A Poison Dark And Drowning Quotes

I know your mind, and I swear to God if you take it upon yourself to go to him, I will drag you home even if it kills me. Do you hear?" His eyes shone with panic. "I'll never let him have you. ~ Jessica Cluess

When I had your friendship, I thought I could never want for anything more. But over time, I have come to feel for you beyond anything I thought I could. ~ Jessica Cluess

The child affixes one of her little pictures to my refrigerator.
She asks, Can you detect the radiation?

There is a house, one tree, and grass in dark slashes. A sun
shining. Beneath, in her child letters, she has written Chernobyl.

At kindergarten they must be having nuclear energy week.

One could look at the picture and say everything is in order.
No, I say, I cannot see the radiation.

The radiation poison, she says, sits
inside the apple and the apple looks pretty. Then singsongs,

Bury the apple and bury the shovel that buried the apple
and put the apple-burier person in a closet forever.

We are both thinking Then bury the burier.
Both thinking of her picture with no people.

The poison sits inside the people and the people
still look pretty, she says. ~ Darcie Dennigan

On the Samael Qlipha, the magician makes a pact with the dark forces and realizes the invitation of Friedrich Neitzsche to re-evaluate old values. Insanity becomes wisdom; death becomes life. Samael is the 'Poison of God.' Here is where illusions are poisoned, and all categories and conceptions are deconstructed until nothing is left. The dark side of the astral plane could be compared to a chalice filled with poison or an intoxicating fluid. While Gamaliel is the chalice, Samael is the elixir and the following lower Qlipha, A'arab Zaraq, is where the magician experiences the effect. ~ Thomas Karlsson

The letters from his father continued to arrive, once, sometimes twice a week. Wylan didn't know what to make of them. Were they threats? Taunts? He stashed them in a stack beneath his mattress, and sometimes at night he thought he could feel the ink bleeding through the pages, up through the mattress and into his heart like dark poison. ~ Leigh Bardugo

From around the corner's edge a grotesque light was trickling out, the first intimations of an ominous sunrise over a dark horizon. I dimly recognized this colored light, though not from my waking memory. It grew more intense, now pouring out in weird streams from beyond the solid margin of the building. And the more intense it grew, the more clearly I could hear the screaming voice that had called out to me in a dream. I shouted his name, but the swelling colored brightness was a field of fear which kept me from making any move toward it. It was no amalgam of colors comparable to anything in mortal experience. It was as if all natural colors had been mutated into a painfully lush iridescence by some prism fantastically corrupted in its form; it was a rainbow staining the sky after a poison deluge; it was an aurora painting the darkness with a blaze of insanity, a blaze that did not burn vigorously but shimmered with an insect-jeweled frailness. And, in actuality, it was nothing like these color-filled effusions, which are merely a feeble means of partially fixing a reality uncommunicable to those not initiated to it, a necessary resorting to the makeshift gibberish of the mystic isolated by his experience and left without a language to describe it.

("The Dreaming In Nortown") ~ Thomas Ligotti

The dark leaden mask hides the devil with a soul of deceit, with his warm syrupy vacuous words coercing, enticing and grasping with exposed sharpened claws, scratching slow at his prey's surface with bullet pointed precision, inserting the slow hot mercurial poison of falsification of love straight into the flowing veins of the succumbing vulnerable heart. The prey's wanton escape futile, isolated & drawn into the hot fiery abyss. ~ Alison Blackmore

Imagine the same scene in HAMLET if Pullman had written it. Hamlet, using a mystic pearl, places the poison in the cup to kill Claudius. We are all told Claudius will die by drinking the cup. Then Claudius dies choking on a chicken bone at lunch. Then the Queen dies when Horatio shows her the magical Mirror of Death. This mirror appears in no previous scene, nor is it explained why it exists. Then Ophelia summons up the Ghost from Act One and kills it, while she makes a speech denouncing the evils of religion. Ophelia and Hamlet are parted, as it is revealed in the last act that a curse will befall them if they do not part ways. ~ John C. Wright

