Why Writers Write Quotes

I don't know when I started to realize that my country's past was incomprehensible and obscure to me, a real shadowy terrain, nor can I remember the precise moment when all that i'd believed so trustworthy and predictable - the place I'd grown up, whose language I speak and customs I know, the place whose past I was taught in school and in university, whose present I have become accustomed to interpreting and pretending I understand - began to turn into a place of shadows out of whcih jumped horrible creatures as soon as we dropped our guard. With time I have come to think that this is the true reason why writers write aboutn the places of childhood and adolescence and even their early touth: you don't write about what you know and understand, and much less do you write because you know and understand, but because you understand that all your knowledge and comprehension is false, a mirage and an illusion, so your books are not, could not be, more than elaborate displays of disorientation: extensive and multifarious declarations of preplexity. All that I thought was so clear, you then think, now turns out to be full of duplicities and hidden intentions, like a friend who betrays us. To that revelation, which is always annoying and often frankly painful, the writer responds in the only way one knows how: with a book. And that's how you try to mitigate your disconcertion, reduce the space between what you don't know and what can be known, and most of all resolve your profound di ~ Juan Gabriel Vasquez

Why writers write I do not know. As well ask why a hen lays an egg or why a cow stands patiently while an underprivileged farmer burglarizes her. ~ H.L. Mencken

That's why writers write - to say things loudly with ink. To give feet to thoughts; to make quiet, still feelings loudly heard. ~ Tarryn Fisher

Let me tell you one thing about why writers write: had I known the answer to any of these questions I would never have needed to write a novel ~ Joan Didion

[Author's note:] When I decided to write this book, I worried that my privilege would make me blind to certain truths, that I would get things wrong, as I may well have. I worried that, as a non-immigrant and non-Mexican, I had no business writing a book set almost entirely in Mexico, set entirely among migrants. I wished someone slightly browner than me would write it. But then I thought, 'If you're a person who has the capacity to be a bridge, why not be a bridge?' So I began.

In the early days of my research, before I'd fully convinced myself that I should undertake the telling of this story, I was interviewing a very generous scholar, a remarkable woman who was chair of the Chicana and Chicano studies Department at San Diego State University. Her name is Norma Iglesias Prieto, and I mentioned my doubts to her. I told her I felt compelled, but unqualified, to write this book. She said, "Jeanine. We need as many voices as we can get, telling this story." Her encouragement sustained me for the next four years.

I was careful and deliberate in my research. I traveled extensively on both sides of the border and learned as much as I could about Mexico and migrants, about people living throughout the borderlands. The statistics in this book are all true, and though I changed some names, most of the places are real, too. But the characters, while representative of the folks I met during my travels, are fictional. ~ Jeanine Cummins

I know why writers write- they write to untangle the knots in their hearts. ~ Virginia Frances Schwartz

[Author's Note:] When my grandmother came to the United States from Puerto Rico in the 1940s, she was a beautiful, glamorous woman from a wealthy family in the capital city, and the young bride of a dashing naval officer. She expected to be received as such. Instead, she found that people here had a very reductionist view of what it meant to be Puerto Rican, of what it meant to be Latinx. Everything about her confused her new neighbors: her skin tone, her hair, her accent, her notions. She wasn't what they expected a boricua to be.

My grandmother spent much of her adult life in the States but didn't always feel welcome here. She resented the perpetual gringo misconceptions about her. She never got past that resentment, and the echoes of her indignation still have some peculiar manifestations in my family today. One of the symptoms is me. Always raging against a perceived slight, always fighting against ignorance in mainstream ideas about ethnicity and culture. I'm acutely aware that the people coming to our southern border are not one faceless brown mass but singular individuals, with stories and backgrounds and reasons for coming that are unique. I feel this awareness in my spine, in my DNA.

