William Maxwell Quotes

What we refer to confidently as memory is really a form of storytelling that goes on continually in the mind and often changes with the telling.

To be up to the eyebrows in a great work of literature is such happiness.

Because I actively enjoy sleeping, dreams, the unexplainable dialogues that take place in my head as I am drifting off, all that, I tell myself that lying down to an afternoon nap that goes on and on through eternity is not something to be concerned about. What spoils this pleasant fancy is the recollection that when people are dead they don't read books. This I find unbearable.

Sometimes she goes out to work as a practical nurse, and comes home and sits by the kitchen table soaking her feet in a pan of hot water and Epsom salts. When she gets into bed and the springs creak under her weight, she groans with the pleasure of lying stretched out on an object that understands her so well.

My father represented authority, which meant - to me - that he could not also represent understanding.

What we, or at any rate what I, refer to confidently as memory
meaning a moment, a scene, a fact that has been subjected to a fixative and thereby rescued from oblivion
is really a form of storytelling that goes on continually in the mind and often changes with the telling. Too many conflicting emotional interests are involved for life ever to be wholly acceptable, and possibly it is the work of the storyteller to rearrange things so that they conform to this end. In any case, in talking about the past we lie with every breath we draw.

It is impossible to say why people put so little value on complete happiness.

The music of Beethoven's Fidelio always rises up in my mind when I think of that meeting in the forest, and my throat constricts with an emotion that is, I'm afraid, purely factitious--unless feelings are more a part of our physical inheritance than is commonly believed, in which case it is Mary Edie's joy, unquenchable, passed on, and then passed on again, generation after generation, along with the color of eyes and the shape of hands and characteristic habits of mind and temperament.

I have liked remembering almost as much as I have liked living.

If I had had to write only about imaginary people, I would have had to close up my typewriter. I wrote about my life in less and less disguise as I grew older, and finally with no disguise - except the disguise we create for ourselves, which is self-deception.

The reason life is so strange is that so often people have no choice,

The view after seventy is breathtaking. What is lacking is someone, anyone, of the older generation to whom you can turn when you want to satisfy your curiosity about some detail of the landscape of the past. There is no longer any older generation. You have become it, while your mind was mostly on other matters

With no sense of the passing of time, they held each other and lost themselves in the opening, unmasking tenderness that always comes after a satisfactory quarrel.

What distinguished the murder of Lloyd Wilson from all the others was a fact so shocking that the Lincoln Courier-Herald hesitated several days before printing it: The murderer had cut off the dead man's ear with a razor and carried it away with him. In that pre-Freudian era people did not ask themselves what the ear might be a substitution for, but merely shuddered.

The values and assumptions of that household I took in without knowing when or how it happened, and I have them to this day: The pleasure in sharing pleasure. The belief that is is only proper to help lame dogs to get over stiles and young men to put one foot on the bottom rung of the ladder. An impatient disregard for small sums of money. The belief that it is a sin against Nature to put sugar in one's tea. The preference for being home over being anywhere else. The belief that generous impulses should be acted on, whether you can afford to do this or not. The trust in premonitions and the knowledge of what is in wrapped packages. The willingness to go to any amount of trouble to make yourself comfortable. The tendency to take refuge in absolutes. The belief that you don't have to apologize for tears; that consoling words should never be withheld; that what somebody wants very much they should, if possible, have.

The nail doesn't choose the time or the circumstances in which it is drawn to the magnet

If you turn the imagination loose like a hunting dog, it will often return with the bird in its mouth.

My younger daughter told me recently that when she was a child she thought the typewriter was a toy that I went into my room and closed the door and played with.

Oh, and it's also Reaming Day, the day where the kids between the ages of twelve to eighteen are chosen to participate in the Hunger But Mainly DeathGames, which, as you might expect from the name, is a tournament in which kidsfight to the death, and occasionally experience hunger.

