Mark Forsyth Quotes

And again I say unto you, It is easier for a camel to go through the eye of a needle, than for a rich man to enter into the kingdom of God.' Matthew 19:24. This verse has always rather worried rich men who tend to ask themselves how much a really damned big needle would cost.

Genius, as we tend to talk about it today, is some sort of mysterious and combustible substance that burns brightly and burns out. It's the strange gift of poets and pop stars that allows them to produce one wonderful work in their early twenties and then nothing. It is mysterious. It is there. It is gone.

A book would therefore have a twofold benefit. First, it would rid me of my demons and perhaps save some innocent conversationalist from my clutches. Second, unlike me, a book could be left snugly on the bedside table or beside the lavatory: opened at will and closed at will.

The beauty of merism is that it's absolutely unnecessary. It's words for words' sake: a gushing torrent of invention filled with noun and noun and signifying nothing. Why a rhetorical figure that gabs on and on for no good reason should be central to the rite of marriage is beyond me.

Stern people dislike rhetoric, and unfortunately it's usually stern people who are in charge: solemn fools who believe that truth is more important than beauty.

The palindromeis anold tradition: the first thing that man ever said was, probably, "Madam, I'm Adam." And it has caused terrible distress to even the greatest literary minds

It is time to buddle (scrub in water) all that is not illutile (unwash-awayable). Baudelaire said that humans were deluded if they thought they could wash away all their spots with vile tears, but Baudelaire was French and therefore knew nothing about hygiene or shower gel.

Schoolchildren are asked to write essays on what William Blake thought about the Tiger; despite the fact that William Blake was a nutjob whose opinions, in a civilized society, would be of no interest to anybody apart from his parole officer.

Above all, I hope I have dispelled the bleak and imbecilic idea that the aim of writing is to express yourself clearly in plain, simple English using as few words as possible. This is a fiction, a fib, a fallacy, a fantasy, and a falsehood. To write for mere utility is as foolish as to dress for mere utility ... Clothes and language can be things of beauty, I would no more write without art because I didn't need to than I would wander outdoors naked just because it was warm enough.

Gambling in medieval France was a simple business. All you needed were some friends, a pot, and a chicken. In fact, you didn't need friends - you could do this with your enemies - but the pot and the chicken were essential.

If you are to use Alexander Graham Bell's product, which is to say the blower, you should, in all courtesy, use it as he would have wished; and Dr Bell insisted that all phone calls should begin with the words 'Ahoy, ahoy'. Nobody knows why he insisted this – he had no connection to the navy – but insist he did and started every phone call that way. Nobody else did, and it was at the suggestion of his great rival Edison that people took to saying 'Hello'. This seems unfair.

They don't have to be sentences, they could be divided by commas, they could be divided by semi-colons; there's a class of people who get very worked up about such things - they're lonely people - they tend to have stains down the front of their shirts - they'll tell you that dashes should be used only to subordinate complete sentences. You must forgive them.

A dutiful son has to remember not to slouch or swear or, in Hamlet's case, murder the old bat.

Now some people will tell you that great writing cannot be learnt. Such people should be hit repeatedly on the nose until they promise not to talk nonsense any more.

Anything to do with persuasion is rhetoric, right down to the argumentum ad baculum, which means threatening somebody with a stick until they agree with you.

After all, fiction is only fact minus time.

That the West thinks that seven is lucky and the Chinese think eight is shows both that numerology is wrong and that it's popular across the world. Numbers feel mysterious and significant. So all you need to do to sound mysterious and significant is to pick a number, any number.

If you're too overcome to even finish your sentence then you must be sincere, you must really mean what you're not saying, you must ... I'm sorry. I cannot type. My fingers are crying.

So familiar are eggs to us, however, that in the eighteenth century they were referred to as cackling farts, on the basis that chickens cackled all the time and eggs came out of the back of them.

We all know that scientific words need an obscure classical origin to make them sound impressvie to those who wouldn't know an idiopathic craniofacial erythema if it hit them in the face.

Every dictionary contains a world. I open a book of thieves' slang from Queen Anne's reign and they have a hundred words for swords, for wenches, and for being hanged. They did no die, they danced on nothing. Then I peek into any one of my rural Victorian dictionaries, compiled by a lonely clergyman, with words for coppices, thickets, lanes, diseases of horses and innumerable terms for kinds of eel. They gave names to the things of their lives, and their lives are collected in these dictionaries – every detail and joke and belief. I have their worlds piled up on my desk.

So Shakespeare stole; but he did wonderful things with his plunder. He's like somebody who nicks your old socks and then darns them.

Yet hypotaxis (along with reason) has been declining for a century or more. Gone are those heady and incomprehensible sentences of Johnson, Dickens, and Austen, replaced with the cruel, brutalist parataxes of writers whose aim is to agitate and distress. The long sentence is now a ridiculed rarity, usually hidden away in the Terms and Conditions, its commas and colons, clauses and caveats languishing unread and unloved.

The standard modern measurement for inebriation is the Ose system. This has been considerably developed over the years, but the common medical consensus currently has jocose, verbose, morose, bellicose, lachrymose, comatose, adios.
This is a workable but incomplete system, as it fails to take in otiose (meaning impractical) which comes just after jocose. Nor does it have grandiose preceding bellicose. And how they managed to miss out globose (amorphous or formless) before comatose is beyond me.

