failure and fear of success. The first one had stopped him from following his dream; the second had stopped the dream from following him.
"To be simultaneously afraid of success and of failure is like going to bed scared and waking up terrified," he reflected. "Your mind's all wooden, your head's screwed on backwards and before you know it, you're a vermillion blotch on someone else's canvas and the entire world is pulling your strings. ~ Louise Blackwick

This is the story of the curse and the kiss, the demon and the girl. It's a love story with dancing and death in it, and singing and souls and shadows reeled out on kite strings. ~ Laini Taylor

He turned the crank handles, hoping the thing wouldn't explode in his face. A few clear tones rang out-metallic yet warm. Leo manipulated the levers and gears. He recognized the song that sprang forth-the same wistful melody Calypso sang for him on Ogygia about homesickness and longing. But through the strings of the brass cone, the tune sounded even sadder, like a machine with a broken heart-the way Festus might sound if he could sing.
Leo forgot Apollo was there. He played the song all the way through. When he was done, his eyes stung. He could almost smell the fresh-baked bread from Calypso's kitchen. He could taste the only kiss she'd ever given him. ~ Rick Riordan

What drivel it all is! ... A string of words called religion. Another string of words called philosophy. Half a dozen other stringscalled political ideals. And all the words either ambiguous or meaningless. And people getting so excited about them they'll murder their neighbours for using a word they don't happen to like. A word that probably doesn't mean as much as a good belch. Just a noise without even the excuse of gas on the stomach. ~ Aldous Huxley

We said it from the beginning. No strings. No regrets. We lay, tangled in a web of sheets, Limbs and anemic light, And we passed promises back and forth like slippery stars. You told me you were recovering from A broken heart. I told you I was recovering from A broken life. Fair enough, we agreed and laughed. We wrote stories on our bodies. Middles and endings Etched onto our feet and the palms of our hands. Our hopes were lettered in black and silver On a background of stark white flesh. We traded words on our tongues like tiny drops of melted sugar. ~ Autumn Doughton

Can you feel it?
We're connected by our hearts that are like invisible strings

I talk to the sky and make a promise with it
I will keep on walking no matter how harsh the road gets

When I stand again on the road we walked on together
There are five overlapping hands, tears and memories

It's so clear, I don't want to forget, I can't forget

The pretty words you left behind became a poem, became a song
Our voices are flying, we know it'll reach you wherever you are
If a star vanishes, will all be forgotten? I'm holding the precious you in my hands
I want to fill the pages of this story that isn't over yet, till the very end

I'll say that I miss you

But it won't fill up my empty heart tonight

We're facing each other, we're still the same

We're still the boys who're dreaming

The pretty words you left behind became a poem, became a song
Our voices are flying, we know it'll reach you wherever you are
If a star vanishes, will all be forgotten? I'm holding the precious you in my hands
I want to fill the pages of this story that isn't over yet, till the very end

May 25, 2005

Boys shining brightly

Like green waves of spring
That time will spread and flow forever

The pretty words you left behind became a poem, became a song
Our voices are flying, we know it'll reach you wherever you are
~ SHINee

One hot afternoon during the era in which you've gotten yourself ridiculously tangled up with heroin, you will be riding the bus and thinking what a worthless piece of crap you are when a little girl will get on the bus holding the strings of two purple balloons. She'll offer you one of the balloons, but you won't take it because you believe you no longer have a right to such tiny beautiful things. You're wrong. You do. ~ Cheryl Strayed

Lookin back on it at least my pride is in tact cause we said no strings attached and I still got tied up in that ~ Drake

From every enjoyment I was, of course, excluded: my share of the gaiety consisted […] in listening to the sound of the piano or the harp played below, to the passing to and fro of the butler and footman, to the jingling of glass and china as refreshments were handed, to the broken hum of conversation as the drawing-room door opened and closed. When tired of this occupation, I would retire from the stairhead to the solitary and silent nursery […]. I then sat with my doll on my knee, till the fire got low, glancing round occasionally to make sure that nothing worse than myself haunted the shadowy room; and when the embers sank to a dull red, I undressed hastily, tugging at knots and strings as I best might, and sought shelter from cold and darkness in my crib. ~ Charlotte Bronte

Texts on a lifeless strings of facts, but the keys to unlocking the character of human beings, people with likes and dislikes, diocese and foibles, errors and convictions. Words have texture and shape, and it is their almost tactile quality that leads readers to sculpt images of the writers who use them. These images are then interrogated, mocked, congratulated, or dismissed, depending on the context of the reading and the disposition of the reader. ~ Sam Wineburg

