Benalla Velvet Quotes

Parallels between classical and pop are not new. The whole San Francisco movement of John Cage and Terry Riley went hand in glove with what the Velvet Underground were doing. ~ Charles Hazlewood

One picture puzzle piece
Lyin' on the sidewalk,
One picture puzzle piece
Soakin' in the rain.
It might be a button of blue
On the coat of the woman
Who lived in a shoe.
It might be a magical bean,
Or a fold in the red
Velvet robe of a queen.
It might be the one little bite
Of the apple her stepmother
Gave to Snow White.
It might be the veil of a bride
Or a bottle with some evil genie inside.
It might be a small tuft of hair
On the big bouncy belly
Of Bobo the Bear.
It might be a bit of the cloak
Of the Witch of the West
As she melted to smoke.
It might be a shadowy trace
Of a tear that runs down an angel's face.
Nothing has more possibilities
Than one old wet picture puzzle piece. ~ Shel Silverstein

Several of them stamped in their stalls as Kestrel and Arin entered, and another tossed its head. But Kestrel had eyes for only one horse.
She went straight to his stall. He towered over her, but lowered his head to push against her shoulder, breathe gustily over her uplifted hands, and lip the ends of her hair. Kestrel's throat tightened.
She had been lonely. She thought that loneliness shouldn't hurt so much--not when there was everything else. But here was a friend. Running a hand down Javelin's velvet nose reminded her of how few she had.
Arin had been hanging back, but now he came near. "I'm sorry," he said, "but I need to ready him to ride. Daylight's fading. I have to leave."
"Of course you do," she said, and was horrified to hear the choked sound of her voice. She felt Arin looking at her. She felt the question in his gaze, the way he saw her near tears, and this hurt, too, more than the loneliness, because it made her know that her loneliness had been for him, that it had sent her wandering through the house, looking for yet another little lesson.
"I could stay," he said. "I could leave tomorrow."
"No. I want you to go now."
"Do you?"
"Yes."
"Ah, but what about what I want? ~ Marie Rutkoski

From the front row of the balcony, I look out over the Uptown Cinema. The red velvet seats are emptying, the credits scrolling up the screen. Ginger Rogers married a Nazi, but Cary Grant got her out of it. Their ship is sailing to America; sun burns away the fog and the wind blows free. Now they are gone and I am coming back to reality, breathing a harsher air. It is how I always feel when a movie ends. ~ Kermit Roosevelt III

IRELAND
Spenserian Sonnet
abab, bcbc, cdcd, ee

What is it about the Kelly velvet hillsides and the hoary avocado sea,
The vertical cliffs where the Gulf Stream commences its southern bend,
Slashing like a sculptor gone mad or a rancorous God who's angry,
Heaving galaxies of lichen shrouded stones for potato farmers to tend,
Where the Famine and the Troubles such haunting aspects lend,
Music and verse ring with such eloquence in their whimsical way,
Let all, who can hear, rejoice as singers' intonations mend,
Gaelic souls from Sligo and Trinity Green to Cork and Dingle Bay,
Where fiddle, bodhran, tin whistle, and even God, indulge to play,
Ould sod to Beckett, Wilde and Yeats, Heaney and James Joyce,
In this verdant, welcoming land, 'tis the poet who rules the day.
Where else can one hear a republic croon in so magnificent a voice?
Primal hearts of Celtic chieftains pulse, setting inspiration free,
In genial confines of chic caprice, we're stirred by synchronicity. ~ David B. Lentz

I pictured a sky. It was blue-black, soft and dense as fur. Across and over the expanse of night, into the velvet depths of it, light was scattered, enough for a thousand darknesses. Patterns revealed themselves; the eye, exquisitely dazzled, sought out snailshell whorls and shattered pearls, gods and beasts and planets. As we stood still, yet we rotated, and, whilst turning, moved in a larger circle, round and round the sun, and oh, the dizzying momentum of it ... ~ Gail Honeyman

