Hero With A 1000 Faces Quotes

Full circle from the tomb of the womb to the womb of the tomb we come, an ambiguous, enigmatical incursion into a world of solid matter that is soon to melt from us like the substance of a dream. ~ Joseph Campbell

Humor is the touchstone of the truly mythological as distinct from the more literal-minded and sentimental theological mood. ~ Joseph Campbell

The problem of the hero is to pierce himself (and therewith his world) precisely through that point; to shatter and annihilate that key knot of his limited existence. ~ Joseph Campbell

But if we are to grasp the full value of the materials, we must note that myths are not exactly comparable to dream. Their figures originate from the same sources -- the unconscious wells of fantasy-- and their grammar is the same, but they are not the spontaneous products of sleep. On the contrary their patterns are consciously controlled. And their understood function is to serve as powerful picture language for the communication of traditional wisdom. ~ Joseph Campbell

Here ends Prometheus' surprising itinerary. Proclaiming his hatred of the gods and his love of mankind, he turns
away from Zeus with scorn and approaches mortal men in order to lead them in an assault against the heavens. But
men are weak and cowardly; they must be organized. They love pleasure and immediate happiness; they must be
taught to refuse, in order to grow up, immediate rewards. Thus Prometheus, in his turn, becomes a master who first
teaches and then commands. Men doubt that they can safely attack the city of light and are even uncertain whether
the city exists. They must be saved from themselves. The hero then tells them that he, and he alone, knows the city.
Those who doubt his word will be
thrown into the desert, chained to a rock, offered to the vultures. The others will march henceforth in
darkness, behind the pensive and solitary master. Prometheus alone has become god and reigns over the
solitude of men. But from Zeus he has gained only solitude and cruelty; he is no longer Prometheus, he is
Caesar. The real, the eternal Prometheus has now assumed the aspect of one of his victims. The same cry,
springing from the depths of the past, rings forever through the Scythian desert. ~ Albert Camus

No, the fault lies with the artists," Claire went on. "The writers, the singers, the tellers of tales. It's them that take the past and re-create it to their liking. Them that could take a fool and give you back a hero, take a sot and make him a king. ~ Diana Gabaldon

It seems like it might go on for a while, so Tausolo takes a seat and looks around the sergeant's cubicle. There's not much to see, since the guy just arrived at the WTB, only a blank form tacked to a wall that looks like every other army form in the world.

"Hurt Feelings Report," it is titled. "Whiner's name," it says under that. "Which ear were the words of hurtfulness spoken into?" it says under that. "Is there permanent feeling damage?" "Did you require a 'tissue' for tears?" "Has this resulted in a traumatic brain injury?"

"Reason for filing this report," it says under that. "Mark all that apply." "I am a wimp." "I am a crybaby." "I want my mommy." "I was told that I am not a hero." "Narrative," it says under that. "Tell us in your own sissy words how your feelings were hurt." Finally at the bottom of the form:

We, as the Army, take hurt feelings seriously. If you don't have someone who can give you a hug and make things all better, please let us know and we will promptly dispatch a "hugger" to you ASAP. In the event we are unable to find a "hugger" we will notify the fire department and request that they send fire personnel to your location. If you are in need of supplemental support, upon written request, we will make every reasonable effort to provide you with a "blankey," a "binky" and/or a bottle if you so desire. ~ David Finkel

These are the times in which a genius would wish to live. It is not in the still calm of life, or the repose of a pacific station, that great characters are formed. The habits of a vigorous mind are formed in contending with difficulties. Great necessities call out great virtues. When a mind is raised, and animated by scenes that engage the heart, then those qualities which would otherwise lay dormant, wake into life and form the character of the hero and the statesman. ~ Abigail Adams

I listened to a lot of The Stooges when I was writing "Oscillate," imagining our hero moving through his days naturally embodying the spirit of a real punk. I say real, because today's idea of 'punk as fashion accessory' doesn't even register with him, it's more about the way he engages with the world. ~ Travis Mathews

