Francesca Lia Block Famous Quotes
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Welcome Beauty, banish fear.
Everything was fine, but Weetzie wanted a baby. "How could you want one?" My Secret Agent Lover Man said. "There are way too many babies. And diseases. And nuclear accidents. And crazy psychos. We cant have a baby," he said.
I wrote poetry from the time I could write. That was the only way I could begin to express who I was but the poems didn't make sense to my teachers. They didn't rhyme. They were about the wind sounds, the planets' motions, never about who I was or how I felt. I didn't think I felt anything. I was this mind more than a body or a heart. My mind photographing the stars, hearing the wind.
Ugster vinyl pumps, Partridge Family records, plastic daisy jewelry, old postcards ... It's a magpie Christmas market.
Nightingale
Did I wound you, mutilate. Take away your voice. Did I cut something from you. Leave you locked in silence?
This is what you do: you sing. Every part of you. Your locks of hair sing, your eyes, your hands, your smile. If I listen closely I can even hear your blood.
Was I the one that took that away?
Go down to the water where we used to swim. Stand under the sky at dawn when the sky is streaked with blood. Open your mouth and shout our secret to the waves. The ocean will be your voice. You won't have to carry anything alone. Little Sister, my Spring, April. Little nightingale. Sant at the edge of the water. Your voice will come back to you. Maybe. If I am silent.
It's important to tell your story. It's important to listen.
We are all insane. But how do you distinguish sanity from insanity, how do you diagnose abnormality in this new world?
Besides, secretly, without knowing it herself, she had been waiting for a Beast to go to.
When you live in a city with no stars to wish on, you have to wish on each other.
No matter how bad things get, you can always see the beauty in them. The worse things get, the more you have to make yourself see the magic in order to survive.
If Los Angeles is a woman reclining billboard model and the San Fernando Valley is her teenybopper sister, then New York is their cousin. Her hair is dyed autumn red or aubergine or Egyptian henna, depending on her mood. Her skin is pale as frost and she wears beautiful Jil Sander suits and Prada pumps on which she walks faster than a speeding taxi (when it is caught in rush hour, that is). Her lips are some unlikely shade of copper or violet, courtesy of her local MAC drag queen makeup consultant. She is always carrying bags of clothes, bouquets of roses, take-out Chinese containers, or bagels. Museum tags fill her pockets and purses, along with perfume samples and invitations to art gallery openings. When she is walking to work, to ward off bums or psychos, her face resembles the Statue of Liberty, but at home in her candlelit, dove-colored apartment, the stony look fades away and she smiles like the sterling roses she has brought for herself to make up for the fact that she is single and her feet are sore.
You still cry too easily, but without your tears, at least, everything would burn. You are Spring in your jeans, in the laughing leaves. I think pearls melted over your bones.
I want him to see the flowers in my eyes and hear the songs in my hands.
She pushed the gardener away and called for them. In her sleep she had seen love. It was poisoning. It was possessing. Devouring. Or it was seven pairs of boots climbing up the stairs to find her.
One of the best things about sex with a Banshee, however, is that she will make her needs known freely.
Everyone whirled around her, entranced by the stories in which they recognized themselves, but in the stories they were also more than themselves and it always felt at the end fulfilled, not meaningless and empty like life can sometimes feel.
You said it wasn't fair. Over and over again you kept saying that. You said, There are so many kids that want to die. She's probably the one that wanted to live the most. I thought, no, I want to live as much as she did. But only if... and then I realized how much it sucked for me to think that. Think about myself like that, complain. I was here and I could go dancing and sweat all night and eat donuts and go roller-skating and take bubble baths and grow up. I had you. Right there with me. I had you living in my life and I was alive.
And then
with the curse, or, in this case, blessing, of the unpopular, the unathletic, the overweight, the strange
they vanished like shadows into the spring night.
People worry so much. Just enjoy your body. That you can love. And you're alive.
Weetzie and My Secret Agent Lover Man and Dirk and Duck and Cherokee and Witch Baby and Slinkster Dog and Go-Go Girl and the puppies Pee Wee, Wee Wee, Teenie Wee, Tiki Tee, and Tee Pee were driving down Hollywood Boulevard on their way to the Tick Tock Tea Room for turkey platters.