The tent in which she first met him had smelled of blood, of the death she did not understand, and still she had thought of it all as a game. She had promised him the world. His flesh in the flesh of his enemies. And much too late had she realized what he had sown in her. Love. Worst of all poisons. ~ Cornelia Funke

You digest and absorb your life by turning it into stories,' he says, 'the same way this theater seems to digest people.' With one hand, he points to a carpet stain, this dark stain sticky and growing mold, branched with arms and legs.
Other events - the ones you can't digest - they poison you. Those worst parts of your life, those moments you can't talk about, they rot you from the inside out. Until you're Cassandra's wet shadow on the ground. Sunk in your own yellow protein mud.
But the stories that you can digest, that you can tell - you can take control of those past moments. You can shape them, craft them. Master them. And use them to your own good. Those are stories as important as food. Those are stories you can use to make people laugh or cry or sick. Or scared. To make people feel the way you felt. To help exhaust that past moment for them and for you. Until that moment is dead.
Consumed. Digested. Absorbed. ~ Chuck Palahniuk

Fear was a poison. Fear was a prison. Fear was the bridesmaid of regret, the butcher of amibition. The bleak forever between forward and backward. Fear was can't. Fear was won't.

But fear wasn't ever a choice.

To never fear was to never hope, never love, never live. To never fear the dark was to never smile as the dawn kissed your face. To never fear solitude was to never know the joy of a beauty in your arms. Part of having is the fear of losing. Part of creating is the fear of it breaking. Part of beginning is the fear of your ending.

Fear is never a choice. ~ Jay Kristoff

This was a normal town once, and we were normal people. Most of us worked at the plastics factory on the outskirts of town. Then one day there was an accident ... something escaped from the factory, a yellow gas. It floated over the town so fast that we didn't see it, didn't realize ... and then it was too late, and Dark Falls wasn't a normal town anymore. ~ R.L. Stine

One can see from space how the human race has changed the Earth. Nearly all of the available land has been cleared of forest and is now used for agriculture or urban development. The polar icecaps are shrinking and the desert areas are increasing. At night, the Earth is no longer dark, but large areas are lit up. All of this is evidence that human exploitation of the planet is reaching a critical limit. But human demands and expectations are ever-increasing. We cannot continue to pollute the atmosphere, poison the ocean and exhaust the land. There isn't any more available. ~ Stephen Hawking

All the horrors of all the ages were brought together, and not only armies but whole populations were thrust into the midst of them. The mighty educated States involved conceived-not without reason-that their very existence was at stake. Neither peoples nor rulers drew the line at any deed which they thought could help them win. Germany, having let Hell loose, kept well in the van of terror; but she was followed step by step by the desperate and ultimately avenging nations she had assailed. Every outrage against humanity or international law was repaid by reprisals-often of a greater scale and of longer duration. No truce or parley mitigated the strife of the armies. The wounded died between the lines: the dead mouldered into the soil. Merchant ships and neutral ships and hospital ships were sunk on the seas and all on board left to their fate, or killed as they swam. Every effort was made to starve whole nations into submission without regard to age or sex. Cities and monuments were smashed by artillery. Bombs from the air were cast down indiscriminately. Poison gas in many forms stifled or seared the soldiers. Liquid fire was projected upon their bodies. Men fell from the air in flames, or were smothered often slowly in the dark recesses of the sea. The fighting strength of armies was limited only by the manhood of their countries. Europe and large parts of Asia and Africa became one vast battlefield on which after years of struggle not armies but nations broke and ran. Whe ~ Winston S. Churchill

Dorothy's coming up. I think she's tight."
"That's great." I picked up my bathrobe. "I was afraid I was going to have to get some sleep."
She was bending over looking for her slippers. "Don't be such an old fluff. You can sleep all day." She found her slippers and stood up in them. "Is she really as afraid of her mother as she says?"
"If she's got any sense. Mimi's poison."
Nora screwed up her dark eyes at me and asked slowly: "What are you holding out on me?"
"Oh, dear," I said, " I was hoping I wouldn't have to tell you. Dorothy is really my daughter. I didn't know what I was doing, Nora. It was spring in Venice and I was so young and there was a moon over the ... "
"Be funny. Don't you want something to eat? ~ Dashiell Hammett

