Sandman Slim Novel Quotes

It's more like how some people can't help but bring out the not necessarily righteous parts of your personality. Like how you meet someone and instantly know they're a full-time professional victim, and no matter how hard you try, something takes over and you can't help needling them. ~ Richard Kadrey

You don't have to be afraid of me. Eugene likes you. Doc likes you. That means I like you. We're all family now. All the funny little people who live in the cracks of the world. ~ Richard Kadrey

My first book was an adult novel, 'Down Among the Gods,' published by Virago, and I've written poems as well, a slim volume of poetry. ~ Kate Thompson

If you ever need to confirm that a girl is worth coming back from Hell for, show her your monster arm and see what she says. ~ Richard Kadrey

He couldn't have known it, but among the original run of The History of Love, at least one copy was destined to change a life.

This particular book was one of the last of the two thousand to be printed, and sat for longer than the rest in a warehouse in the outskirts of Santiago, absorbing the humidity. From there it was finally sent to a bookstore in Buenos Aires. The careless owner hardly noticed it, and for some years it languished on the shelves, acquiring a pattern of mildew across the cover. It was a slim volume, and its position on the shelf wasn't exactly prime: crowded on the left by an overweight biography of a minor actress, and on the right by the once-bestselling novel of an author that everyone had since forgotten, it hardly left its spine visible to even the most rigorous browser. When the store changed owners it fell victim to a massive clearance, and was trucked off to another warehouse, foul, dingy, crawling with daddy longlegs, where it remained in the dark and damp before finally being sent to a small secondhand bookstore not far from the home of the writer Jorge Luis Borges.

The owner took her time unpacking the books she'd bought cheaply and in bulk from the warehouse. One morning, going through the boxes, she discovered the mildewed copy of The History of Love. She'd never heard of it, but the title caught her eye. She put it aside, and during a slow hour in the shop she read the opening chapter, called 'The Age of Silence.'
Nicole Krauss

The trick at every turn was to endure the test of living for as long as possible. The odds of survival were punishingly slim, for the world was naught by a school of calamity and an endless burning furnace of tribulation. But those who survived the world shaped it
even as the world, simultaneously, shaped them. ~ Elizabeth Gilbert

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know. ~ Don DeLillo

No wonder Sherlock Holmes did all that coke. Math is hard. ~ Richard Kadrey

I've just finished a series of Olivia Manning novels. She's best known for two trilogies: Balkan Trilogy and Levant Trilogy. The six novels are continuous and contain the same set of characters. They are based on Manning's experiences in Eastern Europe and Egypt during the Second World War. Each novel is a wonderful picture of the peculiar British expatriate culture and what was happening during the war. She's one of those brilliant women who write very well about domestic relationships. All the books are slim, and it's easy to gallop through them. ~ Sarah Waters

We the People . . . The People of the Long House. ~ P.J. Parker

Sometime early in life, I developed the notion - one which I have never relinquished - that writing a novel is the very finest thing a person can do. ~ Irvin D. Yalom

The real reason why so many artists now take to politics, 'commitment' and so on is that they are rushing into a discipline, any discipline at all, which will save them from the poison of the word 'artist' used by the enemy.
I remember very clearly the moments in which that novel was born. The pulse beat, violently; afterwards, when I knew I would write, I worked out what I would write. The 'subject' was almost immaterial. Yet now what interests me is precisely this - why did I not write an account of what had happened, instead of shaping a 'story' which had nothing to do with the material that fuelled it. Of course, the straight, simple, formless account would not have been a 'novel', and would not have got published, but I was genuinely not interested in 'being a writer' or even in making money. I am not talking now of that game writers play with themselves when writing, the psychological game - that written incident came from that real incident, that character was transposed from that one in life, this relationship was the psychological twin of that. I am simply asking myself: Why a story at all - not that it was a bad story, or untrue, or that it debased anything. Why not, simply, the truth? ~ Doris Lessing

Paragraphs like this, in their infuriating insignificance, contribute to the unfocused incoherence of the novel: a form in which I revel in the most (if unfocused incoherence might be considered a "form" - I think it can - or an anti-form, if you won't), for it asks nothing from the author except a consistent failure to pull things together in a satisfying manner, and forces the reader to strain hard to comprehend the author's non-existent intentions, and justify their own heroic effort to stagger toward the end of the novel, even if only to write a scathing online review of the novel. I hope that makes no sense. ~ M.J. Nicholls

I made a man out of you, you made a joke out of me. ~ Crystal Evans

I haven't written a novel or something that long, because I really am improvising all along and the story is growing new limbs to do what it needs to do. So there's very little planning. There's a little planning where I say, "Well, it looks like I'm going in this direction, ok, good." But there's very little forethought or intellectual justification: "Oh, look, I'm putting in a theme park because that represents dystopian America!" ~ George Saunders

Will my future faith be dominated by past demons? Will my unlimited possibilities give way to my limited territory?
Read more in
A Daughter's Worth Novel ~ Michelle Carithers

I felt there was a certain amount of violence in the graphic and that it could still be cheated on screen so you could still have a hard PG-13 and open up your audience. Anybody can read the graphic novel. If you're 14, you can go out and buy it, and I felt that if you're 14 you should be able to see this movie [The Loosers]. ~ Sylvain White

