Vr My Description Of X Or Lsd Quotes

She walked on, comforted by the surf, by the one perpetual moment of beach-time, the now-and-always of it. ~ William Gibson

Reader, I did the stupid thing. I looked her up on Facebook. It didn't take more than forty minutes to filter this Katie Ingram from the other hundred or so. Her profile was unlocked, and contained the logo for the NHS. Her job description said: "Paramedic: Love My Job!!!" She had hair that could have been red or strawberry blond, it was hard to tell from the photographs, and she was possibly in her late twenties, pretty, with a snub nose. In the first thirty photographs she had posted she was laughing with friends, frozen in the middle of Good Times. She looked annoyingly good in a bikini (Skiathos 2014!! What a laugh!!!!!), she had a small, hairy dog, a penchant for vertiginously high heels, and a best friend with long, dark hair who was fond of kissing her cheek in pictures (I briefly entertained the hope that she was gay but she belonged to a Facebook group called: Hands up if you're secretly delighted that Brad Pitt is single again!!). ~ Jojo Moyes

And it explains much about me, too, about the limits of my experience, about the fact that the person I am in my head is so far from the person I am in the world. Nobody would know me from my own description of myself. ~ Claire Messud

Accordingly, I believe the most adequate description of prayer is simply, "Talking to God about what we are doing together." That immediately focuses the activity where we are but at the same time drives the egotism out of it. Requests will naturally be made in the course of this conversational walk. Prayer is a matter of explicitly sharing with God my concerns about what he too is concerned about in my life. And of course he is concerned about my concerns and, in particular, that my concerns should coincide with his. This is our walk together. Out of it I pray. ~ Dallas Willard

My father died when I was 9 years old. The miserable condition of my family at that time is beyond description. My family, solitary and without influence, became at once the target of much insult and abuse. ~ Chiang Kai-shek

I just try to be honest, because I think that's part of my job description as a writer. ~ Charlie Kaufman

A lot of my writer friends - some of whom are brilliant - work when the Muse calls them, for lack of a better description. You know, days of nothing, then this creative burst where they write for 36 hours straight fueled by caffeine and idealism. ~ G. Willow Wilson

My theory was that readers just thought they cared nothing but the action; that really, although they didn't know it, they cared very little about the action. The things they really cared about, and that I cared about, were the creation of emotion through dialog and description. The things they remembered, that haunted them, were not for example that a man got killed, but that in the moment of his death he was trying to pick a paper clip off the polished surface of a desk, and it kept slipping away from him, so that there was a look of strain on his face and his mouth was half open in a kind of tormented grin, and the last thing in the world he thought about was death. He didn't even hear death knock on the door. That damn little paper clip kept slipping away from his fingers. ~ Raymond Chandler

I can give no adequate description of the Horror Camp in which my men and myself were to spend the next month of our lives. It was just a barren wilderness, as bare as a chicken run. Corpses lay everywhere, some in huge piles, sometimes they lay singly or in pairs where they had fallen. It took a little time to get used to seeing men women and children collapse as you walked by them and to restrain oneself from going to their assistance. One had to get used early to the idea that the individual just did not count. One knew that five hundred a day were dying and that five hundred a day were going on dying for weeks before anything we could do would have the slightest effect. It was, however, not easy to watch a child choking to death from diphtheria when you knew a tracheotomy and nursing would save it, one saw women drowning in their own vomit because they were too weak to turn over, and men eating worms as they clutched a half loaf of bread purely because they had to eat worms to live and now could scarcely tell the difference. Piles of corpses, naked and obscene, with a woman too weak to stand propping herself against them as she cooked the food we had given her over an open fire; men and women crouching down just anywhere in the open relieving themselves of the dysentery which was scouring their bowels, a woman standing stark naked washing herself with some issue soap in water from a tank in which the remains of a child floated. It was shortly after the British Red Cross a ~ Imperial War Museum