So I hoped to present one of those unique personal stories - a work of fiction - as a way to honor the hundreds of thousands of stories we may never get to hear. And in so doing, I hope to create a pause where the reader may begin to individuate. When we see migrant ~ Jeanine Cummins

Life ... is a bit like reading. ... If all your responses to a book have already been duplicated and expanded upon by a professional critic, then what point is there to your reading? Only that it's yours. Similarly, why live your life? Because it's yours. But what if such an answer becomes less and less convincing? ~ Julian Barnes

My first thought when I came here was that I understood why there are so many great Irish writers - because there is something mystical in the air. There's always this cloudy, moody sky and it's challenging. ~ Christopher Meloni

There are a lot of writers who just want to do their own thing and avoid the rest of the Marvel Universe. But for me that was one of the things I loved about Marvel: that shared universe. So of course you would run into a mutant in Manhattan. You would run into another hero in Manhattan. For me, I figured why not? Why not have that fun? ~ Ann Nocenti

When I realized that I was an introvert and what that meant, I actually became more outgoing, more confident in social situations, and began to enjoy scenarios I used to find unbearable. Why? Because, in understanding what I needed with respect to replenishing my energy, I was able to set limits and boundaries that freed me to be more engaged. ~ Jamie Arpin-Ricci

That's the one thing I say about the great British shows. You know, I see it on the series on HBO where the season is shortened to like 12 or 6 or whatever it is. You know there's a reason why there's a quality behind that. Because I think the writers as well as the crew and the cast do get burnt out after doing continuous episodes after and over and it feels like a factory rather than something of a creative process. And we get tapped out. That's just my opinion. ~ Hayden Panettiere

There's a disease that young writers are susceptible to, which is, I will do this because I can - hubris, I suppose - without stopping to work out why. ~ David Mitchell

I would simply ask why so many critics, so many writers, so many philosophers take such satisfaction in professing that the experience of a work of art is ineffable, that it escapes by definition all rational understanding; why are they so eager to concede without a struggle the defeat of knowledge; and where does their irrepressible need to belittle rational understanding come from, this rage to affirm the irreducibility of the work of art, or, to use a more suitable word, its transcendence. ~ Pierre Bourdieu

But when you talk about Nabokov and Coover, you're talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what's happened since post-structural theory took off here in the U.S., why there's such a big backlash against post-structuralism going on now. It's the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing's become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They're like de Man and Foucault in the mouth of a dull ~ David Foster Wallace

We writers spent the entire twentieth century tearing down the bourgeoisie! ... We in the arts have been complicit in the denigration of the best people on earth. Why? Because so many of the most influential ideas of our time are the product of a new creature of the twentieth century, a creature that did not exist until 1898 - and that creature is known as 'the intellectual. ~ Tom Wolfe

If art is not to be life-enhancing, what is it to be? Half the world is feminine
why is there resentment at a female-oriented art? Nobody asks The Tale of Genji to be masculine! Women certainly learn a lot from books oriented toward a masculine world. Why is not the reverse also true? Or are men really so afraid of women's creativity (because they are not themselves at the center of creation, cannot bear children) that a woman writer of genius evokes murderous rage, must be brushed aside with a sneer as 'irrelevant'? ~ May Sarton

Why is it so hard to get people to study the Scriptures? Common sense tells us what revelation commands: 'Faith comes by hearing, and hearing by the word of God'
'Search the Scriptures'
'Be ready to give to every one a reason of the hope that is in you.' These are the words of the inspired writers, and these injunctions are confirmed by praising those who obey the admonition. And yet, for all that we have the Bible in our houses, we are ignorant of its contents. No wonder that so many Christians know so little about what Christ actually taught; no wonder that they are so mistaken about the faith that they profess. ~ William Wilberforce

I don't have very much time to surf the net, because it's as though my boss has a tracking device on me. The instant I'm looking at a Chloe sweater on Shopbop, I'll get a call in my office with a PA asking: "Paul wants to know where you are and why you're not in the writers room, and if maybe you're online shopping." ~ Mindy Kaling

Well, the thing that I suppose is closest to my heart is Shakespeare. I really am a nerd about Shakespeare, I love it [laughs] and the reason why is because he's one of the wisest, most compassionate writers in the course of Western literature, in the course of all literature. And he understood human nature so deeply, not just our great capacity for virtue and for goodness, and for love, but our capacity for pain and destruction and anger. ~ Tom Hiddleston

All writers, Julian went on, are attention seekers: why else would we be sitting up here on this stage? The fact is, he said, no one took enough notice of us when we were small and now we're making them pay for it. Any writer who denied the childish element of revenge in what they did was, as far as he was concerned, a liar. Writing was just a way of taking justice into your own hands. If you wanted the proof, all you had to do was look at the people who had something to fear from your honesty. ~ Rachel Cusk