Merrill Hartweiss scales a rocky incline toward Renna. The noon sun bakes the hillside as Merrill's boots dig into the broiling sands. Yet another gypsy tune enters his head. It starts off slowly. A lone guitar, its strings strummed with the lustful passion of a young man brushing his fingertips softly against the breasts of his lover. Another guitar joins, like a second hand, exploring her hot flesh, stroking the side of her bare abdomen, and gradually moving upward toward her chest. Then, a female voice joins the guitars; it is slightly raspy, yet sultry; filled with a fiery allure. The guitars pick up in intensity and tempo. There is a rhythmic clapping now, in synchronization with the strumming. The man has entered his lover.

Sweat begins to form on Merrill's forehead, then quickly turns to vapor, dissipating into the blistering heat from the sunlight reflecting off the sands. Steady clapping, louder still. The tempo quickens, progressively and with a vigorous intensity. The man arches his back, cresting then falling; cresting, arching, rising and falling deeper again and again into his lover. The clapping, now faster, still rhythmic, but so much more intense. The guitars keep pace with increasing ferocity. In the woman's voice, short, quick breaths form words as she cries out her lover's name from deep within the throes of a forbidden love ~ Angel Rosa

Because who knows? Who knows anything? Who knows who's pulling the strings? Or what is? Or how? Who knows if destiny is just how you tell yourself the story of your life? Another son might not have heard his mother's last words as a prophecy but as drug-induced gibberish, forgotten soon after. Another girl might not have told herself a love story about a drawing her brother made. Who knows if Grandma really thought the first daffodils of spring were lucky or if she just wanted to go on walks with me through the woods? Who knows if she even believed in her bible at all or if she just preferred a world where hope and creativity and faith trump reason? who knows if there are ghosts (sorry, Grandma) or just the living, breathing memories of your loved ones, inside you, speaking to you, trying to get your attention by any means necessary? Who knows where the hell Ralph is? (Sorry, Oscar.) No one knows.
SO we grapple with the mysteries, each in our own way. ~ Jandy Nelson

Words are beads on the strings of sentences. So make a beautiful necklace! ~ Aneta Cruz

They don't encourage quality today. When I was coming along, Columbia Records would sit with you and assume it would take two or three albums to get the act where it needed to be. Then the company would structure its promotion based on one, two or three years. They encouraged quality and innovation - that's why groups like the Beatles would use sitars, string orchestras and so forth. ~ Ramsey Lewis

I like to start by wiggling my fingers on top of guitar strings. ~ Zacky Vengeance

Almost every pearl on sale today was born of the planned sexual violation of a small creature, and that considerable suffering hangs on those necklace strings. ~ Victoria Finlay

The beauty of the flute was in its simplicity, in its resemblance to the human voice. It always sounded clear. It sounded alone. The piano, on the other hand, was a network of parts - a ship, with its strings like rigging, its case a hull, its lifted lid a sail. Kestrel always thought that the piano didn't sound like a single instrument but a twinned one, with its low and high halves merging together or pulling apart. ~ Marie Rutkoski

She's not sensual. She doesn't want affairs. It's just cold-blooded experiment on her part and the fun of stirring people up and setting them against each other. She dabbled in that too. She's the sort of woman who's never had a row with anyone in her life
but rows always happen where she is! She makes them happen. She's kind of female Iago. She must have drama. But she doesn't want to be involved herself. She's always outside pulling strings
looking on
enjoying it! ~ Agatha Christie

Our forebears are deserving of tribute for one indisputable reason, if for no other: without them we should not be here. Let us recognize that we are not the ultimate triumph but rather we are beads on a string. Let us behave with decency to the beads that were strung before us and hope modestly that the beads that come after us will not hold us of no account simply because we are dead. ~ Robertson Davies

You're on CNN. The show that leads into me is puppets making crank phone calls. What is wrong with you? ~ Jon Stewart

Nevertheless, the potential and actual importance of fantastic literature lies in such psychic links: what appears to be the result of an overweening imagination, boldly and arbitrarily defying the laws of time, space and ordered causality, is closely connected with, and structured by, the categories of the subconscious, the inner impulses of man's nature. At first glance the scope of fantastic literature, free as it is from the restrictions of natural law, appears to be unlimited. A closer look, however, will show that a few dominant themes and motifs constantly recur: deals with the Devil; returns from the grave for revenge or atonement; invisible creatures; vampires; werewolves; golems; animated puppets or automatons; witchcraft and sorcery; human organs operating as separate entities, and so on. Fantastic literature is a kind of fiction that always leads us back to ourselves, however exotic the presentation; and the objects and events, however bizarre they seem, are simply externalizations of inner psychic states. This may often be mere mummery, but on occasion it seems to touch the heart in its inmost depths and become great literature. ~ Franz Rottensteiner

There were two sisters, they went playing,

To see their father's ships come sailing …

And when they came unto the sea-brim

The elder did push the younger in
Sometimes she sank, and sometimes she swam,

'Til her corpse came to the miller's dam

"But what did he do with her breastbone?