In the morning when he opened his eyes and when his glance fell upon the yellow linen of the curtain by the window, it seemed to him that its yellowness was suffused with the crimson of dark desire and that there was some strange and eerie tenseness in it. It seemed that the sun was insistently and fervently concentrating its burning and bitter rays towards this linen pierced by a golden color and summoning and demanding, and disturbing. And in reply to this fascinating external tension of gold and crimson the veins of the Youth were filled with a fiery agitation. His muscles were suffused with a resilient strength and his heart became like a spring of ardent fires. Sweetly pierced by millions of exciting, burning and arousing needles he leapt up from the bed and with a childlike gleeful laugh he began to leap and dance around the room without dressing.
("The Poison Garden") ~ Valery Bryusov

I am a book.

Sheaves pressed from the pulp of oaks and pines
a natural sawdust made dingy from purses, dusty
from shelves.
Steamy and anxious, abused and misused,
kissed and cried over,
smeared, yellowed, and torn,
loved, hated, scorned.

I am a book.

I am a book that remembers,
days when I stood proud in good company
When the children came, I leapt into their arms,
when the women came, they cradled me against their soft breasts,
when the men came, they held me like a lover,
and I smelled the sweet smell of cigars and brandy as we sat together in leather chairs,
next to pool tables, on porch swings, in rocking chairs,
my words hanging in the air like bright gems, dangling,
then forgotten, I crumbled,
dust to dust.

I am a tale of woe and secrets,
a book brand-new, sprung from the loins of ancient fathers clothed in tweed,
born of mothers in lands of heather and coal soot.
A family too close to see the blood on its hands,
too dear to suffering, to poison, to cold steel and revenge,
deaf to the screams of mortal wounding,
amused at decay and torment,
a family bred in the dankest swamp of human desires.

I am a tale of woe and secrets,
I am a mystery.

I am intrigue, anxiety, fear,
I tangle in the night with madmen, spend my days cloaked in black,
hiding from myself, from dark angels,
Lise McClendon

Such a staircase, with its accessories, in the older and more crowded parts of Paris, would be bad enough now; but, at that time, it was vile indeed to unaccustomed and unhardened senses. Every little habitation within the great foul nest of one high building - that is to say, the room or rooms within every door that opened on the general staircase - left its own heap of refuse on its own landing, besides flinging other refuse from its own windows. The uncontrollable and hopeless mass of decomposition so engendered, would have polluted the air, even if poverty and deprivation had not loaded it with their intangible impurities; the two bad sources combined made it almost insupportable. Through such an atmosphere, by a steep dark shaft of dirt and poison, the way lay. ~ Charles Dickens

Thus, I am here where poets come to drink a dark strong poison with tiny shards of ice, something to loosen my primate tongue and its syllables
of debris. I know all words come from preexisting words and divide until our pronouncements develop selves. ~ Terrance Hayes

Gather close, and let us speak of nasty little shits. Oh, come now, we are no strangers to the vicious demons in placid disguises, innocent eyes so wide, hidden minds so dark. Does evil exist? Is it a force, some deadly possession that slips into the unwary? Is it a thing separate and thus subject to accusation and blame, distinct from the one it has used? Does it flit from soul to soul, weaving its diabolical scheme in all the unseen places, snarling into knots tremulous fears and appalling opportunity, stark terrors and brutal self-interest? Or is the dread word nothing more than a quaint and oh so convenient encapsulation of all those traits distinctly lacking moral context, a sweeping generalization embracing all things depraved and breath takingly cruel, a word to define that peculiar glint in the eye - the voyeur to one's own delivery of horror, of pain and anguish and impossible grief?
Give the demon crimson scales, slashing talons. Tentacles and dripping poison. Three eyes and six slithering tongues. As it crouches there in the soul, its latest abode in an eternal succession of abodes, may every god kneel in prayer.
But really. Evil is nothing but a word, an objectification where no objectification is necessary. Cast aside this notion of some external agency as the source of inconceivable inhumanity - the sad truth is our possession of an innate proclivity towards indifference, towards deliberate denial of mercy, towards disengaging all that is moral within ~ Steven Erikson