A woman from the audience asks: 'Why were there so few women among the Beat writers?' and [Gregory] Corso, suddenly utterly serious, leans forward and says: "There were women, they were there, I knew them, their families put them in institutions, they were given electric shock. In the '50s if you were male you could be a rebel, but if you were female your families had you locked up. ~ Stephen Scobie

I honestly think in order to be a writer, you have to learn to be reverent. If not, why are you writing? Why are you here? Let's think of reverence as awe, as presence in and openness to the world. The alternative is that we stultify, we shut down. Think of those times when you've read prose or poetry that is presented in such a way that you have a fleeting sense of being startled by beauty or insight, by a glimpse into someone's soul. All of a sudden everything seems to fit together or at least to have some meaning for a moment. This is our goal as writers, I think; to help others have this sense of
please forgive me
wonder, of seeing things anew, things that can catch us off guard, that break in on our small, bordered worlds. ~ Anne Lamott

Every writer on this planet THINKS he is a great writer (why waste your entire life writing when you believe you are mediocre?) but its deemed socially unacceptable to actually speak out such thoughts. So, modesty is always a public concept and not an inner one. For that reason alone 'modesty' can actually be said to be the product of a large ego, for the ego is primarily concerned with survival and society rewards this dishonesty and tends to punish honesty (see Camus) ~ Martijn Benders

In the first place, I think there's going to be more and more merging of art and science. Scientists are already studying the creative process, and I think the whole line between art and science will break down and that scientists, I hope, will become more creative and writers more scientific. And I see no reason why the artistic world can't absolutely merge with Madison Avenue. Pop art is a move in that direction. Why can't we have advertisements with beautiful words and beautiful images? Already some of the very beautiful color photography appears in whiskey ads, I notice. Science will also discover for us how association blocks actually form. ~ William S. Burroughs

When I was a bad writer, I would consciously imitate other NPR writers who I thought were wonderful. I suppose that everyone's artistic practice is different. But I collaborate and sometimes don't agree at all with my collaborators' opinions. It forces you to understand why you don't agree with something: what's the fight you're picking. ~ Ira Glass

I think most writers can't really think about their work without a kind of revulsion. And I think that's probably why we keep going back and trying again, trying to do better each time. ~ Paul Auster

This goes out to all the Rag Tags and the negative shits and anyone else who resents people who have the courage to follow their dreams, and not only that but to show their dreams to somebody else.

The planet needs more writers, artists and musicians. More tattooed storytellers.

Why so many people seem to resent the storyteller is beyond me. We're not raging against the machine, but we do want the opportunity to show our art to as many people as possible. What's so wrong with that?

And believe it or not, we won't go away. ~ Karl Wiggins

Why do we place such a disproportionate emphasis on sporting achievement? Why doesn't success in other fields receive similar attention ... Maybe it's because in a country that prides itself on being egalitarian, sport is intellectually and socio-economically an equal playing field. In fact, the more humble your background, the better, the underdog-turned champion is a narrative that resonates powerfully. We're far less interested in the stories of our best doctors, writers, lawyers, engineers, teachers or social workers. Their triumphs do not capture our collective imaginations. ~ Mia Freedman

Why would we dare call someone a Literary Witch? Because all artists are magicians, and Witches wield a special magic. Witches and women writers alike dwell in creativity, mystery and other worlds. They aren't afraid to be alone in the woods of their imaginations or to live in huts of their own making. They're not afraid of the dark.' * ~ Taisia Kitaiskaia

Art has a noble task: to educate man. That's why the writer's part in our society is a most responsible one. The writers are the architects of human souls and the critics are the architects of the writer's souls. ~ Slawomir Mrozek

All writers are insecure, the male ones especially. It's well known. Why else would they spend so much time on make-believe? They're only happy in their imaginary worlds, because that's where they're in charge - where they're God. Did you know that Hemingway's mother dressed him as a girl until he was six years old?
I was not offended by Claudia's glib psychological theory. Like many glib psychological theories, it struck me as fundamentally correct. ~ Philip Sington

