Contended In A Sentence Quotes

I went to grab the perfect shade of green and realized I didn't have it. How could bamboo be colored with primary green? I blew out a frustrated breath and looked back into the box.

Rand was crouched beside me, his hand resting gently on my back. His touch was light but also strong and reassuring. I couldn't help but lean into him, even if I swore to myself I wasn't. "What's wrong?"

"This green isn't right for the bamboo." Because that was the most normal sentence I'd ever uttered.

"What about these colors?" he pulled out a pink crayon, then a blue, and finally a purple.

"Bamboo is green! But it isn't primary green."

To his credit, Rand didn't look at me like I had four heads. But then again, he picked up the blue crayon and handed it to me. "I think blue and pink and purple bamboo would be perfect."

My mouth hung open, and I tried to argue. "No! No, it's not."

Rand rubbed his hand over my head. "Kyle, it's coloring in a children's coloring book. You aren't entering this into an art contest. It can be blue and purple and yellow and orange if you want it to be. It can be out of the lines, it can be scribbles on the page. You aren't trying to imitate life right now. You're coloring a picture that I can hang on the fridge and we can smile at."

"The fridge?"

"I'm going to take the green away completely if you keep worrying about it."

I gasped in horror. "You wouldn't!" I ~ Carly Marie

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. ~ Ryan North

What we feel and how we feel is far more important than what we think and how we think. Feeling is the stuff of which our consciousness is made, the atmosphere in which all our thinking and all our conduct is bathed. All the motives which govern and drive our lives are emotional. Love and hate, anger and fear, curiosity and joy are the springs of all that is most noble and most detestable in the history of men and nations.

The opening sentence of a sermon is an opportunity. A good introduction arrests me. It handcuffs me and drags me before the sermon, where I stand and hear a Word that makes me both tremble and rejoice. The best sermon introductions also engage the listener immediately. It's a rare sermon, however, that suffers because of a good introduction.

Mysteries beg for answers. People's natural curiosity will entice them to stay tuned until the puzzle is solved. Any sentence that points out incongruity, contradiction, paradox, or irony will do.

Talk about what people care about. Begin writing an introduction by asking, "Will my listeners care about this?" (Not, "Why should they care about this?")

Stepping into the pulpit calmly and scanning the congregation to the count of five can have a remarkable effect on preacher and congregation alike. It is as if you are saying, "I'm about to preach the Word of God. I want all of you settled. I'm not going to begin, in fact, until I have your complete attention."

No sermon ~ Mark Galli

And then he has nothing to do. After three weeks-or is it a lifetime?-of ceaseless activity, he has nothing to do. A very long sentence, anchored in solid nouns, with countless subordinate clauses, scores of adjectives and adverbs, and bold conjunctions that launched the sentence in a new direction-besides unexpected interludes-has finally, with a surprisingly quiet full stop, come to an end. For an hour or so, sitting outside on the landing at the top of the stairs, nursing a coffee, tired, a little relieved, a little worried, he contemplates that full stop. What will the next sentence bring? ~ Yann Martel

The managing editor shared Bernstein's fondness for doping things out on the basis of sketchy information. At the same time, he was cautious about what eventually went into print. On more than one occasion, he told Bernstein and Woodward to consider delaying a story or, if necessary, to pull it at the last minute if they had any doubts. 'I don't care if it's a word, a phrase, a sentence, a paragraph, a whole story or an entire series of stories,' he said. 'When in doubt, leave it out.'
Carl Bernstein, Bob Woodward ~ Carl Bernstein

[He] taught me many things: how to create a sentence, how to think about language and all its devices as an orchestra and search of a musical score, how to analyze a text and understand how it is constructed and why... He taught me to read and write again, but this time I knew what I was doing, why, and what for. And above all how. He never tired of telling me that in literature there is only one real theme: not what is narrated, but how it is narrated. The rest, he said, was decoration. ~ Carlos Ruiz Zafon

And each time he finished a sentence, there was a tiny but meaningful lump of silence left behind. This lump floated there, enclosed in the car's restricted space like an imaginary miniature cloud, giving Aomame a strangely unsettled feeling. ~ Haruki Murakami

It's funny,' I noted in the diary, 'how often I seem to build a story around one sentence, nearly always the last one, too. The themes are a bit depressing but I just can't get rid of that. ~ Daphne Du Maurier

