Estre Imiento En Quotes

In real life I fell easily under the spell of all traveling artists. En route to New Orleans, entertainments of many kinds would stop over in those days for a single performance in Jackson's Century Theatre. Then, as now, my imagination was magnetized toward transient artists - toward the transience as much as the artists. I must have seen "Acrobats in a Park" at the time I wrote the story as exotic, free of any experience as I knew it. At the center of the little story is the Zorro's act: the feat of erecting a structure of their bodies that holds together, interlocked, and stands like a wall. Writing about the family act, I was writing about the family itself, its strength as a unit, testing its frailty under stress. I treated it in an artificial and oddly formal way; the stronghold of the family is put on view as a structure built each night; on the night before the story opens, the Wall has come down when the most vulnerable member slips, and the act is done for. But from various points within it and from outside it, I've been writing about the structure of the family in stories and novels ever since. In spite of my uncompromising approach to it, my fundamental story form might have been trying to announce itself to me. ~ Eudora Welty

Tell me something from Spanish literature," Schiele said.
"I'll give you a line from my favorite novel. 'Los seres humanos no nacen para siempre el dia en que sus madres los alumbran, sino que la vida los obliga a parirse a si mismos una y otra vez.'"
("Humans are not born forever on the day their mothers have them; life necessitates giving birth to themselves over and over again.") ~ Gabrielle Zevin

Many and many a person in Georgia asked me why we did not go to South Carolina; and, when I answered that we were en route for that State, the invariable reply was, - Well, if you will make those people feel the utmost severities of war, we will pardon you for your desolation of Georgia. ~ William Tecumseh Sherman

Peacemakers who challenge the prevailing concept of peace achieved by violence are often, ironically, called disturbers of the peace. That is only true if peace is defined as an uneasy ceasefire in a world dominated by the corrupt, a tenuous subjugation of the weak by the powerful, a hurting humanity suffering silently en mass for the profit of the bloated few. If, though, peace is defined as freedom, equality, safety, health, opportunity, and a voice for all, then we, the peacemakers, aren't disturbers of the peace. We are purveyors of peace because we are disturbers of the status quo. ~ L.R. Knost

It is a little bit humiliating when I have to say that Chou En-lai to me appears as the most superior brain I have so far met in the field of foreign politics ... so much more dangerous than you imagine because he is so much better a man than you have ever admitted. ~ Dag Hammarskjold

One important aspect of the Gita which remains is that even though it presents to us some diverse paths as a way of life, such as action, devotion, knowledge and meditation, it does not impose any of these paths on an individual. Rather, it leaves the choice to the people, because the followers of all these paths are essential for the smooth functioning of the world, and any en masse inclination towards only one of them would jeopardize the society by causing an imbalance in its system. The Gita also recognizes that the path that one should follow is determined primarily by the free choice of man as well as his inherent nature, which can be interpreted as a genetic inheritance he is endowed with. ~ Nihar Satpathy

Across the road from my cabin was a huge clear-cut
hundreds of acres of massive spruce stumps interspersed with tiny Douglas firs
products of what they call "Reforestation," which I guess makes the spindly firs en masse a "Reforest," which makes an individual spindly fir a "Refir," which means you could say that Weyerhauser, who owns the joint, has Refir Madness, since they think that sawing down 200-foot-tall spruces and replacing them with puling 2-foot Refirs is no different from farming beans or corn or alfalfa. They even call the towering spires they wipe from the Earth's face forever a "crop"
as if they'd planted the virgin forest! But I'm just a fisherman and may be missing some deeper significance in their nomenclature and stranger treatment of primordial trees. ~ David James Duncan

La dernière chose qu'on trouve en faisant un ouvrage est de savoir celle qu'il faut mettre la première. (The last thing one settles in writing a book is what one should put in first.) ~ Blaise Pascal

Antiquite . en tout ce qui s'y rapporte: Est poncif, embe tant! etc. Antiquity. And everything to do with it, cliche d and boring. ~ Gustave Flaubert

Those only are happy (I thought) who have their minds fixed on some object other than their own happiness; on the happiness of others, on the improvement of mankind, even on some art or pursuit, followed not as a means, but as itself an ideal end. Aiming thus at something else, they find happiness by the way. The enjoyments of life (such was now my theory) are sufficient to make it a pleasant thing, when they are taken en passant, without being made a principal object. Once make them so, and they are immediately felt to be insufficient. They will not bear a scrutinizing examination. Ask yourself whether you are happy, and you cease to be so. The only chance is to treat, not happiness, but some end external to it, as the purpose of life. Let your self-consciousness, your scrutiny, your self-interrogation, exhaust themselves on that; and if otherwise fortunately circumstanced you will inhale happiness with the air you breathe, without dwelling on it or thinking about it, without either forestalling it in imagination, or putting it to flight by fatal questioning. ~ John Stuart Mill

