Egocentric Meaning In English Quotes

Writers are entirely egocentric. To them, few things in their lives have meaning or importance unless they give promise of serving some creative purpose. ~ Doris Grumbach

I draw because words are too unpredictable.
I draw because words are too limited.
If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning.
But when you draw a picture everybody can understand it.
If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, That's a flower. ~ Sherman Alexie

I haven't re-read Kafka for forty years. I had a second read-through when first teaching English at the University of Warwick in the 1970s, but since then have not been tempted to return. The reason for this, I suspect, is that he is a young person's writer, not in the sense that only the young can appreciate him, but because on first exposure he is so comprehensively and unexpectedly formative that you may never feel the need to read him again. He becomes part of you, and your mind and spirit and view of the human condition are inhabited by his stories, his views, and especially his characters: by poor persecuted Josef K., by Gregor Samsa trapped in his rotting shell, by the hunger artist, yearning to find something, anything, that is actually good to eat, by poor K., who can't get into the castle to visit the Authorities. Kafkaesque: a world incomprehensible, alienating and threatening, absurd. We visit it with incomprehension and at our peril, lost at all points, disorientated, inoculated against faith, searchers for meaning in a book - and universe that either has none, or in which it lurks inaccessibly. Once you have read Kafka, you know this. ~ Rick Gekoski

This meaning-argument is of a very different kind from the arguments I have been speaking about so far. The premise entails the conclusion all right, but it is so astoundingly false that it defies criticism, at first, by the simple method of taking the reader's breath away. This was a method which the neo-Hegelian idealists later perfected: reasoning from a sudden and violent solecism. Say or imply, for example, that in English "value" means the same as "individuality." You can be miles down the track of your argument before they get their breath back.
This method is not only physiologically but ethologically sound. Of course it should never be used first. You need first to earn the respect of your readers, by some good reasoning, penetrating observations, or the like: then apply the violent solecism. Tell them, for example, that when we say of something that it is a prime number, we mean that it was born out of wedlock. You cannot go wrong this way. Decent philosophers will be so disconcerted by this, that they will never do the one thing they should do: simply say, "That is NOT what 'prime number' means!" Instead, they will always begin … [by] casting about for an excuse for someone's saying what you said, or a half-excuse, or a one-eighth excuse; nor is there any danger that they will search in vain. ~ David Stove

In English, the sounds and melodies I created were an inspiration to me, and words came to me as I explored the sounds, and from there I was able expand on the meaning. ~ Utada Hikaru

There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment. ~ Susanna Kearsley

It is a peculiarity of the English language that while most fish swim in schools, herring swim in shoals, a word of the same meaning derived from the same Anglo-Saxon root. ~ Mark Kurlansky

On the surface, ojalá translates to "hopefully" in English. But that's just on paper, merely the dictionary definition. The reality is that there are some words that defy translation; their meaning contains a whole host of things simmering beneath the surface. There's beauty contained in the word, more than the flippancy of an idle hope. It speaks to the tenor of life, the low points and the high, the sheer unpredictability of it all. And at the heart of it, the word takes everything and puts it into the hands of a higher power, acknowledging the limits of those here on earth, and the hope, the sheer hope, the kind you hitch your life to, that your deepest wish, your deepest yearning will eventually be yours. ~ Chanel Cleeton

As Harvard developmental psychologist Howard Gardner reminds us, The young child is totally egocentric - meaning not that he thinks selfishly only about himself, but to the contrary, that he is incapable of thinking about himself. The egocentric child is unable to differentiate himself from the rest of the world; he has not separated himself out from others or from objects. Thus he feels that others share his pain or his pleasure, that his mumblings will inevitably be understood, that his perspective is shared by all persons, that even animals and plants partake of his consciousness. In playing hide-and-seek he will "hide" in broad view of other persons, because his egocentrism prevents him from recognizing that others are aware of his location. The whole course of human development can be viewed as a continuing decline in egocentrism.2 ~ Ken Wilber

I told them this was their language, this English, this most marvellous and expressive cloak of meaning and imagination. This great, exclamatory, illuminating song, it belonged to anyone who found it in their mouths. There was no wrong way to say it, or write it, the language couldn't be compelled or herded, it couldn't be tonsured or pruned, pollarded or plaited, it was as hard as oaths and as subtle as rhyme. It couldn't be forced or bullied or policed by academics; it wasn't owned by those with flat accents; nobody had the right to tell them how to use it or what to say. There are no rules and nobody speaks incorrectly, because there is no correctly: no high court of syntax. And while everyone can speak with the language, nobody speaks for the language. Not grammars, not dictionaries. They just run along behind, picking up discarded usages. This English doesn't belong to examiners or teachers. All of you already own the greatest gift, the highest degree this country can bestow. It's on the tip of your tongue. ~ A.A. Gill

