W.B.Yeats Quotes

Chance and Destiny have between them woven two-thirds of all history, and of the history of Ireland wellnigh the whole. The literature of a nation, on the other hand, is spun out of its heart. If you would know Ireland - body and soul - you must read its poems and stories. They came into existence to please nobody but the people of Ireland. Government did not make them on the one hand, nor bad seasons on the other. They are Ireland talking to herself.

Each county has usually some family, or personage, supposed to have been favoured or plagued, especially by the phantoms, as the Hackets of Castle Hacket, Galway, who had for their ancestor a fairy, or John-o'-Daly of Lisadell, Sligo, who wrote Eilleen Aroon,

O SWEET everlasting Voices, be still;
Go to the guards of the heavenly fold
And bid them wander obeying your will,
Flame under flame, till Time be no more;
Have you not heard that our hearts are old,
That you call in birds, in wind on the hill,
In shaken boughs, in tide on the shore?
O sweet everlasting Voices, be still.

What hurts the soul
My soul adores

Byzantium

The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night-walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.

Before me floats an image, man or shade,
Shade more than man, more image than a shade;
For Hades' bobbin bound in mummy-cloth
May unwind the winding path;
A mouth that has no moisture and no breath
Breathless mouths may summon;
I hail the superhuman;
I call it death-in-life and life-in-death.

Miracle, bird or golden handiwork,
More miracle than bird or handiwork,
Planted on the starlit golden bough,
Can like the cocks of Hades crow,
Or, by the moon embittered, scorn aloud
In glory of changeless metal
Common bird or petal
And all complexities of mire or blood.

At midnight on the Emperor's pavement flit
Flames that no faggot feeds, nor steel has lit,
Nor storm disturbs, flames begotten of flame,
Where blood-begotten spirits come
And all complexities of fury leave,
Dying into a dance,
An agony of trance,
An agony of flame that cannot singe a sleeve.

Astraddle on the dolphin's mire and blood,
Spirit after spirit! The smithies break the flood,
The golden smithies of the Emperor!
Marbles of the dancing floo

The first time I saw him he was cooking mushrooms for himself; the next time he was asleep under a hedge, smiling in his sleep. He was indeed always cheerful, though I thought I could see in his eyes (swift as the eyes of a rabbit, when they peered out of their wrinkled holes) a melancholy which was well-nigh a portion of their joy; the visionary melancholy of purely instinctive natures and of all animals.

I think that a fierce woman's better, a woman
That breaks away when you have thought her won,
For I'd be fed and hungry at one time.

Accursed who brings to light of day the writings I have cast away.

What can be explained is not poetry.

Too many things are occurring for even a big heart to hold.

There was a man whom Sorrow named his Friend,
And he, of his high comrade Sorrow dreaming,
Went walking with slow steps along the gleaming
And humming Sands, where windy surges wend:
And he called loudly to the stars to bend
From their pale thrones and comfort him, but they
Among themselves laugh on and sing alway:
And then the man whom Sorrow named his friend
Cried out, Dim sea, hear my most piteous story.!
The sea Swept on and cried her old cry still,
Rolling along in dreams from hill to hill.
He fled the persecution of her glory
And, in a far-off, gentle valley stopping,
Cried all his story to the dewdrops glistening.
But naught they heard, for they are always listening,
The dewdrops, for the sound of their own dropping.
And then the man whom Sorrow named his friend
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own talc again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.

How many loved your moments of glad grace,
And loved your beauty with love false or true;
But one man loved the pilgrim soul in you,
And loved the sorrows of your changing face.

Beloved, gaze in thine own heart, The holy tree is growing there; From joy the holy branches start, And all the trembling flowers they bear. The changing colours of its fruit Have dowered the stars with merry light; The surety of its hidden root Has planted quiet in the night; The shaking of its leafy head

Think like a wise man but communicate in the language of the people.

Sometimes my feet are tired and my hands are quiet, but there is no quiet in my heart.

And what if excess of love
Bewildered them till they died?

Nor are there singing schools but studying monuments of its own magnificence.

Cast a cold eye
on life, on death
Horseman pass by

She looked in my heart one day And saw your image was there; She has gone weeping away.

I whispered, 'I am too young,' and then, 'I am old enough'; wherefore I threw a penny to find out if I might love.

That is no country for old men. The young
In one another's arms, birds in the trees
– Those dying generations – at their song,
The salmon‐falls, the mackerel‐crowded seas,
Fish, flesh, or fowl, commend all summer long
Whatever is begotten, born, and dies.
Caught in that sensual music all neglect
Monuments of unageing intellect.

What's the use of held note or a held line
That cannot be assailed for reassurance?

I have believed the best of every man, and find that to believe it is enough to make a bad man show him at his best or even a good man swing his lantern higher.

And I will find some peace there, for peace comes dropping slow,/ Dropping from the veils of the morning to where the cricket sings ...

Come let us mock at the great
That had such burdens on the mind
And toiled so hard and late
To leave some monument behind,
Nor thought of the levelling wind.
Come let us mock at the wise;
With all those calendars whereon
They fixed old aching eyes,
They never saw how seasons run,
And now but gape at the sun.
Come let us mock at the good
That fancied goodness might be gay,
And sick of solitude
Might proclaim a holiday:
Wind shrieked -- and where are they?
Mock mockers after that
That would not lift a hand maybe
To help good, wise or great
To bar that foul storm out, for we
Traffic in mockery.

