Aasif Mandvi Quotes

My family is Muslim. But I don't consider myself a very devout Muslim, but a cultural Muslim, whatever that means.

I'm Muslim the way many of my Jewish friends are Jewish: I avoid pork, and I take the big holidays off.

It is ironic that it doesn't matter how successful I am in any other capacity: ultimately, my parents' marker is 'Do you have a wife?' and 'Do you have children?'

I mean, but obviously, in people's eyes, it still - it can still link Islam to terrorism. I mean, why does it make a difference that they're white?

For my parents it was all about getting a deal, my dad came to America and he heard of this concept of brunch. He didn't quite know what it was. And he thought it was this other meal that existed between breakfast and lunch. He was kind of like - I remember he sort of was like America has so much food that between breakfast and lunch they have to stop and eat again. They have brunch. It was completely legal it was, like, a legal meal that you could have. I mean, clearly it wasn't the only reason he came to America, but I think it certainly sweetened the pot for him.

I grew up on American pop culture so everything that I fantasized about to get out of this sort of humdrum world of Bradford was about America. So when we decided to move there I was on the plane.

Samantha Bee said to me when I first started on the "Daily Show", she was like no - there is no - the only way you'll learn this job is by doing this job.

Paki- bashing was kind of this term that was used in general to beat up anyone that was from the Indian subcontinent.

I never consciously got into comedy. It was sort of one of those things where I was a theater student, I was acting, I was doing comedy, I was doing dramatic stuff, so it's been something that I've always done and enjoyed doing and had an instinct to be relatively good at.

That's the Indian in me - you must put spices on everything. As a kid, whenever we got sick, my mom would take milk and put turmeric in it. That was our medicine. That was the cure-all. Some people turn to Robitussin.

When I was 11 my friend's mom made a peanut butter sandwich. I ate the sandwich and was like, 'I'm never eating anything else again.' And I still eat peanut butter every day. I would put peanut butter on a steak.

I did a play called 'Disgraced' in 2012 at Lincoln Center, which ultimately won the Pulitzer Prize. I played the lead character, a Muslim American, who had renounced Islam and became very anti-Islam.

I rarely went to the mosque, I never fasted, and I only prayed namaaz on the holy nights because my mom bugged me about it.

People lament that there's no roles being written for South Asian or Muslim characters. But their parents don't want their children to go into the entertainment field. You don't get it both ways.

I think one of my favorite pieces I've ever done on the show which was about Hezbollah Israel conflict in 2006 and it was very pointed. It was a beautifully crafted piece of satire and it's a weird thing to say but it had a joke in there about 9/11 and I remember the audience sort of laughing but also kind of not knowing how to respond to that joke and it was just so - and I remember the tension after we did this joke on the air and there was this palpable gasp in the audience, but they were also laughing. And I thought oh, wow, that is something that is not being said in the Zeitgeist.

An artist's job is simply to take the mirror in front of your face and hold it there. It's not to give you any answers. It is simply to take that mirror and point it at you.

Because to Americans, Chechnya might as well be a suburb of Narnia.

The longer I spent time on 'The Daily Show,' standing in front of a green screen pretending to report from war zones and hot spots around the world - most often from somewhere in the Middle East - the more I began to realize that 'The Daily Show' was radicalizing me.

I was a fan of "The Daily Show" I watched it,I never imagined being on it, but I figured I would just go down there and do my best Stephen Colbert impression.

I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.

If you choose to be a Muslim then you believe that it is on some level wrong to show the image of the Prophet Muhammad.

Profanity is the chili pepper of language. If used by an idiot or a clod, it can overwhelm the discourse so the meaning is lost, but if used by a linguistic master chef, it can insert a piquant passion to the point where even though your ears may burn and you may want to rinse your mouth out, you cannot say it doesn't sound delicious.

I figure if people don't want to make the distinction between a Muslim and a terrorist, then why should I make a distinction between good scared white people and racists?

This was in the '70s and there was a lot of racism towards South Asians and there was a lot of hazing and bullying and racism that really probably shaped me in some way in terms of, like, wanting to get out of there.

There's this existential crisis in America and in the West of, like - who am I? - based on this searching for individual fulfillment, which you don't necessarily have in the East in the same way because you're kind of told what to do. I'm not saying one is better than the other, I'm just saying that's just, like, the reality.

I always used to watch 'The Daily Show,' and there were all these comedic geniuses there. I didn't know if I was going to be hired full time or not. At the beginning, I was sort of hired as a part time, on and off guy. When I first got hired - it was August 2006 - and I was working on and off, and they'd call me whenever.

I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'

For my parents' generation, the idea was not that marriage was about some kind of idealized, romantic love; it was a partnership. It's about creating family; it's about creating offspring. Indian culture is essentially much more of a 'we' culture. It's a communal culture where you do what's best for the community - you procreate.

