Hiro Protagonist Quotes

Y.T. is bored. She gets on her plank. The wheels blossom and become circular.
She guides a tight wobbly course around the cars, coasts down into the street.
The spotlight follows her for a moment, maybe picking up some stock footage.
Videotape is cheap. You never know when something will be useful, so you might
as well videotape it.
People make their living that way -- people in the intel business. People like
Hiro Protagonist. They just know stuff, or they just go around and videotape
stuff. They put it in the Library. When people want to know the particular
things that they know or watch their videotapes, they pay them money and check
it out of the Library, or just buy it outright. This is a weird racket, but
Y.T. likes the idea of it. Usually, the CIC won't pay any attention to a
Kourier. But apparently Hiro has a deal with them. Maybe she can make a deal
with Hiro. Because Y.T. knows a lot of interesting little things.
One little thing she knows is that the Mafia owes her a favor. ~ Neal Stephenson

Never been here before. It's like something on the top floor of a luxury high-rise casino in Atlantic City, where they put semi-retarded adults from South Philly after they've blundered into the mega jackpot Hiro Protagonist - Snow Crash ~ Neal Stephenson

A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience. ~ David Mamet

The protagonist of folktale is always, and intensely, a young person moving through ordeals into adult life ... and this is why there are no wicked stepchildren in the tales. ~ Jill Paton Walsh

I think for some reason we're conditioned in movies that the protagonist must be heroic or redeemable in some way, whereas in theater, that's not a necessary. ~ Oscar Isaac

The agent sighed. „Mr. Little, do you know why horror novels usually revolve around the protagonist and his family?"
Ben didn't encourage him. It turned out the New Yorker didn't need it.
„Because horror is at its best when the stakes are intimate. There are no higher stakes than the people you love. ~ David Jacob Knight

Wolf Boy is absolutely beguiling. Evan Kuhlman has boundless empathy for all his characters, and his wonderful protagonist Stephen is, in turn, boundlessly inventive ... This is an auspicious debut. ~ Valerie Sayers

Those who do not carry within them the soul of everything the world can show them, will do well to watch it: they will not recognize it, each thing being beautiful only according to the thought of him who gazes at it & reflects it in himself. Faith is essential in poetry as in religion, & faith has no need of seeing with corporeal eyes to contemplate that which it recognizes much better in itself.
Such ideas were many times, under multiple forms, always new, expressed by Villiers de L'Isle-Adam in his works. Without going as far as Berkley's pure negations, which nevertheless are but the extreme logic of subjective idealism, he admitted in his conception of life, on the same plan, the Interior & the Exterior, Spirit & Matter, with a very visible tendency to give the first term domination over the second. For him the idea of progress was never anything but a subject for jest, together with the nonsense of the humanitarian positivists who teach, reversed mythology, that terrestrial paradise, a superstition if we assign it the past, becomes the sole legitimate hope if we place it in the future.
On the contrary, he makes a protagonist (Edison doubtless) say in a short fragment of an old manuscript of l'Eve future: "We are in the ripe age of Humanity, that is all! Soon will come the senility & decrepitude of this strange polyp, & the evolution accomplished, his mortal return to the mysterious laboratory where all the Ghosts eternally work thei ~ Remy De Gourmont

A lot of narrative films leave you no space for anything else but eating popcorn. I want to go in the complete opposite direction. I have to evacuate all psychology, to be less a protagonist and more a presence. ~ Elia Suleiman

American and Vietnamese characters alike leap to life through the voice and eyes of a tenyearold girl-a protagonist so strong, loving, and vivid I longed to hand her a wedge of freshly cut papaya. ~ Mitali Perkins

The top surface of the computer is smooth except for a fisheye lens, a polished
glass dome with a purplish optical coating. Whenever Hiro is using the machine,
this lens emerges and clicks into place, its base flush with the surface of the
computer. The neighborhood loglo is curved and foreshortened on its surface.
Hiro finds it erotic. This is partly because he hasn't been properly laid in
several weeks. But there's more to it. Hiro's father, who was stationed in
Japan for many years, was obsessed with cameras. He kept bringing them back
from his stints in the Far East, encased in many protective layers, so that when
he took them out to show Hiro, it was like watching an exquisite striptease as
they emerged from all that black leather and nylon, zippers and straps. And
once the lens was finally exposed, pure geometric equation made real, so
powerful and vulnerable at once, Hiro could only think it was like nuzzling
through skirts and lingerie and outer labia and inner labia. . . . It made
him feel naked and weak and brave.
The lens can see half of the universe -- the half that is above the computer,
which includes most of Hiro. In this way, it can generally keep track of where
Hiro is and what direction he's looking in.
Down inside the computer are three lasers -- a red one, a green one, and a blue
one. They are powerful enough to make a bright light but not powerful enough to
burn ~ Neal Stephenson