Battles are won en route, Shalhassan of Cathal though. A worthy thought: he raised his hand in a certain way, and a moment later Razeil galloped up, uneasy on a horse at speed, and the Supreme Lord of Cathal made him write it down. ~ Guy Gavriel Kay

Even as though dearest with th en humble and defenseless, thus shalt though be dealt with. ~ Isaac Asimov

No surprise that, as companies have adopted social media en masse, demand for software and applications to manage and monitor social use has exploded. ~ Ryan Holmes

And while she read her cards and muttered to herself, I would leaf through my collection of cookery cards, incanting the names of never-tasted dishes like mantras, like the secret formulae of life. Boeuf en daube. Champignons farcis à la grèque. Escalopes à la Reine. Crème caramel. Schokoladentorte. Tiramisu. In the secret kitchen of my imagination I made them all, tested, tasted them, added to my collection of recipes wherever we went, pasted them into my scrapbook like photographs of old friends. They gave weight to my wanderings, the glossy clippings shining out from between the smeary pages like signposts along our erratic path.
I bring them out now like long-lost friends. Soupe de tomates à la gasconne, served with fresh basil and a slice of tartelette méridonale, made on biscuit-thin pâte brisée and lush with the flavors of olive oil and anchovy and the rich local tomatoes, garnished with olives and roasted slowly to produce a concentration of flavors that seems almost impossible. ~ Joanne Harris

En inglés, Borogove'" I said. "But what if I don't finish this painting in
time?"
"Teresa, I insist, you must call me Mimsy. If you weren't going to finish it, they would have arranged a later pickup date, since they already know what will happen. For god's sake, girl, quit worrying. Go home and get to work! You have
until tomorrow night."
"But I don't even know where to start!"
"Don't you artists have any imagination? Make something up! ~ Terry Bisson

En Lima to be or not to be significan la misma cosa ~ Gunter Silva Passuni

Even as we ransack our own diseases, those of other people regard us no less. In an age of biographies, no one bandages his wounds without our attempting to lay them bare, to expose them to broad daylight; if we fail, we turn away, disappointed. And even he who endured on the cross - it is not because he suffered for us that he still counts for something in our eyes, but because he suffered and uttered several lamentations as profound as they were gratuitous. For what we venerate in our gods are our own defeats en beau. ~ Emil Cioran

Creation from chaos is natural. We've come to a place where we've realized that we have this actual physical need to create things. We've discovered that we hate people en masse, we're sick of homogenized culture, and these realizations have left holes in our hearts. We create to fill those holes, to be able to sleep at night knowing we've done something, even a small something, to confront the manufactured culture that is currently being churned out. ~ Renee Rigdon

With subjectivism in philosophy, anarchism in politics goes hand in hand.
http://en.wikiquote.org/wiki/Bertrand... ~ Bertrand Russell

Reading Mrs Gaskell's Life of Charlotte Brontë after Jane Eyre is a curious experience. The subject of the biography is recognisably the same person who wrote the novel, but the effect of the two books is utterly different. The biography is indeed depressing and painful reading. It captures better, I believe, than any any
subsequent biography the introverted and puritan pessimist side of Charlotte Brontë, and conveys the real dreariness of the world of privation, critical discouragement and limited opportunity that
so often made her complain in her letters that she felt marked out for suffering.
Jane Eyre, on the other hand, is exhilarating reading, partly because the reader, far from simply pitying the heroine, is struck by her resilience, and partly because the novel achieves such an imaginative transmutation of the drab. Unlike that of Jane Austen's Fanny Price or Dickens's Arthur Clennam or John Harmon, Jane
Eyre's response to suffering is never less than energetic. The reader is torn between exasperation at the way she mistakes her resentments and prejudices for fair moral judgements, and admiration at the way she fights back. Matthew Arnold, seeking 'sweetness and light' was repelled by the 'hunger, rebellion and rage' that he
identified as the keynotes of the novel. One can see why, and yet feel that these have a more positive effect than his phrase allows. The heroine is trying to hold on to her sense of self in a world that gives it little en ~ Ian Gregor

Chateaubriand writes of René, his personification, 'it wearied him to be loved' – on le fatigait en l'aimant. I realized with astonishment that this experience was identical to my own, and so I couldn't deny its validity.