In a lending library you see people's real tastes, not their pretended ones, and one thing that strikes you is how completely the 'classical' English novelists have dropped out of favour. It is simply useless to put Dickens, Thackeray, Jane Austen, Trollope, etc. into the ordinary lending library; nobody takes them out. At the mere sight of a nineteenth-century novel people say, 'Oh, but that's OLD!' and shy away immediately. Yet it is always fairly easy to SELL Dickens, just as it is always easy to sell Shakespeare. Dickens is one of those authors whom people are 'always meaning to' read, ~ George Orwell

Taking the Bible seriously should mean taking politics seriously. The major voices in the Bible from beginning to end are passionate advocates of a different kind of world here on earth and here and now. Many American Christians are wary of doing this, for more than one reason. Some are so appalled by the politics of the Christian Right that they have rejected the notion that Christianity has anything to do with politics. Moreover, the word "politics" has negative associations in our time. Many think of narrowly partisan politics, as if politics is merely about party affiliation. Many also dismiss politics as petty bickering, as ego-driven struggles for power, even as basically corrupt. But there is a broader meaning of the word that is essential. This broader meaning is expressed by the linguistic root of the English word. It comes from the Greek word polis, which means "city." Politics is about the shape and shaping of "the city" and by extension of large-scale human communities: kingdoms, nations, empires, the world. In this sense, politics matters greatly: it is about the structures of a society. Who rules? In whose benefit? What is the economic system like? - fair, or skewed toward the wealthy and powerful? What are the laws and conventions of the society like? Hierarchical? Patriarchal? Racist? Xenophobic? Homophobic? For Christians, especially in a democratic society in which they are a majority, these questions matter. To abandon politics means leaving the structuring ~ Marcus J. Borg

The Hebrew word shalom is usually translated "peace," but our English word peace fails to capture its full meaning. Shalom refers not simply to an absence of fighting or conflict, or to a peace marked by rest and quiet. Shalom is not the peace one finds in a graveyard. Instead, it refers to a peace that grows out of harmony and right relationships. When men and women are in a right, God-intended relationship with him, each other, and the natural world, there will be order and harmony-even while there is a pulsating energy and dynamism. ~ Steve Monsma

I love to read, but all through school I hated it when books were pulled apart and analyzed. Winnie-the-pooh as a political allegory, that sort of thing. It never really worked for me. There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her that when he wrote that poem, only God and Robert Browning knew what it meant and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment."

'The Winter Sea ~ Susanna Kearsley

Command of English, spoken or written, ranks at the top in business. Our main product is words, so a knowledge of their meaning and spelling and pronunciation is imperative. If a man knows the language well, he can find out about all else. ~ William Feather

As graduation loomed, I had a nagging sense that there was still far too much unresolved for me, that I wasn't done studying. I applied for a master's in English literature at Stanford and was accepted into the program. I had come to see language as an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion. A word meant something only between people, and life's meaning, its virtue, had something to do with the depth of the relationships we form. It was the relational aspect of humans - i.e., "human relationality" - that undergirded meaning. Yet somehow, this process existed in brains and bodies, subject to their own physiologic imperatives, prone to breaking and failing. There must be a way, I thought, that the language of life as experienced - of passion, of hunger, of love - bore some relationship, however convoluted, to the language of neurons, digestive tracts, and heartbeats. At Stanford, I had the good ~ Paul Kalanithi

Creoles tend to express variations in time by having a string of helping verbs rather than by having complicated word formation rules. In other words, they are more like English in this respect than like a language such as Italian:
English: I thought she might have been sleeping.
Italian: Pensavo che dormisse.
The idea of potential (in the English "might"), completed or whole action (in the English "have"), and stretched-out activity (in the English "been") that go with "sleeping" are all expressed in the ending on the Italian verb dormisse. (Dorm is the root for "sleep"; isse is the ending that carries all the meaning about the time frame.) ~ Donna Jo Napoli

The word heaven means harmony. The word hell is from the old English hell, meaning to build a wall around, to separate; to be helled was to be shut off from. Now if there is such a thing as harmony there must be that something one can be in right relations with; for to be in right relations with anything is to be in harmony with it. Again, if there is such a thing as being helled, shut off, separated from, there must be that something from which one is held, shut off, or separated. ~ Ralph Waldo Trine