He made him a viol to play on.

What'd he do with her fingers so small?

He made pegs to his viol withall

And what did he do with her nose-ridge?

Unto his viol he made a bridge.

What did he do with her veins so blue?

He made strings to his viol thereto

What did he do with her eyes so bright?

On his viol he set at first light.

What did he do with her tongue so rough?

'Twas the new till and it spoke enough

"Then bespake the treble string,

'O yonder is my father the king.'

Then bespake the second string,

'O yonder sits my mother the queen.'

Then bespake the strings all three,

'Yonder is my sister that drowned me.' ~ Sarah J. Maas

Relly fired off the opening riff. Butt laid down the beat, old doom and new joy mixed together. "I wait till I, like fire, shall rise," Jerod sang. And then again, louder, wailing sure and true.
I was the last one to join in. I had a bass line all wroked out, of course. I'd been waiting weeks for this momment. My fingers colosed on the strings, pressed them hard to the frets. Butt and Relly were locked in, repeating the four-bar intro. Louder and louder, fierce as a war cry.
"Ok," I whispered into the pounding noise.
I joined in, doubling Relly at first, then splitting off to coil our riffs together. It was great, it was huge, it was endless. The song rose, churning and sucking everything in like a cyclone.
"The will my voice in great goodbyes," Jerod screamed from the speakers. "Join to the chorus of the skies."
Silence was inside me, riding the Ghost Metal tornado. Right at the center, at the heart of the song.
I didn't need a voice. I had a bass. I didn't need to hear myself talk or sing. Jerod could make the words for me.
Or maybe it was Silence herself, pouring out through the PA system. Either way, any way, They were my words. And all the world would hear them. ~ Leander Watts

And then she caught the song. She fell upon it and music poured from the fiddle's hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire.

And though the spirited cry of the fiddle's song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn't understand it or comprehend her part in it, she knew that she needed the ancient and reckless power o ~ A.S. Peterson

I always want to try new things, and 'Mean Machine' has given me that chance. I have got plans to carry on acting and would love to play all sorts of roles - you'll see that there's more strings to my bow! ~ Vinnie Jones

A thrumming of piano-strings beyond the gardens and through the elms. At length the melody steals into my being. I know not when it began to occupy me. By some fortunate coincidence of thought or circumstance I am attuned to the universe, I am fitted to hear, my being moves in a sphere of melody, my fancy and imagination are excited to an inconceivable degree. This is no longer the dull earth on which I stood. ~ Henry David Thoreau

On one hand you have a string quartet, which is not a symphony. On the other hand is you have me sampling them and making it sound like there is many more people playing, so the whole notion of, kind of, sampling applied to classical music is very intriguing to me because composers throughout history have borrowed motifs and quotes from one another. ~ DJ Spooky

Without question, the balance of power on the planet today lies in the hands of business. Corporations rival governments in wealth, influence, and power. Indeed, business all too often pulls the strings of government. Competing institutions-religion, the press, even the military-play subordinate roles in much of the world today. If a values-driven approach to business can begin to redirect this vast power toward more constructive ends than the simple accumulation of wealth, the human race and Planet Earth will have a fighting chance. ~ Ben Cohen

I'm a firm believer that lighting affects mood, and twinkly lights on strings bring something magical to occasions ranging from concerts to weddings, though I'm fond of using them as year-round home decor. There's a reason why they're sometimes called fairy lights. When the night is right, there aren't any strings at all. ~ Erin Morgenstern

Trying to rebuild Afghanistan on the cheap has left the country in the hands of warlords and an impotent Northern Alliance puppet regime that runs Kabul and nothing else. ~ Ted Rall