The Ripe Fig
Now that You live here in my chest,
anywhere we sit is a mountaintop.
And those other images,
which have enchanted people
like porcelain dolls from China,
which have made men and women weep
for centuries, even those have changed now.
What used to be pain is a lovely bench
where we can rest under the roses.
A left hand has become a right.
A dark wall, a window.
A cushion in a shoe heel,
the leader of the community!
Now silence. What we say
is poison to some
and nourishing to others.
What we say is a ripe fig,
but not every bird that flies
eats figs. ~ Rumi

And at midnight there came an apparition in hell. A handsome dark-eyed man with a dagger-like beard, in a tailcoat, stepped onto the veranda and cast a regal glance over his domain. They used to say, the mystics used to say, that there was a time when the handsome man wore not a tailcoat but a wide leather belt with pistol butts sticking out from it, and his raven hair was tied with scarlet silk, and under his command a brig sailed the Caribbean under a black death flag with a skull and crossbones.
But no, no! The seductive mystics are lying, there are no Caribbean Seas in the world, no desperate freebooters to sail them, no corvette chases after them, no cannon smoke drifts across the waves. There is nothing, and there was nothing! There is that sickly linden over there, there is the cast-iron fence, and the boulevard beyond it…And the ice is melting in the bowl, and at the next table you see someone's bloodshot, bovine eyes, and you're afraid, afraid…Oh, gods, my gods, poison, bring me poison!... ~ Mikhail Bulgakov

There's a very real danger that he'll hold his cup to my lips, and I'll drink down his poison like I'm dying and he's the cure. ~ Callie Hart

When a writer develops a story, he is confronted with a poison that is inside him. If you don't have that poison, your story will be boring and uninspired. It's like fugu: The flesh of the pufferfish is extremely tasty, but the roe, the liver, the heart can be lethally toxic. My stories are located in a dark, dangerous part of my consciousness, I feel the poison in my mind, but I can fend off a high dose of it because I have a strong body. When you are young, you are strong; so you can usually conquer the poison even without being in training. But beyond the age of 40 your strength wanes, you can no longer cope with the poison if you lead an unhealthy life. ~ Haruki Murakami

We are aberrations - beings born undead, neither one thing nor another, or two things at once ... uncanny things that have nothing to do with the rest of creation, horrors that poison the world by sowing our madness everywhere we go, glutting daylight and darkness with incorporeal obscenities. From across an immeasurable divide, we brought the supernatural into all that is manifest. Like a faint haze it floats around us. We keep company with ghosts. Their graves are marked in our minds, and they will never be disinterred from the cemeteries of our remembrance. Our heartbeats are numbered, our steps counted. Even as we survive and reproduce, we know ourselves to be dying in a dark corner of infinity. Wherever we go, we know not what expects our arrival but only that it is there. ~ Thomas Ligotti

Just when I despaired -- she was there, filling me as a melody fills a cottage. I was with her, running beside the Acis when we were a child. I knew the ancient villa moated by a dark lake, the view through the dusty windows of the belvedere, and the secret space in the odd angle between two rooms where we sat at noon to read by candlelight. I knew the life of the Autarch's court, where poison waited in a diamond cup. I learned what it was for one who had never seen a cell or felt a whip to be a prisoner of the torturers, what dying meant, and death.

I learned that I had been more to her than I had ever guessed, and at last fell into a sleep in which my dreams were all of her. Not memories merely -- memories I had possessed in plenty before. I held her poor, cold hands in mine, and I no longer wore the rags of an apprentice, nor the fuligin of a journeyman. We were one, naked and happy and clean, and we knew that she was no more and that I still lived, and we struggled against neither of those things, but with woven hair read from a single book and talked and sang of other matters. ~ Gene Wolfe