I can be described as many things, but no description of me is complete without saying 'Englishman.' My parents were from Liverpool and emigrated to Canada before I was born. ~ Mike Myers

I'd carry you," he added, "but I'd have to get you declawed first."
"Don't count on it," I replied.
Sage did an exaggerated stretch. "In the meantime, I think we should all get some sleep." He sprawled out across the dirt floor. "Good night."
He shut his eyes and was perfectly still. There was no chance he was asleep already, but Ben spoke his mind anyway. He pulled me aside just the slightest bit and sneered down at Sage.
"I don't like any of this, Clea."
"Really? Because when he started talking about the Elixir of Life, I thought the two of you were ready to become blood brothers."
"I believe in the Elixir," Ben said. "Enough that I want to believe Sage's story. I just don't now if we can. And we still can't explain the pictures. I don't trust him."
"I don't care, Ben. Dad trusted him. And Sages plan is my best shot at finding him alive."
"I guess. Just..." Ben took a moment to put together his next words. "Be careful around him, okay? I feel like..."
I waited, but he wasn't going to finish. "Feel like what?"
"Nothing. I'm here for you. You know that, right?"
I could see him struggling. It was like he was trying to tell me something monumental, but the words that came out weren't doing it justice.
He sprawled out on the cave floor as far away from Sage as he could, and patted his chest. "Need a pillow? It's not really in my job description, but I'm happy to offer." He pinched a corner of his shirt between two finge ~ Hilary Duff

I felt that it was not a historical work, but that, under the guise of physical warfare, it described the duel that perpetually went on in the hearts of mankind, and that physical warfare was brought in merely to make the description of the internal duel more alluring. This preliminary intuition became more confirmed on a closer study of religion and the Gita. A study of the Mahabharata gave it added confirmation. I do not regard the Mahabharata as a historical work in the accepted sense. The Adiparva contains powerful evidence in support of my opinion. By ascribing to the chief actors superhuman or subhuman origins, the great Vyasa made short work the history of kings and their peoples. The persons therein described may be historical, but the author of the Mahabharata has used them merely to drive home his religious theme. ~ Mahatma Gandhi

I had entered the Green [of Glasgow] by the gate at the foot of Charlotte Street - had passed the old washing-house. I was thinking upon the engine at the time, and had gone as far as the herd's house, when the idea came into my mind that as steam was an elastic body it would rush into a vacuum, and if a communication were made between the cylinder and an exhausted vessel it would rush into it, and might be there condensed without cooling the cylinder. I then saw that I must get rid of the condensed steam and injection water if I used a jet, as in Newcomen's engine. Two ways of doing this occurred to me. First, the water might be run off by a descending pipe, if an outlet could be got at the depth of 35 or 36 feet, and any air might be extracted by a small pump. The second was to make the pump large enough to extract both water and air. ... I had not walked further than the Golf-house when the whole thing was arranged in my mind.

{In Robert Hart's words, a recollection of the description of Watt's moment of inspiration, in May 1765, for improving Thomas Newcomen's steam engine.} ~ James Watt

All that happens when you grow up is that your ethics get completely compromised and you do extremely dodgy things you never imagined doing, apparently for the sake of others. Plus, growing up isn't in my job description. ~ Helen Oyeyemi

With an obscure hesitation one steps into the day and its frame and its costume. Between the puzzlement and its summary abandonment, between the folds of waking consciousness and their subsequent limitation, is a possible city. Solitude, hotels, aging, love, hormones, alcohol, illness – these drifting experiences open it a little. Sometimes prolonged reading holds it ajar. Another's style of consciousness inflects one's own; an odd syntactic manner, a texture of embellishment, pause. A new mode of rest. I can feel physiologically haunted by a style. It's why I read ideally, for the structured liberation from the personal, yet the impersonal inflection can persist outside the text, beyond the passion of readerly empathy, a most satisfying transgression that arrives only inadvertently, never by force of intention. As if seized by a fateful kinship, against all the odds of sociology, the reader psychically assumes the cadence of the text. She sheds herself. This description tends towards a psychological interpretation of linguistics, but the experience is also spatial. I used to drive home from my lover's apartment at 2 a.m., 3 a.m. This was Vancouver in 1995. A zone of light-industrial neglect separated our two neighbourhoods. Between them the stretched-out city felt abandoned. My residual excitement and relaxation would extend outwards from my body and the speeding car, towards the dilapidated warehouses, the shut storefronts, the distant container yards, the dark exercise stu ~ Lisa Robertson