What is above all needed is to let the meaning choose the word, and not the other way around. In prose, the worst thing you can do with words is to surrender to them. ~ George Orwell

Old English poetry is characterised by a number of poetic tropes which enable a writer to describe things indirectly and which require a reader imaginatively to construct their meaning. The most widespread of these figurative descriptions are what are known as kennings. Kennings often occur in compounds: for example, hronrad (whale-road) or swanrad (swan- road) meaning 'the sea'; banhus (bone-house) meaning the 'human body'. Some kennings involve borrowing or inventing words; others appear to be chosen to meet the alliterative requirement of a poetic line, and as a result some kennings are difficult to decode, leading to disputes in critical interpretation. But kennings do allow more abstract concepts to be communicated by using more familiar words: for example, God is often described as moncynnes weard ('guardian of mankind'). ~ Ronald Carter

Words evolve, perhaps more rapidly and tellingly than do their users, and the change in meanings reflects a society often more accurately than do the works of many historians. In he years preceding the first collapse of NorAm, the change in the meaning of one word predicted the failure of that society more immediately and accurately than did all the analysts, social scientists, and historians. That critical word? 'Discrimination.' We know it now as a term meaning 'unfounded bias against a person, group, or culture on the basis of racial, gender, or ethnic background.' Prejudice, if you will.

The previous meaning of this word was: 'to draw a clear distinction between good and evil, to differentiate, to recognize as different.' Moreover, the connotations once associated with discrimination were favorable. A person of discrimination was one of taste and good judgment. With the change of the meaning into a negative term of bias, the English language was left without a single-word term for the act of choosing between alternatives wisely, and more importantly, left with a subterranean negative connotation for those who attempted to make such choices.

In hindsight, the change in meaning clearly reflected and foreshadowed the disaster to come. Individuals and institutions abhorred making real choices. At one point more than three-quarters of the youthful population entered institutions of higher learning. Credentials, often paper ones, replaced meaning judgment ~ L.E. Modesitt Jr.

In English the expression 'ancient Greece' includes the meaning of 'finished,' whereas for us Greece goes on living, for better or for worse; it is in life, has not expired yet. ~ Budd Schulberg

We plowed through Chaucer, and I learned to assist her using the Middle English dictionary. One year we spent the winter painstakingly noting each instance of symbolism within Pilgrim's Progress on separate recipe cards, and I was delighted to see our pile grow to be thicker than the book itself. She set her hair in curlers while listening to records of Carl Sandburg's poems over and over, and instructed me on how to hear the words differently each time. After discovering Susan Sontag, she explained to me that even meaning itself is a constructed concept, and I learned how to nod and pretend to understand. My ~ Hope Jahren

Oh my research. Well, I got an English Degree. And I got that degree in a certain time/at a certain place. If you add UC Berkeley + 1984 the other side of the = is "new historian" meaning that I studied with and was influenced by those who were interested in how the personal shaped the political (and literary), how science and literature might interact, and what the body got to do with it. ~ Laura Mullen

English has a single verb "to be," which occurs in a variety of contexts. The Guyanese have three verbs for the same set of functions. Or rather two verbs plus what we linguists call a "zero form," a verb that is "not phonologically realized" and looks to the layman like nothing at all:

I am hungry = me hongry.
The boy is laze = di bai lazy.

This is typically what happens when the predicate is an adjective. If it's a noun, you get yet another a:

I am captain = me a kyapn.

However, if the predicate is an expression indicating location, de must be used:

I am in Georgetown = me de a Jarjtong.

If there is no predicate (as in Descartes' "I think, therefore I am") then the meaning must be the same as "exist," and again de is used:

God is/exists - Gad de. ~ Derek Bickerton

To begin with, it has nothing to do with archaism, with the salvaging of obsolete words and turns of speech, or with the setting-up of a "standard English" which must never be departed from. On the contrary, it is especially concerned with the scrapping of every word or idiom which has outworn its usefulness. It has nothing to do with correct grammar and syntax, which are of no importance so long as one makes one's meaning clear, or with the avoidance of Americanisms, or with having what is called "good prose style." On the other hand it is not concerned with fake simplicity and the attempt to make written English colloquial. Nor does it even imply in every case preferring the Saxon word to the Latin one, though it does imply using the fewest and shortest words that will cover one's meaning. What is above all needed is to let the meaning choose the word, and not the other way about. In prose the worst thing one can do with words is to surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing, you probably hunt about till you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possi ~ George Orwell