When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there. ~ Miranda July

There are so many reasons why, for me, writing is superior to acting. One of them is anonymity. Writers can live relatively normal lives. ~ Evangeline Lilly

Writers in repressive societies are considered dangerous. That's why so many of them are in jail. ~ Don DeLillo

For a writer, it seems a help rather than a hindrance to be at least a little crazy. Who but a crazy person would carve out a very private, quiet place in the world, only to pour his/her innermost thoughts and emotions onto a page for the entire world to examine? Even in fiction, we give a map to our most secret feelings. Why do writers do it? Perhaps because we'd be crazier still if we didn't. ~ Leland Dirks

Kathleen Norris, on the publication of her 78th book.
'All writing is difficult. The most you can hope for is a day when it goes reasonably easily. Plumbers don't get plumber's block, and doctors don't get doctor's block; why should writers be the only profession that gives a special name to the difficulty of working, and then expects sympathy for it? ~ Kathleen Norris

The question is, why do you think you can't be a writer?"
"To be a writer, you need readers."
"I'm no painter, then. Who ever looks at my little dumb pieces of shit? ~ Barbara Kingsolver

The longer I am a writer
so long now that my writing finger is periodically numb
the better I understand what writing is; what its function is; what it is supposed to do. I learn that the writer's pen is a microphone held up to the mouths of ancestors and even stones of long ago. That once given permission by the writer
a fool, and so why should one fear?
horses, dogs, rivers, and, yes, chickens can step forward and expound on their lives. The magic of this is not so much in the power of the microphone as in the ability of the nonhuman object or animal to BE and the human animal to PERCEIVE ITS BEING. ~ Alice Walker

I feel that writers think with their noses to the ground, and the dark stuff kind of comes to me more, even though I really am sort of an upbeat guy. It's an honest descent into darkness. And you can't have the joy without the grief - it's why we listen to Mozart's 'Requiem.' ~ Andre Dubus III

We all perform balancing acts between self and family, individual and community, private desire and group expectation. Gay people in particular must break with the groupthink of church and society in order to live their own lives. (It's why you still see half-read copies of Atlas Shrugged on the night tables of otherwise intelligent gay men.) ~ Christopher Bram

Whatever we do, let's not imagine that the Israelites were ancient versions of ourselves, maybe less well groomed, who were "nice," read their Bibles daily, the kind you could invite to church and want to marry your daughter, who would vote Republican or drive a hybrid. We respect these biblical stories most when we try to understand what the writers did and why, not when we place false expectations on them, like seeing them as a timeless script or a permanent fixture for how to think about God. ~ Peter Enns

Style still matters, for at least three reasons. First, it ensures that writers will get their message across, sparing readers from squandering their precious moments on earth deciphering opaque prose. When the effort fails, the result can be calamitous-as Strunk and White put it, "death on the highway caused by a badly worded road sign, heartbreak among lovers caused by a misplaced phrase in a well-intentioned letter, anguish of a traveler expecting to be met at a railroad station and not being met because of a slipshod telegram." Governments and corporations have found that small improvements in clarity can prevent vast amounts of error, frustration, and waste, and many countries have recently made clear language the law of the land.

Second, style earns trust. If readers can see that a writer cares about consistency and accuracy in her prose, they will be reassured that the writer cares about those virtues in conduct they cannot see as easily. Here is how one technology executive explains why he rejects job applications filled with errors of grammar and punctuation: "If it takes someone more than 20 years to notice how to properly use it's, then that's not a learning curve I'm comfortable with." And if that isn't enough to get you to brush up your prose, consider the discovery of the dating site OkCupid that sloppy grammar and spelling in a profile are "huge turn-offs." As one client said, "If you're trying to date a woman, I don't expect flowery Jane Austen pros ~ Steven Pinker

Now he understood why he hated Luis Goodman and other writers so much. He was a damaged person, but not damaged enough to make a life out of it. ~ Gary Shteyngart

The characters in my novels are my own unrealised possibilities. That is why I am equally fond of them all and equally horrified by them. Each one has crossed a border that I myself have circumvented. ~ Milan Kundera

We have to hear the stories of women at all ages of their lives in order to really present a picture of what it felt like to be alive in our time. That's what our job is as writers is to present that and create it. Our job as writers isn't to make as much money as we can. Our job is to create a record of this time. That's why if you leave out women and the stories of women, we failed at our mission. All of us. Men and women. ~ Marsha Norman