The buzzer rang. Magnus pressed the button to let him enter, speechless for a moment because he had wanted Alec there, so badly, and here he was. It felt more like magic than anything he could do.
Then Alec was there, standing in the open doorway.
"I wanted to see you," said Alec with devastating simplicity. "Is this okay? I can go away if you're busy or anything."
It must have been raining a little outside. There were sparkling drops of water in Alec's messy black hair. He was wearing a hoodie that Magnus thought he might have found in a Dumpster, and sloppy jeans, and his whole face was lit up just because he was looking at Magnus.
"I think," said Magnus, pulling Alec in by the strings on his awful gray hoodie, "that I could be persuaded to clear my schedule. ~ Cassandra Clare

We get paid to hang out in this beautiful court! Four puppets on a string, just like those two up there (pointing to the two hanging puppets), waiting for someone to jerk them into life and make them talk. ~ Luigi Pirandello

They helped each other with their corsets. Aunt Docia pulled as hard as she could on Aunt Ruby's corset strings, and then Aunt Docia hung on to the foot of the bed while Aunt Ruby pulled on hers.
"Pull, Ruby, pull!" Aunt Docia said, breathless. "Pull harder." So Aunt Ruby braced her feet and pulled harder. Aunt Docia kept measuring her waist with her hands, and at last she gasped, "I guess that's the best you can do."
She said, "Caroline says Charles could span her waist with his hands, when they were married."
Caroline was Laura's Ma, and when she heard this Laura felt proud. ~ Laura Ingalls Wilder

Puppets allow a person to express things through this surrogate that wouldn't normally get expressed. You know there's famous techniques of puppet therapists. Put this hand puppet on and tell me what the problem is. ~ Wayne White

Was that a tattoo I saw on your back?" He asked.
"None of your business."
"I just didn't peg you for the tramp stamp type."
"It's not a tramp stamp. It's my F-holes," I corrected. His eyes had widened before he let out a long, deep laugh.
"Jesus, Henley."
"For a violin, you A-hole."
I turned around, raising my shirt high enough on my lower back to reveal two curved lines on either side of my spine. I jumped when the pad of his finger ran over the design leaving a trail of goosebumps in its wake.
"Wow," he mumbled, and I turned back around to face him, letting the hem of my shirt fall from my hands.
"What? You think it's stupid."
"No ... no. I think that's the sexiest tattoo I've ever seen. How often does someone get to finger your strings? ~ Teresa Mummert

And you must appear willing to marry me," Oliver said.
"I understand."
"Do you? It means you'll have to act as if you enjoy my company."
To his surprise, a small smile curved her lips. "I believe I can manage that." Then, as if realizing she was softening, she wiped the smile from her face. "But you must behave responsibly, too."
"By not trying to seduce you, you mean."
She started. "No! I mean, yes…I mean, you already said you have more urgent concerns." Alarm rose in her cheeks. "Oh dear, I forgot that you also said you have no honor or morals."
He'd made similar assertions half his life, yet tonight he regretted making them. Shocking young ladies seemed to have lost some of its appeal.
"All the same, Miss Butterfield, I promise that your virtue is safe from me." When she looked skeptical, he added, "You're not the sort of woman I prefer." A respectable woman came with strings attached.
"Of course I'm not," she said with a roll of her eyes. "Anyone can see that."
That took him aback.
She went on. "A man with no morals isn't going to want a woman who has them. She'd never let him do anything wicked."
Freddy coughed, as if choking on something. Oliver understood why. Miss Butterfield had an unnerving way of cutting everything down to its essence.
"Yes," he said, for lack of a better response. "Quite." Then he narrowed his gaze on her. "So what did you mean when you said I had to 'behave responsibly'?"
"You prom ~ Sabrina Jeffries

Jess Pepper's review of the Avalon Strings:

'In a land so very civilized and modern as ours, it is unpopular to suggest that the mystical isle of Avalon ever truly existed. But I believe I have found proof of it right here in Manhattan.

To understand my reasoning, you must recall first that enchanting tale of a mist-enshrouded isle where medieval women--descended from the gods--spawned heroic men. Most notable among these was the young King Arthur. In their most secret confessions, these mystic heroes acknowledged Avalon, and particularly the music of its maidens, as the source of their power.

Many a school boy has wept reading of Young King Arthur standing silent on the shore as the magical isle disappears from view, shrouded in mist.

The boy longs as Arthur did to leap the bank and pilot his canoe to the distant, singing atoll. To rejoin nymphs who guard in the depths of their water caves the meaning of life. To feel again the power that burns within.

But knowledge fades and memory dims, and schoolboys grow up. As the legend goes, the way became unknown to mortal man. Only woman could navigate the treacherous blanket of white that dipped and swirled at the surface of the water.

