Keeper Of These Lost Cities Quotes

Team Foster-Keefe will always be cooler. ~ Shannon Messenger

When we reflect that her century was the brutalest, the wickedest, the rottenest in history since the darkest ages, we are lost in wonder at the miracle of such a product from such a soil. The contrast between her and her century is the contrast between day and night. She was truthful when lying was the common speech of men; she was honest when honesty was become a lost virtue; she was a keeper of promises when the keeping of a promise was expected of no one; she gave her great mind to great thoughts and great purposes when other great minds wasted themselves upon pretty fancies or upon poor ambitions; she was modest, and fine, and delicate when to be loud and coarse might be said to be universal; she was full of pity when a merciless cruelty was the rule; she was steadfast when stability was unknown, and honorable in an age which had forgotten what honor was; she was a rock of convictions in a time when men believed in nothing and scoffed at all things; she was unfailingly true to an age that was false to the core; she maintained her personal dignity unimpaired in an age of fawnings and servilities; she was of a dauntless courage when hope and courage had perished in the hearts of her nation; she was spotlessly pure in mind and body when society in the highest places was foul in both - she was all these things in an age when crime was the common business of lords and princes, and when the highest personages in Christendom were able to astonish even that infamous era and make ~ Mark Twain

All my life I have felt a great kinship with the madman and the criminal. Practically all my life I have dwelt in big cities; I am unhappy, uneasy, unless I am in a big city. My feeling for Nature is limited to water, mountain and desert. These three form a trine which is more imperative, for me, than any spiritual alimentation. But in the city I am aware of another element which is beyond all these in power of fascination: the labyrinth. To be lost in a strange city is the greatest joy I know; to become oriented is to lose everything. To me the city is crime personified, insanity personified. I feel at home. ~ Henry Miller

Can you second-guess this Shevraeth?" Branaric asked. "He seems to be driving us back into our hills--to what purpose? Why hasn't he taken over any of our villages? He knows where they lie--and he has the forces. If he does that, traps or no traps, arrows or no arrows, we're lost. We won't be able to retake them."
Khesot puffed again, watching smoke curl lazily toward the tent roof.
In my mind I saw, clearly, that straight-backed figure on the dapple-gray horse, his long black cloak slung back over the animal's haunches, his plumed helm of command on his head. With either phenomenal courage or outright arrogance he had ignored the possibility of our arrows, the crowned sun stitched on his tunic gleaming in the noonday light as he directed the day's battle.
"I do not know," Khesot said slowly. "But judging from our constant retreats of the last week, I confess freely, I do not believe him to be stupid."
I said, "I find it impossible to believe that a Court fop--really, Azmus reported gossip in Remalna claiming him to be the most brainless dandy of them all--could suddenly become so great a leader."
Khesot tapped his pipe again. "Hard to say. Certainly Galdran's famed army did poorly enough against us until he came. But maybe he has good captains, and unlike Debegri, he may listen to them. They cannot all be stupid," Khesot said. "They've been guarding the coast and keeping peace in the cities all these years. It could also be they learned from those fi ~ Sherwood Smith

Limitation of scope, however, could represent a profound advantage from an ecological point of view. The sun, the wind and the earth are experiential realities to which men have responded sensuously and reverently from time immemorial. Out of these primal elements man developed his sense of dependence on - and respect for - the natural environment, a dependence that kept his destructive activities in check. The Industrial Revolution and the urbanized world that followed obscured nature's role in human experience - hiding the sun with a pall of smoke, blocking the winds with massive buildings, desecrating the earth with sprawling cities. Man's dependence on the natural world became invisible; it became theoretical and intellectual in character, the subject matter of textbooks, monographs and lectures. True, this theoretical dependence supplied us with insights (partial ones at best) into the natural world, but its onesidedness robbed us of all sensuous dependence on and all visible contact and unity with nature. In losing these, we lost a part of ourselves as feeling beings. We became alienated from nature. Our technology and environment became totally inanimate, totally synthetic - a purely inorganic physical milieu that promoted the deanimization of man and his thought. ~ Murray Bookchin

