Liquid Silver Books Quotes

But no one has seen a trace of lightbearers in over five hundred years. Somebody wiped them out. Probably our kind, trying to inherit their magic."

"Probably our kind eating them for dinner," Finn contributed to the conversation for the first time. "Back then we were slightly more primal."

"Slightly," Tanner remarked tongue in cheek. ~ Tami Lund

I'm a Russian and all I know of Russia is what I've read. I yearn for the broad fields of golden corn and the forests of silver beech that I've read of in books and though I try and try, I can't see them with my mind's eye. I know Moscow from what I've seen of it at the cinema. I sometimes rack my brain to picture to myself a Russian village, the straggling village of log houses with their thatched roofs that you read about in Chekov, and it's no good, I know that what I see isn't that at all. I'm a Russian and I speak my native language worse than I speak English and French. When I read Tolstoi and Dostoievsky it is easier for me to read them in a translation. I'm just as much a foreigner to my own people as I am to the English and French. You who've got a home and a country, people who love you, people whose ways are your ways, whom you understand without knowing them - how can you tell what it is to belong nowhere? ~ W. Somerset Maugham

You too, brother. But where are you going? Won't you at least tell me that?"

He pats the rifle at his side- the one Father had specifically made to shoot silver bullets (Father has read entirely too many books about monsters that can only be stopped with silver bullets). "I'm going hunting. ~ Jes Drew

The sun is setting in a burnt orange sky; the cliffs are black silhouettes; the sea, liquid silver. ~ Laura Treacy Bentley

The studio was immense and gloomy, the sole light within it proceeding from a stove, around which the three were seated. Although they were bold, and of the age when men are most jovial, the conversation had taken, in spite of their efforts to the contrary, a reflection from the dull weather without, and their jokes and frivolity were soon exhausted.

In addition to the light which issued from the crannies in the stove, there was another emitted from a bowl of spirits, which was ceaselessly stirred by one of the young men, as he poured from an antique silver ladle some of the flaming spirit into the quaint old glasses from which the students drank. The blue flame of the spirit lighted up in a wild and fantastic manner the surrounding objects in the room, so that the heads of old prophets, of satyrs, or Madonnas, clothed in the same ghastly hue, seemed to move and to dance along the walls like a fantastic procession of the dead; and the vast room, which in the day time sparkled with the creations of genius, seemed now, in its alternate darkness and sulphuric light, to be peopled with its dreams.

Each time also that the silver spoon agitated the liquid, strange shadows traced themselves along the walls, hideous and of fantastic form. Unearthly tints spread also upon the hangings of the studio, from the old bearded prophet of Michael Angelo to those eccentric caricatures which the artist had scrawled upon his walls, and which resembled an army of demons th ~ James Hain Friswell

Harry paused with his fork held in midair, mesmerized by the sight of her slim fingers twirling the honey stick, meticulously filling each hole with thick umber liquid. Realizing that he was staring, Harry took a bite of his breakfast. Poppy replaced the honey stick in a small silver pot. Discovering a stray drop of sweetness on the tip of her thumb, she lifted it to her lips and sucked it clean.
Harry choked a little, reached for his tea, and took a swallow. The beverage scalded his tongue, causing him to flinch and curse.
Poppy gave him an odd look. "Is there anything the matter?"
Nothing. Except that watching his wife eating breakfast was the most erotic act he had ever seen. "Nothing at all," Harry said scratchily. "Tea's hot."
When he dared to look at Poppy again, she was consuming a fresh strawberry, holding it by the green stem. Her lips rounded in a luscious pucker as she bit neatly into the ripe flesh of the fruit. Christ. He moved uncomfortably in his chair, while all the unsatisfied desire of the previous night reawakened with a vengeance. Poppy ate two more strawberries, nibbling slowly, while Harry tried to ignore her. Heat collected beneath his clothing, and he used a napkin to blot his forehead.
Poppy lifted a bite of honey-soaked crumpet to her mouth, and gave him a perplexed glance. "Are you feeling well?"
"It's too warm in here," Harry said irritably, while lurid thoughts went through his mind. Thoughts involving honey, and soft ~ Lisa Kleypas

