Terri Windling Quotes

Lately, because computer technology has made self-publishing an easier and less expensive venture, I'm getting a lot of review copies of amateur books by writers who would be better advised to hone their craft before committing it to print. The best thing you can do as a beginning writer is to write, write, write - and read, read, read. Concentrating on publication prematurely is a mistake. You don't pick up a violin and expect to play Carnegie Hall within the year - yet somehow people forget that writing also requires technical skills that need to be learned, practiced, honed. If I had a dollar for every person I've met who thought, with no prior experience, they could sit down and write a novel and instantly win awards and make their living as a writer, I'd be a rich woman today. It's unrealistic, and it's also mildly insulting to professional writers who have worked hard to perfect their craft. Of course, then you hear stories about people like J.K. Rowling, who did sit down with no prior experience and write a worldwide best-seller...but such people are as rare as hen's teeth. Every day I work with talented, accomplished writers who have many novels in print and awards to their name and who are 'still' struggling to make a living. The thing I often find myself wanting to say to new writers is: Write because you love writing, learn your craft, be patient, and be realistic. Anais Nin said about writing, "It should be a necessity, as the sea needs to heave, and I call it bre ~ Terri Windling

It's my birthday, by the way, and as of 2:05 this morning (the time of my birth in the middle of a snow storm on the Fort Dix army base in New Jersey) I'm 52 years old. I decided to say that because there's such pressure in our culture for women ... well, for everybody ... to stay perpetually young. And that's never going to change if we (women especially) don't embrace, enjoy, and take pride in each and every age that we pass through. I'm not young, I'm half a century old, and grateful to have made it this far. And I have this to say to the young women coming on behind me: 52 feels pretty damn good! ~ Terri Windling

In England in the 19th century, advances in printing methods, combined with the rise of a prosperous middle class, engendered a booming new industry of books published just for children. Casting about for cheap story material, English publishers laid hands on the subtle, sensual adult fairy tales of the Continental tradition and revised them into simpler stories instilled with Victorian values. Although these simplified versions retained much of the violence of the older stories, elements of sexuality and moral complexity were carefully scrubbed away - along with the fiesty heroines who appeared everywhere in the older tales, tamed now into models of Victorian propiety and passivity. In the 20th century, the Walt Disney Studios watered down the tales further still in popular animated films like Sleeping Beauty and Snow White, continuing the trend of turning active heroines into powerless damsels in distress. Walt Disney considered even the Victorian versions of the tales too dark for 20th century audiences. "It's just that people now don't want fairy stories the way they were written," Disney commented. "They were too rough." ~ Terri Windling

In more recent years, I've become more and more fascinated with the indigenous folklore of this land, Native American folklore, and also Hispanic folklore now that I live in the Southwest. ~ Terri Windling

Read the folklore masters. Go to galleries. Walk in the woods. That's what you need to be an artist or storyteller. ~ Terri Windling

Years ago, when I was about to go on a book tour for Someplace to Be Flying, my editor at the time Terri Windling and I sat down to figure out what to call what I was writing for the interviews that were to come. Terri came up with the term mythic fiction and I think that sums it up perfectly. There are almost invariably mythic elements in my fiction (as well as bits of folk and faerie lore) and the term doesn't lock me into writing only in an urban setting since many of my stories take place in rural areas. It never caught on, but when I don't describe what I do as simply fiction, I'll go with mythic fiction. ~ Charles De Lint

Like many of the kids I write about, I once was a runaway myself - and a few (but not all) of the other writers in the series also come from troubled backgrounds. That early experience influences my fiction, no doubt, but I don't think it's necessary to come from such a background in order to write a good Bordertown tale. To me, "running away to Bordertown" is as much a metaphorical act as an actual one. These tales aren't just for kids who have literally run away from home, but also for every kid, every person, who "runs away" from a difficult or constrictive past to build a different kind of life in some new place. Some of us "run away" to college . . . or we "run away" to a distant city or state . . . or we "run away" from a safe, secure career path to follow our passions or artistic muse. We "run away" from places we don't belong, or from families we have never fit into. We "run away" to find ourselves, or to find others like ourselves, or to find a place where we finally truly belong. And that kind of "running away from home" - the everyday, metaphorical kind - can be just as hard, lonely, and disorienting as crossing the Nevernever to Bordertown . . . particularly when you're in your teens, or early twenties, and your resources (both inner and outer) are still limited. I want to tell stories for young people who are making that journey, or contemplating making that journey. Stories in which friendship, community, and art is the "magic" that lights the way.