Is God really real?"This is a perennial question for the philosophy of religion. Fortunately, the Pythons have answers to it. Perhaps too many answers. If we asked Arthur, King of the Britons, he would certainly testify that God exists, speaks English, and can't stand people groveling, averting their eyes, ceaselessly apologizing, and deeming themselves unworthy. Yet when we begin inquiring into Monty Python's The Meaning of Life, "there is some doubt" about whether God is really real, or, to put it more philosophically, there is doubt over whether God's existence can be established through a valid argument. There is a long philosophical tradition of constructing rational arguments for the existence and attributes of God, and an equally long skeptical tradition of deconstructing those same arguments. The Pythons have been exemplary participants in the latter tradition, either through parody, or by echoing in a funnier and more succinct way the skeptical arguments of such philosophical predecessors as Scottish philosopher David Hume (1711-1776). ~ George A. Reisch

It is being said of a certain poet that though he tortures the English language, he has never yet succeeded in forcing it to reveal his meaning. ~ J.B. Morton

Fear
My dictionary informs me that the word "fear" comes from the Old English word faer, which is related to the word faerie and means to cast enchantments. Faerie, or fairy, has roots in the word fae or fay, meaning of the Fates, or fate, which in turn is linked to faith, derived from the Latin word meaning to trust ...
He appeared, when I fist sumoned him, tall and stooped, big, hooded, and draped in mists and swathes of gray, from pale to almost black. There was a line between him and me. He walked over the line and stood just behind my left shoulder. He's there now. He stoops and whispers in my ear, "Watch out!" "Don't trust what you're hearing," "Slow down the car down," "Trust the omens!" He is Fear. He warns me of probable danger, and I listen to him because he is always correct.
Fear is your ally! It is your instinct to survive. Worry is a useless thing, it achieves nothing. Resolution is the key to success. ~ Ly De Angeles

Beowulf stands out as a poem which makes extensive use of this kind of figurative language. There are over one thousand compounds in the poem, totalling one-third of all the words in the text. Many of these compounds are kennings. The word 'to ken' is still used in many Scottish and Northern English dialects, meaning 'to know'. Such language is a way of knowing and of expressing meanings in striking and memorable ways; it has continuities with the kinds of poetic compounding found in nearly all later poetry but especially in the Modernist texts of Gerard Manley Hopkins and James Joyce. ~ Ronald Carter

If you actually look at the etymology of the word 'hallucination', what it's come to mean in English is a delusion. But what it really means in the original language is to wander in the mind. That's the meaning of 'hallucination', to wander in the mind. ~ Terence McKenna

Behind these practical studies lay powerful, intertwined, and potentially contradictory beliefs: that language provides a key to the rational, scientific understanding of the world and that language is more than human speech, that it claims a divine origin and is the means by which God created the cosmos and Adam named the beasts.

As we will see, both ideas strongly influenced the Inklings, whose leading members wrote many words about the meaning of words. For Owen Barfield, language is the fossil record of the history and evolution of human consciousness; for C. S. Lewis, it is a mundane tool that "exists to communicate whatever it can communicate" but also, as in That Hideous Strength, an essential part of our metaphysical makeup for good or ill; for Charles Williams, language is power, a field of force for the magician, a vehicle of prayer for the believing Christian; for Tolkien, language is a fallen human instrument and a precious divine gift ("O felix peccatum Babel!" he exclaimed in his essay "English and Welsh"), a supreme art, and, as "Word", a name for God. ~ Philip Zaleski

Our culture, self-toxified by the poisonous by-products of technology and egocentric ideology, is the unhappy inheritor of the dominator attitude that alteration of consciousness by the use of plants or substances is somehow wrong, onanistic, and perversely antisocial. I will argue that suppression of shamanic gnosis, with its reliance and insistence on ecstatic dissolution of the ego, has robbed us of life's meaning and made us enemies of the planet, of ourselves, and our grandchildren. We are killing the planet in order to keep intact the wrongheaded assumptions of the ego-dominator cultural style. ~ Terence McKenna