Another real-world manifestation of implicit memory is known as the illusion-of-truth effect: you are more likely to believe that a statement is true if you have heard it before – whether or not it is actually true. In one study, subjects rated the validity of plausible sentences every two weeks. Without letting on, the experimenters snuck in some repeat sentences (both true and false ones) across the testing sessions. And they found a clear result: if subjects had heard a sentence in previous weeks, they were more likely to now rate it as true, even if they swore they had never heard it before. This is the case even when the experimenter tells the subjects that the sentences they are about to hear are false: despite this, mere exposure to an idea is enough to boost its believability upon later contact. The illusion-of-truth effect highlights the potential danger for people who are repeatedly exposed to the same religious edicts or political slogans. ~ David Eagleman

The childhood of a spoiled prince could be framed within half a page, a moonlit dash through sleepy villages was one rhythmically emphatic sentence, falling in love could be achieved in a single word - a glance. The pages of a recently finished story seemed to vibrate in her hand with all the life they contained. ~ Ian McEwan

When we truly fear God, our fear of other things and other people begins to wane. Big fears make little fears go away. We can spend our days worrying about a host of daily challenges, but let the word cancer be mentioned in the same sentence with our name, and all our daily anxieties disappear into the cloud of a bigger fear. God, of course, is not a malevolent force like cancer. This means that when our smaller fears are absorbed by fear of Him, our lives gain security rather than become debilitated by the terror of an uncertain future. ~ David Jeremiah

…egalitarianism and despotism do not exclude each other, but usually go hand in hand. To a certain degree, equality invites despotism, because in order to make all members of a society equal, and then to maintain this equality for a long period of time, it is necessary to equip the controlling institutions with exceptional power so they can stamp out any potential threat to equality in every sector of the society and any aspect of human life: to paraphrase a well-known sentence by one of Dostoyevsky's characters, 'We start with absolute equality and we end up with absolute despotism.' Some call it a paradox of equality: the more equality one wants to introduce, the more power one must have; the more power one has, the more one violates the principle of equality; the more one violates the principle of equality, the more one is in a position to make the world egalitarian. ~ Ryszard Legutko

How come you're so different, I asked once, as we sat in the shade of the pine tree. Yukiko's answer, a sentence learned by heart: Because I fell from a star. ~ Milena Michiko Flasar

Each story, good and bad, short or long
from that trip to the mall when you saw Santa, to a long, bad illness
they are all a line or a paragraph in our own life manuscript. Two thirds of the way through, even, and it all won't necessarily make sense, but at the end there'll be a beautiful whole, where every sentence of every chapter fits. ~ Deb Caletti

I think some of this just feels right. You're in the shower and you come up with a sentence and it's beautiful. You don't know how it's going to fit in the film, but you put it in because it feels right. This is a very long way of saying, so much of it is me feeling like I'm catching ideas rather than coming up with ideas. It's very fluid like that. ~ Don Hertzfeldt

I still understand a few words in life, but I no longer think they make a sentence. ~ Jean Rostand

In a right-angled triangle, the hypotenuse is the side opposite the right angle". A sentence that later flabbergasted the inhabitants of el Idilio, who took it to be a wird tongue twister or a mysterious incantation". ~ Luis Sepulveda

2. As a rule, begin each paragraph with a topic sentence; end it in conformity with the beginning. ~ William Strunk Jr.

I am not a particularly natural writer. I am not a person who can write in paragraphs the way some writers do. For me, it's sentence by sentence, sometimes word-by-word. And I revise constantly. It's a very laborious process, but I love doing it. ~ Yann Martel

The most emphatic place in a clause or sentence is the end. This is the climax; and, during the momentary pause that follows, that last word continues, as it were, to reverberate in the reader's mind. It has, in fact, the last word. ~ F.L. Lucas

There was a sentence in your letter that struck me, "I wish I were far away from everything, I am the cause of all, and bring only sorrow to everybody, I alone have brought all this misery on myself and others." These words struck me because that same feeling, just the same, not more nor less, is also on my conscience. ~ Vincent Van Gogh

Do you get it now,Becks?" Jack wrapped a finger around a long strand of my hair, and we were quiet as it slipped through his grip.
"You haven't moved on?"
He chuckled. "I have a lifetime of memories made up of chestnut wars and poker games and midnight excursions and Christmas Dances...It's all you. It's only ever been you.I love you." The last part seemed to escape his lips unintentionally, and afterward he closed his eyes and put his head in his hands,as if he had a sudden headache. "I've gotta not say that out loud."
The sight of how messed up he was made me want to wrap my arms around him and fold him into me and cushion him from everything that lay ahead.
Instead,I reached for his hand. Brought it to my lips. Kissed it.
He raised his head and winced. "You shouldn't do that," he said, even though he didn't pull his hand away.
"Why?"
"Because...it'll make everything worse...If you don't feel-"
His voice cut off as I kissed his hand again, pausing with his fingers at my lips. He let out a shaky sigh and his hair flopped forward. Then he looked at my lips for a long moment. "What if...?"
I bit my lower lip. "What?"
"What if we could be like this again?" He leaned in closer with a smile, and as he did,he said, "Are you going to steal my soul?"
"Um...it's not technically your soul that..."
I couldn't finish my sentence. His lips brushed mine, and I felt the whoosh of transferring emotions,but it wasn't as strong as th ~ Brodi Ashton