And with its fading went also the music of the fabled isle.

Harps and strings that heralded the dawn and incited robed maidens to dance evaporated into the mists of time, and silence ruled.

But I tell you, Kind R ~ Bailey Bristol

Fear is a strong instrument of power, brother, extremely strong, in fact. If you pluck the right strings the population stays docile, concentrates on idiotic rubbish and doesn't complain about the things that are really important, like freedom of expression and thought and other fundamental human rights. ~ Anders De La Motte

The bow of God's wrath is bent, and the arrow made ready on the string, and justice bends the arrow at your heart, and strains the bow, and it is nothing but the mere pleasure of God, and that of an angry God, without any promise or obligation at all, that keeps the arrow one moment from being made drunk with your blood. ~ Jonathan Edwards

In one of our concert grand pianos, 243 taut strings exert a pull of 40,000 pounds on an iron frame. It is proof that out of great tension may come great harmony. ~ Theodore E. Steinway

I just couldn't take school seriously: I had this guitar neck with four frets which I kept hidden under the desk. It had strings on it so I would practice my chord shapes under the desk and that's about all I did at school. ~ Alvin Lee

his hands moved busily among the puppets, choosing, discarding, until they pounced finally on the moon with her crystal eyes and her hands shaped like stars.
'I will be the moon,' Kyel said. 'You must make a wish to me.'
Lydea slid her fingers into the fox's head, with its sly smile and fiery velvet pelt. 'I wish,' she said, 'that you would take your nap.'
'No,' the prince said patiently, 'you must make a true wish. And I will grant it because I am the moon.'
'Then I must make a fox's wish. I wish for an open door to every hen house, and the ability to jump into trees.'
The moon sank onto the blue hillock of Kyel's knee. 'Why?'
'So that I can escape the farmer's dogs when they run after me.'
'Then you should wish,' the prince said promptly, 'that you could jump as high as the moon.'
'A good wish. But there are no hens on the moon, and how would I get back to Ombria?'
The moon rose again, lifted a golden hand. 'On a star.'
The governess smiled. The fox stroked the prince's hair while he shook away the moon and replaced it with the sorceress, who had one amethyst eye and one emerald, and who wore a black cloak that shimmered with ribbons of faint, changing colors.
'I am the sorceress who lives underground,' the prince said. 'Is there really a sorceress who lives underground?'
'So they --' Lydea checked herself, let the fox speak. 'So they say, my lord.'
'How does she live? Does she have a house?'
She paused a ~ Patricia A. McKillip

I've got the world on a string, sittin' on a rainbow, got the string around my finger. ~ Ted Koehler

Man's destiny was no longer determined from 'above' by a super-human wisdom and will, but from 'below' by the sub-human agencies of glands, genes, atoms, or waves of probability ... they could determine his fate, but could provide him with no moral guidance, no values and meaning. A puppet of the Gods is a tragic figure, a puppet suspended on his chromosomes is merely grotesque. ~ Arthur Koestler

I do not have a hero complex. I have always been attracted to strong, independent women. I like a girl who has her shit together. No strings. Simple. Confident. But the way she nearly sighed the word 'broken'--as if it was her sole identifier, as if it's branded on her somehow, as if admitting this has cost her dearly, shamed her--just killed me a little bit. I want to save her. I want to be her hero. I want to make her see she is so much more than her damaged past. ~ Cheryl McIntyre

What is the universe? The universe is a symphony of vibrating strings ... we are nothing but melodies. We are nothing but cosmic music played out on vibrating strings and membranes. ~ Michio Kaku

It would all be done with keys on alphanumeric keyboards that stood for weightless, invisible chains of electronic presence or absence. If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? It would have to be up one level, at least -- an angel, a minor god, something in a UFO. It would take eight human lives and deaths just to form one character in this being's name -- its complete dossier might take up a considerable piece of history of the world. We are digits in God's computer, she not so much thought as hummed to herself to sort of a standard gospel tune, And the only thing we're good for, to be dead or to be living, is the only thing He sees. What we cry, what we contend for, in our world of toil and blood, it all lies beneath the notice of the hacker we call God. ~ Thomas Pynchon

Never having thought of writing for the guitar, I asked Julian Bream for a chart which would explain what the guitar could do. I managed to write some rather pretty pieces for him, except that the first six notes of the first piece all need to be played on open strings. So when he begins to play the audience will probably think he's tuning the bloody thing up! ~ William Walton