Ultimately a hero is a man who would argue with the gods, and so awakens devils to contest his vision. ~ Norman Mailer

I liked the idea of creating a new pop-culture, folkloric hero character that I created with 'Django' that I think's gonna last for a long time. And I think as the generations go on and everything, you know, my hope is it can be a rite of passage for black fathers and their sons. Like, when are they old enough to watch 'Django Unchained'? ~ Quentin Tarantino

Tim Berners-Lee, the 44-year-old English physicist who created the World Wide Web, is precisely the kind of hero that a relatively simple invention with profound social and economic consequences should lay claim to. He is not just creative but democratic, diplomatic, polite and generous with credit and praise. ~ Katie Hafner

A lifetime with such a woman was not nearly enough. ~ Lisa Kleypas

Life is a solitary confinement ,
Every second is a punishment
- of a crime , that was never committed ,
Or perhaps,
- the biggest crime of my age , is the silence of the soul.

You suffer silently
- as a sacrificial lamb to be slaughtered
- for a cause that is greater than your own existence !
They label you as a hero ,
- a super human with super human strength .

Yes , indeed .
The wars you fight every day
- every moment with your demons , and of course the price of being a hero !
Solitude ,
- A gift from god
- A curse on your own self. ~ BinYamin Gulzar

He took the hand that wasn't holding the bou­quet of wildflowers and stared at it, holding it so tightly that she thought he might crack her bones. Then his hold gentled. He slipped a gold ring onto her finger and lifted his gaze to hers.

"I'm not a brave man; I'll never be a hero, but I love you more than life itself, and I will until the day I die. With you by my side, I'm a better man than I've ever been alone. I'm scared to death that I'll let you down, but I won't run this time. I'll stand firm and face the challenge and work hard to see that you never have any regrets. You told me once that you wanted to share a corner of my dream. Without you, Amelia, I have no dream. With you, I have everything I could ever dream of wanting."

Tears burned her eyes as he glanced back at the preacher. "I'm done."

-Houston to Amelia as his wedding vow. ~ Lorraine Heath

Rejection of the unknown is tantamount to "identification with the devil," the mythological counterpart and eternal adversary of the world-creating exploratory hero. Such rejection and identification is a consequence of Luciferian pride, which states: all that I know is all that is necessary to know. This pride is totalitarian assumption of omniscience – is adoption of "God's place" by "reason" – is something that inevitably generates a state of personal and social being indistinguishable from hell. This hell develops because creative exploration – impossible, without (humble) acknowledgment of the unknown – constitutes the process that constructs and maintains the protective adaptive structure that gives life much of its acceptable meaning ~ Jordan B. Peterson

In almost every thriller, a point is reached when someone, usually calling from a phone booth, telephones with a vital piece of information, which he cannot divulge by phone. By the time the hero arrives at the place where they had arranged to meet, the caller is dead, or too near death to tell. There is never an explanation for the reluctance of the caller to impart his message in the first place. Certainly, the convention existed well before the age of the tape recorder and the wiretap. Not on the phone, in a spy or mystery story, has always been, in and of itself, sufficient to hold up the resolution of the case for a long, long time. ~ Renata Adler

Moffat's prose is fine: clear and steady, with just enough sweeping statements about destiny and dragons to keep things well inflated. The characters are appealing archetypes: Fernwen the scholarly dwarf is the everynerd, doing his best to live through the adventure. Telemach Half-Blood is the hero you wish you could be. He always has a plan, always has a solution, always has secret allies that he can call upon - pirates and sorcerers whose allegiance he earn with long-ago sacrifices. ~ Robin Sloan

I think a hero is an ordinary individual who finds the strength to persevere and endure in spite of overwhelming obstacles. The fifteen-year-old boy who landed on his head while wrestling with his brother, leaving him paralyzed and barely able to swallow or speak. Travis Roy, paralyzed in the first eleven seconds of a hockey game in his freshman year at college. Harry Steifel, paralyzed from the chest down in a car accident at seventeen, completing his education and working on Wall Street at age thirty-two, but having missed so much of what life has to offer. These are the real heroes, and so are the many families and friends who have stood by them. ~ Christopher Reeve