In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat. ~ Angela Carter

Hermione," Harry said seriously, as he started to dig down into the red-velvet pouch again, "don't punish yourself when a bright idea doesn't work out. You've got to go through a lot of flawed ideas to find one that might work. And if you send your brain negative feedback by frowning when you think of a flawed idea, instead of realizing that idea-suggesting is good behavior by your brain to be encouraged, pretty soon you won't think of any ideas at all." Harry put down two heart-shaped chocolates beside the book. "Here, have another chocolate. Besides the one from earlier, I mean. This one is to reinforce your brain for generating a good candidate strategy. ~ Eliezer Yudkowsky

Valkyrie Cain got out of the passenger side. She zipped up
her black jacket against the cold, and joined Skulduggery as he
walked up to the front door. She glanced at him, and saw that he was smiling.
"Stop doing that," she sighed.
"Stop doing what?" Skulduggery responded in that gloriously velvet voice of his.
"Stop smiling. The person we want to talk to lives in the only dark house on a bright street. That's not a good sign."
"I didn't realise I was smiling," he said.
They stopped at the door, and Skulduggery made a concerted effort to shift his features. His mouth twitched
downwards. "Am I smiling now?"
"No."
"Excellent," he said, and the smile immediately sprang back up. ~ Derek Landy

The red velvet material was hard to work with, it pulled, and the style my mother had chosen was not easy either. She was not really a good sewer. She liked to make things; that is different. Whenever she could she tried to skip basting and pressing and she took no pride in the fine points of tailoring, the finishing of buttonholes and the overcasting of seams as, for instance, my aunt and my grandmother did. ~ Alice Munro

Tessa, Will, and Jem had raised James in love, and had surrounded him with love and the goodness it could produce. But they had given him no armor against the evil. They had wrapped his heart in silks and velvet, and then he had given it to Grace Blackthorn, and she had spun for it a cage of razor wire and broken glass, burned it to bits, and blown away the remains, another layer of ashes in this place of beautiful horrors. ~ Cassandra Clare

I decorated my house like a medieval gothic castle, European-style. Chandeliers and red velvet curtains. My bedroom is pink and black, my bathroom is totally Hello Kitty, I have a massive pink couch and a big antique gold cross. ~ Avril Lavigne

A poem is all that's left of my lost loneliness ...
It is like a window that looks into a swimming pool ...
Or an a empty gun indentation in velvet ...
And a baby gazelle given as a gift ... ~ Chelsey Minnis

Well, I guess that answers my question." The deep velvet voice startles me.
I jump, grab my pillow like I'm going to use it as a weapon.
Will stands in the doorway, sipping from a metallic travel mug. His gray T-shirt stretches across his shoulders and chest in a way that makes my throat close up.
"What question?" I ask, breathless.
"Whether you're as beautiful in the morning as you are during the rest of the day."
"Oh," I say dumbly, pushing the tangle of hair back off my shoulders, certain I don't look good right now, just rolling out of bed. Not that I take pains with my appearance on the average day, but still...who looks their best fresh out of bed? "You're here again," I murmur.
"Apparently."
"Can't stay away?"
"Apparently not."
I'm okay with that. Great, in fact.
"I made you breakfast," he adds.
"You can cook?" I'm impressed.
He grins. "I live in a bachelor household, remember? My mom died when I was a kid. I hardly remember her. I kind of had to learn to cook."
"Oh," I murmur, then sit up straighter. "Wait a minute. How'd you get in here?"
"Opened the front door." He takes another sip from his mug and looks at me like I'm in trouble. "Your mom really should lock the door when she leaves."
I arch a brow. "Would that have kept you out?"
He smiles a little. "You know me well. ~ Sophie Jordan

She reminded Juliet of the parrot the shopkeeper owned. Both the woman and bird belonged in cages, preferably the same cage, so the bird could poop on all that velvet and lace. ~ Jordan Elizabeth Mierek

The Poet Ridiculed by Hysterical Academics"

Is it, then, your opinion
Women are putty in your hands?
Is this the face to launch upon
A thousand one night stands?

First, please, would you be so kind
As to define your contribution
To modern verse, the Western mind
And human institutions?