Junk?" Lina repeated, incredulous. Oh, she wasn't about to let that pass. ~ Jaleigh Johnson

Is that your reason for fighting?! We're different!!! We fight for the sake of our injured friends!!! No matter if our opponents are humans, demons, or even gods!!! ~ Hiro Mashima

I mean: if you're going outside to look for your sister, I get it." Max goes silent. Maybe Mirjam's death is hitting him now, maybe his voice will choke - but he goes on. "But if you're going outside to help your mother . . ." He gestures helplessly at my injured arm. His fingers stop a centimeter away, hovering in midair. "Don't risk it. Don't risk you."
"She's my mother."
"The captain will never let her on if she doesn't even try. Not when there are so many people who haven't had thechance to try. People we can use on the ship. People who have been on that waiting list forever."
There are a dozen things I want to say. But she's mymother - as though that means as much as people pretend it does.
She is trying, just in a different way - as though I'm convincing myself.
I wasn't on that waiting list, either.
I might not be someone the ship can use, as much as I'm trying to be. ~ Corinne Duyvis

There are two great mythological themes that weave throughout human history: the heroic and shamanic journeys. In the former, the hero journeys out of the ordinary world into a realm of primal forces, finding and facing monsters and allies in a quest for healing.

In the latter, the protagonist enters another order of reality, a landscape of mystery and power to be pulled apart and put back together in a new and more powerful way.

These great stories remind us that the soul is not accessible merely through the rational mind. The thinking intellect is a small part of the larger self. The soul makes its appearance known in dream and deep imagery, in feeling states (dark or light) that transcend the usual boundaries of the self, and in the sacred time and space accessed in ritual and ceremony.

The entrance to this vibrant territory lies in another way of seeing, a creative and active quality of perception that engages our full capacity, across the threshold where mind, body, and emotions merge within a path of heart. ~ Sparrow Hart

Katniss isn't the kind of hero we're used to seeing in fiction. She reacts more than she acts, she doesn't want to be a leader, and by the end of Mockingjay, she hasn't come into her own or risen like a phoenix from the ashes for some triumphant moment that gives us a sense of satisfaction with how far our protagonist has come.
She's not a Buffy. She's not a Bella. She limps across the finish line when we're used to seeing heroes racing; she eases into a quiet, steady love instead of falling fast and hard. ~ Jennifer Lynn Barnes

She turned to Frizz. "So you understand the problem? You can't let Tally know about Radical Honesty. There's no telling what she'll do if she finds out you could ruin her plans."
Frizz's eyebrows rose. "So let me get this straight, Aya-chan. You want me, a person who can't lie, to lie about the fact that I can't lie?"
"We need another plan," Hiro said. ~ Scott Westerfeld

The powerless life raft, sloshing around the North Pacific, emits a vast, spreading plume of steam like that of an Iron Horse chugging full blast over the Continental Divide. Neither Hiro nor Eliot ever mentions, or even notices, the by-now-obvious fact that Fisheye is traveling with a small, self-contained nuclear power source ... As long as Fisheye refuses to notice this fact, it would be rude for them to bring it up. ~ Neal Stephenson

The important thing is, Hiro, that you have to understand the Mafia way. And the Mafia way is that we pursue larger goals under the guise of personal relationships. So, for example, when you were a pizza guy you didn't deliver pizzas fast because you made more money that way, or because it was some kind of a fucking policy. You did it because you were carrying out a personal covenant between Uncle Enzo and every customer. This is how we avoid the trap of self-perpetuating ideology. Ideology is a virus. So getting this chick back is more than just getting a chick back. It's the concrete manifestation of an abstract policy goal. And we like concrete - right, Vic? ~ Neal Stephenson

technology should never be allowed to outrun morality. ~ Lina J. Potter

We'll stop it, even if my body crumbles to bits I'll stop it with my soul! ~ Hiro Mashima

If you don't mourn a dead cat properly, you'll never get over it. ~ Hiro Arikawa

Your Writing Teacher ‏@WritingChief

If u don't get ur protagonist dirty, ur readers will get bored. Readers are wild, cliff-jumping, mud-wrestling savages. Become their leader. (anonymous on Twitter) ~ Writing Chief

'Five, Six, Seven, Nate!' opens on my 13-year-old protagonist packing up a duffel bag and bidding his Midwestern town goodbye, heading off to start rehearsals for his New York City debut in 'E.T.: The Musical.' ~ Tim Federle

Feng thought that her mother's education would give her confidence to speak up for what is right, but no amount of learning could unshackle her from society's attitude towards women, and she chose to remain an apathetic bystander. ~ Shirley Fung

If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on. ~ Craig Johnson

I always think once you have the lead protagonist, you cast around that character. ~ Nicolas Winding Refn

Lost Wax"

My love gives me some wax,
so for once instead of words
I work at something real;
I knead until I see emerge
a person, a protagonist;
but I must overwork my wax,
it loses it's resiliency,
comes apart in crumbs.