I think a good novel is a slow reveal--of the character and the plot. It's a process of discovery for the reader. ~ Mark Rubinstein

Many different substances, as distinct to the practiced eye as stone and wood, go to the making of a novel, and it is necessary to see them for what they are. ~ Percy Lubbock

My first job was to run a concessions cart. Later, I found a position at the Pacific Film Archive. Thus began a long series of jobs, each one slightly better than the last, that continued for a decade, until I sold my first novel, and still goes on, even now. ~ Mona Simpson

I began to write short pieces when I was living in a room too small to write a novel in. ~ Angela Cartwright

Considering my specialization in architecture, I'm not surprised that the first graphic novel to thoroughly engage, not to say captivate, me is Chip Kidd and Dave Taylor's 'Batman: Death by Design.' ~ Martin Filler

The most-asked question when someone describes a novel, movie or short story to a friend probably is, 'How does it end?' Endings carry tremendous weight with readers; if they don't like the ending, chances are they'll say they didn't like the work. Failed endings are also the most common problems editors have with submitted works. ~ Nancy Kress

Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools. ~ Daniel Alarcon

Another reason I think the novel will survive is that the reader has to work in a novel. In a film, you are presented with someone else's imagination exactly bodied out. The marvelous thing about a novel is that every reader will imagine even the very simplest sentence slightly differently. ~ John Fowles

I abhor crime novels in which the main character can behave however he or she pleases, or do things that normal people do not do, without those actions having social consequences. ~ Stieg Larsson

It has long been a tradition among novel writers that a book must end by everybody getting just what they wanted, or if the conventional happy ending was impossible, then it must be a tragedy in which one or both should die. In real life very few of us get what we want, our tragedies don't kill us, but we go on living them year after year, carrying them with us like a scar on an old wound. ~ Willa Cather

It's little strange, perhaps, to make this claim at such a late date, but Gatsby really is an outstanding novel. I never get tired of it, no matter how many times I read it. It's the kind of a novel that nourishes you as you read, and every time I do, I'm struck by something new, and experience a fresh reaction to it. I find it how such a young writer, only twenty-nine at the time could grasp
so insightfully, so equitably, and so warmly
the realities of life. How was that possible? The more I think about it, and the more I read the novel, the more mysterious it all is. ~ Haruki Murakami

You hear the best stories from ordinary people. That sense of immediacy is more real to me than a lot of writerly, literary-type crafted stories. I want that immediacy when I read a novel. ~ Chuck Palahniuk

Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties. ~ John Irving

The novel is about, for me, sustained and organized looking. I do think that people have a hunger for a sustained engagement, that concentration that the book can offer. ~ Dana Spiotta

The 1950s and 1960s: philosophy, psychology, myth

There was considerable critical interest in Woolf 's life and work in this period, fuelled by the publication of selected extracts from her diaries, in A Writer's Diary (1953), and in part by J. K. Johnstone's The Bloomsbury
Group (1954). The main critical impetus was to establish a sense of a unifying aesthetic mode in Woolf 's writing, and in her works as a whole, whether through philosophy, psychoanalysis, formal aesthetics, or mythopoeisis.
James Hafley identified a cosmic philosophy in his detailed analysis of her fiction, The Glass Roof: Virginia Woolf as Novelist (1954), and offered a complex account of her symbolism. Woolf featured in the influential The
English Novel: A Short Critical History (1954) by Walter Allen who, with antique chauvinism, describes the Woolfian 'moment' in terms of 'short, sharp female gasps of ecstasy, an impression intensified by Mrs Woolf 's use
of the semi-colon where the comma is ordinarily enough'. Psychological and Freudian interpretations were also emerging at this time, such as Joseph Blotner's 1956 study of mythic patterns in To the Lighthouse, an essay that draws on Freud, Jung and the myth of Persephone.4 And there were studies of Bergsonian writing that made much of Woolf, such as Shiv Kumar's Bergson and the Stream of Consciousness Novel (1962).
The most important work of this period was by the French critic Jean Guiguet. His Virginia Woolf and H ~ Jane Goldman

I think, we can only write very personal matters through our experience. When I named my first novel about my son A Personal Matter, I believe I knew the most important thing: there is not any personal matter; we must find the link between ourselves, our personal matter, and society. ~ Kenzaburo Oe

Still, my fascination with Buchanan did not abate, nor was I able, as the Seventies set in, to move the novel forward through the constant pastiche and basic fakery of any fiction not fed by the springs of memory
what Henry James calls (in a letter to Sarah Orne Jewett) the "fatal cheapness [and] mere escamotage" of the "'historic' novel. ~ John Updike

To read a novel is to wonder constantly, even at moments when we lose ourselves most deeply in the book: How much of this is fantasy, and how much is real? ~ Orhan Pamuk

My illusion, the idea of a soul mate, was so entrenched in my fantasy that the thought of letting him go, wrecked me. ~ M.R. Field

The word "avant-garde," for example, despite its note of impartiality, generally serves to dismiss-as though by a shrug of the shoulders-any work that risks giving a bad conscience to the literature of mass consumption. ~ Alain Robbe-Grillet

R is for Riverdale. Relatable. Right Stuff. Ravishing. ~ Mark Waid

Only one novel is a novel: that is a successful novel. ~ William Golding