All of the great mythologies and much of the mythic story-telling of the world are from the male point of view. When I was writing The Hero with a Thousand Faces and wanted to bring female heroes in, I had to go to the fairy tales. These were told by women to children, you know, and you get a different perspective. It was the men who got involved in spinning most of the great myths. The women were too busy; they had too damn much to do to sit around thinking about stories. [...]
In the Odyssey, you'll see three journeys. One is that of Telemachus, the son, going in quest of his father. The second is that of the father, Odysseus, becoming reconciled and related to the female principle in the sense of male-female relationship, rather than the male mastery of the female that was at the center of the Iliad. And the third is of Penelope herself, whose journey is [...] endurance. Out in Nantucket, you see all those cottages with the widow's walk up on the roof: when my husband comes back from the sea. Two journeys through space and one through time. ~ Joseph Campbell

Something was wrong with Luke," Annabeth muttered, poking at the fire with her knife. "Did you notice the way he was acting?"
"He looked pretty pleased to me," I said. "Like he'd spent a nice day torturing heroes."
"That's not true! There was something wrong with him. He looked ... nervous. He told his monsters to spare me. He wanted to tell me something."
"Probably, 'Hi, Annabeth! Sit here with me and watch while I tear your friends apart. It'll be fun! ~ Rick Riordan

When 'consciousness' is unawares transferred from great things to small' - which Spencer regarded as the prime cause of laughter-the result will be either a comic or an aesthetic experience, depending on whether the person's emotions are of the type capable of participating in the transfer or not. The artist, reversing the parodist's technique, walks on a tightrope, as it were, along the line where the exalted and the trivial planes meet; he 'sees with equal eye, as God of all, / A hero perish or a sparrow fall'. The scientist's attitude is basically similar in situations where he suddenly discovers the connection between a banal event and a general law of nature - Newton's apple or the boiling kettle of James Watt. ~ Arthur Koestler

Just about every children's book in my local bookstore has an animal for its hero. But then, only a few feet away in the cookbook section, just about every cookbook includes recipes for cooking animals. Is there a more illuminating illustration of our paradoxical relationship with the nonhuman world? ~ Jonathan Safran Foer

It occurred to me that I was standing face to face with the hero of a love story nearly as dramatic as my own. ~ Richelle Mead

I loved Debussy, Stravinsky, Chopin, Tchaikovsky, anything with romantic melodies, especially the nocturnes. Nietzsche was a hero, especially with 'Thus Spoke Zarathustra.' He gets a bad rap; he's very misunderstood. He's a maker of individuals, and he was a teacher of teachers. ~ Joni Mitchell

If he had even blinked, she would have been gone; but he did not blink, and he held her, as he had learned to hold griffins and chimeras motionless with his steady gaze. Her bare feet wounded him deeper than any tusk or riving talon ever had, but he was a true hero. ~ Peter S. Beagle

Why didn't you come to me last night?" she whispered.
The question took him by surprise and he wasn't prepared to provide her with an answer while he was caught by the sapphire of her eyes.
She lifted a finger to his face, and every muscle in him relaxed as she traced it over his cheek. It was as though his body was reminded of when she had healed him - that perfect moment when her eyes came back to him and after he had shared the memory of his weakest moment.
"It's not enough," she mumbled. "The time that you spend with me isn't enough, Malloron. I feel…" Her palm pressed against his cheek and Malloron didn't need to wait for her to continue, he could feel it in the bond. He simply drew her into his arms.
The moment their bodies touched, the bond trembled inside his chest, stirring deep within him, a strange hope blooming. He pulled her against him and began to purr for her, his deep satisfaction of touching and holding her saturating every single vibration that rocked through his chest. ~ Zoey Ellis

The Blood of Heroes is surely the best account to date, one that presents plenty of new insights while acting as a corrective-or at least an alternative viewpoint-to previous accounts ... Donovan combines that vital blend of authoritative scholarship with the vivid writing necessary to make an oft-told tale seem fresh. ~ William C. Davis