I thought it might be fun to set my books in Nevada, which is in the West and still pretty Wild. You can still gamble, carry a loaded pistol, and go into a silver-mine, and they still have saloons with swinging doors, boardwalks, and horses. ~ Caroline Lawrence

I was born with a silver microphone in my mouth, and that was an advantage. My father wrote books and was also a great broadcaster. ~ Jonathan Dimbleby

Water was liquid silver, water was gold. It was clarity - a sacred thing. ~ Aspen Matis

Silver knives! Painful and sometimes deadly to all paranormals!'
'Tasey!' I counterd 'Hot pink and sparkly! ~ Kiersten White

The road swerved left. The crash of waves morphed into the rumble of thunder, and the black asphalt tapered to become a slender stretch of rope. She followed it up into the darkness, night spilling around and below her as someone knocked over the ink-jar of the sky and scattered its liquid to the furthest corners, dislodging silver shards of moon that bounced off her umbrella. ~ Angela Panayotopulos

And now it's late, close to the wolfing hour of soul-lack. But she knows, lying curled here, behind him, in the darkness of this small room, with the somehow liquid background sounds of Paris, that hers has returned, at least for the meantime, reeled entirely in on its silver thread and warmly socketed. ~ William Gibson

I grew up in the GOP sandbox. My dad took me, age 7, to meet Herbert Hoover, in his apartment at the Waldorf Towers. He gave me a silver dollar. Being a young Republican, I spent it on comic books. ~ Christopher Buckley

Because this painting has never been restored there is a heightened poignance to it somehow; it doesn't have the feeling of unassailable permanence that paintings in museums do.

There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time's power even over this - which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments' are nearest to the sound of the human voice emerge - no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence - if that were made visible, that would be the poetry of Osias Beert.

But the still life resides in absolute silence.

Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we're invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard.

But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver.
Mark Doty

She nods, turning the silver bangle around on her wrist.
"She came from some village north of here, a few hours away. She traveled all the way to the city just to…"
She trails off, feeling a lump grow in her throat.
"…to take you to that orphanage?" Sanjay finishes for her.
Asha nods.
"And she gave me this."
She slides the bangle back on her wrist.
"They gave you everything they had to give," Sanjay says. He reaches across the table for her hand. "So how do you feel, now that you know?"
Asha gazes out the window.
"I used to write these letters, when I was a little girl," she says. "Letters to my mother, telling her what I was learning in school, who my friends were, the books I liked. I must have been about seven when I wrote the first one. I asked my dad to mail it, and I remember he got a really sad look in his eyes and he said,
'I'm sorry, Asha, I don't know where she is.'"
She turns back to face Sanjay.
"Then, as I got older, the letters changed. Instead of telling her about my life, I started asking all these questions. Was her hair curly? Did she like crossword puzzles? Why didn't she keep me?"
Asha shakes her head.
"So many questions."
"And now, I know," she continues. "I know where I came from, and I know I was loved. I know I'm a hell of a lot better off now than I would have been otherwise."
She shrugs.
"And that's enough for me. Some answers, I'll just have to figure ou ~ Shilpi Somaya Gowda

Violet
232 books | 49 friends
see comment history Black for hunting through the night

For death and mourning the color's white

Gold for a bride in her wedding gown

And red to call enchantment down.

White silk when our bodies burn,

Blue banners when the lost return.

Flame for the birth of a Nephilim,

And to wash away our sins.

Gray for knowledge best untold,

Bone for those who don't grow old.

Saffron lights the victory march,

Green will mend our broken hearts.