A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre; a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again. If somewhere in the Hollywood-entertainment world someone has managed to break through with something that speaks to you, then it isn't all corruption. The movie doesn't have to be great; it can be stupid and empty and you can still have the joy of a good performance, or the joy in just a good line. An actor's scowl, a small subversive gesture, a dirty remark that someone tosses off with a mock-innocent face, and the world makes a little bit of sense. Sitting there alone or painfully alone because those with you do not react as you do, you know there must be others perhaps in this very theatre or in this city, surely in other theatres in other cities, now, in the past or future, who react as you do. And because movies are the most total and encompassing art form we have, these reactions can seem the most personal and, maybe the most important, imaginable. The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you've seen. You do meet them, of course, and you know each other at once because you talk less about good movies than about what you love in bad movies. ~ Pauline Kael

He regretted his surliness when she had refused. She was the only person he'd met in his adult life who had any understanding of his past, the only woman he wanted to remain connected to. He didn't want to leave it up to chance to find her again, didn't want to share her with another man. That last day in Volterra he had searched for a way to tell her these things. She had not accused him, as Franca had, of his own cowardice, of his inability to form attachments. But Hema's refusal to accuse him made him feel worse, and without her he was lost. ~ Jhumpa Lahiri

He stared at her again and then smiled a big, goofy smile. "I didn't really think of it like that." He looked lost in thought for a minute and finally, a mischievous grin formed on his face. "Wait here a minute."
He got up and left. He returned a few minutes later and handed her something. A piece of paper, folded too many times.
"What's this?" She took it from him, amused and smiling with curiosity.
He sat down next to her and shrugged. "I dunno, some guy asked me to give it to you."
She tentatively started unfolding, looking up at him with each bend of the paper. Just before the last fold, she could see the crude handwriting inside, as if it were written by a child. She lifted the sheet, opening it up fully and stared at it.
Danarya, will you go with me?
Please mark the box
Yes [ ] or No [ ]
Paul

"Oh my gosh!" she squealed with delight. She burst out laughing. "I haven't received one of these since fifth grade. ~ S. Jackson Rivera

To the Nightingale


On what secret night in England

Or by the incalculable constant Rhine,

Lost among all the nights of my nights,

Carried to my unknowing ear

Your voice, burdened with mythology,

Nightingale of Virgil, of the Persians?

Perhaps I never heard you, yet my life

I bound to your life, inseparably.

A wandering spirit is your symbol

In a book of enigmas. El Marino

Named you the siren of the woods

And you sing through Juliet's night

And in the intricate Latin pages

And from the pine-trees of that other,

Nightingale of Germany and Judea,

Heine, mocking, burning, mourning.

Keats heard you for all, everywhere.

There's not one of the bright names

The people of the earth have given you

That does not yearn to match your music,

Nightingale of shadows. The Muslim

Dreamed you drunk with ecstasy

His breast trans-pierced by the thorn

Of the sung rose that you redden

With your last blood. Assiduously

I plot these lines in twilight emptiness,

Nightingale of the shores and seas,

Who in exaltation, memory and fable

Burn with love and die melodiously. ~ Jorge Luis Borges

I can't tell you what to do, Ishmael. I've tried to understand what it's been like for you - having gone to war, having lost your arm, not having married or had children. I've tried to make sense of it all, believe me, I have - how it must feel to be you. But I must confess that, no matter how I try, I can't really understand you. There are other boys, after all, who went to war and came back home and pushed on with their lives. They found girls and married and had children and raised families despite whatever was behind them. But you - you went numb, Ishmael. And you've stayed numb all these years. ~ David Guterson

There were some children round him playing in the dust on the paths. They had long fair hair, and with very earnest faces and solemn attention were making little mountains of sand so as to stamp on them and squash them underfoot.
Pierre was going through one of those gloomy days when one looks into every corner of one's soul and shakes out every crease.
'Our occupations are like the work of those kids,' he thought. Then he wondered whether after all the wisest course in life was not to beget two or three of these little useless beings and watch them grow with complacent curiosity. And he was touched by the desire to marry. You aren't so lost when you're not alone any more. At any rate you can hear somebody moving near you in times of worry and uncertainty, and it is something anyway to be able to say words of love to a woman when you are feeling down.
He began thinking about women.
His knowledge of them was very limited, as all he had had in the Latin Quarter was affairs of a fortnight or so, dropped when the month's money ran out and picked up again or replaced the following month. Yet kind, gentle, consoling creatures must exist. Hadn't his own mother brought sweet reasonableness and charm to his father's home? How he would have loved to meet a woman, a real woman!
He leaped up, determined to go and pay a little visit to Mme Rosémilly.
But he quickly sat down again. No, he didn't like that one! ~ Guy De Maupassant