Non sum qualis eram. I am not what I once was.
Every girl is a goddess.
You are in my blood. I cant help it. We can't be anywhere except together
Here you go on this long long dream. Don't even try to wake up. Just let it go on until it is over. You will learn many things. Just relax and observe because there is pain and that's it mostly and you aren't going to be able to escape no matter what. Eventually it will all be over anyway. Good luck.
They were laughing and their hair was shining like leaves in moonlight, their limbs long as saplings. I thought, Girls are magical at this phase, girls are invincible, nothing can touch them. I didn't think 'us' because I didn't feel that; I felt other, on the outside, watching them.
Love is a dangerous angel.
Magic can be found in stolen moments.
No one noticed Witch Baby as she went back inside the cottage, into the room she and Cherokee shared.
Cherokee's side of the room was filled with feathers, crystals, butterfly wings, rocks, shells and dried flowers. there was a small tepee that Coyote had helped Cherokee make. The walls on Witch Baby's side of the room were covered with newspaper clippings - nuclear accidents, violence, poverty and disease. Every night, before she went to bed, Witch Baby cut out three articles or pictures with a pair of toenail scissors and taped them to the wall. they make Cherokee cry.
"Why do you want to have those up there?" Weetzie asked. "You'll both have nightmares.
Just like any woman, ... we weave our stories out of our bodies. Some of us through our children, or our art; some do it just by living. It's all the same.
I thought he had taken my soul, said Rev.
I thought he took mine, too. But no one can. It's just been sleeping.
All the things that girls feel they are not when they fear that if they become, if they are, they will no longer be loved by the sisters whose hearts they have not meant to break. And besides, if the sisters are gone and only the beloved remains with his dense curls and his lips, how safe are you then? You have to have him or you will die if the sisters are gone with their listening ears and their feet to rub and their bodies to dress and their shared loneliness.
She said, You cannot hide forever, though you may try. I've seen you in the kitchen, in the garden. I've seen the things you have sewn - curtains of dawn, twilight blankets and dresses for the sisters like a garden of stars. I have heard the stories you tell. You are the one who transforms, who creates. You can go out into the world and show others. They will feel less alone because of you, they will feel understood, unburdened by you, awakened by you, freed of guilt and shame and sorrow. But to share with them you must wear shoes you must go out you must not hide you must dance and it will be harder you must face jealousy and sometimes rage and desire and love which can hurt most of all because of what can then be taken away. So make that astral dress to fit your own body this time. And here are glass shoes made from your words, the stories you have told like a blower -with her torch forming the thinnest, most translucent sheets of light out of what was once sand. But be careful; sand is already broken but glass breaks. The shoes are for dancing, not for running away.
Find the goddess inside yourself instead of looking for the god in someone else.
When I went back to look for it again I could never find it. It was as if someone had put some kind of glamour, some kind of spell, on that ground, and I felt as if I was walking in circles around it again and again, never able to see what was in front of my eyes.
That was how I felt about what happened to me when I turned thirteen. I felt as if I was always circling around my own brain trying to understand.
It's scary to become a woman in this world. We have to understand that some of the messages we get, messages that we are not enough, are there to keep our power in check. We can't buy into these messages.
Under the twinkling trees was a table covered with Guatemalan fabric, roses in juice jars, wax rose candles from Tijuana and plates of food - Weetzie's Vegetable Love-Rice, My Secret Agent Lover Man's guacamole, Dirk's homemade pizza, Duck's fig and berry salad and Surfer Surprise Protein Punch, Brandy-Lynn's pink macaroni, Coyote's cornmeal cakes, Ping's mushu plum crepes and Valentine's Jamaican plantain pie. Witch Baby's stomach growled but she didn't leave her hiding place. Instead, she listened to the reggae, surf, soul and salsa, tugged at the snarl balls in her hair and snapped pictures of all the couples.
Writing is very cathartic for me. As a teacher, I hear many students say that writing can be painful and exhausting. It can be, but ultimately I believe that if you push through, the process is healing and exhilarating.