(s ~ Terri Windling

The French fairy tale writers were so popular and prolific that when their stories were eventually collected in the 18th century, they filled forty–one volumes of a massive publication called the Cabinet des Fées. Charles Perrault is the French fairy tale writer whom history has singled out for attention, but the majority of tales in the Cabinet des Fées were penned by women writers who ran and attended the leading salons: Marie–Catherine d'Aulnoy, Henriette Julie de Murat, Marie–Jeanne L'Héritier, and numerous others. These were educated women with an unusual degree of social and artistic independence, and within their use of the fairy tale form one can find distinctly subversive, even feminist subtext. ~ Terri Windling

I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village.

I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print.

When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or rela ~ Terri Windling

I love so many books and authors that it's hard to name just a few, but I'm always particularly excited when new books by Alice Hoffman, John Crowley, Joanne Harris, Elizabeth Knox, and Patricia McKillip come out. (And, of course, books by Ellen [Kushner], and Holly [Black], and the rest of the Bordertown crew!) I'm impatiently looking forward to Susanna Clarke's next book too.
Aside from writing and reading, my favorite things to do are paint, walk in the countryside with my dog, and listen to music
especially when it's live and it's played by friends. Fortunately there's a lot of live music where I live. ~ Terri Windling

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... ~ Terri Windling

I'm also looking for gems that the average reader might have missed. ~ Terri Windling

I owe a huge debt to Anaïs Nin, because I fell into her diaries, essays, and collected letters in my Twenties and Thirties like a fish falling into water. She was, in some ways, a deeply flawed human being, and perhaps she makes a strange kind of hero for someone like me, committed to the ethical and spiritual dimensions of my craft as well as to the technical ones, but a hero and strong influence she remains nonetheless.

Source: Her blog. ~ Terri Windling

Our lives are our mythic journeys, and our happy endings are still to be won. ~ Terri Windling

We're all misfits here," he says, almost proudly. "That's why I started this squat, after all. For people like us, who don't fit in anywhere else. Halfies and homos and hopeless romantics, the outcast and outrageous and terminally weird. That's where art comes from, Jimmy, my friend. From our weirdnesses and our differences, from our manic fixations, our obsessions, our passions. From all those wild and wacky things that make each of us unique. ~ Terri Windling

I've only been living in England for the last 10 years, if you don't count my student years. ~ Terri Windling

A good novel editor is invisible. ~ Terri Windling

I divide my time between homes in Arizona and England, six months a year in each place. ~ Terri Windling

Fairy tales for adult readers remained popular throughout Europe well into the 19th century - particularly in Germany, where the Brothers Grimm published their massive collection of German fairy tales (revised and edited to reflect the Brothers' patriotic and patriarchal ideals), providing inpiration for novelists, poets, and playrights among the German Romantics. Recently, fairy tale scholars have re–discovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few. ~ Terri Windling

Some years ago I had a conversation with a man who thought that writing and editing fantasy books was a rather frivolous job for a grown woman like me. He wasn't trying to be contentious, but he himself was a probation officer, working with troubled kids from the Indian reservation where he'd been raised. Day in, day out, he dealt in a concrete way with very concrete problems, well aware that his words and deeds could change young lives for good or ill.
I argued that certain stories are also capable of changing lives, addressing some of the same problems and issues he confronted in his daily work: problems of poverty, violence, and alienation, issues of culture, race, gender, and class...
"Stories aren't real," he told me shortly. "They don't feed a kid left home in an empty house. Or keep an abusive relative at bay. Or prevent an unloved child from finding 'family' in the nearest gang."
Sometimes they do, I tried to argue. The right stories, read at the right time, can be as important as shelter or food. They can help us to escape calamity, and heal us in its aftermath. He frowned, dismissing this foolishness, but his wife was more conciliatory. "Write down the names of some books," she said. "Maybe we'll read them."
I wrote some titles on a scrap of paper, and the top three were by Charles de lint – for these are precisely the kind of tales that Charles tells better than anyone. The vital, necessary stories. The ones that can change and heal young live ~ Terri Windling