You will never find peace with these fascists
You'll never find friends such as we
So remember that valley of Jarama
And the people that'll set that valley free.
From this valley they say we are going
Do not hasten to bid us adieu
Even though we lost the battle at Jarama
We'll set this valley before we're through.
All this world is like this valley called Jarama
So green and so bright and so fair
No fascists can dwell in our valley
Nor breathe in our new freedoms air. ~ Woody Guthrie

While walking, for example, if we are talking or thinking at the same time, we get caught up in the conversation or thoughts we're having and get lost in the past or the future, our worries or our projects. People can easily spend their entire lives doing just that. What a tragic waste! Let us instead really live these moments that are given to us. In order to be able to live our life, we have to stop that radio inside, turn off our internal discourse.
How can we enjoy our steps if our attention is given over to all that mental chatter? It's important to become aware of what we feel, not just what we think. When we touch the ground with our foot, we should be able to feel our foot making contact with the ground. When we do this, we can feel a lot of joy in just being able to walk. When we walk, we can invest all our body and mind into our steps and be fully concentrated in each precious moment of life.
In focusing on that contact with the earth, we stop being dragged around by our thoughts and begin to experience our body and our environment in a wholly different way. Our body is a wonder! Its functioning is the result of millions of processes. We can fully appreciate this only if we stop our constant thinking and
have enough mindfulness and concentration to be in touch with the wonders of our body, the Earth, and the sky. ~ Thich Nhat Hanh

Why Dream?
Life is a difficult assignment. We are fragile creatures, expected to function at high rates of speed, and asked to accomplish great and small things each day. These daily activities take enormous amounts of energy. Most things are out of our control. We are surrounded by danger, frustration, grief, and insanity as well as love, hope, ecstasy, and wonder. Being fully human is an exercise in humility, suffering, grace, and great humor. Things and people all around us die, get broken, or are lost. There is no safety or guarantees.
The way to accomplish the assignment of truly living is to engage fully, richly, and deeply in the living of your dreams. We are made to dream and to live those dreams. ~ SARK

I wondered whether systems in the brain concerned with the perception (or projection) of meaning, significance, and intentionality, systems underlying a sense of wonder and mysteriousness, systems for appreciation of the beauty of art and science, had lost their balance in schizophrenia, producing a mental world overcharged with intense emotion and distortions of reality. These systems had lost their middle ground, it seemed, so that any attempt to titrate them, damp them down, could tip the person from a pathologically heightened state to one of great dullness, a sort of mental death. ~ Oliver Sacks

Minor segments of earlier history may have been rescued or 'retrieved' -- e.g. Greek 'democracy,' Aristotle, the Magna Carta, etc. -- but these remain subservient, if not instrumental, to the imperatives of the modern historical narrative and to the progress of 'Western civilization.' African and Asia, in most cases, continue to struggle in order to catch up, in the process not only forgoeing the privilege of drawing on their own traditions and historical experiences that shaped who they were and, partly, who they have become but also letting themselves be drawn into devastating wars, poverty, disease and the destruction of their natural environment. Modernity, whose hegemonic discourse is determined by the institutions and intellectuals of the powerful modern West, has not offered a fair shake to two-thirds of the world's population, who have lost their history and, with it, their organic ways of existence. ~ Wael B. Hallaq

Reading two pages apiece of seven books every night, eh? I was young. You bowed to yourself in the mirror, stepping forward to applause earnestly, striking face. Hurray for the Goddamned idiot! Hray! No-one saw: tell no-one. Books you were going to write with letters for titles. Have you read his F? O yes, but I prefer Q. Yes, but W is wonderful. O yes, W. Remember your epiphanies written on green oval leaves, deeply deep, copies to be sent if you died to all the great libraries of the world, including Alexandria? Someone was to read them there after a few thousand years, a mahamanvantara. Pico della Mirandola like. Ay, very like a whale. When one reads these strange pages of one long gone one feels that one is at one with one who once ...