The lesson of this life is not for me to touch you again. It is to accept who I am now and not feel shame.
This was not a fearie tale. This was not the movies. This was life. It hurt more. It was excruciating. It was excruciatingly beautiful.
I close my eyes. I am the visionary, the one-eyed seer, the storyteller. I am Pen. I can fight with the power of images and words.
Under the ground seep the toxins of the population that lives above. If you have to, you will eat roots and earthworms. It is always night. Candles burn in lanterns made from tin cans. When it is nighttime up above, you can crawl out, but only for a little while. You feel ashamed of your matted hair, your torn clothes, the dirt on your face. Who would want to speak to you? They are all shiny and pretty. They have parents and house with gardens. What do you have? The earth. Whole handfuls of it. The lizard people with their slit eyes and scaly skin. Your loneliness. Your longing.
Spun sugar clouds and extraterrestrial crystal vintage T-birds flying through space, morning-glory girls swinging from star-hung vines in cosmic gardens.
You try to decide if you should take this as a message of endings. Or beginnings.
We no longer believe in fairy tales. But we will learn to believe in monsters
Ash swirls in the air and the landscape is gray rubble that falls away into the sea. They kept saying global warming wan't going to be the end of us, that it was just threats from the fanatics, that we didn't have to make changes. But every year there were more earthquakes and flood and hurricanes and fires- every element expressing its imbalance. Every year the temperatures soared and the ice melted and no one did anything. My pink house - no longer mine - stands on the edge of nowhere like a rose in a Salvador Dali surrealist desert landscape ...
You make me feel like I have wings when you touch me.
My mother says that pain is hidden in everyone you see. She says try to imagine it like big bunches of flowers that everyone is carrying around with them. Think of your pain like a big bunch of red roses, a beautiful thorn necklace. Everyone has one.
My mind is like the valley - this vast barren waste. Car lots. Malls. Tract homes. I know there are other worlds beyond it - of canyons full of coyote and monarch butterflies, squirrels, bunnies, purple and yellow wildflowers, of magical boulevards lined with palatial movie theaters and movie-star haunted mansions, of parks and palms and palisades, especially, especially of the ocean, where it all ends and everything begins. I know the rest is out there but from where I sit in my head it's like being on the bottom of a hot sunken pit - you can't see anything else around you no matter how hard you try.
You'll have to take me to some museums, he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country.
I wish I wasn't a girl who needed so much but a little free creature that slept in deserts and ran on clouds and lived on lilies.
She was no longer a slow dreamer watching the flowers grow. She was a warrior now. Warriors need something to fight for though, beside their lives, because otherwise their lives will not be worth it.
Stories are like genies ... They can carry us into and though our sorrows. Sometimes they burn, sometimes they dance, sometimes they weep, sometimes they sing. Like genies, everyone has one. Like genies, sometimes we forget that we do.
Our stories can set us free ... When we set them free.
I still can't talk about it," he said
"Duck." Dirk touched his cheek
"I remember, later, my mom trying to run into the water and I'm trying to hold her back and her hair and my tears are so bright that I'm blind. I knew she would have walked right into the ocean after him and kept going. In a way I wanted to go too.
Grandma Fifi had two friends named Martin and Merlin who were afraid in a way Dirk didn't want to be. They were both very handsome and kind and always brought candies and toys when they came over for tea and Fifi's famous pastries. But as much as Dirk liked Martin and Merlin he knew he was different from them. They talked in voices as pale and soft as the shirts they wore and they moved as gracefully as Fifi did. Their eyes were startled and sad. They had been hurt because of who they were. Dirk didn't want to be hurt that way. He wanted to be strong and to love someone who was strong; he wanted to meet any gaze, to laugh under the brightest sunlight and never hide.
It's scary to feel this much in such a dangerous world. Even if what you feel, overwhelmingly, like inhaling the precious, still-surviving existing earth, is not fear but love.
I am not a hero, I am not Odysseus, there are no gods or goddesses guiding me. All I have is myself. And Hex's sword.