Back in the "leather and lace" eighties, I was the fantasy editor for a publishing company in New York City. It was a great time to be young and footloose on the streets of Manhattan - punk rock and folk music were everywhere; Blondie, the Eurythmics, Cyndi Lauper, and Prince were all strutting their stuff on the newly created MTV; and the eighties' sense of style meant I could wear my scruffy black leather into the office without turning too many heads. The fantasy field was growing by leaps and bounds, and I was right in the middle of it, working with authors I'd worshiped as a teen, and finding new ones to encourage and publish. ~ Terri Windling

Once upon a time, they say, there was a girl ... there was a boy ... there was a person who was in trouble. And this is what she did ... and what he did ... and how they learned to survive it. This is what they did ... and why one failed ... and why another triumphed in the end. And I know that it's true, because I danced at their wedding and drank their very best wine. ~ Terri Windling

Some years ago, I read an article about two people in the arts (alas, I can't remember who they were) who'd been married for many, many years. Asked for the secret of their long partnership, they said: "We fell straight into conversation when we met, and we haven't come to the end of that conversation yet."
I can't think of a better model for marriage than that. Or of a narrative more romantic ... ~ Terri Windling

The fairy tale journey may look like an outward trek across plains and mountains, through castles and forests, but the actual movement is inward, into the lands of the soul. ~ Terri Windling

Fairy tales were not my escape from reality as a child; rather, they were my reality
for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely. ~ Terri Windling

When I was 15, I sat in despair one day in a creaky old bus that was winding its way through central Mexico (that's another story), trying to decide if I truly believed in God. Not necessarily God with a big white beard looking down from a Biblical heaven, but some kind of sacred spirit above, beneath, and within all things. I'd always had a deep, instinctive faith (even as a small child) in a sacred dimension to life, a Mystery I didn't need to fully define in order to know it, feel it, experience it. But recent grueling events had shaken my faith and closed that connection.

Now, I realize that sitting and railing at God is practically a cliche of teenage angst; that doesn't make the experience any less urgent at age 15, and I was in a dark place. "Okay," I said, throwing the gauntlet down to whatever out there might be listening, "if there is something more than this, then prove it. Just prove it. Or I quit." The bus turned a corner on the narrow, dusty road, and a gasp went up from the people around me. Above us, a rainbow arched through a bright blue, cloudless, rainless desert sky.

Rainbows have been special to me ever since. I know the scientific explanation, of course, water and air and angles of sunlight and all that. But to me, they are always a message. They say: "The universe is a Mystery and you're part of it." And sometimes that's all I need to hear; that's all the answer I need, no matter what the prayer. ~ Terri Windling

There's that old adage about how there's only seven plots in the world and Shakespeare's done them all before. ~ Terri Windling

My book collection is primarily in America, since that's where I've lived most of my life. ~ Terri Windling

I wish I could have known Barbara Bodichon
and her whole vibrant circle of smart, fearless women friends. I'd like to gather them all around the dinner table, along with a few smart, fearless friends of my own. We'd open a bottle of wine and sit back to to hear their stories
marveling at all the things that have changed, and commiserating about all the things that haven't. And then we'd tell them thank you. We'd tell them that we never take for granted the rights they fought so hard for. And that we hope we, too, can make the world just a little better for the ones who follow after. ~ Terri Windling

The simple truth is that being a creative artist takes courage; it's not a job for the faint of heart. It takes courage each and every time you put a book or poem or painting before the public, because it is, in fact, enormously revealing. ~ Terri Windling

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! ~ Terri Windling

I find myself most drawn to: art that has arisen from a deeply personal conversation between the artist and the work at hand. It is art that walks perilously close to the Edge, that crosses the river of blood into Faerie, that flies so high it is scorched by the sun, and then returns to tell the tale to us. It is art that needed to be written, or painted, or sung, or woven, or otherwise shaped. It is art gifted by the Mystery to the maker ... and then, in turn, gifted to us. ~ Terri Windling

Rites–of–passage stories…were cherished in pre–literate societies not only for their entertainment value, but also as mythic tools to prepare young men and women for life's ordeals. A wealth of such stories can be found marking each major transition in the human life cycle: puberty, marriage, childbirth, menopause, death. Other rites–of–passage, less predictable but equally transformative, include times of sudden change and calamity such as illness and injury, the loss of one's home, the death of a loved one, etc. These are the times when we wake, like Dante, to find ourselves in a deep, dark wood - an image that in Jungian psychology represents an inward journey. Rites–of–passage tales point to the hidden roads that lead out of the dark again - and remind us that at the end of the journey we're not the same person as when we started. Ascending from the Netherworld (that grey landscape of illness, grief, depression, or despair), we are 'twice–born' in our return to life, carrying seeds - new wisdom, ideas, creativity and fecundity of spirit. ~ Terri Windling