Silver for the demon towers,

And bronze to summon wicked powers. ~ Cassandra Clare

Someone was coming through the velvet.
He was pulling it wide, he was stepping onto Kestrel's balcony - close, closer still as she turned and the curtain swayed, then stopped. He pinned the velvet against frame. He held the sweep of it high, at the level of his gray eyes, which were silver in the shadows.
He was here. He had come.
Arin. ~ Marie Rutkoski

And as she looked at the pool she saw the waters gather up into a column, rushing up foaming and standing there before her startled eyes, and turn into the form of a man.
Not a man, a god. So perfectly formed, so handsome, with such wisdom and desire in his eyes and such quiet joy on his lips. He was breathtakingly beautiful and Anne felt herself grow weak with some unnamable longing. His eyes met hers and caught her soul tight, and she could not look away as he read every thought in her mind.
"Come," he said to her in a voice like liquid silver, "I know your mind, and it is one with mine."
Anne could not speak, but she did not need to. Her eyebrows raised in question.
He laughed, "Why to love, of course. ~ Elliot Mabeuse

MADONNA OF THE EVENING FLOWERS

All day long I have been working
Now I am tired.
I call: "Where are you?"
But there is only the oak tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you?
I go about searching.

Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes,
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet Te Deums of the Canterbury bells ~ Amy Lowell

In the spring rain, The pond and the river Have become one. ~ Yosa Buson

Her mighty lakes, like oceans of liquid silver; her mountains, with bright aerial tints; her valleys, teeming with wild fertility; her tremendous cataracts, thundering in their solitudes; her boundless plains, waving with spontaneous verdure; her broad, deep rivers, rolling in solemn silence to the ocean; her trackless forests, where vegetation puts forth all its magnificence; her skies, kindling with the magic of summer clouds and glorious sunshine - no, never need an American look beyond his own country for the sublime and beautiful of natural scenery. ~ Washington Irving

Siobhan said that I should write something I would want to read myself. Mostly I read books about science and maths. I do not like proper novels. In proper novels people say things like, "I am veined with iron, with silver and with streaks of common mud. I cannot contract into the firm fist which whose clench who do not depend on stimulus." What does this mean? I do not know. Nor does Father. Nor does Siobhan or Mr. Jeavons. I have asked them. ~ Mark Haddon

Basically, books were a luxury item before the printing press. ~ Nate Silver

The large strings hummed like rain, The small strings whispered like a secret, Hummed, whispered - and then were intermingled Like a pouring of large and small pearls into a plate of jade. We heard an oriole, liquid, hidden among flowers. We heard a brook bitterly sob along a bank of sand ... By the checking of its cold touch, the very string seemed broken As though it could not pass; and the notes, dying away Into a depth of sorrow and concealment of lament, Told even more in silence than they had told in sound ... A silver vase abruptly broke with a gush of water, And out leapt armored horses and weapons that clashed and smote - And before she laid her pick down, she ended with one stroke, And all four strings made one sound, as of rending silk. ~ Eiji Yoshikawa

The Hall of Tra was cold and lightless. His wolf-eye caught the ghost radiation of barely smouldering firepits. In terms of heat and light, the Wolves were making no allowances for human tolerances of comfort. They had given him a pelt and an eye to see through the dark with. What more could he want? He realised he wasn't alone. The company was all around him. Their body heat was barely detectable, dimmer than the dull firepits. The Hall was a massive natural cavern, ragged and irregular, and the Astartes were ranged around it, huddled and coiled in their furs, as immobile as a sibling pack of predators, gone to ground overnight, dormant and pressed close for warmth. Faces cowled by animal skin hoods were watching his approach. There were occasional grumbles and murmurs, like animals growling in their sleep or tussling over bones. As his eye resolved the scene better, the Upplander saw some evidence of movement. He saw hands casually raise silver bowls and dishes so that men could sip black liquid from them. He saw hunched shapes engaged in the counter game, hneftafl, that the Upplander had seen Skarsi playing. ~ Dan Abnett

And so it was that Michael built a brown castle on the peak of his mountain, Gabriel built a golden pyramid in the midst of his plain, saying it was both a holy temple in my praise and an edifice that would guide him on his pattern for his future work, though I knew that only he would ever understand it, to my amusement, and Raphael built a silver palace to sparkle above the trees of his forests, as his home and celestial workshop, and I was well pleased with their work, as ever it was better than what I had hoped for.
"That was the First Age, the Archangel Age, long over. I can speak in much detail about each stage in my creation, and my scribes have written all my words on each stage in the books I gave to the angel courts, for study and meditation and for prayer, but such details are for my sons and daughters most interested in them, when they are of an age, with the understanding, to comprehend such things. ~ Philip Dodd

Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. ~ George R R Martin

The slow constellations wheeled on. It would be dawn and then sun-up after a while and he would be hungry. But that would be to-morrow and now he was only cold, and walking would cure that. His breathing was easier now and he decided to get up and go on, and then he found that he had been asleep because he knew it was almost dawn, the night almost over. He could tell that from the whippoorwills. They were everywhere now among the dark trees below him, constant and inflectioned and ceaseless, so that, as the instant for giving over to the day birds drew nearer and nearer, there was no interval at all between them. He got up. He was a little stiff, but walking would cure that too as it would the cold, and soon there would be the sun. He went on down the hill, toward the dark woods within which the liquid silver voices of the birds called unceasing - the rapid and urgent beating of the urgent and quiring heart of the late spring night. He did not look back. ~ William Faulkner

She strolled between shelves, looking at titles, smiling as she met old friends - books she had read three times or five times or a dozen. Just a title, or an author's name, would be enough to summon up happy images. Strange creatures like phoenixes and psammeads, moving under smokey London daylight of a hundred years before, in company with groups of bemused children; starships and new worlds and the limitless vistas of interstellar night, outer space challenged but never conquered; princesses in silver and golden dresses, princes and heroes carrying swords like sharpened lines of light, monsters rising out of weedy tarns, wild creatures that talked and tricked one another ... ~ Diane Duane

Money is a matter of belief, even faith: belief in the person paying us; belief in the person issuing the money he uses or the institution that honours his cheques or transfers. Money is not metal. It is trust inscribed. And it does not seem to matter much where it is inscribed: on silver, on clay, on paper, on a liquid crystal display. ~ Niall Ferguson

It is an accurate statement that the followers of Witchcraft do not usually proselytize, which means you aren't going to find us standing on your local street corner thumping our Books of Shadows. Nor do you have to worry about jumping out of the shower to answer our serene and smiling faces at the door with your clothes stuck to various uncomfortable places on your wet body. But just because we (hopefully) aren't the forcible type doesn't mean we don't exist. ~ Silver RavenWolf

People make me key chains ... someone attached a Dauntless symbol to a silver pen. That one is what I use to sign books. I use that a lot. I like to keep them around because they remind me that people are waiting for these books and that they really love them. It gives me motivation in those times when I'm not feeling very motivated. ~ Veronica Roth

What you are, as a teenager, is a small, silver, empty rocket. And you use loud music as fuel, and then the information in books as maps and coordinates, ~ Caitlin Moran

The full impact of silver
liquid fire, hot and flowing hit me hard in that place in your belly that doesn't exist for food, but for something else entirely. It exists solely to possess the feeling that it barely held in check right then. I don't know what it was. I don't think it has a name. ~ S.L. Naeole

I read because the women that I liked when I was a teenager lived down in Greenwich Village and they all had those black clothes. The Jules Feiffer women with the black leather bags and the blonde hair and the silver earrings and they all had read Proust and Kafka and Nietzche. And so when I said, 'No, the only thing I've ever read were two books by Mickey Spillane,' they would look at their watch and I was out. So in order to be able to carry on a conversation with these women who I thought were so beautiful and fascinating, I had to read. So I read. But it wasn't something I did out of love. I did it out of lust. ~ Woody Allen

I often see the materials of photography as being a type of terrain. Emulsions, liquid developers, silver salts, and fixers interact, and I construct a landscape that I need to first explore in my mind's eye if I am to make it manifest as an artful image in silver. ~ Paul Caponigro