I take another block;
this work, I think, will be a self;
I can feel it forming, brow
and brain; perhaps it will be me,
perhaps, if I can create myself,
I'll be able to amend myself;
my wax, though, freezes
this time, fissures, splits.

Words or wax, no end
to our self-shaping, our forlorn
awareness at the end of which
is only more awareness.
Was ever truth so malleable?
Arid, inadhesive bits of matter.
What might heal you? Love.
What might make you whole? Love. My love. ~ C. K. Williams

Since I hold no judgments against my characters, no matter how heinous they might seem, I present them as real people with their own moral centers. We might feel those moral centers are mis-calibrated, but they are there and are the rudders that propel them. This makes reading my work a visceral roller coaster, 'cause the reader must embark on the journey of the protagonist equipped only with his or her own moral center. ~ Chris Abani

Hiro and Chuck grab the closest thing they can find to a corner table. Hiro
buttonholes a waiter and surreptitiously orders a pitcher of Pub Special, mixed
half and half with nonalcoholic beer. This way, Chuck ought to remain awake a
little longer than he would otherwise.
It doesn't take much to make him open up. He's like one of these old guys from
a disgraced presidential administration, forced out by scandal, who devotes the
rest of his life to finding people who will listen to him. ~ Neal Stephenson

It may sound very strange, but I love the freedom that writing a novel gives me. It is an unhindered experience. If I come after a bad day, I can decide that my protagonist will die on page 100 of my novel in a 350-page story. ~ Ashwin Sanghi

My writing is a very authentic journey of discovery. I'm going out there to learn who I am. My readers, consequently, take the same journey as my protagonist. ~ Ted Dekker

There's a feeling, Evan's read about in books, when two separate souls collide that were never meant to be apart, but are. When nothing and everything matters and all the protagonist sees is the beauty of creation - love - right in front of his face. He always thought it was just fiction. He thought wrong ~ Angela Carlie

Your protagonist suffers from mental illness, but that fact is not central to the ~ Leslie J. Anderson

The protagonist, Amanda, discusses her sex relationship with her husband, John Paul
As long as it's done with honesty and grace, John Paul doesn't mind if I go to bed with other men. Or with other girls, as is sometimes my fancy. What has marriage got to do with it? Marriage is not a synonym for monogamy any more than monogamy is a synonym for ideal love. To live lightly on the earth, lovers and families must be more flexible and relaxed. The ritual of sex releases its magic inside or outside the marital bond. I approach that ritual with as much humility as possible and perform it whenever it seems appropriate. As for John Paul and me, a strange spurt of semen is not going to wash our love away. ~ Tom Robbins

It's not a light matter to me. I've fought for so long to hold on to what I believe in. People call me weird or disgusting...but this is who I am! This is how I feel most like myself! ~ Hiro Fujiwara

To devise situation where the protagonist is force to tell a lie, a useful figure for the writer is the Devil. Like the Devil, the author actively searches for flaws in a protagonist's character and seeks to exploit these flaws...As an author, your job is to find ways of exposing the lies of your protagonist. ~ David Mura

Via the power of the swamplands I cast a double-decker Gris-Gris on my pirogue, to give Ol' Alfonse a VERY, Very Nasty bellyache."
"Hey now Cricket," How-Ya-Do scolded, "you better watch-out playing around with them Voodoo spells."
"Says who," Cricket countered combatively.
"You know you ain't supposed to Conja no Gris-Gris. You be just "a little Cajun-girl," not a Voodoo Priestess, like Madame Teche" How-Ya-Do reminded her, "what are you gonna do if that Gris-Gris bounces off of a tree `n whammies somebody-else by mistake? ~ Darwun St. James

You could still be a hero!"
I didn't turn. I stood and watched the dewy grass flutter innocently in the early morning sun.
"I'd rather be a protagonist," I said. ~ Yahtzee Croshaw

Stories that are truly successful are the ones where the protagonist is the bad, dirty one. The human story is a fairly dark one with painful and dangerous impulses that we all have. And that's coupled with a fortress-like psychology that most people have, protecting them from the awareness of the fact that they are part of this human experience ~ Ryan Blacketter

If the Truth is already clear, what is the use of meditation?' " " 'And if the Truth is hidden?' " Toranaga said. " 'It's already clear,' " Hiro-matsu answered correctly. The quotation was from the ancient Tantric Buddhist teacher, Saraha. ~ James Clavell

You look like a protagonist. ~ Rainbow Rowell

Swords don't run out of ammo," Hiro shouts. ~ Neal Stephenson