I think that my first impulse arises from a hypersensitivity or allergy. It seems to me that language is always used in a random, approximate, careless manner, and this distresses me unbearably. Please don't think that my reaction is the result of intolerance towards my neighbor: the worst discomfort of all comes from hearing myself speak. That's why I try to talk as little as possible. If I prefer writing, it is because I can revise each sentence until I reach the point where - if not exactly satisfied with my words - I am able at least to eliminate those reasons for dissatisfaction that I can put a finger on. Literature - and I mean the literature that matches up to those requirements - is the promised land in which language becomes what it really ought to be. ~ Italo Calvino

I should start with an apology to Rudy Giuliani. I said every sentence Rudy utters has a noun, a verb, and 9/11 in it. I was wrong. He called me to tell me after Pat Robertson's endorsement, there's an Amen in every sentence he says too. ~ Joe Biden

Confronted by an absolutely infuriating review, it is sometimes helpful for the victim to do a little personal research on the critic. Is there any truth to the rumor that he had no formal education beyond the age of eleven? In any event, is he able to construct a simple English sentence? Do his participles dangle? When moved to lyricism, does he write "I had a fun time"? Was he ever arrested for burglary? I don't know that you will prove anything this way, but it is perfectly harmless and quite soothing. ~ Jean Kerr

We began our hospital visits: one day Susan, one day me, everyday The Big Hoom. On one of these visits, she told me about the tap that opened at my birth and the lack drip filling her up, and it tore a hole in my heart. If this was what she could manage with a single sentence, what did thirsty years of marriage do to The Big Hoom? ~ Jerry Pinto

But there was a discipline, it was just that we didn't understand. We thought he was formless, but I think now he was tormented by order, what was outside it. He tore apart the plot - see his music was immediately on top of his own life. Echoing. As if, when he was playing he was lost and hunting for the right accidental notes. Listening to him was like talking to Coleman. You were both changing direction with every sentence, sometimes in the middle, using each other as a springboard through the dark. You were moving so fast it was unimportant to finish and clear everything. He would be describing something in 27 ways. There was pain and gentleness everything jammed into each number. ~ Michael Ondaatje

When, as my friend suggested, I stand before Zeus (whether I die naturally, or under sentence of History)I will repeat all this that I have written as my defense.Many people spend their entire lives collecting stamps or old coins, or growing tulips. I am sure that Zius will be merciful toward people who have given themselves entirely to these hobbies, even though they are only amusing and pointless diversions. I shall say to him : "It is not my fault that you made me a poet, and that you gave me the gift of seeing simultaneously what was happening in Omaha and Prague, in the Baltic states and on the shores of the Arctic Ocean.I felt that if I did not use that gift my poetry would be tasteless to me and fame detestable. Forgive me." And perhaps Zeus, who does not call stamp-collectors and tulip-growers silly, will forgive. ~ Czeslaw Milosz

Every sentence has a truth waiting at the end of it and the writer learns how to know it when he finally gets there. On one level this truth is the swing of the sentence, the beat and poise, but down deeper it's the integrity of the writer as he matches with the language. I've always seen myself in sentences. I begin to recognize myself, word by word, as I work through a sentence. The language of my books has shaped me as a man. There's a moral force in a sentence when it comes out right. It speaks the writer's will to live. ~ Don DeLillo

In a 1957 experiment that helped launch the modern study of language acquisition, the late Roger Brown showed that children know that if you say, "Can you see a sib?" you probably have in mind an action or a process. No other mammal seems to be equipped to use such clues for word learning.