You will know recycling has been picked up because your recycling bags will be gone and there will be a large, reddish brown smear across your front door roughly in the shape of an X. Or maybe it's a cross. It's not clear in the brochure I've been handed, which has no words, only dark black-and-white photographs of angled shadows along brick walls. I mean, municipal one-sheets are kind of useless, but this one is at least haunting. ~ Joseph Fink

The present rate of progress [in X-ray crystallography] is determined, not so much by the lack of problems to investigate or the limited power of X-ray analysis, as by the restricted number of investigators who have had a training in the technique of the new science, and by the time it naturally takes for its scientific and technical importance to become widely appreciated. ~ William Lawrence Bragg

As for 'too much description,' well, opinions differ. We write the books we want to read. And I want to read books that are richly textured and full of sensory detail, books that make me feel as if I am experiencing a story, not just reading it. Plot is only one aspect of telling a tale, and not the most important one. It is the journey that matters, not how fast you arrrive at the destination.
That's my view, anyway. Others writers differ, of course. There are hundreds of books where everything is subordinate to advancing the plot, some of them quite fine, but my work has never been about that, and never will be. ~ George R R Martin

This is one aspect of a reporter's job that never ceases to fascinate and disturb me: facts that go unreported do not exist. How many massacres, how many earthquakes happen in the world, how many ships sink, how many volcanoes erupt, and how many people are persecuted, tortured and killed. Yet if no one is there to see, to write, to take a photograph, it is as if these facts had never occurred, this suffering has no importance, no place in history. Because history exists only if someone relates it. Every little description of a thing observed one can leave a seed in the soil of memory - that keeps me tied to my profession. ~ Tiziano Terzani

As 1968 began to ebb into 1969, however, and as "anticlimax" began to become a real word in my lexicon, another term began to obtrude itself. People began to intone the words "The Personal is The Political." At the instant I first heard this deadly expression, I knew as one does from the utterance of any sinister bullshit that it was - cliché is arguably forgiven here - very bad news. From now on it would be enough to be a member of a sex or gender, or epidermal subdivision, or even erotic "preference," to qualify as a revolutionary. In order to begin a speech or ask a question from the floor, all that would be necessary by way of preface would be the words: "Speaking as a..." The could follow any self-loving description. I will have to say this much for the old "hard" Left: we earned our claim to speak and intervene by right of experience and sacrifice and work. It would never have done for any of us to stand up and say that our sex or sexuality pr pigmentation or disability were qualifications in themselves. There are many ways of dating the moment when The Left lost - or I would prefer to say, discarded its moral advantage, but this was the first time that I was to see the sellout conducted so cheaply. ~ Christopher Hitchens

God famously doesn't afflict Job because of anything Job has done, but because he wants to prove a point to Satan. Twenty years later, I am sympathetic with my first assessment; to me, in spite of the soft radiant beauty of many of its passages, the Bible still has a mechanical quality, a refusal to brook complexity that feels brutal and violent. There has been a change, however. When I look at Revelation now, it still seems frightening and impenetrable, and it still suggests an inexorable, ridiculous order that is unknowable by us, in which our earthly concerns matter very little. However, it not longer reads to me like a chronicle of arbitrarily inflicted cruelty. It reads like a terrible abstract of how we violate ourselves and others and thus bring down endless suffering on earth. When I read And they blasphemed the God of heaven because of their pain and their sores, and did not repent of their deeds, I think of myself and others I've known or know who blaspheme life itself by failing to have the courage to be honest and kind - and how then we rage around and lash out because we hurt. When I read the word fornication, I don't read it as a description of sex outside legal marriage: I read it as sex done in a state of psychic disintegration, with no awareness of one's self or one's partner, let alone any sense of honor or even real playfulness. I still don't know what to make of much of it, but I'm inclined to read it as a writer's primitive attempt to give form to his mor ~ Mary Gaitskill