When I started in the business, there was a thing called adult fantasy, but nobody quite knew what it was, and most publishers didn't have an adult fantasy list. They had science fiction lists, which they stuck a little bit of fantasy into. ~ Terri Windling

[T]he incomparable Diana Wynne Jones, one of the finest mythic fiction writers of our age, who left us too early (due to cancer) two days ago. I'm so grateful to her for the extraordinary books she has left behind, which have inspired a whole generation of younger writers. She was writing brilliant YA fantasy before the genre (as we know it now) even existed; she was writing enchanting "wizard school" books long before Harry Potter was a gleam in Rowling's eye; and her knowledge of how to weave mythic/folkloric themes into contemporary fiction was second to no one's. Diana will be terribly missed, but through her magical stories, her light will stay on. ~ Terri Windling

I have a great respect for the academics who are working with the source material. My hat's off to them. ~ Terri Windling

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like ... except for Show Tunes. ~ Terri Windling

There are plenty of bad editors who try to impose their own vision on a book. ( ... )
A good novel editor is invisible. ~ Terri Windling

I'd had no particular interest in the Southwest at all as a young girl, and I was completely surprised that the desert stole my heart to the extent it did. ~ Terri Windling

Robert Jordan, whether he's writing with passion or not, I don't know. ~ Terri Windling

There are a number of good books that draw upon fox legends -- foremost among them, Kij Johnson's exquisite novel The Fox Woman. I also recommend Neil Gaiman's The Dream Hunters (with the Japanese artist Yoshitaka Amano); Larissa Lai's unusual novel, When Fox Is a Thousand; Helen Oyeyemi's recent novel, Mr. Fox; and Ellen Steiber's gorgeous urban fantasy novel, A Rumor of Gems, as well as her heart-breaking novella "The Fox Wife" (published in Ruby Slippers, Golden Tears). For younger readers, try the "Legend of Little Fur" series by Isobelle Carmody. You can also support a fine mythic writer by subscribing to Sylvia Linsteadt's The Gray Fox Epistles: Wild Tales By Mail.

For the fox in myth, legend, and lore, try: Fox by Martin Wallen; Reynard the Fox, edited by Kenneth Varty; Kitsune: Japan's Fox of Mystery, Romance, and Humour by Kiyoshi Nozaki;Alien Kind: Foxes and Late Imperial Chinese Narrative by Raina Huntington; The Discourse on Foxes and Ghosts: Ji Yun and Eighteenth-Century Literati Storytelling by Leo Tak-hung Chan; and The Fox and the Jewel: Shared and Private Meanings in Contemporary Japanese Inari Worship, by Karen Smythers. ~ Terri Windling

Happiness is a talent like any other. It's another art form. Some people are good at it, some people aren't. ~ Terri Windling

Twelve years ago I left Boston and New York, and moved east and west at the same time. East, to a little village in Devon, England, a town I've been familiar with for years, since my friends Brian and Wendy Froud and Alan Lee all live there. It had long been my dream to live in England, so I finally bought a little old cottage over there. But I decided, both for visa and health reasons, living there half the year would be better than trying to cope with cold, wet Dartmoor winters. At that point, Beth Meacham had moved out to Arizona, and I discovered how wonderful the Southwest is, particularly in the wintertime. Now I spend every winter-spring in Tucson and every summer-autumn in England. Both places strongly affect my writing and my painting. They're very opposite landscapes, and each has a very different mythic history. In Tucson, the population is a mix of Native Americans, Mexican Americans, and Euro-Americans of various immigrant backgrounds - so the folklore of the place is a mix of all those things, as well as the music and the architecture. The desert has its own colors, light, and rhythms. In Devon, by contrast, it's all Celtic and green and leafy, and the color palette of the place comes straight out of old English paintings - which is more familiar to me, growing up loving the Pre-Raphaelites and England's 'Golden Age' illustrators. I've learned to love an entirely different palette in Arizona, where the starkness of the desert is offset by the brilliance of t ~ Terri Windling

Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century. ~ Terri Windling

In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards - but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward. ~ Terri Windling

Contemporary writers use animal-transformation themes to explore issues of gender, sexuality, race, culture, and the process of transformation...just as storytellers have done, all over the world, for many centuries past. One distinct change marks modern retellings, however, reflecting our changed relationship to animals and nature. In a society in which most of us will never encounter true danger in the woods, the big white bear who comes knocking at the door [in fairy tales] is not such a frightening prospective husband now; instead, he's exotic, almost appealing.