Even more dramatically, no other species seems to be able to make much of word order. The difference between the sentence "Dog bites man" and the sentence "Man bites dog" is largely lost on our nonhuman cousins. There is a bit of evidence that Kanzi can pay attention to word order to some tiny extent, but certainly not in anything like as rich a fashion as a three-year-old human child. ~ Gary F. Marcus

He, to Whom the Angels bowed down in worship, at that same time reclined at table with publicans. Upon Him the Seraphim dared not to gaze, and at the same time Pilate pronounced sentence upon Him. He is That One and Same, Whom the servant did smite and before whom did tremble all creation. He was nailed to the Cross and ascended to the Throne of Glory - He was placed in the tomb and He stretched out the heavens like a canopy (Ps. 104:2) He was numbered amidst the dead and He emptied hell; here upon the earth, they cursed at Him as a transgressor - there in Heaven, they exclaimed Him glory as the All-Holy. What ~ John A. Peck

Sometime during your life - in fact, very soon - you may find yourself reading a book, and you may notice that a book's first sentence can often tell you what sort of story your book contains. ~ Lemony Snicket

But sometimes things are said and they're not just words. They are everything that one person thinks of another in a sentence. Just one sentence. ~ Richard Flanagan

At Columbia and far beyond, T.D. was renowned and celebrated. At the weekly research seminars I attended ... every speaker felt compelled to focus on him; as they spoke, their eyes fixated only on him, and he let no statement he did not fully agree with pass hi by. No matter who lectured at the seminar, T.D. concentrated intensely on their argument, and interrupted at the first instant something was not satisfactory. At times he broke in on the initial sentence of the talk, refusing to let a speaker proceed until the point was clarified. Sometimes clarification never came; I once witnessed the humiliation of a visiting postdoc who was forced to defend the first sentence he uttered for the entire hour and a half allowed for his seminar. No one dared restrain T.D. ~ Emanuel Derman

Because I grew up around Danny and Phillip, I discovered the truth about the male language very early in life. What I learned is there are three basic responses that most guys will use when shouldered with the major task of having to answer the question, How do I look? by the fairer sex.
Although I have never confirmed it, I am convinced that boys are taken aside in school, probably in fifth grade when the girls watch the film about getting their periods, and are taught the following three responses:

You look like shit. (Translation: You look bad. Just go back to bed and start over tomorrow. I really shouldn't be seen with you like this.)

You look fine. (Translation: You look good enough to be seen with.)

You look hot. (Translation: I want you.)

They also must teach them there is only one acceptable variation to these responses and to use it sparingly. The variation is simple. They just throw a REALLY into the sentence. The following are examples I have witnessed:

JJ, you REALLY look like shit. (Translation: You must be very hung over, or sick, or having an extremely bad hair day. I really don't want to be seen with you.)

REALLY, JJ, your hair looks fine. (Translation: Your hair looks the same to me as it always does, even though you spent an hour fixing it, so stop messing with it and lets go because you look good enough to be seen with.) And…

(Insert cheerleader's name here) looks REALLY Hot. ~ Jillian Dodd

Nothing. I have no way of getting in touch with Machiavelli."
Virginia produced her wooden flute and spun it in her fingers. "I don't know why you're so worried, Doctor. I can easily lull them to sleep with-"
Before she could finish her sentence a green-skinned, green-haired, fish-tailed woman had leapt straight up out of the sea, snatched the flute from Virginia's fingers and splashed back into the water on the opposite side of the boat, leaving her empty-handed.
Virginia Dare's scream was hideous. Flinging off her smoke-stained jacket and pulling off her shoes,she launched herself over the side of the boat and disappeared beneath the waves without a trace. ~ Michael Scott

[Olivia:] "It's just that I was already at my calorie limit for the day before I had the liquor, and I want to go to Europe in my skinny jeans."

[Tobias:] "What the hell are skinny jeans?"

"They're the jeans that you buy that are too small so that someday you can wear them and feel awesome."

He put his fork down and stared at me, openmouthed. "There are so many things wrong with that sentence. I don't even know where to start."

"It's okay. This is advanced self-loathing. You'd have to be a woman to understand it at this level. ~ Lucy March

Obviously, in journalism, you're confined to what happens. And the tendency to embellish, to mythologize, it's in us. It makes things more interesting, a closer call. But journalism taught me how to write a sentence that would make someone want to read the next one. ~ Amy Hempel

For example, there is an old grammarian's saw about how a sentence can end in five prepositions. Daddy trudges upstairs to Junior's bedroom to read him a bedtime story. Junior spots the book, scowls, and asks, Daddy, what did you bring that book that I don't want to be read to out of up for? ~ Steven Pinker

She studies the endless rows of titles on the bookshelf, then whirls toward me. "Okay. Admit it."

"Admit what?"

She points an accusing finger at me. "You're smart."

I snort loudly. "Of course I'm smart."