[L]iberals insist that children should be given the right to remain part of their particular community, but on condition that they are given a choice. But for, say, Amish children to really have a free choice of which way of life to choose, either their parents' life or that of the "English," they would have to be properly informed on all the options, educated in them, and the only way to do what would be to extract them from their embeddedness in the Amish community, in other words, to effectively render them "English." This also clearly demonstrates the limitations of the standard liberal attitude towards Muslim women wearing a veil: it is deemed acceptable if it is their free choice and not an option imposed on them by their husbands or family. However, the moment a woman wears a veil as the result of her free individual choice, the meaning of her act changes completely: it is no longer a sign of her direct substantial belongingness to the Muslim community, but an expression of her idiosyncratic individuality, of her spiritual quest and her protest against the vulgarity of the commodification of sexuality, or else a political gesture of protest against the West. A choice is always a meta-choice, a choice of the modality of choice itself: it is one thing to wear a veil because of one's immediate immersion in a tradition; it is quite another to refuse to wear a veil; and yet another to wear one not out of a sense of belonging, but as an ethico-political choice. This is why, ~ Slavoj Zizek

The standard modern measurement for inebriation is the Ose system. This has been considerably developed over the years, but the common medical consensus currently has jocose, verbose, morose, bellicose, lachrymose, comatose, adios.
This is a workable but incomplete system, as it fails to take in otiose (meaning impractical) which comes just after jocose. Nor does it have grandiose preceding bellicose. And how they managed to miss out globose (amorphous or formless) before comatose is beyond me. ~ Mark Forsyth

It was curious what trying to speak English had done lately to his mind; it reminded him of studying poetry in college, words gaining and losing their meaning, overlapping with images, the curious echo of ideas behind the words people used. ~ Jess Walter

Literature before the Renaissance had frequently offered ideal patterns for living which were dominated by the ethos of the church, but after the Reformation the search for individual expression and meaning took over. Institutions were questioned and re-evaluated, often while being praised at the same time. But where there had been conventional modes of expression, reflecting ideal modes of behaviour - religious, heroic, or social - Renaissance writing explored the geography of the human soul, redefining its relationship with authority, history, science, and the future. This involved experimentation with form and genre, and an enormous variety of linguistic and literary innovations in a short period of time.
Reason, rather than religion, was the driving force in this search for rules to govern human behaviour in the Renaissance world. The power and mystique of religion had been overthrown in one bold stroke: where the marvellous no longer holds sway, real life has to provide explanations. Man, and the use he makes of his powers, capabilities, and free will, is thus the subject matter of Renaissance literature, from the early sonnets modelled on Petrarch to the English epic which closes the period, Paradise Lost, published after the Restoration, when the Renaissance had long finished.

The Reformation gave cultural, philosophical, and ideological impetus to English Renaissance writing. The writers in the century following the Reformation had to explore and redef ~ Ronald Carter

The English word "coral" also comes from Greek, meaning "what becomes hard in the hand," "the maiden or nymph of the sea," or "the heart of the sea. ~ Eric H. Borneman

My goal is to act as a faithful interpreter, preserving as much of the original's nuances of meaning as possible without embellishment or omission. Yet a translator must also balance fidelity to the source, aptness of expression, and beauty of style. The best translations into English do not, in fact, read as if they were originally written in English. The English words are arranged in such a way that the reader sees a glimpse of another culture's patterns of thinking, hears an echo of another language's rhythms and cadences, and feels a tremor of another people's gestures and movements. ~ Ken Liu

How do you teach "work hard, be independent, learn the meaning of money" to children who look around themselves and realize that they never have to work hard, be independent, or learn the meaning of money? That's why so many cultures around the world have a proverb to describe the difficulty of raising children in an atmosphere of wealth. In English, the saying is "Shirtsleeves to shirtsleeves in three generations." The Italians say, "Dalle stelle alle stalle" ("from stars to stables"). In Spain it's "Quien no lo tiene, lo hance; y quien no lo tiene, lo deshance" ("he who doesn't have it, does it, and he who has it, misuses it"). Wealth contains the seeds of its own destruction. ~ Malcolm Gladwell

I remembered that once, as a child, I was filled with wonder, that I had marveled at tri-folded science projects, encyclopedias, and road atlases. I left much of that wonder somewhere back in Baltimore. Now I had the privilege of welcoming it back like a long-lost friend, though our reunion was laced with grief; I mourned over all the years that were lost. The mourning continues. Even today, from time to time, I find myself on beaches watching six-year-olds learn to surf, or at colleges listening to sophomores slip from English to Italian, or at cafés seeing young poets flip though "The Waste Land," or listening to the radio where economists explain economic things that I could've explored in my lost years, mourning, hoping that I and all my wonder, my long-lost friend, have not yet run out of time, though I know that we all run out of time, and some of us run out of it faster. ~ Ta-Nehisi Coates

You'll never make your mark as a writer unless you develop a respect for words and a curiosity about their shades of meaning that is almost obsessive. The English language is rich in strong and supple words. Take the time to root around and find the ones you want ~ William Zinsser