She had changed him. The ice was in his eyes and in his heart, like he had predicted with that song, but now they were deep embedded there, all the pain of the world. Not pain to make you feel for somebody else but pain to make you stop feeling.
Everything is an illusion; that is the whole thing about it - illusion, immitation, a mirage. It makes me too sad. Its having like a good dream, you know you are going to wake up.
She wished she had a little yellow house of her own, with a flower box full of real flowers and herbs – pansies and rosemary – and a sweet lover who would swing dance with her in the evenings and cook pasta and read poetry aloud.
He said that black sheeps express everyone else's anger and pain. It's not that they have all the anger and pain-they're just the only ones who let it out. Then the other people don't have to.
Flowers are reincarnation. They come out of the earth of our ashes. Nothing else looks so soul-like.
Write with abandon and no constraints for first draft. Cut brutally and save in separate files on second draft. Add conflict; don't be afraid to make your characters suffer. Read what you love. Write what you love. Love.
Witch Baby wanted to ask Ping how to find her Jah-Love angel. She knew Raphael was not him, even though Raphael had the right eyes and smile and name. She knew how he looked
the angel in her dream
but she didn't know how to find him. Should she roller-skate through the streets in the evenings when the streetlights flicker on? Should she stow away to Jamaica on a cruise ship and search for him in the rain forests and along the beaches? Would he come to her? Was he waiting, dreaming of her in the same way she waited and dreamed?
Each of us has a family tree full of stories inside of us, Dirk thought. Each of us has a story blossoming out of us.
Wish on everything. Pink cars are good, especially old ones. And stars of course, first stars and shooting stars. Planes will do if they are the first light in the sky and look like stars. Wish in tunnels, holding your breath and lifting your feet off the ground. Birthday candles. Baby teeth.
If death is your lover, you don't got to be afraid ever that he will ever leave you
Pain can give you sight or make you blind.
Writing is literally transformative. When we read, we are changed. When we write, we are changed. It's neurological. To me, this is a kind of magic.
No matter where I am, I am always loving you.
Believe him when he tells you you are beautiful
it will only hurt you both not to
(it is true besides)
Tinys do not deserve safety. If they are to prove themselves, they must suffer and die or suffer and survive.
Whatever love meant there was some version of it that I felt for Winter. And it didn't matter if he felt that for me or not or if it was real love or just my sadness about my dad that had turned into longing. Love, that elusive leading lady, plays too many parts to be typecast.
What would it be like if i thought i was pretty
what would it be like if i carried that knowledge around
like i do the knowledge that i am a writer
pretty like peonies pretty like satin pretty like the child i was
would i speak to you differently
would i be healthier less stressed
less worried
would i buy more shoes or fewer
would i be more or less afraid
of death would i find something else
to hate about myself
would i get this jealous
when your eyes aren't touching me
in this city of movie star beauties
would i be able to write such raw and seductive words
would you have fallen in love with me sooner
would i have frightened you away
before you had the chance?
And then I cried a flood of tears as if I really were a mermaid who had absorbed too much sea into herself. The tears spilled like a balm, like a potion, like a charm. In them swam a little girl whose father was dying without ever having seen her. In them swam a girl whose mother's magic – the only thing the girl envied more than anything else in the world, the thing that had made her invisible, the most precious thing –might be dying too. In them swam a green-haired girl who had never been touched by the boy to whom she was so devoted that she would have lived with him forever in a shack by the sea or a ruined sand castle even if he never made love to her. My tears were for me, but they were also for him. They were to wash away the thing that had frightened him so much so long ago. The wound inside his thigh. My tears poured out of me and he drank them down his throat. He drank them in gulps deep into himself, swallowing sorrow.
Someday," he said, "when we are ready, I will give you back your tears.
My mother said, "kiss him, darling, it's easy so natural" and I thought to myself, not with lips of stone, dear mother, not with lips of stone
love is the only thing we have to save us
We try on different dresses, different selves, but our souls are always the same - ongoing, full of light.
What time are we upon and where do I belong?
It was always a relief when she came home to him. Like water or food. Like music or that moment when you cut yourself with a knife and squeeze the skin and no blood oozes out.