"You sure as hell don't act like it." Allie crosses her arms over the front of her loose striped sweater. "In fact, I feel like you go out of your way to make everyone believe you're a dummy. With your 'baby dolls' and foul language and the way you throw 'ain't' into a sentence every so often."

I flash her a grin. "Nope, that's just how I fucking talk, baby doll. Ain't nothing wrong with that. ~ Elle Kennedy

I'm done doing this!' Obama said, finally erupting. 'We've all agreed on a plan. And we're all going to stick to that plan. I haven't agreed to anything beyond that.'

The 30,000 was a 'hard cap,' he said forcefully. 'I don't want enablers to be used as wiggle room. The easy thing for me to do - politically - would actually be to say no' to the 30,000. Then he gestured out the Oval Office windows, across the Potomac, in the direction of the Pentagon. Referring to Gates and the uniformed military, he said. 'They think it's the opposite. I'd be perfectly happy -' He stopped mid-sentence. 'Nothing would make Rahm happier than if I said no to the 30,000.'

There was some subdued laughter.

'Rahm would tell me it'd be much easier to do what I want to do by saying no,' the president said. He could then focus on the domestic agenda that he wanted to be the heart of his presidency. The military did not understand. 'Politically, what these guys don't get is it'd be a lot easier for me to go out and give a speech saying, 'You know what? The American people are sick of this war, and we're going to get out of there. ~ Bob Woodward

But even the longest dedication is too short and too commonplace to honor a friendship so uncommon. When I try to define this asset which has been mine now for years, I tell myself that such a privilege, however rare it may be, is surely not unique; that in the whole adventure of bringing a book successfully to its conclusion, or even in the entire life of some fortunate writers, there must have been sometimes, in the background, perhaps, someone who will not let pass the weak or inaccurate sentence which we ourselves would retain, out of fatigue; someone who would re-read with us for the twentieth time, if need be, a questionable page; someone who takes down for us from the library shelves the heavy tomes in which we may find a helpful suggestion, and who persists in continuing to peruse them long after weariness has made us give up; someone who bolsters our courage and approves, or sometimes disputes, our ideas; who shares with us, and with equal fervor, the joys of art and of living, the endless work which both require, never easy but never dull; someone who is neither our shadow nor our reflection, nor even our complement, but simply himself; someone who leaves us ideally free, but who nevertheless obliges us to be fully what we are. Hospes Comesque. ~ Marguerite Yourcenar

I feel at various times in my life that I've been at a point where I had to choose between a death sentence and a life sentence. And I want to live. What do I do to live? What do I do to be vital? And the answer is always creativity. The answer is always art. ~ Jodie Foster

Tell me what happened."
"He was here," I said, hoarse. "He lit the can on fire and took the extinguisher nearby. I ran to the back to get the other and he pushed one of the shelves over on me."
The muscles in Holt's jaw clenched and flexed beneath the stubble that lined his face.
"Do you ever shave?" I wondered out loud.
He smiled and rubbed at the gruffness. "I just trim it."
I nodded.
"Do you like it?" he asked.
Once again, I touched him, brazenly running my hand along his jaw. It was soft and rough at the same time - the perfect balance. "Yeah, I do."
"Good to know," he said, taking my hand, linking our fingers together, and then his face grew serious again.
"Obviously, I avoided the shelf."
"Did you get a look at his face?" I cringed at the hopefulness in his voice.
"No," I admitted. "I tried, but he kicked me."
His eyes went murderous. Maybe I shouldn't have said that.
"He. Kicked. You," he ground out, making each word into a pointed sentence.
This time I kept my mouth shut.
"Where?" he demanded.
I wasn't going to reply, but his eyes narrowed and I knew he would eventually make me tell him. I was going to have to tell the cops anyway. Weariness floated over me at the thought of enduring yet another one of their hours-long interrogations.
I lifted my wrist, the bandage just dangling from the area now, not covering or protecting a thing.
The waves of hatred that roll ~ Cambria Hebert

Most people write the same sentence over and over again. The same number of words-say, 8-10, or 10-12. The same sentence structure. Try to become stretchy-if you generally write 8 words, throw a 20 word sentence in there, and a few three-word shorties. If you're generally a 20 word writer, make sure you throw in some threes, fivers and sevens, just to keep the reader from going crosseyed. ~ Janet Fitch

She sucked in a breath. "You're ... "
When she didn't finish the sentence, he turned his head and watched her gaze drop to his mouth, which was only a few inches from hers.
"Handy," she finished softly.
"And you're ... "
She smiled. "Stubborn? Annoying?"
"Set to go," he said. ~ Jill Shalvis