The grainy sand had gone from under his feet. His boots trod again a damp crackling mast, razorshells, squeaking pebbles, that on the unnumbered pebbles beats, wood sieved by the shipworm, lost Armada. Unwholesome sandflats waited to suck his treading soles, breathing upward sewage breath, a pocket of seaweed smouldered in seafire under a midden of man's ashes. He coasted them, walking warily. A porterbottle stood up, stogged to its waist, in the cakey sand dough. A sentinel: isle of dreadful thirst. Broken hoops on the shore; at the land a maze of dark cunning nets; farther away chalkscrawled backdoors and on the higher beach a dryingline with two crucified shirts. Ringsend: wigwams of brown steersmen and master mariners. Human ~ James Joyce

Krisztina played the song. It was a lament made of eight notes, repeated. It was an empty melody. It sounded elemental too; it made Krisztina think of the snow falling beyond the window and across Budapest. She wondered if it was snowing in England. Alice's mother would be here again later, all the way from London. There was so much grief. They were mourning her little girl before she had gone. Without realising she heard these words making themselves part of the song. She played what she could, her head down, her face solemn and determined. She went back to the start, and felt the world falling away, the tears drying on her face. She heard the words coming, falling like the luminous snow. After a few minutes she looked across what seemed like a huge divide to Alice on the bed and faltered. In the house of the body, the lights were being extinguished, one by one. The floors were now bare, the walls unadorned, all sound hollow and lost; all that remained was the ghost of what was, the glimmer of the melody, the tune, the song of a life lived and lost in three minutes. ~ Simon Avery

These religious types were the fans that Jesus seems to have the most trouble with. Fans who will walk into a restaurant and bow their heads to pray before a meal just in case someone is watching. Fans who won't go to R-rated movies at the theater, but have a number of them saved on their DVR at home. Fans who may feed the hungry and help the needy, and then they make sure they work it into every conversation for the next two weeks. Fans who make sure people see them put in their offering at church, but they haven't considered reaching out to their neighbor who lost a job and can't pay the bills. Fans who like seeing other people fail because in their minds it makes them look better. Fans whose primary concern in raising their children is what other people think. Fans who are reading this and assuming I'm describing someone else. Fans who have worn the mask for so long they have fooled even themselves. ~ Kyle Idleman

The World Health Organization estimates that 536,000 women perished in pregnancy or childbirth in 2005, a toll that has barely budged in thirty years. Child mortality has plunged, longevity has increased, but childbirth remains almost as deadly as ever, with one maternal death every minute. Some 99 percent of these deaths occur in poor countries. ~ Nicholas D. Kristof And Sheryl WuDunn

It is when we think we can act like God, that all respect is lost, and I think this is the downfall of peace. We lie if we say we do not see color and culture and difference. We fool ourselves and cheat ourselves when we say that all of us are the same. We should not want to be the same as others and we should not want others to be the same as us. Rather, we ought to glory and shine in all of our differences, flaunting them fabulously for all to see! It is never a conformity that we need! We need not to conform! What we need is to burst out into all these beautiful colors! ~ C. JoyBell C.

The painter Kramskoy has a remarkable painting entitled The Contemplator: it depicts a forest in winter, and in the forest, standing all by himself on the road, in deepest solitude, a stray little peasant in a ragged caftan and bast shoes; he stands as if he were lost in thought, but he is not thinking, he is "contemplating" something. If you nudged him, he would give a start and look at you as if he had just woken up, but without understanding anything. It's true that he would come to himself at once, and yet, if he were asked what he had been thinking about while standing there, he would most likely not remember, but would most likely keep hidden away in himself the impression he had been under while contemplating. These impressions are dear to him, and he is most likely storing them up imperceptibly and even without realizing it--why and what for, he does not know either; perhaps suddenly, having stored up his impressions over many years, he will drop everything and wander off to Jerusalem to save his soul, or perhaps he will suddenly burn down his native village, or perhaps he will do both.

There are a good many "contemplatives" among our peasants. And Smerdyakov was probably one of them. And he was probably greedily hoarding up his impressions, hardly knowing why. ~ Fyodor Dostoyevsky

Mad – empty – crazy – lost – dying... I was all of these things and nothing as well, because even though I breathed and moved, I was not alive. ~ Melanie Cusick-Jones

This is very similar to the suggestion put forward by the Quirmian philosopher Ventre, who said, "Possibly the gods exist, and possibly they do not. So why not believe in them in any case? If it's all true you'll go to a lovely place when you die, and if it isn't then you've lost nothing, right?" When he died he woke up in a circle of gods holding nasty-looking sticks and one of them said, "We're going to show you what we think of Mr Clever Dick in these parts ... ~ Terry Pratchett

Unfortunately I am afraid, as always, of going on. For to go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I'll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time. ~ Samuel Beckett