I can describe an axe entering a human skull in great explicit detail and no one will blink twice at it. I provide a similar description, just as detailed, of a penis entering a vagina, and I get letters about it and people swearing off. To my mind this is kind of frustrating, it's madness. Ultimately, in the history of [the] world, penises entering vaginas have given a lot of people a lot of pleasure; axes entering skulls, well, not so much. ~ George R R Martin

If my interlocutor desires to convince me that Jupiter has inhabitants, and that his description of them is accurate, it is for him to bring forward evidence in support of his contention. The burden of proof evidently lies on him; it is not for me to prove that no such beings exist before my non-belief is justified, but for him to prove that they do exist before my belief can be fairly claimed. Similarly, it is for the affirmer of God's existence to bring evidence in support of his affirmation; the burden of proof lies on him. ~ Annie Besant

I recalled my encounter with the sea goddess Ran, who had described her husband as a hipster who liked microbrewing. At the time, the description had been too weird to comprehend. Afterward, it had seemed funny. Now it seemed a little too real, because I was pretty sure the hipster god in question was standing right in front of me. ~ Rick Riordan

Jack London is a very generous description of my small hiking, bicycling, and canoeing habit. I myself feel like a weak urbanite a lot of the time, because lots of my friends are incredible outdoorsmen and women. ~ Nick Offerman

The door flew open, revealing a wrinkled, forward-thrusting face wreathed with a nimbus of wispy white hair, a face resembling nothing so much as a mole emerging from its burrow. Her spectacles were so dirty that I could hardly see the use of them. She peered at us as if at two scabrous street dogs and tightened her grasp on her cane.
"What do you want? I don't let rooms, and if you've business with my sons or my husband, they work for a living. ~ Lyndsay Faye

As anthropomorphic and surreal people have said my early writing was, to me it was really stock and almost banal in the sense that it was just description, the poetry of comparing: "Your feet are like A, and your eyes like B." ~ Devendra Banhart

I did not mean to be a Christian. I have been very clear about that. My first words upon encountering the presence of Jesus for the first time 12 years ago, were, I swear to God, "I would rather die." I really would have rather died at that point than to have my wonderful brilliant left-wing non-believer friends know that I had begun to love Jesus. I think they would have been less appalled if I had developed a close personal friendship with Strom Thurmond. At least there is some reason to believe that Strom Thurmond is a real person. You know, more or less.

But I never felt like I had much choice with Jesus; he was relentless. I didn't experience him so much as the hound of heaven, as the old description has it, as the alley cat of heaven, who seemed to believe that if it just keeps showing up , mewling outside your door, you'd eventually open up and give him a bowl of milk. Of course, as soon as you do, you are fucked, and the next thing you know, he's sleeping on your bed every night, and stepping on your chest at dawn to play a little push-push.

I resisted as long as I could, like Sam-I-Am in "Green Eggs and Ham" - I would not, could not in a boat! I could not would not with a goat! I do not want to follow Jesus, I just want expensive cheeses. Or something. Anyway, he wore me out. He won.

I was tired and vulnerable and he won. I let him in. This is what I said at the moment of my conversion: I said, "Fuck it. Come in. I quit." He started ~ Anne Lamott

I'm a visual thinker. With almost all of my writing, I start with something that's visual: either the way someone says something that is visual or an actual visual description of a scene and color. ~ Gerald Vizenor

Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing.

