Tinsel Korey Quotes

It's a juggling act. Every time I get going on the album stuff or being musical, acting kicks in and I book a job. It comes down to a money thing.

It's bluesy, rocky jazz. I call it soul music, but it's not James Brown soul music. It comes from my soul. It comes from a deeper place. Duffy has that similar old school soul sound to herself. If I opened for Duffy, that would make sense to me, in my head.

When you're actually feeling a character and you're going through the real emotions, and you're not fake acting, that energy stays with you and sometimes you can't get it off for days. It just resonates in your body, unless you have some sort of release, whatever it is.

Even though she's dealing with a scar, Emily just carries on with life. It's not a big deal. While we were shooting the scene, I tried it different ways. I tried it where I was hiding my face, and Chris [Weitz] was like, "Let's try it where she doesn't care," and that's who she is. She doesn't care what anybody else thinks.

Eventually, if your career goes higher and higher, that's just how it is, but it's a little frightening. When I was younger and I thought about being an actor, I thought of the old Hollywood style of glamour, and that was so beautiful and appealing to me. Now, if you want to be an actor, it's not the same.

There are certain aspects of me that can be bad-ass sometimes, but being able to push it to the extreme is something I'd love to play. You don't get those roles, as a female, and especially as an indigenous female. There aren't those roles out there, so I want that. I want women to see a strong, sexy female without showing her body too much.

A lot of people think that, as actors, we have an endless supply of money, and you don't. It comes in waves, and then you're riding a certain amount of money for awhile. When you're at that point where you're like, "Do I feed myself or do I do music?," it's a juggling act.

I knew everything about her backstory. I skimmed through all the books and read through everything that happened between Sam (Chaske Spencer), Emily and Leah (Julia Jones), so by the time we started filming, I knew everything that had to do with my storyline.

I just wanted to honor who Emily was. She's just a strong woman. Through my journey of playing her, I found a lot of strength, and I think that I've changed, as a female, in the way that I carry myself. To go through something traumatic, like getting your face scarred, it made me analyze vanity a lot. When you have a little pimple and you're like, "Oh, my god, there's an alien on my face!," you feel like it's magnified.

I don't have paparazzi following me. Because I'm a human character, it's different. The vampires get a lot of attention, and then the werewolves, and then the humans. It hasn't really changed that much for me.

With acting, I'm taking somebody else's work and interpreting it. Whereas with music, it's organic. It's completely myself. Nobody else is really involved with the beginning stages of it. Art is something that I haven't really put out to the public. There's a couple pictures on MySpace, but I haven't done a gallery opening or anything like that. Art is very personal to me. I haven't really shared it with too many people.

Because I have the scar, people are like, "Who did you play in the film?," and I tell them, "The girl with the scar," and then they're like, "Oh, yeah!" I think most people expect me to have the scar.

Kristen is really focused and really quiet, as an actress. She just does her thing, but she's cool. I like her. I know a lot of people have mixed comments about her, but I think she's a rad person. She's just focused on what she's doing, as an actress, and she wants to pick the right roles, and she's committed to her craft. She's really cool. We got along. There weren't any tensions or anything.

I met this girl who had a huge scar on her leg from a car accident. She was talking about how, after it first happened, she would always wear long pants and cover it up. But, as she started to grow into it, she decided that that's just her now. It's just a part of who she is. She wears skirts and she shows it off now.

I also went to the Makah Nation 'cause that's where Emily is originally from and spent time with them too. Seeing the whole spectrum of who she is as a being was cool. And, I miss it. It's beautiful. I miss the kids a lot. I miss everything about that whole entire adventure.

I've done choir since I was tiny, and I've always tried to get into plays. They all just meshed together. Now with my career, especially with music, people are like, "Which one do you pick?" I don't pick either. They're just different expressions of who I am.

I just read that one scene for Emily in New Moon, and it was pretty simple and straightforward. They liked that I did it really natural. They were like, "That was great!," even with what little I had. Sometimes just having those little scenes are a lot tougher than if you have five pages because you have to go from 0 to 100 in a snap.

There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.

Everybody is in your business, gossiping and being mean spirited. It's different. Sometimes I'm like, "Do I want to do this?," because it's not about the art anymore. It's a struggle. There's part of me that wants to share my gift, which is art, and if I don't, am I taking away something that the Creator gave me to share? At the same time, I don't want to be a part of feeding the dumbing down of society.

I also love doing comedy. I just moved to L.A. last July. Before that, Vancouver is all about sci-fi, so I didn't get any comedy, whatsoever. But in L.A., people are like, "You don't look quirky enough," and I'm like, "I'm quirky. I'm the definition of quirky. How do you want me to look quirky." They have these little boxes that they put everyone in, so now I have to try to break the mold and get them to see me as being quirky.

They're a handful, but Emily deals with that all the time and, as an actor, I deal with that all the time, so you just ignore it. When Julia [Jones] first came on set, she was like, "How do you deal with it?," and I told her, "You just tune it out after awhile." They were competing with each other, doing push-ups and just being ridiculous, so you just have to zone out.

I didn't want to be around anybody because it was just too much for my brain. But, as an actress, you hope you get those meaty roles that push you into the extremities of that psychology. I like doing independent films because there's more room for you to be creative, and the director allowed me to just go wherever I needed to go. It was emotional. I had to cry a lot.

I was in the car driving back, after having done a scene where I kill somebody, and I just said to the driver, "I can't talk right now. I'm too emotional." The whole car ride back, I was just crying.

Stained is about a lonely bookshop keeper, and her past comes back to haunt her. I play a femme fatale, schizophrenic serial killer. They offered me the part and I was like, "I'm just curious why you thought I would be perfect for this role," and the director (Karen Lam) said, "You have this look that, when you're smiling, you're really sweet, but when you're not smiling, you look like you could kill somebody."

He first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.

Also, my humor is really dry-witted, Canadian humor, so some people get it and some people don't. I'd be great on "The Office." I would like to be on that show. And, I could see me doing romantic comedy films, and stuff like that.

I've developed a way to separate myself from me being me, to me being the character. I can separate watching me, Tinsel Korey, from watching Emily

There's so much going on, with child abuse, not having the right relationships and being in abusive relationships, that play into her, and that energy was constantly in my body for a month. I was the lead character and it was very, very intense.

I was sitting on top of people and it was just really uncomfortable. There was no place to move. And, I don't like auditioning, anyways. With auditions, you can get so nervous, or other things get into your head and throw you off, and it doesn't really reflect what you can do, as an actor. The whole thing was just really nerve-wracking, but I ended up getting it.

Everyone was like, "You're life is going to change so much," but I don't think anybody recognizes me. Sometimes my friends will say, "Oh, that person recognized you," but I don't notice it. I don't even look at people when I walk because it weirds me out, if they're looking at me.

It was a realization for me when Oprah was talking about New Moon. I was like, "Oh, my god, she's watched a movie that I've been in!" People were like, "It just kicked in for you?," but it's just work for me. The idea that somebody that I've admired for so long had seen something that I'd done was when I understood the magnitude of it.