Where, where is the long, flowing hair,
The velvet suit, the broad bow tie;
Where is the other-worldly air,
Where the abstracted eye?

Describe the influence on your verse
Of Oscar Mudwarp's mighty line,
The theories of Susan Schmersch
Or the spondee's decline.

You've labored to present us with
This mouse-sized volume; shall this equal
The epic glories of Joe Smith?
He's just brought out a sequel.

Where are the beard, the bongo drums,
Tattered T-shirt and grubby sandals,
As who, released from Iowa, comes
To tell of wondrous scandals?

Have you subversive, out of date,
Or controversial ideas?
And can you really pull your weight
Among such minds as these?

Ah, what avails the tenure race,
Ah, what the Ph.D.,
When all departments have a place
For nincompoops like thee? ~ W.D. Snodgrass

Off come her skirts and petticoats, her lace cuffs and collar, her shoes and whalebone stay, until she lies on her side in nothing but a cotton shift and endless strands of pearls. Dust hangs in a crack of light between red velvet drapes, like stars.

Her dreams are glimpses, bewildered--celestial charts, oceanic swells, massive, moving bodies of water, the heavens as heavenly liquid, familiar whirlpools, the universe as a ship lost at sea--but the ship she imagines arrived safely, years ago, loaded with their possessions. ~ Danielle Dutton

Kim lifted the lid. Inside, on a small pillow covered in white velvet, lay a gold sunburst the size of her thunbnail, hung on a delicate chain. It looked a little like the first spell she had ever cast, a small explosion of light re-created in metal, and she was not really surprised to find the card with the single word "Mairelon" scraled across it. ~ Patricia C. Wrede

There were about thirty of them, I think - all women; all seated at tables, bearing drinks and books and papers. You might have passed any one of them upon the street, and thought nothing; but the effect of their appearance all combined was rather queer. They were dressed, not strangely, but somehow distinctly. They wore skirts - but the kind of skirts a tailor might design if he were set, for a dare, to sew a bustle for a gent. Many seemed clad in walking-suits or riding-habits. Many wore pince-nez, or carried monocles on ribbons. There were one or two rather startling coiffures; and there were more neckties than I had ever seen brought together at any exclusively female ensemble. ~ Sarah Waters

Will you be there waiting for me every night, in our cottage?" he murmured.
She nodded, leaning against him.
McKenna's bristly black lashes lowered until they cast shadows on his cheeks. "And you'll scrub my back when I'm tired and dusty from the field?"
Aline pictured his large, powerful body lowering into a wooden tub... his pleasured sigh at the heat of the water... his bronzed back shining in the firelight. "Yes," she breathed. "And then you can soak while I hang the stew pot over the fire, and I'll tell you about the argument I had with the miller, who didn't give me enough flour because his scale was weighted."
McKenna laughed softly while his fingertip skimmed lightly along her throat. "The cheat," he murmured, his eyes sparkling. "I'll speak with him tomorrow- no one tries to fleece my wife and gets away with it. In the meantime, let's go to bed. I want to hold you all night long."
The thought of being tucked in a cozy bed with him, their naked bodies entwined, made Aline tremble with longing. "You'll probably fall asleep as soon as your head touches the pillow," she said. "Farming is hard work- you're exhausted."
"Never too tired to love you." His arms slid around her, and he hunched over to nuzzle the curve of her cheek. His lips were like hot velvet as he whispered against her skin. "I'm going to kiss you from your head to your toes. And I won't stop until you're crying for me, and then I'll pleasure you until you're weak from my lovin ~ Lisa Kleypas

The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout. ~ Sara Sheridan

The clothes I wear ... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me ... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.' ~ Stevie Nicks

After my bedroom, this was my favourite place in the world. It was carpeted, and had heavy bookcases and ticking clocks and velvet chairs, just like someone's living room. It smelled of unturned pages and unseen adventures, and on every shelf were people I had yet to meet, and places I had yet to visit. Each time, I lost myself in the corridors of books and the polished, wooden rooms, deciding which journey to go on next. Mrs ~ Joanna Cannon

You should have come and got me to deal with the assholes."