The artist Paul Klee refers to this simple act as 'taking a line for a walk', an apt description of my own basic practice: allowing the tip of a pencil to wander through the landscape of a sketchbook, motivated by a vague impulse but hoping to find something much more interesting along the way. Strokes, hooks, squiggles and loops can resolve into hills, faces, animals, machines -even abstract feelings- the meanings of which are often secondary to the simple act of making (something young children know intuitively). Images are not preconceived and then drawn, they are conceived as they are drawn. Indeed, drawing is its own form of thinking, in the same way birdsong is 'thought about' within a bird's throat. ~ Shaun Tan

Until it had acquired the strength to create in my mind a fresh example of absolute, unproductive beauty ... ~ Marcel Proust

Because I was permanently confused, dissatisfied, unhappy, tormented by inadequacy, driven by wanting towards every kind of impossible future, the attitude of mind described by 'tolerantly amused eyes' was years away from me. I don't think I really saw people then, except as appendages to my needs. It's only now, looking back, that I understood, but at the time I lived in a brilliantly lit haze, shifting and flickering according to my changing desires. Of course, that is only a description of being young. ~ Doris Lessing

Then a sound came. It was like the grinding of gears on a colossal ship engine. The sound was like mountains of iron scraping and rubbing against each other, forced together by some godlike impulse. Uselessly, I covered my ears. It went on and on, and I felt as though I would never again know peace. My senses were consumed by the light and heat and sound, their power interrupted only by the tactile sensation of my heart pounding against my chest. It will be very difficult for you to really grasp what happened next. I warn you that my description will inevitably fall far from conveying the astonishing sight I witnessed. Nevertheless, I shall endeavor to convey some sense of what happened. ~ Alec Merta

That's precisely what my novel is about. It's called Demons, and it's a description of how these demons entered the herd of swine. ~ Fyodor Dostoyevsky

Like you, I grew up in a remote animist village. But then I went to a strict Catholic education in France. I was perfectly content to accept the grand Shee Yee of the Otherworld and the Lord B, and Jesus and his mother as my spiritual icons as long as I didn't have to spend too long on my knees. I would have settled for a committee. I just wanted order. But once I started to see my own ghosts I understood what these religions were all about. They were clubs set up by people like me to stop themselves from going mad. You know what I really think happens? You die. You wait for your number. There's a bit of time to take care of unfinished business. And you pass on. And, as you don't come back, nobody actually knows what you pass on to. But that description has never been acceptable. People want an ending. They don't want to vanish into thin air. So these great religious gurus made some endings up. The more comfortable and happy your ending, the more members signed up and paid their fees. And the kings and emperors started to add rules and regulations to subjugate the commoners and keep them in line. As so they invented hell and told you if you coveted your neighbor's mule you wouldn't even get into the clubhouse at the end of it all. ~ Colin Cotterill

I have sincerely tried not to deride the action of men, not to lament nor to abhor them. I have done all in my might to understand them.- Spinoza ~ Lion Feuchtwanger

Zachariah, Zachariah,' whispers Rachel, casting a practised eye over the back of his head and down the length of him, from the shoulder blades where his wings once grew, epochs ago, in some other guise: angel - guardian, avenging - or great vagrant bird - Daurian Jackdaw, Chimney Swift, Pacific Loon! ~ Emma Richler

People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down. ~ Jonathan Safran Foer

Holmes. "Why, it might be a description of Watson!" "It's true," said the inspector, with amusement. "It might be a description of Watson." "Well, I'm afraid I can't help you, Lestrade," said Holmes. "The fact is that I knew this fellow Milverton, that I considered him one of the most dangerous men in London, and that I think there are certain crimes which the law cannot touch, and which therefore, to some extent, justify private revenge. No, it's no use arguing. I have made up my mind. My sympathies are with the criminals rather than with the victim, and I will not handle this case." Holmes had not said one word to me about the tragedy which we had witnessed, but I observed all the morning that he was in his most thoughtful mood, and he gave me the impression, from his vacant eyes and his abstracted manner, of a man who ~ Arthur Conan Doyle

You want to stay here and sleep your life away? That's it?"