Whereas once wilderness was threatening to civilization, now it's been tamed and cultivated; the dangers of the animal world have a nostalgic quality, removed as they are from our daily existence. This removal gives "the wild" a different kind of power; it's something we long for rather than fear. The shape-shifter, the were-creature, the stag-headed god from the heart of the woods--they come from a place we'd almost forgotten: the untracked forests of the past; the primeval forests of the mythic imagination; the forests of our childhood fantasies: untouched, unspoiled, limitless.

Likewise, tales of Animal Brides and Bridegrooms are steeped in an ancient magic and yet powerfully relevant to our lives today. They remind us of the wild within us...and also within our lovers and spouses, the part of them we can never quite know. They represent the Others who live beside us--cat and mouse and coy ~ Terri Windling

So let us praise the distinctive pleasures of re-reading: that particular shiver of anticipation as you sink into a beloved, familiar text; the surprise and wonder when a book that had told one tale now turns and tells another; the thrill when a book long closed reveals a new door with which to enter. In our tech-obsessed, speed-obsessed, throw-away culture let us be truly subversive and praise instead the virtues of a long, slow relationship with a printed book unfolding over many years, a relationship that includes its weight in our hands and its dusty presence on our shelves. In an age that prizes novelty, irony, and youth, let us praise familiarity, passion, and knowledge accrued through the passage of time. As we age, as we change, as our lives change around us, we bring different versions of ourselves to each encounter with our most cherished texts. Some books grow better, others wither and fade away, but they never stay static. ~ Terri Windling

I'm working on a very long series of paintings based on desert folklore. ~ Terri Windling

Magic Realism is not new. The label's new, the specific Latin American form of it is new, its modern popularity is new, but it's been around as long as literature has been around. ~ Terri Windling

We've always lived in dark times. There has always been a range of human experience from the sublime to the brutal, and stories reflect it. It's no less brutal now; each age has its horrors. ~ Terri Windling

Border crossing' is a recurrent theme in all aspects of my work -- editing, writing, and painting. I'm interested in the various ways artists not only cross borders but also subvert them. In mythology, the old Trickster figure Coyote is a champion border crosser, mischievously dashing from the land of the living to the land of the dead, from the wilderness world of magic to the human world. He tears things down so they can be made anew. He's a rascal, but also a culture hero, dancing on borders, ignoring the rules, as many of our most innovative artists do. I'm particularly drawn to art that crosses the borders critics have erected between 'high art' and 'popular culture,' between 'mainstream' and 'genre,' or between one genre and another -- I love that moment of passage between the two; that place on the border where two worlds meet and energize each other, where Coyote enters and shakes things up. But I still have a great love for traditional fantasy, for Imaginary World, center-of-the-genre stories. I'm still excited by series books and trilogies if they're well written and use mythic tropes in interesting ways. ~ Terri Windling

I only laid the cobbles for the streets of Bordertown; it took all of us, an entire community, to bring the city to life. And that's as it should be. Community, friendship, art: stirred together, they make a powerful magic. Used wisely, it can save your life. I know that it saved mine. ~ Terri Windling

Oh, don't get me started! I love fantasy, I read it for pleasure, even after all these years. Pat McKillip, Ursula Le Guin and John Crowley are probably my favorite writers in the field, in addition to all the writers in the Endicott Studio group - but there are many others I also admire. In children's fantasy, I'm particularly keen on Philip Pullman, Donna Jo Napoli, David Almond and Jane Yolen - though my favorite novels recently were Midori Snyder's Hannah's Garden, Holly Black's Tithe, and Neil Gaiman's Coraline.

I read a lot of mainstream fiction as well - I particularly love Alice Hoffman, A.S. Byatt, Sara Maitland, Sarah Waters, Sebastian Faulks, and Elizabeth Knox. There's also a great deal of magical fiction by Native American authors being published these days - Louise Erdrich's Antelope Wife, Alfredo Vea Jr.'s Maravilla, Linda Hogan's Power, and Susan Power's Grass Dancer are a few recent favorites.