"Nash, I can't rely on you to take care of all the dickheads in my life."

"I'd be fuckin' happy to, babe."

I laughed. "Oh, I'm sure you would love to get those fists out and deal with them all that
way."

He grinned. "You know me too well, sweet thing."

"There's a lot I don't know about you, but I do know two things; you like to get your fists
and your cock out at every chance."

He'd just had some of his drink and he almost choked on it at my words. "Fuck, Velvet,
you've got a dirty mouth sometimes."

"And is that a problem for you, King of the Dirty? ~ Nina Levine

I was already well acquainted with the splendors of her mouth. Smoking is good for that. You get a full display of the puckering, and the sucking. The tongue often makes an appearance, licking from the lips any stickiness imparted by the filter. Sometimes bits of paper adhere to the bottom lip and the smoker, pulling them away, reveals the candied lower teeth against the pulpy gums. And if the smoker is a blower of smoke rings, you get to see all the way in to the dark velvet of the inner cheeks. ~ Jeffrey Eugenides

The streets of Prague were a fantasia scarcely touched by the twenty-first century - or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet. ~ Laini Taylor

And in the complicated, relished, introspective web of young lovers, or more exactly, young petters, they progress along the oldest channel in the world and the most deceptive, for they are certain it is unique to them. Even as they are calling themselves engaged, they are losing the details of their subtle involved pledging of a troth. They are moved and warmed by intimacies between them, by long husky conversations in the parlor, in inexpensive restaurants, by the murmurs, the holding of hands in the dark velvet caverns of movie houses. They forget most of the things that have advanced them into love, feel now only the effect of them. And of course their conversation alters, new themes are bruited. Shy sensitive girls may end up as poetesses or they may turn bitter and drink alone in bars, but nice shy sensitive Jewish girls usually marry and have children, gain two pounds a year, and worry more about refurbishing hats and trying a new casserole than about the meaning of life. After their engagement, Natalie talks over their prospects. ~ Norman Mailer

Miss Velvet."
"Lord, darlin'. You're the only man in this state who would tip his hat to a whore." She ushered the other women along and stopped beside Jake. "You haven't been back to see me, darlin'."
"No, ma'am."
"You won't be coming back to see me, will you?"
He shook his head. "No, ma'am. I won't."
She smiled, a warm, pretty smile. "It's just as well. A man like you, darlin', shouldn't have to pay a woman. You take care of yourself now, you hear?"
He returned her smile. "Yes, ma'am. I will."
She reached out, touching the raised comer of his mouth with the tip of her finger. "Lord, darlin', I don't know how any woman could walk away from that smile. ~ Lorraine Heath

These are really terribly rough times, and we really should try to be as nice to each other as possible. ~ Lou Reed

The casket was lined with lovely velvet, which must have felt lovely even to the dead, but the glowing man continued to rip up the casket. ~ Brad McKinniss

Velvet Shoes

Let us walk in the white snow
In a soundless space;
With footsteps quiet and slow,
At a tranquil pace,
Under veils of white lace.

I shall go shod in silk,
And you in wool,
White as a white cow's milk,
More beautiful
Than the breast of a gull.

We shall walk through the still town
In a windless peace;
We shall step upon white down,
Upon silver fleece,
Upon softer than these.

We shall walk in velvet shoes:
Wherever we go
Silence will fall like dews
On white silence below.
We shall walk in the snow. ~ Elinor Wylie

Rafe had sat back in his chair so his face was in the shadow, but she knew he
was watching her through half-closed eyes. When he leaned forward,
the fire from the candles flickered, throwing shadows on the planes
of his face. She could see his eyes clearly now, and their steady focus
was causing her insides to stir. There was romance in the still air; the
rhythm of dripping water from the fountain behind him, the velvet
sky studded with stars, the balmy perfumes of the night, all combined
to accompany the endless song that had begun in her heart again as
she watched him, enthralled. ~ Hannah Fielding