Leonie Barrow's voice was quiet but clear. With Marechal's eyes on her, she said, "Cabal is more dangerous then you can believe, Count. Both the angels and the devils fear him. He's a monster, but an evenhanded one. I know he is capable of the most appalling acts of evil." Her glance moved to Cabal, who was listening dispassionately. "I believe he is also capable of great good. But to predict which he will do next isn't easy or safe."
Marechal grimaced. "What is your association with this man? Public relations or something?"
"I loathe him," she said with sudden venom. The, more quietly, "And I admire him. You're right; he didn't have to come back. He's taken a big risk, but I know he's taken bigger. I can't tell you whether he's a monster or playing the hero right now, but I know one thing. You made the biggest mistake of your life when you made an enemy of him. ~ Jonathan L. Howard

It was actually a lot more helpful to have Calvin Hart, a cop, as my template. He was also my technical advisor on Shaft. This time, I kinda got to go to Jersey City with him, and hang around, and watch him interact with other cops, people in the projects, and see what it means to be him. People call him 'Big Daddy' and he's this larger-than-life hero to a lot of people. ~ Samuel L. Jackson

Battles are all about strategy, and strategy pivots on priorities. Since my priorities were Prince Jalan, Prince Jalan, and Prince Jalan, with "looking good" a distant fourth, I took the opportunity to resume running away. I find that the main thing about success is the ability to act in the moment. A hero attacks in the moment; a good coward runs in it. The rest of the world waits for the next moment and ends up as crow food. ~ Mark Lawrence

To spend time with Ed Harris ... he's an acting hero of mine, so that's a big deal for me. ~ Jim Sturgess

Every search for a hero must begin with something which every hero requires - a villain. ~ Robert Towne

His vulnerability allowed me to let my guard down, and gently and methodically, he tore apart my well-constructed dam. Waves of tender feelings were lapping over the top and slipping through the cracks. The feelings flooded through and spilled into me. It was frightening opening myself up to feel love for someone again. My heart pounded hard and thudded audibly in my chest. I was sure he could hear it.
Ren's expression changed as he watched my face. His look of sadness was replaced by one of concern for me.
What was the next step? What should I do? What do I say? How do I share what I'm feeling?
I remembered watching romance movies with my mom, and our favorite saying was "shut up and kiss her already!" We'd both get frustrated when the hero or heroine wouldn't do what was so obvious to the two of us, and as soon as a tense, romantic moment occurred, we'd both repeat our mantra. I could hear my mom's humor-filled voice in my mind giving me the same advice: "Kells, shut up and kiss him already!"
So, I got a grip on myself, and before I changed my mind, I leaned over and kissed him.
He froze. He didn't kiss me back. He didn't push me away. He just stopped…moving. I pulled back, saw the shock on his face, and instantly regretted my boldness. I stood up and walked away, embarrassed. I wanted to put some distance between us as I frantically tried to rebuild the walls around my heart.
I heard him move. He slid his hand under my elbow and turned me arou ~ Colleen Houck

Sam Temple kept a lower profile. He stuck to jeans and understated T-shirts, nothing that drew attention to himself. He had spent most of his life in Perdido Beach, attending this school, and everybody knew who he was, but few people were quite sure what he was. He was a surfer who didn't hang out with surfers. He was bright, but not a brain. He was good-looking, but not so that girls thought of him as a hottie.
The one thing most kids knew about Sam Temple was that he was School Bus Sam. He'd earned the nickname when he was in seventh grade. The class had been on the way to a field trip when the bus driver had suffered a heart attack. They'd been driving down Highway 1. Sam had pulled the man out of his seat, steered the bus onto the shoulder of the road, brought it safely to a stop, and calmly dialed 911 on the driver's cell phone.
If he had hesitated for even a second, the bus would have plunged off a cliff and into the ocean.
His picture had been in the paper. ~ Michael Grant

Rich loved taking care of women. He would swoop in like Tarzan swinging on a vine, rescue them from whatever situation they found themselves in, and be their hero. He would make all the decisions, and he would be strong and dependable. "What a catch!" they would feel.