The weariness of being loved, of being truly loved! The weariness of being the object of other people's burdensome emotions! Of seeing yourself – when what you wanted was to remain forever free – transformed into a delivery boy whose duty is to reciprocate, to have the decency not to flee, lest anyone think that you're cavalier towards emotions and would reject the loftiest sentiment that a human soul can offer. The weariness of your existence becoming absolutely dependent on a relationship with someone else's feeling! The weariness of having to feel something, of having to love at least a little in return, even if it's not a true reciprocity! ~ Fernando Pessoa

One must know the so-called 'lesson of a downpour.' A man, caught in a sudden rain en route, dashes along the road not to get wet or drenched. Once one takes it for granted that in rain he naturally gets wet, he can be in a tranquil frame of mind even when soaked to the skin. This lesson applies to everything. ~ Yamamoto Tsunetomo

As a child he had grown up without a mother or even a grandmother. He had never really explored emotional relationships or marriage. He'd never been given advice on the matter. The closest he'd really come to seeing a relationship was watching Ryland Miller pursue Lily. The man had lost his mind. Nicholas had a feeling he'd joined the ranks of en losing their mind over women. ~ Christine Feehan

Another tidbit you might be interested in is when it comes to chicks and open mouths, guys -" Decebel leaned over and covered Jen's mouth with his hand and warned her with a glare to swallow her words.
"Thanks, Dec. That's usually my job,"
Sally told him. "But I was in such shock that I couldn't get my limbs to move."
Decebel inclined his head. "Is that why you always seem to stand so close to her?"
"It's of utmost importance that whoever is within her reach be ready at any and all moments to intercept what might come from that wicked tongue."
en was frantically trying to talk around Decebel's hand at Sally's comment. Decebel was quickly learning how Jennifer's brain worked, and could only imagine what she wanted to voice in regards to Sally's wicked tongue comment. He leaned forward to whisper in her ear. "I'm going to uncover your mouth. It would be wise of you to just let the wicked tongue comment slide."
Jen glared at him from the corner of her eye, and after a tense moment finally nodded once in submission. Decebel slowly uncovered her mouth, ready if need be to slap it right back over her lips.
The room began to get quiet and they all directed their attention to the front of the room. As Vasile welcomed everyone for coming and began to explain about the meeting he had with the other Alphas, Jen leaned over to Decebel. "You owe me. Sally walked right into it with that whole wicked tongue thing."
Decebel chuckled and whispered back, ~ Quinn Loftis

Earth recedes ... Heav en opens before me. ~ Dwight L. Moody

….I have no patience with women who complain because their mothers or their husband's mothers have to live with them. To my prejudice eye, a child's life without a grandparent en residence would be a barren thing. ~ Betty MacDonald

Philosophically defined, growth is the struggle of life to control its environment or, rather, to include more and more of its environment within the area of its own self-knowing. Perfect freedom of expression is the goal of all life. All things, both animate and inanimate, are striving for that freedom which lies in perfect expression. It naturally follows that there is but one freedom – perfection. Every creature is a slave to those parts of itself as yet unresponsive to the impulses of its internal life principle. Every individual consequently is a slave to his own material constitution; he is a prisoner held in by walls of unresponsive substance. Thus the natural expression of the inner life principle is to refine and improve the qualities of its outer vehicles that it may the more easily control and direct them. It is evident that the more refined the substance, the more easily it is influenced by subtle forces. By a certain definite organization, consciousness equips its outer nature with organs of responsiveness, so that the lower self comes ever more nearly en rapport with its own Cause. A common example is the radio, which is a mechanical contrivance constructed according to definite scientific principles which enable it to pick up vibratory rates of sound inaudible to even the delicate mechanism of the human ear. ~ Manly P. Hall

The reality of en-masse inner transformation of human beings by self-realisation is the most revolutionary discovery of the present age. ~ Nirmala Srivastava

Perhaps the Ci-ty dreamed of an-other, en-emy city, float-ing across the sea to invade the es-tuary ... or of waves of darkness ... waves of fire ... Perhaps of being swallowed again, by the immense, the si-lent Mother Con-tinent? It's none of my business, city dreams ... But what if the Ci-ty were a growing neo-plasm, across the centuries, always chang-ing to meet exactly the chang-ing shape of its very worst, se-cret fears? ~ Thomas Pynchon