The Latin word for sausage was botulus, from which English gets two words. One of them is the lovely botuliform, which means sausage-shaped and is a more useful word than you might think. The other word is botulism.
Sausages may taste lovely, but it's usually best not to ask what's actually in them. Curiosity may have killed the cat, but it was a sausage-maker who disposed of the body.

Wouldst like to con a glimmer with me this early black?', which he [Cab Calloway] helpfully explains as 'the proper way to ask a young lady to go to the movies'. It should be noted here, that if the object of your affections replies 'Kill me', they are not requesting to be euthanatised and you should not actually murder them. Kill me is merely the Cab Calloway way of saying 'Show me a good time' and is the best response you could have hoped for. Jive was rather confusing in this way.

Pot itself has nothing to do with pots and pans, but comes from the Mexican-Spanish word potiguaya, which means marijuana leaves. And marijuana is a Mexification of 'Mary Jane' for reasons that everybody is much too stoned to remember.

It's a fifty-fifty chance that your main aim is to be thelyphthoric, a word that comes from the Greek thely meaning "woman" and phthoric meaning "corrupting," thus the OED's simple definition: "that corrupts or ruins women.

For though one antithesis is grand, a long list of antitheses is divine and is technically known as a progressio. It was a favorite of God and Dickens

Funny chap, Jesus. First, it's a little strange to assert that a piece of bread is your body. If you or I tried that we wouldn't be believed. We certainly wouldn't be allowed to run a bakery. Yet, given that Jesus was the son of God (this point has occasionally been disputed by people who will burn for ever in God's loving torment), we'll just have to take him at his word.

That's how Dickens wanted to get his image across, the reader is simply bludgeoned into submission.

It is much harder than you might think to show people your bottom.

A poet is not somebody who has great thoughts. That is the menial duty of the philosopher. A poet is somebody who expresses his thoughts, however commonplace they may be, exquisitely. That is the one and only difference between the poet and everybody else.

The Oxford English Dictionary is the greatest work of reference ever written, and it's largely the result of a Scotsman who left school at fourteen, and a criminally insane American.

Grose's Dictionary of the Vulgar Tongue (1811) records that: The Welch are said to be so remarkably fond of cheese, that in cases of difficulty their midwives apply a piece of toasted cheese to the janua vita [gates of life] to attract and entice the young Taffy, who on smelling it makes most vigorous efforts to come forth.

Poetry is much more important than the truth, and, if you don't believe that, try using the two methods to get laid.

So popular is alliteration that in the 1960s it actually made a grab for political power. In the 1960s a vast radical youth movement began campaigning to do things for the sole reason that they began with the same letter. Ban the bomb. Burn your bra. Power to the people. For a moment there it seemed as though alliteration would change the world. But then the spirit of idealism faded and those who had manned the barricades went off and got jobs in marketing.

Shakespeare was not a genius. He was, without the distant shadow of doubt, the most wonderful writer who ever breathed. But not a genius. No angels handed him his lines, no fairies proofread for him. Instead, he learnt techniques, he learnt tricks, and he learnt them well.

Love is nothing because those who do something for the love of it do it for nothing.

You can spend all day trying to think of some universal truth to set down on paper, and some poets try that. Shakespeare knew that it's much easier to string together some words beginning with the same letter.

There's always a strange feeling you get when you come across one particular line by chance. It feels somehow significant. That's irrational of course, but humans are irrational creatures. Even the sturdiest, most down-to-earth chap will turn pale if he opens a book at random and sees the words PREPARE TO MEET THY DEATH.

Offices are peculiar places and nobody is ever quite sure what happens in them, least of all the people who work there. But the day tends to begin with a morning meeting, in which everybody decides what they will fail to do for the rest of the day.

It was after an incident such as this that my friends and family decided something must be done. They gathered for a confabulation and, having established that secure psychiatric care was beyond their means, they turned in despair to the publishing industry, which has a long history of picking up where social work leaves off.

A bar, as any good dictionary will tell you, is a rod of wood or iron that can be used to fasten a gate. From this came the idea of a bar as any let or hindrance that can stop you going where you want to; specifically the bar in a pub or tavern is the bar-rier behind which is stored all the lovely intoxicating liquors that only the bar-man is allowed to lay is hands on without forking out.

If Jupiter was in the ascendant when you were born, you are of a jovial disposition; and if you're not jovial but miserable and saturnine that's a disaster, because a disaster is a dis-astro, or misplaced planet. Disaster is Latin for ill-starred.
The fault, as Shakespeare put it, is not in our stars; but the language is.

Oscar Wilde said that "All crime is vulgar, just as all vulgarity is crime," and then got sent off to Reading Gaol to reconsider and write ballads.

The problem with the alphabet is that it bears no relation to anything at all, and when words are arranged alphabetically they are uselessly separated. In the OED, for example, aardvarks are 19 volumes away from the zoo, yachts are 18 volumes from the beach, and wine is 17 volumes from the nearest corkscrew.

Most people can improvise in unrhymed dactyls for hours. It's just that you lose all your friends if you do.

The importance of English word order is also the reason that the idea that you can't end a sentence with a preposition is utter hogwash. In fact, it would be utter hogwash anyway, and anyone who claims that you can't end a sentence with up, should be told to shut. It is, as Shakespeare put it, such stuff as dreams are made on, but it's one of those silly English beliefs that flesh is heir to.