A film, The Lost Continent, throws a clear light on the current myth of exoticism. It is a big documentary on 'the East', the pretext of which is some undefined ethnographic expedition, evidently false, incidentally, led by three or four Italians into the Malay archipelago. The film is euphoric, everything in it is easy, innocent. Our explorers are good fellows, who fill up their leisure time with child-like amusements: they play with their mascot, a little bear (a mascot is indispensable in all expeditions: no film about the polar region is without its tame seal, no documentary on the tropics is without its monkey), or they comically upset a dish of spaghetti on the deck. Which means that these good people, anthropologists though they are, don't bother much with historical or sociological problems. Penetrating the Orient never means more for them than a little trip in a boat, on an azure sea, in an essentially sunny country. And this same Orient which has today become the political centre of the world we see here all flattened, made smooth and gaudily coloured like an old-fashioned postcard.
The device which produces irresponsibility is clear: colouring the world is always a means of denying it (and perhaps one should at this point begin an inquiry into the use of colour in the cinema). Deprived of all substance, driven back into colour, disembodied through the very glamour of the 'images', the Orient is ready for the spiriting away which the film has in store for it. ~ Roland Barthes

'Lost' is driving toward an ending, and that ending is: Are these people getting off this island? What is the nature of this island? What is going to happen to them? What is their ultimate fate? What is their ultimate destiny? Those questions need to get answered. ~ Carlton Cuse

It was always easy, in open and lonely places, to be visited by Panic wilderness fear, but these are the urban fantods here, that come to get you when you are lost or isolate inside the way time is passing, when there is no more History, no time-travelling capsule to find your way back to, only the lateness and the absence that fill a great railway shed after the capital has been evacuated, and the goat-god's city cousins wait for you at the edges of the light, playing the tunes they've always played, but more audible now, because everything else has gone away or fallen silent. . . barn-swallow souls, fasioned of brown twilight, rise toward the white ceilings. . . the are unique to the Zone, they answer to the new Uncertainty. Ghosts used to be either the likeness of the dead or wraiths of the living. But here in the Zone categories have been blurred badly. The status of the name you miss, love, and search for now has grown ambiguous and remote, but this is even more than the bureaucracy of mass absence- some still live, some have died, but many, many have forgotten which they are. Their likenesses will not serve. Down here are only wrappings left in the light, in the dark: images of the Uncertainty. . ." 3:2 ~ Thomas Pynchon

I am. I think. I will.

My hands. . . My spirit . . . My sky . . . This earth of mine . . . .

What more must I say besides? These are the words. This is the answer.

I stand here on the summit of the mountain I lift my head and I spread m arms. This, my body and spirit, this is the end of the quest. I wished to know the meaning of things. I am the meaning. I wished to find a warrant for being. I need no warrant for being, and no word of sanction upon my being. I am the warrant and the sanction.

It is my eyes which see, and the sight of my eyes grants beauty to the earth. It is my ears which hear, and the hearing of my ears gives its song to the world. It is my mind which thinks, and the judgment of my mind is the only searchlight that can find the truth. It is my will which chooses, and the choice of my will is the only edict I must respect.

. . .

Whatever road I take, the guiding star is within me; the guiding star and the loadstone which point the way. They point in but one direction. They point to me.

I know not if this earth on which I stand is the core of the universe or if it is but a speck of dust lost in eternity. I know not and I care not. For I know what happiness is possible to me on earth. And my happiness needs no higher aim to vindicate it. My happiness is not a means to any end. It is the end. It is its own goal. It is its own purpose.

Neither am I the means to any end others ~ Ayn Rand

Out all of these zillions of letters, one of the first ones that came was, as it turned out from Johnny Carson within the last five or six weeks of his life. I had worked with him. He lost a son who had worked for me. ~ Dick Ebersol

One day [the prince] lost sight of his retinue in a great forest. These forests are very useful in delivering princes from their courtiers, like a sieve that keeps back the bran. Then the princes get away to follow their fortunes. In this they have the advantage of the princesses, who are forced to marry before they have had a bit of fun. I wish our princesses got lost in a forest sometimes. ~ George MacDonald

The doors of the darkest room one had ever seen were opened
and everyone was asked to collect the pieces of themselves that they have lost with time all these years. Everyone rushed in and started searching for the pieces that would complete them but all of a sudden they saw the light in the room fading away, they turned around and saw the doors closing back again. They screamed and tried to run back but all of a sudden there were fences all around them, they lost their voice and helplessly stuck in there saw the doors closing. They lost themselves completely in the quest of searching the pieces they had lost before. ~ Akshay Vasu

Now I know why I have struggled with my drinking all these years 'cause I see your face every time I pick a glass. ~ Soroosh Shahrivar