At first of course everybody had been quiet, fearful. The funeral procession snaked its way through the drab, slushy little city in dead silence. The only sound was the slap-slap-slap of thousands of sockless shoes on the silver-wet road that led to the Mazar-e-Shohadda. Young men carried seventeen coffins on their shoulders. Seventeen plus one, that is, for the re-murdered Usman Abdullah, who obviously could not be entered twice in the books. So, seventeen-plus-one tin coffins wove through the streets, winking back at the winter sun. To someone looking down at the city from the ring of high mountains that surrounded it, the procession would have looked like a column of brown ants carrying seventeen-plus-one sugar crystals to their anthill to feed their queen. Perhaps to a student of history and human conflict, in relative terms that's all the little procession amounted to: a column of ants making off with some crumbs that had fallen from the high table. As wars go, this was only a small one. Nobody paid much attention. So it went on and on. So it folded and unfolded over decades, gathering people into its unhinged embrace. Its cruelties became as natural as the changing seasons, each came with its own unique range of scent and blossom, its own cycle of loss and renewal, disruption and normalcy, uprisings and elections.

Of all the sugar crystals carried by the ants that winter morning, the smallest crystal of course went by the name of Miss Jebeen. ~ Arundhati Roy

At night I told myself a story, wordless, inside my head, one I liked far better than those in my books. The girl in my story was treated cruelly, by fate, by her family, even by the weather. Her feet bled from the stony paths; her hair was plucked from her head by blackbirds. She went from house to house, looking for refuge. Not a single neighbor answered his door, and so one day the girl gave up speaking. She lived on the side of a mountain where every day was snowy. She stood outside without a roof, without shelter; before long she was made of ice - her flesh, her bones, her blood. She looked like a diamond; it was possible to spy her from miles away. She was so beautiful now that everyone wanted her: people came to talk to her, but she wouldn't answer. Birds lit on her shoulder; she didn't bother to chase them away. She didn't have to. If they took a single peck, their beaks would break in two. Nothing could hurt her anymore. After a while, she became invisible, queen of the ice. Silence was her language, and her heart had turned a perfect pale silver color. It was so hard nothing could shatter it. Not even stones. ~ Alice Hoffman

On the edge of a tropical ocean, in a thousand reflections of the silver light of an invisible moon, among undulations of restless waters, ceaselessly changing ...
Among silent breakers, the tremors of the shining surface, in the swift flux and reflux martyrizing the patches of light, in the rendings of luminous loops and arcs, and lines, in the occultations and reappearances of dancing bursts of light being decomposed, recomposed, contracted, spread out, only to be re-distributed once more before me, with me, within me, drowned, and unendurably buffeted, my calm violated a thousand times by the tongues of infinity, oscillating, sinusoidally overrun by the multitude of liquid lines. enormous with a thousand folds, I was and I was not, I was caught, I was lost, I was in a state of complete ubiquity. The thousands upon thousands of rustlings were my own thousand shatterings. ~ Henri Michaux

Firmly planted. Not fallen from on high: sprung up from below. Ochre, the color of burnt honey. The color of a sun buried a thousand years ago and dug up only yesterday. Fresh green and orange stripes running across its still-warm body. Circles, Greek frets: scattered traces of a lost alphabet? The belly of a woman heavy with child, the neck of a bird. If you cover and uncover its mouth with the palm of your hand, it answers you with a deep murmur, the sound of bubbling water welling up from its depths; if you tap its sides with your knuckles, it gives a tinkling laugh of little silver coins falling on stones. It has many tongues: it speaks of the language of clay and minerals, of air currents flowing between canyon walls, of washerwomen as they scrub, of angry skies, of rain. A vessel of baked clay: do not put it in a glass case alongside rare precious objects. It would look quite out of place. Its beauty is related to the liquid that it contains and to the thirst that it quenches. Its beauty is corporal: I see it, I touch it, I smell it, I hear it. If it is empty, It must be filled; if it is full, it must be emptied. I take it by the shaped handle as I would take a woman by the arm, I lift it up, I tip over a pitcher into which I pour milk or pulque - lunar liquids that open and close the doors of dawn and dark, waking a sleeping. ~ Octavio Paz

Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby. ~ Langston Hughes

I have always loved animals, and as a child, I read a lot of horse books. I had a particular favorite called 'Silver Snaffles' that my mother gave away. ~ Drew Gilpin Faust