For most people, having company for more than three of four days is a serious mistake, the equivalent to sawing a large hole in the roof and leaving all the doors and windows open in the middle of winter. Out of a desire to be helpful or the need to be kind, they let themselves in for prolonged spells of entertaining, forfeit their privacy and their easy understanding, knowing that the result will be an estrangement―however temporary―between husband and wife, and that nothing proportionate to this is to be gained by the giving up of beds, the endless succession of heavy meals, the afternoon drives. Either the human race is incurably hospitable or else people forget from one time to the next, as women forget the pains of labor, how weeks and months are lost that can never be recovered.
The guest also loses―even the so-called easy guest who makes her own bed, helps with the dishes and doesn't require entertaining. She sees things no outsider should see, overhears whispered conversations about herself from two rooms away, finds old letters in books, and is sooner or later the cause of and witness to scenes that because of her presence do not clear the air. When she has left, she expects to go on being a part of the family she has stayed with so happily and for so long; she expects to be remembered; instead of which, her letters, full of intimate references and family jokes, go unanswered. She sends beautiful presents to the children at a time when she really cannot afford a

People often ask themselves the right questions. Where they fail is in answering the questions they ask themselves, and even there they do not fail by much ... But it takes time, it takes humility and a serious reason for searching.

Love, even of the most ardent and soul-destroying kind, is never caught by the lens of the camera.

...human thought is by no means as private as it seems, and all that you need to read somebody else's mind is the willingness to read your own.

Reading is rapture (or if it isn't, I put the book down meaning to go on with it later, and escape out the side door).

One can grieve over all the water that has ever flowed over the dam.

It was lovely when you found students who responded to things you were enthusiastic about.

Your reader is at least as bright as you are

Satin and lace and brown velvet and the faint odor of violets. That was all which was left to him of his love.

Whether they are part of a home or home is a part of them is not a question children are prepared to answer. Having taken away the dog, take away the kitchen–the smell of something good in the oven for dinner. Also the smell of washing day, of wool drying in the wooden rack. Of ashes. Of soup simmering on the stove. Take away the patient old horse waiting by the pasture fence. Take away the chores that kept him busy from the time he got home from school until they sat down to supper. Take away the early-morning mist, the sound of crows quarreling in the treetops.
His work clothes are still hanging on a nail beside the door of his room, but nobody puts them on or takes them off. Nobody sleeps in his bed. Or reads the broken-back copy of Tom Swift and His Flying Machine. Take that away too, while you are at it.
Take away the pitcher and bowl, both of them dry and dusty. Take away the cow barn where the cats, sitting all in a row, wait with their mouths wide open for somebody to squirt milk down their throats. Take away the horse barn too–the smell of hay and dust and horse piss and old sweat-stained leather, and the rain beating down on the plowed field beyond the door. Take all this away and what have you done to him? In the face of a deprivation so great, what is the use of asking him to go on being the boy he was. He might as well start life over again as some other boy instead.

There is no longer any older generation. You have become it, while your mind was mostly on other matters.' (from "The Man in the Moon")

Happiness is the light on the water. The water is cold and dark and deep.

But he was careful. He didn't make a simple remark without rehearsing it beforehand. And he continually removed the expression from his face lest it be the wrong one, and give him away. He also avoided any strong light, such as the lamp on the kitchen table. Sometimes a weakness overcame him, his legs were unstrung, and he had to find some place to sit down, but this was easy enough to disguise. It was his voice that gave him the most trouble. It sounded false to him and not like his voice at all.

A gentleman doesn't have one set of manners for the house of a poor man and another for the house of someone with an income incomparable to his own.

If the Lowland farmer spoke with an uncouth accent, dressed in rags, lived in a miserable hovel, and fed on the same grain he fed his animals, it was not because he was a savage but because the relentless marauding of the English left him with very little choice. As for why he didn't simply cut his throat, the answer is that he was a Presbyterian and did not expect much in the way of earthly happiness.

They had stopped shouting at each other and put their faith in legal counsel. With the result that how things could be made to look was what counted, not how they actually were.

There is nothing so difficult to arrive at as the nature and personality of one's parents. Death, about which so much mystery is made,is perhaps no mystery at all. But the history of one's parents has to be pieced together from fragments, their motives and characters guessed at, and the truth about them remains deeply buried, like a boulder that projects one small surface above the level of smooth lawn, and when you come to dig around it, it proves to be too large ever to move, though each year's frost forces it up a little higher.