Don't be upset. Don't listen to me. I only meant that I am jealous of a dark, unconscious element, something irrational, unfathomable. I am jealous of your toilet articles, of the drops of sweat on your skin, of the germs in the air you breathe which could get into your blood and poison you. And I am jealous of Komarovsky, as if he were an infectious disease. Someday he will take you away, just as certainly as death will someday separate us. I know this must seem obscure and confused, but I can't say it more clearly. I love you madly, irrationally, infinitely. ~ Boris Pasternak

It is the strain of walking around the world-down the street, riding city buses and elevators, moving from place to place to place-and not knowing who might want to destroy you, who might like to fill your heart with poison, who might rob you and stab you, who might stand above you in the dark with a tarantula. ~ Joe Meno

You're my choice of poison." Stitch held him tightly as he turned away from the wall, carrying Zak somewhere in the dark room. A tiny bit of light from a dusty window made the edges of furniture blur, but it was no surprise when the world became horizontal, and Zak's back met a mattress. He didn't have to see Stitch to know he was unbuckling his belt, the metallic clang went straight to Zak's cock. "Gonna kill me, but I can't stop," muttered Stitch ~ K.A. Merikan

But what's left on earth that I haven't tried?" Prince Lír demanded. "I have swum four rivers, each in full flood and none less than a mile wide. I have climbed seven mountains never before climbed, slept three nights in the Marsh of the Hanged Men, and walked alive out of that forest where the flowers burn your eyes and the nightingales sing poison. I have ended my betrothal to the princess I had agreed to marry - and if you don't think that was a heroic deed, you don't know her mother. I have vanquished exactly fifteen black knights waiting by fifteen fords in their black pavilions, challenging all who come to cross. And I've long since lost count of the witches in the thorny woods, the giants, the demons disguised as damsels; the glass hills, fatal riddles, and terrible tasks; the magic apples, rings, lamps, potions, swords, cloaks, boots, neckties, and nightcaps. Not to mention the winged horses, the basilisks and sea serpents, and all the rest of the livestock." He raised his head, and the dark blue eyes were confused and sad.

"And all for nothing," he said. "I cannot touch her, whatever I do. For her sake, I have become a hero - I, sleepy Lír, my father's sport and shame - but I might as well have remained the dull fool I was. My great deeds mean nothing to her. ~ Peter S. Beagle

Eryx didn't turn to watch her go. His gaze was on Esmond, dark with reproach. "This is unacceptable. Apologize to our guests at once."

"Why?" asked Esmond. "I haven't said a thing that isn't true. And it would be a shame to stop before the exciting bit." He straightened up to his full height. "There's a kidnapper, an extortioner, and at least two murderers in this room, and I'm not leaving until everyone knows who they are. ~ R.J. Anderson

I glanced up at the trees too.
Dead. Every one of them gray and white, needles rusted, leaves shriveled at the tips of branches. All the life sucked out of them. Not just the trees. All the plants, ferns, grasses and brush were shriveled, brown, barren.
As if a month of winter had set down right here in my driveway and gone on a killing spree.
...
"Love what you've done with the landscape," Cody said. "You could open your own business, you know."
...
"The hell you talking about, Miller?" I asked Cody.
"Yard care. You're poison and weed whacker all in one. You can call it Death to All Shrubbery. ~ Devon Monk

Toward an Organic Philosophy

SPRING, COAST RANGE
The glow of my campfire is dark red and flameless,
The circle of white ash widens around it.
I get up and walk off in the moonlight and each time
I look back the red is deeper and the light smaller.
Scorpio rises late with Mars caught in his claw;
The moon has come before them, the light
Like a choir of children in the young laurel trees.
It is April; the shad, the hot headed fish,
Climbs the rivers; there is trillium in the damp canyons;
The foetid adder's tongue lolls by the waterfall.
There was a farm at this campsite once, it is almost gone now.
There were sheep here after the farm, and fire
Long ago burned the redwoods out of the gulch,
The Douglas fir off the ridge; today the soil
Is stony and incoherent, the small stones lie flat
And plate the surface like scales.
Twenty years ago the spreading gully
Toppled the big oak over onto the house.
Now there is nothing left but the foundations
Hidden in poison oak, and above on the ridge,
Six lonely, ominous fenceposts;
The redwood beams of the barn make a footbridge
Over the deep waterless creek bed;
The hills are covered with wild oats
Dry and white by midsummer.
I walk in the random survivals of the orchard.
In a patch of moonlight a mole
Shakes his tunnel like an angry vein;
Orion walks waist deep in the ~ Kenneth Rexroth