I'm a big fan of Jane Austen, Charlotte Bronte, Charles Dickens, and Anthony Trollope - I re-read Jane Austen's novels in particular every year.Other fantasists say they read Tolkien every year, but for me it's Austen. I adore biographies, particularly biographies of artists and writers (and particularly those written by Michael Holroyd). And I love books that explore the philosophical side of art, such as Lewis Hyde's The Gift, Carolyn Heilbrun's Writing a Woman's Life, or David Abram's Spell of the Sensuous.

(from a 2002 interview) ~ Terri Windling

Trickster foxes appear in old stories gathered from countries and cultures all over the world
including Aesop's Fables from ancient Greece, the "Reynard" stories of medieval Europe, the "Giovannuzza" tales of Italy, the "Brer Fox" lore of the American South, and stories from diverse Native American traditions. ~ Terri Windling

The first job I was offered was as an editorial assistant. I think it was the best thing for me, in terms of being a storyteller by nature, to have spent years being an editor because I learned so much from it. ~ Terri Windling

When I was younger, I was in love with everything about the British Isles, from British folklore to Celtic music. That was always where my passions were as a young girl, and so I studied folklore as a college student in England and Ireland. ~ Terri Windling

Once upon a time fairy tales were told to audiences of young and old alike. It is only in the last century that such tales were deemed fit only for small children, stripped of much of their original complexity, sensuality, and power to frighten and delight. ~ Terri Windling

Terri and her mother arrived. She was obviously a dedicated stage mother because she was loaded down with camera equipment, looking like a Japanese tourist. ~ Audrey Meadows

Courtship? Had I said courtship? What did I think, that this was Jane freakin' Eyre? ~ Terri Farley

She wanted to breathe him in, hold tight until they'd lost track of where one ended and the other began. ~ Terri Osburn

Old age is a strange country, and most of us enter it unwillingly. ~ Terri E Apter

No, no, not at all. I'm a professional. If I can't take criticism, how will I ever grow? ~ Terri Blackstock

We could have done a better job explaining what was in the Affordable Care Act, but when you talk to people and you don't label it, people get really excited about what's in it. It is going to make a big difference for people. ~ Terri Sewell

Listen twice as much as you talk, since you were born with two ears and one mouth. ~ Terri Farley

I believe that first love is a thorny issue, filled with anticipation and hopes and expectations that are usually dashed by realities of life. It is most difficult to accept the end of the first love someone bears for another. And when that first love is not returned, it is the most difficult to forget ~ Terri Brisbin

I was doing it again, and I do NOT ogle strangers. ~ Terri Farley

Adolescence is society's permission slip for combining physical maturity with psychological irresponsibility. ~ Terri Apter

Please, don't fuck the housekeeper. I like her and if you do something that makes her quit, I will break your favorite drum sticks. ~ Terri Anne Browning

That's a song about reaching deep inside yourself where you can completely be who you are. ~ Terri Clark

If', it's a little word, but casts an awfully big shadow. ~ Terri Ann Armstrong

Preoccupied with her self, the adolescent sees enormous changes, whereas the parent sees the child she knew all along. For the parent, new developments are superficial and evanescent. For the adolescent, they are thrilling and profound. ~ Terri E Apter

Since humans first huddled around campfires, stories have been told of wild horses with wind in their manes, fire in their eyes and freedom in their hearts. Those horses eluded capture, and scorned the comforts of civilization. Americans have insisted they want their wild horses to live that way, forever. ~ Terri Farley

The man would fight with a stump. ~ Terri Osburn

Are you going to tell Carlson you're defending Berta?" Art asked. ~ Terri Reid

Terri is the Queen of the Elements. Long live the Queen! ~ C.L. Exline

I think that something is fundamentally wrong if a person of his great wealth is only paying 13.9 percent effective tax rate and most of Americans are paying 28, 30 percent and they make far less. ~ Terri Sewell