But they did not see his inability to allow them to disagree or have an opinion. He could not yield to another person. He could not show weakness or vulnerability. He would make up for that inflexibility by being a very attractive "strong man" to women who would want to be swept off their feet more than they wanted a real person.

So, they would be a perfect match - until he would see the other side of a passive, compliant woman. She would be sneaky and not tell him exactly what was going on. Then, lo and behold, one day she would really "mess up" and have a wish contrary to somthing he wanted or valued. Then, from his perspective, she had "changed" and had become "selfish." "She used to be nice, and now look!"

But in reality, this is not what had happened. She had not changed. When they first met, she showed only half of who she was, hiding the other half, which would come out in sneaky, indirect ways. After a while, it came out directly, such as when she disagreed with him. Then he would cry, "Foul."

So they both got what they asked for. In her compliance, she attracted a controller. In his control he attracted an adaptive person who had a secret side and was indirec ~ Henry Cloud

It is incredible what a pronounced hero can get away with and what can be accredited to him.
There were no inconvenient questions asked of Robin because everyone preferred to believe that heroes defeat villains and that there were distinguishable traits that could easily tell the two apart. ~ Arianna Alexsandra Collins

We are each of us the result of billions of years of the universe evolving toward its own splendor. And evolution builds: the very mitochondria that power our cells and give us life once existed as separate organisms that first infected our pre–pre–human ancestors and then became one with them. We each contain not only the slime mold and the worm, the fish and amphibian and reptile, but the pig and the ape and the barely human. If we look hard enough, we can discern hundreds of parts: kings and queens, warriors and troubadours, mages, bullies, and saints. And hustlers, adventurers, survivors, rebels, reactionaries, and rogues. And the part of us that wants to be more than human, or rather more fully human. I believe that we need to enlist all these separate selves into a single army of free companions who respect each other and love each other to the death. And who are willing to devote their lives to fight together in order to win a shared splendor.
I will return to this theme of integration again and again, for it is key to everything. All of my characters struggle with themselves, and face as well external obstacles such as exploding stars or dragons or icy wastelands cold enough to freeze the breath. Maram, who writes poems glorifying his second chakra (the body's sexual center), pants like a dog after every enticing woman he sees. Even as he resists his essential nobility and destiny as a hero, he insists that every man deserves at least one vice. When it is pointed ~ David Zindell

The Doctor. He grabbed hold of Rory's ankle, dragging him protesting out from under the table. 'Rory!' he grinned, wrapping him in an enourmous bear hug that squeezed the breath out of him. 'I've been you!'
'Right,' mumbled Rory.
'You've had a gorgeous time, I bet.'
'Not... especially, no.'
The Doctor stepped back, his eyes were wide and dancing. 'Did you escape from any monsters? Did you set anything on fire? I'm always doing that. Honestly, one minute it's Tell Me Your Plans, the next it's BOOOM! My insurance premiums are terrible... Anyhow, you're all back to normal, yes?'
'Yes.' Rory was ever so tight-lipped.
The Doctor nudged him with his elbow. 'Go on then. What was it like being me? Wasn't it just a bit brilliant? Did it open up your tiny mind?'
Rory looked a little ill. 'It's nice to be me, actually. I'm not a hero... And what was it like being me?' he asked.
The Doctor tugged at his braces, embarrassed. 'Oh, don't apologize - I'm sure I'll get over it. ~ James Goss

One reason why the cycle of archetypes recurs is that each youth generation tries to correct or compensate for what it perceives as the excesses of the midlife generation in power. For example, Boomers (a Prophet generation, whose strength is individualism, culture and values) raised Millennial children (a Hero generation, whose strength is in collective civic action). Archetypes do not create archetypes like themselves, they create opposing archetypes. Your generation isn't like the generation that shaped you, but it has much in common with the generation that shaped the generation that shaped you. ~ William Strauss