"If you knew what would make you happy, wouldn't you do it?" I asked her.

"See, you do want to be happy. Then why did you tell me that being happy is dumb?" she asked. "You said that to me more than once."

"Let me be dumb," I said, glugging the NyQuil. "You go be smart and tell me how great it is. I'll be here, hibernating."

Reva rolled her eyes.

"It's natural," I told her. "People used to hibernate all the time."

"People never hibernated. Where are you getting this?"

She could look really pathetic when she was outraged. She got up and stood there holding her stupid knockoff Kate Spade bag or whatever it was, her hair pulled back into a ponytail and crowned with a useless, plastic, tortoiseshell headband. She was always getting her hair blown out, her eyebrows waxed into thin, arched, parentheses, her fingernails painted various shades of pink and purple, as though all of this made her a wonderful person.

"It's not up for discussion, Reva. This is what I'm doing. If you can't accept it, then you don't have to. ~ Ottessa Moshfegh

Are you ready to go home, Catherine?" he asked. "It's warm inside the house. I kept a fire going for you."

I continued looking at him, unsure how to respond. "Thanks," I managed to say and then glanced in the direction of his house - our house.

"Well, you are my wife. And I know you don't like the cold."

I'm his wife, I thought to myself. He had said the words as if that simple fact made it necessary to be both thoughtful and kind. As if having gained a wife or husband meant having also gained her or his concerns, and hence the need to consider the person's needs, wants, and preferences as strongly as one's own. It struck me as a perfect description of what marriage ought to be. An agreeable notion that had not entered into my petty way of viewing matrimony. I would have assumed it to be above Thaddeus' egotistical mindset as well.

"Catherine?" he said again, watching me regard him with a quizzical expression. "Are you ready to go home?"

I nodded, which made him smile. ~ Richelle E. Goodrich

I think I can say without fear of inaccuracy that description is my strong point. Possibly this fact is central to my feeling excluded and so on in what might be called "the scene." There appears to be a particular divide in literature that has "description" and all it implies, as its focus. Some people hate "fancy writing," and just want to "cut to the chase," and so on. This attitude deeply irritates me. If you can't try and take words to their limit in the field of literature, then where can you? I actually think that variety is good, but it's usually the enemies of "fancy writing" who also seem to deplore variety and believe that there's only one way to write - without adverbs etc. etc. ~ Quentin S. Crisp

Dinner was wonderful. There was a joint of beef, with roast potatoes, golden-crisp on the outside and soft and white inside, buttered greens I did not recognize, although I think now that they might have been nettles, toasted carrots all blackened and sweet (I did not think that I liked cooked carrots, so I nearly did not eat one but I was brave, and I tried it, and I liked it, and was disappointed in boiled carrots for the rest of my childhood.) For dessert there was the pie, stuffed with apples and with swollen raisins and crushed nuts, all topped with a thick yellow custard, creamier and richer than anything I had ever tasted at school or at home.
The kitten slept on a cushion beside the fire, until the end of the meal, when it joined a fog-colored house cat four times its size in a meal of scraps of meat. ~ Neil Gaiman

I love food. I mean, I really love food. I take pictures of my finest, funniest and most fascinating dishes, post them on Twitter, and send them to friends. I treat menus like classic literature, refusing to skip even one word. I read the description of every item, regardless of whether or not I'm interested in eating it. ~ Rachel Nichols

I really think my fun personality is my ace in the hole. I will never claim to be the most beautiful or most talented queen, because I can think of many queens who fit that description. However, it's my "charisma" that takes me to a higher level in my drag! ~ Manila Luzon

