Kenneth Rexroth Quotes

Floating"

Our canoe idles in the idling current
Of the tree and vine and rush enclosed
Backwater of a torpid midwestern stream;
Revolves slowly, and lodges in the glutted
Waterlilies. We are tired of paddling.
All afternoon we have climbed the weak current,
Up dim meanders, through woods and pastures,
Past muddy fords where the strong smell of cattle
Lay thick across the water; singing the songs
Of perfect, habitual motion; ski songs,

Nightherding songs, songs of the capstan walk,
The levee, and the roll of the voyageurs.
Tired of motion, of the rhythms of motion,
Tired of the sweet play of our interwoven strength,
We lie in each other's arms and let the palps
Of waterlily leaf and petal hold back
All motion in the heat thickened, drowsing air.
Sing to me softly, Westron Wynde, Ah the Syghes,
Mon coeur se recommend à vous, Phoebi Claro;
Sing the wandering erotic melodies
Of men and women gone seven hundred years,
Softly, your mouth close to my cheek.
Let our thighs lie entangled on the cushions,
Let your breasts in their thin cover
Hang pendant against my naked arms and throat;
Let your odorous hair fall across our eyes;
Kiss me with those subtle, melodic lips.
As I undress you, your pupils are black, wet,
Immense, and your skin ivory and humid.
Move softly, move hardly at all, part your thighs,
Take me slowly w

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Lost in loneliness and pain. Black and unendurable, Thinking of you with every Corpuscle of my flesh, in Every instant of night And day.

Man thrives where angels die of ecstasy and pigs die of disgust.

The basic line in any good verse is cadenced ... building it around the natural breath structures of speech.

Man thrives where angels would die of ecstasy and where pigs would die of disgust.

There have always been those who, though they see tragedy as the outcome of freedom, will nevertheless judge that tragedy is not too high a price to pay.

The free, creative, loving people who shine so brightly in my memory of studios and coffee shops have become models for a huge section of the population. If they in turn can just stay alive in the face of power and terror, they may become the decisive section.

I write for one and only one purpose, to overcome the invincible ignorance of the traduced heart. [ ... ] I wish to speak to and for those who have had enough of the Social Lie, the Economics of Mass Murder, the Sexual Hoax, and the Domestication of Conspicuous Consumption.

Do not talk any more. Do not speak.
Do not break silence until
We are weary of each other.
Let our fingers run like steel
Carving the contours of our bodies' gold.
Do not speak. My face sinks
In the clotted summer of your hair.
The sound of the bees stops.
Stillness falls like a cloud.
Be still. Let your body fall away
Into the awe filled silence
Of the fulfilled summer -
Back, back, infinitely away -
Our lips weak, faint with stillness.

from "When We with Sappho

The dumping of the mentally ill, full of these new psychiatric drugs, into the streets is a scandal. It's been carried furthest in New York, where whole sections of the decayed Upper West Side are being filled with pensioners and psychotic patients on stelazine, lithium carbonate, and everything else under the sun. They can't diagnose the patient, so they give him the whole psychiatric pharmacopoeia at once, and he walks around in a psychotic trance beautifully painted all over with petrochemicals.

Crooked cards and straight whiskey,
Slow horses and fast women.

The modern sensibility attempts to drain the contents of experience; these Greek poets strive to state the fact so poignantly that it becomes an ever-flowing spring as Sappho says, More real than real, more gold than gold.

Harvey , Galileo , Copernicus do not seem occult to us, but they did so to their contemporaries, hierophants of the mysteries of Natural Law, revealers of the secrets of a New Order of the Ages. After all, the movement eventually came to be called the Age of Enlightenment.

Runaway"

There are sparkles of rain on the bright
Hair over your forehead;
Your eyes are wet and your lips
Wet and cold, your cheek rigid with cold.
Why have you stayed
Away so long, why have you only
Come to me late at night
After walking for hours in wind and rain?
Take off your dress and stockings;
Sit in the deep chair before the fire.
I will warm your feet in my hands;
I will warm your breasts and thighs with kisses.
I wish I could build a fire
In you that would never go out.
I wish I could be sure that deep in you
Was a magnet to draw you always home.

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Ex-cons always say, "You never know what makes the wheels go round until you've done time in the joint." This is even more true of psychiatric hospitals. It is a perfect mass hypostatization of society, the organization of the Social Lie.

With my own group I like to keep it loose. They have to counter rather than go with me. When they stop I like to be moving.

Men who live like Casanova are seldom interested in themselves; their egocentricity does not give them time for egotism.

Japanese poetry does what poetry does everywhere: it intensifies and exalts experience.

Love slays what we have been,
That we may be what we were not.

As Aristotle said, you have to be an aristocrat or a reactionary to write a good proletarian poem.

An entomologist is not a bug.

Victorian society was homogeneous without being homogenized. It was, to paraphrase the epigram about Parliament, a society of extreme eccentrics who agreed so well that they could afford to differ.

The holiness of the real
Is always there, accessible
In total immanence. The nodes
Of transcendence coagulate
In you, the experiencer,
And in the other, the lover.

It is a commonplace that Racine is untranslatable. This is not because his verse is difficult, but because it is not.

Poetry has ceased to be a public art and has become, as Whitehead said of religion, What man does with his aloneness.

We have forgotten love, and Sat lonely beside each other. We have eaten together, Lonely behind our plates, we Have hidden behind children, We have slept together in A lonely bed. Now my heart Turns toward you, awake at last, Penitent, lost in the last Loneliness. Speak to me. Talk To me. Break the black silence.

