Mark Waid Quotes

Whenever I think I've had an uphill battle, I remember Matt Murdock. Not just because he's blind, although even with his other senses hyper-enhanced, that is a climb. And not because he's become a world famous lawyer despite his impairment. But because being Daredevil has cost him everything more than once, more than twice and yet he still suits up any time there's trouble. Because he is a man without fear.

Spider-Man

You need your own strength in this life. Your own purpose. You can't simply live for others.

Super-heroes were created to represent the best in all of us. We should aspire to match their nobility, not their ability to shoot big chrome guns.

R is for Riverdale. Relatable. Right Stuff. Ravishing.

Gillen and McKelvie shared their upcoming The Wicked + The Divine with me, and its amazing. Please tell your retailer this week to order!

The Sons of the Serpent - they want you angry. At the world. They need us all to feel like victims. And it's an easy get, because times suck. Every day is a battle. We all feel like we're on the wrong end of the wrecking ball. We feel at the mercy of forces beyond our control, and that makes us scared. And that's rocket fuel for S.O.B.'s like the Serpents. They prey on us when we're frightened. They tell us our enemies are the immigrants down the street, or the food stamp family next door. They encourage us to turn our fear into rage, and we fall for it because it's 'empowering.' Except it's not. We don't become 'empowered.' We become weaponized.

We all want to live in a world where we can make a difference ... That's why Spider-Man fights the good fight. Or Captain Marvel. Or me. Or ... There are a lot of us. And we don't all wear masks these days. Iron Man went public. So did Captain America. Others. Probably because it's harder to keep secrets in an internet surveillance age. But I think some of it, too, is that the ethical paradox can wear you down. No one on the white-hat side has ever hidden his or her identity with less than noble intent: to make the fight about something bigger than us. To represent a greater justice, where the focus can be on right and wrong ... and not on whether the bad guys will exact reprisal on those close to us. And sometimes you have to lie ... because you can justify a lie if lives are riding on it. Even as you fight for, as the saying goes, truth and justice ... even if you're a lawyer who has sworn to live by the truth ... you willingly bear false witness.

New York City is a tinderbox. The Sons of the Serpent - a white supremacist group with a twisted history, deep pockets, and long reach - declared it a combat zone. As they have many times before, they're unashamedly ginning bigotry and hatred into violence and bloodshed. But this time, they've gotten smart about it. Instead of parading through the streets in hoods and robes ... they've gone undercover. Dozens upon dozens of them, hiding inside the New York justice system so they can control the law. Control the people. And as God is my witness, I will drive them out and strike them down ... no matter what the cost.

Crushing people is the truth's hobby.

We answer rage with wisdom. We answer fear with imagination. We answer war with hope. We are, each of us, important.

The most basic definition of a story is 'Somebody wants something and something's in his way,' and I'm more likely to be engaged if I at least think I know what those two 'somethings' are. They can be simple, they can be complex, but - particularly if you're a beginning writer - I'd rather you err on the side of revealing too much than too little.

The best comics editors have the smallest egos. The worst ones feel like they have to justify their salaries by making changes just so they can leave their fingerprints. Every creative medium has those guys, and they're all loathsome.

I'm a master of story. Almost a living fiction myself, so resilient am I! Spider-Man beats me down, I rise! Daredevil imprisons me, I escape! That's because stories have power! He who controls the narrative controls the audience, and you're all the audience, every one of you. As they say, the world's a stage ...

Right now, I've got the weight of several worlds on my shoulders. My best friend is living in a cancer ward, and there's nothing I can do for him. The Serpents have hired the Jester to spark race riots with faked news stories, and I don't know how to smoke him out. My enemies are hiding all around, watching everything I do, and I can't find them. For the first time in months I find myself in the familiar, paralyzing grip of overwhelming depression.

I know this is scary. You're hungry and cold and you want to give up! But you can't turn on each other! Not now! Show me how brave you can be by pulling together! Do it for each other! That's the trick! Because when you reach out--when you extend yourself for other people-- that's when you're without fear!

Under oath and with God and the media as my witness, I'm telling you that I am Daredevil. Always have been, always will be.

Why can't Spider-sense warn you when you're about to get dumped?

When most dullards hear the words 'the theater,' they envision a twelve-screen multiplex where disaster porn entertains the culturally witless for 90 minutes at a time. Pfaugh. The word 'theater' has grandeur. Power. Back to its ancient Grecian origins, it means 'the seeing place.' A stage upon which actors and actresses use fiction to show us truths.

If you genuinely believe that only the death of a loved one can motivate a human being to take up a cause ... then get your pathetic, cynical ass out of my way so I can do my job!

Not since Walter Gibson has anyone been better suited to The Shadow than Howard Chaykin

It's not often that I get to remember and use phrases like "on out my farm" or "powerful ugly" in modern scripts.

Each time I think I've made a connection with someone ... once they find out what I can do, whether it's hours or days later, everything changes. Invariably they freak. They get retroactively paranoid, wondering what else Clark Kent is hiding from them.

What makes a good editor is staying the hell out of the way as much as possible ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.

One of the greatest sins in any story is false suspense. The kind of 'suspense' that disintegrates the moment you give your reader one second to think about it. And it's an easy trap to fall into, so watch carefully for it. If your story hinges on the question, 'Will Superman be pushed so far in his battle against Lex Luthor that he'll have to kill him?', or if your big cliffhanger moment is, 'Wow, is Spider-Man really dead this time?', then I understand Food Lion is hiring.

Twenty-two pages is not a lot of space. Believe me. Having written a bazillion comics, I still find myself more often than nine pages into a script and realizing to my horror that I'm only about a quarter of the way through the story I wanted to tell, and the next thing you know, I'm making fresh coffee and tearing up the floorboards to rewrite.

In a 22-page comic, figuring an average of four to five panels a page and a couple of full-page shots, a writer has maybe a hundred panels at most to tell a story, so every panel he wastes conveying a.) something I already know, b.) something that's a cute gag but does nothing to reveal plot or character, or c.) something I don't need to know is a demonstration of lousy craft.