Javi is the poison I drink so willingly because nothing else has ever tasted so sweet. He is everything. The light and the dark. The solace and the pain. The torment and the peace. And I can't imagine not having him here with me. I can't even consider it. ~ A. Zavarelli

Someday we shall look back on this dark era of agriculture and shake our heads. How could we have ever believed that it was a good idea to grow our food with poisons? ~ Jane Goodall

And now at last authentic word I bring,
Witnessed by every dead and living thing;
Good tidings of great joy for you, for all:
There is no God; no Fiend with names divine
Made us and tortures us; if we must pine,
It is to satiate no Being's gall.

It was the dark delusion of a dream,
That living Person conscious and supreme,
Whom we must curse for cursing us with life;
Whom we must curse because the life he gave
Could not be buried in the quiet grave,
Could not be killed by poison or the knife.

This little life is all we must endure,
The grave's most holy peace is ever sure,
We fall asleep and never wake again;
Nothing is of us but the mouldering flesh,
Whose elements dissolve and merge afresh
In earth, air, water, plants, and other men.

We finish thus; and all our wretched race
Shall finish with its cycle, and give place
To other beings with their own time-doom:
Infinite aeons ere our kind began;
Infinite aeons after the last man
Has joined the mammoth in earth's tomb and womb. ~ James Thomson

Sun and moon have no light left, earth is dark;
Our women's world is sunk so deep, who can help us?
Jewelry sold to pay this trip across the seas,
Cut off from my family I leave my native land.
Unbinding my feet I clean out a thousand years of poison,
With heated heart arouse all women's spirits.
Alas, this delicate kerchief here
Is half stained with blood, and half with tears. ~ Qiu Jin

Danilo's was the kind of place where many drinking men come to hide, be it from their wives, in-laws, their jobs or life in general. it was where men and women can come to drink poison as if it was the only form of medicine available to remedy the migraine headache called life. The lighting dim and secluded, mostly covering the tables, counters and the door to the bathroom. The walls were decorated in decades of memories, favorite sports teams and other miscellaneous decor that was typical of small bars such as this one. It was too dark to tell what they were from a distance.
There was a thick layer of smoke hovering in the air around the ceiling lights, the place was smothered in it but was strongest above everyone's heads. The smell was the classic stale bar odor of cigarettes and cheap cigars. ~ J.C. Joranco

The Beauty drew near and the Youth heard her softly ringing, clear voice, every sound of which rent his heart with a sweet pain, "Dear Youth, do you know the price of my love?"
"Let it be the price of life!" exclaimed the Youth, "Let it lead even to the dark gates of death."
("The Poison Garden") ~ Valery Bryusov

Everything looks stark and vivid and frozen, as though drawn precisely and outlined in ink - parents' smiles frozen, camera flashes blinding, mouths open and white teeth glinstening, dark glossy hair and deep blue sky and unrelenting light, everyone drowning in light - everything so clear and perfect I'm sure it must already be a memory, or a dream. ~ Lauren Oliver

The poison was brewed in these West lands but it has spat itself everywhere by now. However far you went you would find the machines, the crowded cities, the empty thrones, the false writings, the barren beds: men maddened with false promises and soured with true miseries, worshipping the iron works of their own hands, cut off from Earth their Mother and from the Father in Heaven. You might go East so far the East became West and you returned to Britain across the great Ocean, but even so you would not have come out anywhere into the light. The shadow of one dark wing is over all Tellus. ~ C.S. Lewis