By the time I reached the coffee-shop door, however, my self-confidence had collapsed. Panic had taken its place. I believed that I was the ugliest, dirtiest little old bum in Manhattan. If I went into the coffee shop everybody would be nauseated. They would throw me out and tell me to go to the Bowery, where I belonged.
But I somehow found the courage to go in anyway - and imagine my surprise! It was a though I had died and gone to heaven! A waitress said to me, "Honeybunch, you sit right own, and I'll bring you your coffee right away." I hadn't said anything to her.
So I did sit down, and everywhere I looked I saw customers of every description being received with love. To the waitress everybody was "honeybunch" and "darling" and "dear". It was like an emergency ward after a great catastrophe. It did not matter what race or class the victims belonged to. They were all given the same miracle drug, which was coffee. The catastrophe in this case, of course, was that the sun had come up again.
I had the feeling that if Frankenstein's monster crashed into the coffee shop through a brick wall, all anybody would say to him was, "You sit down here, Lambchop, and I'll bring your coffee right away. ~ Kurt Vonnegut Jr.

HERE'S HOW MY OXFORD DICTIONARY DEFINES IT: "The spasmodic utterance, facial distortion, shaking of the sides, etc., which form the instinctive impression of mirth." To me this sounds like the array of symptoms caused by a lethal virus, but it's actually a description of one of the best things life has to offer: laughter. With certain exceptions, the Joy Diet requires you to do it at least thirty times a day. ~ Martha N. Beck

I remember as a kid not ever wanting to have friends around to my house because it was, for want of a better description, disheveled. ~ Sam Taylor-Johnson

On the Hunger Games Fan Race fail and the portrayal of POC in fantasy literature:
It is as if the POC in the text are walking around with a great big red sign over them for some editors and it reads I AM NOT A REAL CHARACTER. I AM A PROBLEM YOU MUST DEAL WITH. The white characters are permitted to saunter about with their physical descriptions hanging out all over the place, but best not make mention of dark skin or woolly/curly hair or dark eyes (Unless, of course, that character is white. None of my white-skinned dark-eyed characters had any problem being described as such. And I'm pretty sure that Sól's curly hair never gave anyone a single pause for thought.) As I said, I understand the desire not to define a POC simply by their physical attributes, and I understand cutting physical descriptions if no other character is described physically – but pussyfooting about in this manner with POC is doing nothing but white wash the characters themselves. It's already much too hard to get readers to latch onto the fact that some characters may not be caucasian, why must we dance about their physical description as if it were some kind of shameful dirty little secret. You know what it reminds me of? It reminds me of the way homosexuality used to only ever be hinted at in texts. It was up to the reader to 'read between the lines' or 'its there if you look for it' and all that total bullshit which used to be the norm. ~ Celine Kiernan

Here, my man, just hold it this way, while I look into it a bit," he said one day to Fitz G., putting a wounded arm into the keeping of a sound one, and proceeding to poke about among bits of bone and visible muscles, in a red and black chasm made by some infernal machine of the shot or shell description. Poor Fitz held on like a grim Death, ashamed to show fear before a woman, till it grew more than he could bear in silence; and, after a few smothered groans,he looked at me imploringly, as if he said, "I wouldn't, ma'am, if I could help it," and fainted quietly away.

Dr. P. looked up, gave a compassionate sort of cluck, and poked away more busily than ever, with a nod at me and a brief - "Never mind; be so good as to hold this till I finish."

I obeyed, cherishing the while a strong desire to insinuate a few of his own disagreeable knives and scissors into him, and see how he liked it. A very disrespectful and ridiculous fancy of course; for he was doing all that could be done, and the arm prospered finely in his hands. But the human mind is prone to prejudice; and though a personable man, speaking French like a born "Parley voo," and whipping off legs like an animated guillotine, I must confess to a sense of relief when he was ordered elsewhere; and suspect that several of the men would have faced a rebel battery with less trepidation than they did Dr. P., when he came briskly in on his morning round. ~ Louisa May Alcott