But there were other great writers who had done all these things. What set Shakespeare apart ... even from other greats, was his generosity: his invitation, even insistence,for others to join him in the act of imagining ... His reticence [to add stage directions] made his works wonderfully elastic. It also made them demnding
sometimes maddeningly so
for directors and actors who had to figure out at every turn why these words and no others needed to be said right here and now. But Shakespeare was also demanding of his audiences: 'Yes,' you could almost hear him say, 'you are sitting in a fairly barren wooden theater. But dream yourselves to France. To a seacoast in Bohemia. To a magic-haunted island in a tempest-tossed sea. I dare you.' -Kate Stanley ~ Jennifer Lee Carrell

Writers, especially poets, are particularly prone to madness. There exists a striking association between creativity and manic depression. Why are more creative people prone to madness? They have more than average amounts of energies and abilities to see things in a fresh and original way - then because they also have depression, I think they're more in touch with human suffering. ~ Nick Flynn

While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords?

Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape. ~ David Brin

Readers have a loyalty that cannot be matched anywhere else in the creative arts, which explains why so many writers who have run out of gas can keep coasting anyway, propelled on to the bestseller lists by the magic words AUTHOR OF on the covers of their books. ~ Stephen King

I told you. There's nothing heroic here, nothing for the writer's pen. I had thoughts like, It's not wartime, why should I have to risk myself while someone else is sleeping with my wife? Why me again, and not him? To be honest, I didn't see any heroes there. I saw nutcases, who didn't care about their own lives, and I had enough craziness myself, but it wasn't necessary. I also have medals and awards - but that's because I wasn't afraid of dying. I didn't care! It was even something of an out. They'd have buried me with honors. And the government would have paid for it. ~ Svetlana Alexievich

Why would I what?" Will asked, wanting another bite of his burger. "Why would you risk your job teaching some stupid fantasy book?" "Because alternative universe literature promotes critical thinking, imagination, empathy, and creative problem solving. Children who are fluent in fiction are more able to interpret nonfiction and are better at understanding things like basic cause and effect, sociology, politics, and the impact of historical events on current events. Many of our technological advances were imagined by science fiction writers before the tech became available to create them, and many of today's inventors were inspired by science fiction and fantasy to make a world more like the world in the story. Many of today's political conundrums were anticipated by science fiction writers like Orwell, Huxley, and Heinlein, and sci-fi and fantasy tackle ethical problems in a way that allows people to analyze the problem with some emotional remove, which is important because the high emotions are often what lead to violence. Works like Harry Potter tackle the idea of abuse of power and - " Will stopped himself and swallowed. Everybody at the table, including Kenny, was staring at him in openmouthed surprise. "Anyway," he said before taking a monster bite of his cooling hamburger on a sudden attack of nerves, "iss goomfer umf." "It's good for us," Kenny translated, sounding a little stunned ~ Amy Lane

I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds. ~ Chang-rae Lee

When I was a kid, growing up during the 1970s, I used to read a lot of horror and science fiction. I graduated from comic books to paperbacks around the time I first entered my teens. And I want to say that what 99% of that stuff tells you about supposed encounters with the unknown is a formulaic convention. No one faints like a chicken-shit or else reaches for their weapon like Arnie Schwarzenegger in the face of something so utterly terrifying there isn't even a name for it. What those writers don't know is what happens in an encounter with the outside is this: that the moment slows down to such an extent that time itself simply stands still in your head. I suppose that fact doesn't make for good characterisation. It's incommunicable. I think they call it the numinous.

I once did a semester in creative writing back after graduating, around the decade King was outselling every other author on the planet, but could never make the grade. Still, I read a lot of the best attempts. Maybe that's why someone like Lovecraft, or Machen, or one of the old-school writers of that stuff I used to read had almost pulled it off. They were no good at characterisation and tended to use ciphers, presenting the phenomenon itself as the main protagonist, because it was the way things are when you encounter it. The thing empties you, draining out any semblance of normalcy, no matter what your history is, or what you think you're all about. Real horror consists not of the worst thing i ~ Mark Samuels