With the news that he would soon be a daddy again, Steve seemed inspired to work even harder. Our zoo continued to get busier, and we had trouble coping with the large numbers. The biggest draw was the crocodiles. Crowds poured in for the croc shows, filling up all the grandstands. The place was packed.
Steve came up with a monumental plan. He was a big fan of the Colosseum-type arenas of the Roman gladiator days. He sketched out his idea for me on a piece of paper.
"Have a go at this, it's a coliseum," he declared, his eyes wide with excitement. He drew an oval, then a series of smaller ovals in back of it. "Then we have crocodile ponds where the crocs could live. Every day a different croc could come out for the show and swim through a canal system"--he sketched rapidly--"then come out in the main area."
"Canals," I said. "Could you get them to come in on cue?"
"Piece of cake!" he said. "And get this! We call it…the Crocoseum!"
His enthusiasm was contagious. Never mind that nothing like this had ever been done before. Steve was determined to take the excitement and hype of the ancient Roman gladiators and combine it with the need to show people just how awesome crocs really were.
But it was a huge project. There was nothing to compare it to, because nothing even remotely similar had ever been attempted anywhere in the world. I priced it out: The budget to build the arena would have to be somewhere north of eight million dollars, a huge expense. ~ Terri Irwin

When your hero dies, everything he stood for does not end. Everything he stood for must continue. ~ Terri Irwin

I was an avid reader of Surf Life magazine, and I was surprised to discover a write-up of our Tasmanian visit. It made me proud to read how impressed those guys were with Steve's surfing abilities. One incident that didn't make the article was when Steve came partway to shore while I watched him from the beach. All of a sudden he stripped off his wet suit. It was winter and quite cold.
"What are you doing?" I called out.
He stood in the icy water. "This is how dedicated I am to having a boy baby," he said, with a mischievous grin.
I said, "I think you're just supposed to keep them cool, not actually freeze them off."
He laughed. But I knew this was Steve's way of encouraging me to stick to the boy-baby diet. Did I mention that I could not eat chocolate? The sacrifices we make for love. ~ Terri Irwin

Take comfort in a light only darkness provides. ~ Terri Doty

Sexual activity, for women, has a history of vulnerability, in a way it simply does not have for men. The mother has to teach thishidden text to her daughter. The mother's warnings, her attempts to halt sexual development in her daughter, are not so much signs of disapproval or envy, but of fear. ~ Terri E Apter

Spooky Twisties:

All things Spooky, here begin
They lay and wait, in books within.
They sometimes pass, in open space.
Then leave and go, without a trace.
Some appear on the spot.
Some we know, others not.
Sometimes we are afraid to say,
"leave us now", or beg to stay.
At times they leave a sign beyond,
A gentle breeze, or note from song.
Be not afraid, to read story's close.
For in the dark, your spirit goes. ~ Terri Bertha

Really. It's plain for anyone to see that he cares for you. His eyes rarely leave you and he's terribly attentive. I'm positive he's in love with you, Terri. ~ Lynsay Sands

I have seen Tasmanian devils battle over a carcass. I have seen lionesses crowding a kill, dingoes on the trail of a feral piglet, and adult croc thrashing its prey to pieces. But never, in all the animal world, have I witnessed anything to match the casual cruelty of the human being. ~ Terri Irwin

This life is not about our comfort. We have an eternity for that. I really think this is about training and testing. We will have work to do in Heaven, work that is fulfilling and perfect for us. God needs to develop certain skill sets in us before that time. That may be what this life is about. ~ Terri Blackstock

Even on the road, we continued our efforts to conceive. Part of our boy-baby effort was the need to try right at the time of ovulation. I packed an ovulation kit with me everywhere. When the strip turned blue, it meant we had a twenty-four- to forty-eight-hour window to get busy.
At first I had Steve convinced that women ovulated twenty or thirty times a month. But I couldn't trick him forever. At some point he realized that that was impossible. ~ Terri Irwin

When you have incidences like the Trayvon Martin verdict, the erosion of certain fundamental rights like voting, it just reminds us that we're always one Supreme Court justice vote away from losing the progress that has been made. ~ Terri Sewell

The best words I ever heard about making your own reputation," Gram said, looking over her shoulder into the back seat, "is that you come into the world crying while everyone is smiling at the miracle of you, and you should live your life so when you leave it, you're smiling, but everyone else is crying because the miracle of you is gone. ~ Terri Farley

Olivia's heart pittered. A blank page. A pen in hand. Was there anything as exciting? The endless possibilities, the potential for beauty, even genius, waiting for that breath of life. ~ Terri-Lynne DeFino