You don't become a saint until you lead a good life whether in Tibet or Italy or America.

I've been around jazz and jazz musicians most of my life.

Today we hear a great deal about Organizational Men, Mass Culture, Conformity, the Lonely Crowd, the Power Elite and its Conspiracy of Mediocrity. We forget that the very volume of this criticism is an indication that our society is still radically pluralistic. Not only are there plenty of exceptionalists who take exception to the stereotyping of the mass culture but that very string of epithets comes from a series of books that have been recent best-sellers, symptoms of a popular, living tradition of dissent from things as they are.

Mary, my little girl, was confirmed in a Buddhist temple. She saw the Life write up on Buddhism, with pictures of the ceremony, and she said she wanted to be confirmed there because she only liked Jesus as a kid. She was a little disappointed in him when he grew up.

It takes great labor to uncover the convincing simple speech of the heart. Poetic candor comes with hard labor, so even does impetuosity and impudence.

Love is the garment of knowledge.

You learn nothing if you carry with you a journalistic system of values, which is invented to save reporters from experience.

The moral issues with which Marcus struggles would be, as he points out, unchanged whether the universe were mechanical and devoid of meaning or value or ruled by deity or Providence; whether the will were in fact free or determined; whether there were or were not a future life, or any even fugitive rewards and punishments at all.

When the newspapers have got nothing else to talk about, they cut loose on the young. The young are always news. If they are up to something, that's news. If they aren't, that's news too.

Marriage is the last sacrament available to modern man, and with the terrible destruction of interpersonal relations by capitalism and its war-making State, it is not very available, nor is it surely enduring. But then, vision does not come with guarantees.

The mature man lives quietly, does good privately, takes responsibility for his actions, treats others with friendliness and courtesy, finds mischief boring and avoids it. Without the hidden conspiracy of goodwill, society would not endure an hour.

Erotic love is one of the highest forms of contemplation.

Toward an Organic Philosophy

SPRING, COAST RANGE
The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.
It is April; the shad, the hot headed fish,
Climbs the rivers; there is trillium in the damp canyons;
The foetid adder's tongue lolls by the waterfall.
There was a farm at this campsite once, it is almost gone now.
There were sheep here after the farm, and fire
Long ago burned the redwoods out of the gulch,
The Douglas fir off the ridge; today the soil
Is stony and incoherent, the small stones lie flat
And plate the surface like scales.
Twenty years ago the spreading gully
Toppled the big oak over onto the house.
Now there is nothing left but the foundations
Hidden in poison oak, and above on the ridge,
Six lonely, ominous fenceposts;
The redwood beams of the barn make a footbridge
Over the deep waterless creek bed;
The hills are covered with wild oats
Dry and white by midsummer.
I walk in the random survivals of the orchard.
In a patch of moonlight a mole
Shakes his tunnel like an angry vein;
Orion walks waist deep in the

Did you know I staged the first performance in America of At the Hawk's Well?

FALL, SIERRA NEVADA

This morning the hermit thrush was absent at breakfast,
His place was taken by a family of chickadees;
At noon a flock of humming birds passed south,
Whirling in the wind up over the saddle between
Ritter and Banner, following the migration lane
Of the Sierra crest southward to Guatemala.
All day cloud shadows have moved over the face of the mountain,
The shadow of a golden eagle weaving between them
Over the face of the glacier.
At sunset the half-moon rides on the bent back of the Scorpion,
The Great Bear kneels on the mountain.
Ten degrees below the moon
Venus sets in the haze arising from the Great Valley.
Jupiter, in opposition to the sun, rises in the alpenglow
Between the burnt peaks. The ventriloquial belling
Of an owl mingles with the bells of the waterfall.
Now there is distant thunder on the east wind.
The east face of the mountain above me
Is lit with far off lightnings and the sky
Above the pass blazes momentarily like an aurora.
It is storming in the White Mountains,
On the arid fourteen-thousand-foot peaks;
Rain is falling on the narrow gray ranges
And dark sedge meadows and white salt flats of Nevada.
Just before moonset a small dense cumulus cloud,
Gleaming like a grape cluster of metal,
Moves over the Sierra crest and grows down the westward slope.
Frost, the color and quality of

Art is the reasoned derangement of the senses.

A white crowned night sparrow sings as the moon sets. Thunder growls far off. Our campfire is a single light. Amongst a hundred peaks and waterfalls. The manifold voices of falling water Take all night. Wrapped in your down bag Starlight on you cheeks and eyelids Your breath comes and goes In a tiny cloud in the frosty night. Ten thousand birds sing in the sunrise. Ten thousand years revolve without change. All this will never be again.

There are sparkles of rain on the bright
Hair over your forehead;
Your eyes are wet and your lips
Wet and cold, your cheek rigid with cold.
Why have you stayed
Away so long, why have you only
Come to me late at night
After walking for hours in wind and rain?
Take off your dress and stockings;
Sit in the deep chair before the fire.
I will warm your feet in my hands;
I will warm your breasts and thighs with kisses.
I wish I could build a fire
In you that would never go out.
I wish I could be sure that deep in you
Was a magnet to draw you always home.

from "Runaway

Sottoportico San Zaccaria"

It rains on the roofs
As it rains in my poems
Under the thunder
We fit together like parts
Of a magic puzzle
Twelve winds beat the gulls from the sky
And tear the curtains
And lightning glisters
On your sweating breasts
Your face topples into dark
And the wind sounds like an army
Breaking through dry reeds
We spread our aching bodies in the window
And I can smell the odor of hay
In the female smell of Venice

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