My tenure at 'The Daily Show' started during the decade after September 11, and fear of Muslims was at an all-time high. Politicians and the media seemed to dial the fright, mistrust, and animosity up to a fever pitch to gain votes and ratings.

I came from a very different sort of background and pedigree from the people who were on "The Daily Show". I was an actor. I was sort of - the irony is that I've done as much dramatic work in my career as comedic work and I don't really think of myself as a comedian.

My father got a job at Bradford University in textiles. And he came for - I guess, you know, why do people immigrate? - like, for a better life to find, you know, a new world. And, you know, I think he always - he saw it as an opportunity. And so yeah so we came to this coal mining town in the north of England and that's where I grew up.

From my parent's generation the idea was not that marriage was about some kind of idealized, romantic love. It was a partnership. It's about creating family. It's about creating offspring.

There's no school that you can go to and learn how to be a "Daily Show" correspondent and how to interview people and, you know, essentially leave your soul outside the door and go in there and kind of, you know, destroy people's lives sometimes.

The artist never really has any control over the impact of his work. If he starts thinking about the impact of his work, then he becomes a lesser artist.

I thought [when I was 16] my days were just going to be spent hanging out on a beach and my girlfriend was going to be Miss Teen USA and my best friend will be a dolphin.

I've actually changed my view of Los Angeles. When I was younger, I hated it, because I thought it was fake and superficial. As I've gotten older, I've found that to be absolutely true, but I don't care.

The experience of being on a show that is very much in the center of popular culture is exciting. You really feel like you're reaching people.

You can talk about and think about Muslims as you want, but you can't stop Muslims from building a mosque. You can hate Muslims from the comfort of your house or publicly, but when that becomes stopping Muslims from building a mosque or worshipping, then we are crossing the line into something else.

I worked with Ismail Merchant on 'The Mystic Masseur,' I did 'Sakina's Restaurant,' I've done plays, I've been on Broadway, I've done movies, I've done TV ... but nothing has had the pop culture penetrative impact as 'The Daily Show' has. It's the nature of the beast.

It's an organic thing that I try not to analyze too much, because I worry that it will go away.

When you're brown and Indian, you get offered a lot of doctor roles.

Of course the law's not racist.

I think you had the GOP down there in North Carolina reaching out to African-American voters and this guy coming on television and using the N-word and saying what Don Yelton said.

When my family decided to leave England I could not have been happier. I was sort of like - America seemed like the land of opportunity and, you know, it was Hollywood to me.

What's great about 'The Daily Show' is I can use satire and push the envelope. I couldn't do that anywhere else. Even if I was a journalist.

The idea that I had anything to do with speaking about Islam or about the Muslim world was just absurd to my family ... I hadn't been to the mosque in like 10 years.

America undermines its own ideals when it ignores the very values it is promoting around the world. You cannot ask other people in the world to follow the law and act responsibly if we don't do the same ... and being afraid is not an excuse.

I'm not really a food connoisseur.

Traditional television as we have known it will make love to the Internet and have a child. That child will be the future. It's already happening, and it's hot!

If you don't acknowledge differences, it's as bad as stereotyping or reducing someone.

Religion is so much more than the god you pray to. The religion that you associate with, it's culture, it is family, it is background. That is something that I have always grown up with.

Now the bigots have to get creative. Good luck coming up with slurs for Chechens. Go back where you came from, Ushanka head.

I go to Buzzfeed and 'Huff Po,' IMDB, 'Deadline.' And then I just Google myself, like 'Aasif Mandvi in a hat,' and see what comes up.

I think family dynamics are definitely very interesting. And in my case my sister did get married. She gave my parents a grandchild.

So I had this completely unrealistic idea of what America was - but I wanted to be there.

I was born in India - but never really lived there.

I said we are Ghodratis and there's nothing that Ghodratis like more than a bargain.

I think politicians and comedians have a lot in common. One is a group of approval-seeking narcissists who will say and do anything to be liked ... and comedians are always talking about politics.

I was born in Mumbai, but I grew up in England, and then my adulthood has been in the States. I'm an American stuffed with an English person with an Indian person inside. I feel like those things kind of inform me in some way, which I think helps me as an actor.

They wanted to audition people for the Middle East correspondent on 'The Daily Show.' They wanted to hire somebody ethnic for that slot. Helms had left, Cordry had left, and they felt that they needed an ethnic face. So, I went in and auditioned, and I got the job.

In some ways for many years I was off the hook.When my niece was born after that their attention was focused on that and she did that. You know, that was in our family that's what she did. I went off and chased this dream and this career that very other few people in our, you know, in my family, but even culturally were doing.

In Britain, you never get away from the fact that you're a foreigner. In the U.S., the view is it doesn't matter where you come from.