Mermaid queens didn't often have a reason to move quickly. There were no wars to direct, no assassination attempts to evade, no crowds of clamoring admirers to avoid among the merfolk. In fact, slowness and calm were expected of royalty.
So Ariel found herself thoroughly enjoying the exercise as she beat her tail against the water- even as it winded her a little. She missed dashing through shipwrecks with Flounder, fleeing sharks, trying to scoot back home before curfew. She loved the feel of her powerful muscles, the way the current cut around her when she twisted her shoulders to go faster.
She hadn't been this far up in years and gulped as the pressure of the deep faded. She clicked her ears, readying them for the change of environment. Colors faded and transformed around her from the dark, heady slate of the ocean bottom to the soothing azure of the middle depths and finally lightening to the electric, magical periwinkle that heralded the burst into daylight.
She hadn't planned to break through the surface triumphantly. She wouldn't give it that power. Her plan was to take it slow and rise like a whale. Casually, unperturbed, like Ooh, here I am.
But somehow her tail kicked in twice as hard the last few feet, and she exploded into the warm sunlit air like she had been drowning.
She gulped again and tasted the breeze- dry in her mouth; salt and pine and far-distant fires and a thousand alien scents. ~ Liz Braswell

A child weaned on poison considers harm a comfort. ~ Gillian Flynn

She was drowning, pulled under by a froth of limbs and bodies, swept along by currents of voices, music, and car engines. Dark shadows circled her like hungry sharks. She rose up, dragged to the surface by an impatient crowd. Hands and elbows pushed and shoved. Exhaust fumes and food smells clogged her nostrils. This was the old part of the city, where archaic buildings stood side by side, defences pitched against the onslaught of the modern. There were no smooth walls here, no towers made of steel and glass. This was all shadows and sculpture, buttresses and winding alleys; the impenetrable heart of a long ago city, beating to a circadian rhythm. The ~ Malcolm Richards

This is what it's like to drown: You take a last look at the sky, a last breath, slowly. Air goes into your lungs and then you are under water. You let the air out molecule by molecule, realizing for the first time how precious it is, this thing that feels so much like nothing, neither liquid nor solid. Your eyes are open wide. The world goes cool and green and you keep falling. There are shapes in the darkness, fronds of river weed waving, dark indescribable things that float and then sink with you. You never knew you were so heavy. The density of your flesh has never been of such prime importance. The air leaks out of you in spite of your mightiest attempts to hold it. You need more but there is none. Leafy things flail. The water's coolness is no longer soothing. You gasp. Water rushes into your lungs and floods them. Your eyes stare wider. You thrash. You want more than anything to live, to be able to rise again, but you keep falling. The river is bottomless. It pushes you along in the direction of its current like an impatient auntie, but it won't let you to the surface. Your eyes are wide open, but slowly everything goes black. You begin to float beneath the surface. You are conscious of the coolness again, of how green everything is. You move with the water and through it. You have left your body far behind. The river has become a part of you. ~ Larissa Lai

And that someone would pay. Revenge is a cold bedfellow, Diana had said, but Emma didn't believe that. Revenge would let her think about her parents without a cold knot forming in her stomach. She would be able to dream without seeing their drowned faces and hearing their voices cry out for her help. ~ Cassandra Clare

Then bed, and again the luxury of dark. Still the blood and flesh of me were electric and singing quietly. But it ebbed and ebbed and dark and sleep and oblivion came and came, surging, surging, surging inward, lapping and drowning with no-name, no-identity, none at all. Just nothing, yet the seeds of awakening and life slumbered there in the dark ~ Sylvia Plath

This was something else: poison in the dark, a knife trust to the soul. ~ George R R Martin

That poem you like, how does it end?"
He knows how it ends. He's looked it up by now, that's why he asks.
But I answer him anyway.
"'We have lingered in the chambers of the sea, by sea-girls wreathed
with seaweed red and brown, till human voices wake us, and we drown.'"
Eliot shakes his head. "It does not need the last three words. The last
three words are wrong."
I laugh at his correcting a Nobel prize-winning poet, but I agree. I
know what drowning feels like. It doesn't need water. And human voices,
if they say the right things, can save you.
"Eliot, do you have a pen I can borrow?"
I can feel him smiling in the dark, and we watch the sea caress the
sand.
"That man in the poem, Mr. Prufrock, he was a coward, wasn't he?"
Eliot says.
My answer to his question is the same as his answer to mine. ~ Ray Cluley