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself.
Sometimes you keep falling; you don't catch anything.
Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't.
Sometimes they catch you.
After his kisses and hugs it feels like without them my body will fall apart into pieces.
Let's not be afraid of anything that can't really hurt us.
The girl in the mirror wasn't who I wanted to be and her life wasn't the one I wanted to have.
Weetzie could see him
it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers.
"Lanky Lizards!" Weetzie exclaimed.
"Greetings," said the man in an odd voice, a rich, dark purr.
"Oh, shit!" Weetzie said.
"I beg your pardon? Is that your wish?
Weetzie wished she could shake blue glitter around all of them - keeping them sparkling and safe.
My reading and studying and retellings of old stories didn't do anything except help me think better. I was at least thoughtful. Too thoughtful, my friends said. And all I thought about was myths and old paintings that made me feel drunk on wine or struck my lightning but didn't matter to most people.
A kiss about apple pie a la mode with the vanilla creaminess melting in the pie heat. A kiss about chocolate, when you haven't eaten chocolate in a year. A kiss about palm trees speeding by, trailing pink clouds when you drive down the Strip sizzling with champagne. A kiss about spotlights fanning the sky and the swollen sea spilling like tears all over your legs.
So Witch Baby played. Tossing her head, sucking in her cheeks and popping up with the impact of each beat. Thrusting her whole body into the music and thrusting the music into the air around her. She imagined that her drums were planets and the music was all the voices of growth and light and life joined together and traveling the universe.
The true warrior isn't immune to fear. She fights in spite of it.
Barbie was no longer afraid of anything. It was like the thing Mab had said about belief. The belief is sometimes the biggest part of it all. You can choose to believe in your published book being held in the loving hands of strangers, your name tattooed forever on the heart of the one you adore; you can choose to believe in tiny red-haired pesky piskies--all the things 'they' may tell you not to believe in. But who are they anyway? What do they know? What makes them any more real?
If you want to find the trail, if you want to find yourself, you must explore your dreams alone. You must grow at a slow pace in a dark cocoon of loneliness so you can fly like wind, like wings, when you awaken.
I love Sylvia Plath and Anne Sexton. I also love more cerebral poets like H.D. and Emily Dickinson. My parents subscribed to a monthly poetry periodical, and as a teenager I was introduced to Denise Levertov, who was an influence.
I climb through the rubble toward the door. It takes a long time, time enough for a Giant to see me from the blood-red stained-glass eye window and reach out to crush me in his hand the size of a tractor.
Why was fabulousness important? The world was a scary, sad place and adornment was one of the only ways she knew to make herself and the people around her forget their troubles. That was why she had opened her store almost five years ago. Everyone who entered the little square white house with miniature Corinthian columns, cherub statues, and French windows seemed to leave carrying armloads of newly handmade and well spruced-up recycled vintage clothing, humming sixties girl-group songs, seventies glam and punk, eighties New Wave one-hit wonders, or nineties grunge, doing silly dances, and not caring what anyone thought.
Weetzie loved the old dresses she found and sold, because they had their own secret histories. She always wondered where, when, and how they had been worn. What they had seen. Old dresses were like old ladies.
It wasn't that shocking kind of feeling they both expected. More like a huge sigh of relief spreading through them. Like your cold, naked body falling into a soft, warm bed, under covers, into arms. The place that you knew you needed but you were afraid to even imagine for fear that it would never come.
The happier you are, the less you need.
I was starting to learn how to forget the things that made me sad. It was like a charm you followed step-by-step, collecting and blending the ingredients, placing everything in its proper place. It was the magic of forgetting.
Max asked, 'Why death, do you think?'
'The Iroquois say that the world was too full, so the men and women got together, separately, to find an answer. The men came up with the idea of not having any more children. But the women refused to give up having babies. Death was their answer.'
Max nodded. He took a deep breath. It felt like he hadn't breathed like that in month, maybe years.
Pain didn't ever really stop, he thought; it just changed forms.
His own voice was older than he was. Ancient, unearthed from some mystical subterranean place ... The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.