La Vie En Rose. It is the French way of saying, 'I am looking at the world through rose-coloured glasses. ~ Audrey Hepburn

Te amo, Querida," he whispered, stroking her hair. "Tu eres mi luz en la oscuridad." I love you. You are my light in the darkness. ~ Brooklyn Ann

Quelque rigueur qui loge en votre coeur, Amour s'en peut un jour rendre vainqueur. That little harshness which resides in your heart, Love will vanquish someday. ~ Louise Labe

There are magic moments, involving great physical fatigue and intense motor excitement, that produce visions of people known in the past ("en me retraçant ces détails, j'en suis à me demander s'ils sont réels, ou bien si je les ai rêvés"). As I learned later from the delightful little book of the Abbé de Bucquoy, there are also visions of books as yet unwritten. ~ Umberto Eco

Here we are - despite the delays, the confusion, and the shadows en route - at last, or for the moment, where we always intended to be. ~ Julia Glass

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On the way to the drain in the shower, you could be the cables hidden in the bathroom near the wall. The second cou ~ Elite Shower

The products we design are going to be ridden in, sat upon, looked at, talked into, activated, operated, or in some way used by people individually or en masse. If the point of contact between the product and the people becomes a point of friction, then the industrial designer has failed. If, on the other hand, people are made safer, more comfortable, more eager to purchase, more efficient-or just plain happier-the industrial designer has succeeded. ~ Henry Dreyfuss

Recuerdo que algún día yo le hablé de mi río
y una como tormenta se agitó en sus estrañas.
No sé si fue mi pecho que tembló de recuerdo
o si fueron mis ojos que asomaron nostalgias."

"I remember a day when I spoke of my river
and something like a storm stirred in his being.
Was it my breast that trembled with the memory
Was it nostalgia that showed through my eyes ~ Julia De Burgos

Lacing up and leaving the house is the hardest moment of any run. You never regret it once you are en route. ~ Alexandra Heminsley

Of all the species on this planet, of which there are many (hundreds of thousands counting insects and microorganisms alone), Homo Sapiens - the so-called "wise ape" - is the only one that bothers to cover its ass. It is also the only species that purposefully poisons its environment and murders its own kind en masse. Meditate on that one for moment. ~ Arthur Graham

Upon reflection, it is relatively easy to understand how Americans come to deny the evils of mass incarceration. Denial is facilitated by persistent racial segregation in housing and schools, by political demagoguery, by racialized media imagery, and by the ease of changing one's perception of reality simply by changing television channels. There is little reason to doubt the prevailing "common sense" that black and brown men have been locked up en masse merely in response to crime rates when one's sources of information are mainstream media outlets. ~ Michelle Alexander

Joan Durbeyfield always manged to find consolation somewhere: 'Well, as one of the genuine stock, she ought to make her way with 'en, if she plays her trump car aright. And if he don't marry her afore he will after. For that he's all afire wi' love for her any eye can see.'
'What's her trump card? Her d'Urberville blood, you mean?'
'No, stupid; her face - as 'twas mine. ~ Thomas Hardy

What was the battle? What were the aims of the romantics? Why was the subject
the focus of such violent interest?
Hugo and his generation were all 'enfants du siècle', all, give or take a year or
two, born with the century. Brought up amidst the dramas of Napoleon's wars,
they had reached manhood to the anticlimax of peace and Bourbon rule. Restless
and dissatisfied, their dreams of military glory frustrated, they had turned them-
selves instead towards the liberation of the arts, their foes no longer the armies of
Europe but the tyrannies of classical tradition.

For thirty years, while the nation's energies had been absorbed in politics and
war, the arts had virtually stood still in France, frozen, through lack of challenge, in
the classical attitudes of the old régime. The violent emotions and experiences of
the Napoleonic era had done much to render them meaningless. 'Since the cam-
paign in Russia,' said a former officer to Stendhal, 'Iphigénie en Aulide no longer
seems such a good play.'

By the 1820s while the academic establishment, hiding its own sterility behind
the great names of the past, continued to denounce all change, the ice of clas-
sicism was beginning to crack. New influences were crowding in from abroad:
Chateaubriand, the 'enchanter', had cast his spell on the rising generation; the po-
etry of Lamartine, Hugo and Vigny heralded the spring ~ Linda Kelly

I opened the school's booklet, found the recipes from the examination - oeufs mollets with sauce béarnaise, côtelettes de veau en surprise and crème renversée au caramel - and whipped them all up in a cold, clean fury. Then I ate them. ~ Julia Child