I had a thought for no one's but your ears; / That you were beautiful, and that I strove / To love you in the old high way of love;

Now days are dragon-ridden.

After twenty centuries of stony sleep, what rough beast, its hour come round at last, slouches toward Bethlehem to be born?
W.B. Yeats - from 'The Second Coming

...Rose of all Roses, Rose of all the World!
You, too, have come where the dim tides are hurled
Upon the wharves of sorrow, and heard ring
The bell that calls us on; the sweet far thing.
Beauty grown sad with its eternity
Made you of us, and of the dim grey sea.
Our long ships loose thought-woven sails and wait,
For God has bid them share an equal fate;
And when at last defeated in His wars,
They have gone down under the same white stars,
We shall no longer hear the little cry
Of our sad hearts, that may not live nor die.

I passed a little further on and heard a peacock say: Who made the grass and made the worms and made my feathers gay, He is a monstrous peacock, and He waveth all the night His languid tail above us, lit with myriad spots of light.

The best lack all conviction, while the worst are full of passionate intensity.

Irish poets, learn your trade,
sing whatever is well made,
scorn the sort now growing up
all out of shape from toe to top.

Though I am old with wandering
Through hollow lands and hilly lands,
I will find out where she has gone,
And kiss her lips and take her hands;
And walk among long dappled grass,
And pluck till time and times are done
The silver apples of the moon,
The golden apples of the sun.

- The Song of Wandering Aengus

Consume my heart away; sick with desire
And fastened to a dying animal
It knows not what it is; and gather me
Into the artifice of eternity.

So like a bit of stone I lie
Under a broken tree.
I could recover if I shrieked
My heart's agony
To passing bird, but I am dumb.

I carry the Sun in a Golden Cup, the Moon in a Silver Bag.

One should say before sleeping: I have lived many lives. I have been a slave and a prince. Many a beloved has sat upon my knee and I have sat upon the knees of many a beloved. Everything that has been shall be again.

When they had finished they made me take notes of whatever conversation they had quoted, so that I might have the exact words, and got up to go, and when I asked them where they were going and what they were doing and by what names I should call them, they would tell me nothing, except that they had been commanded to travel over Ireland continually, and upon foot and at night, that they might live close to the stones and the trees and at the hours when the immortals are awake.

The portraits, of more historical than artistic interest, had gone; and tapestry, full of the blue and bronze of peacocks, fell over the doors, and shut out all history and activity untouched with beauty and peace; and now when I looked at my Crevelli and pondered on the rose in the hand of the Virgin, wherein the form was so delicate and precise that it seemed more like a thought than a flower, or at the grey dawn and rapturous faces of my Francesca, I knew all a Christian's ecstasy without his slavery to rule and custom; when I pondered over the antique bronze gods and goddesses, which I had mortgaged my house to buy, I had all a pagan's delight in various beauty and without his terror at sleepless destiny and his labour with many sacrifices; and I had only to go to my bookshelf, where every book was bound in leather, stamped with intricate ornament, and of a carefully chosen colour: Shakespeare in the orange of the glory of the world, Dante in the dull red of his anger, Milton in the blue grey of his formal calm; and I could experience what I would of human passions without their bitterness and without satiety. I had gathered about me all gods because I believed in none, and experienced every pleasure because I gave myself to none, but held myself apart, individual, indissoluble, a mirror of polished steel: I looked in the triumph of this imagination at the birds of Hera, glowing in the firelight as though they were wrought of jewels; and to my mind, for which symbolism wa

A Drinking Song Wine comes in at the mouth And love comes in at the eye; That's all we shall know for truth Before we grow old and die. I lift the glass to my mouth, I look at you, and I sigh.

And what rough beast, its hour come round at last,
Slouches toward Bethlehem to be born?

Before me floats an image, man or shade,
Shade more than man, more image than a shade;
For Hades' bobbin bound in mummy-cloth
May unwind the winding path;
A mouth that has no moisture and no breath
Breathless mouths may summon;
("Byzantium")

The jester walked in the garden:
The garden had fallen still;
He bade his soul rise upward
And stand on her window-sill.

It rose in a straight blue garment,
When owls began to call:
It has grown wise-tongued by thinking
Of a quiet and light footfall;

But the young queen would not listen;
She rose in her pale night-gown;
She drew in the heavy casement
And pushed the latches down...

I went out to the hazelwood because a fire was in my head.

A lonely impulse of delight

It is a hard service they take that help me. Many that are red-cheeked now will be pale-cheeked; many that have been free to walk the hills and the bogs and the rushes will be sent to walk hard streets in far countries; many a good plan will be broken; many that have gathered money will not stay to spend it; many a child will be born, and there will be no father at its christening to give it a name. They that had red cheeks will have pale cheeks for my sake; and for all that, they will think they are well paid.

Everything that's lovely is
But a brief, dreamy kind of delight.

Who can distinguish darkness from the soul?

I have spread my dreams under your feet.
Tread softly because you tread on my dreams.

O cowardly amd tyrannous race of monks, persecutors of the bard, and the gleemen, haters of life and joy! O race that does not draw the sword and tell the truth! O race that melts the bones of the people with cowardice and with deceit! ("The Crucifixion Of The Outcast")

For the good are always the merry, / Save by an evil chance,/ And the merry love the fiddle,/ And the merry love to dance: / And when the folk there spy me,/ They will all come up to me, / With,"Here is the fiddler of Dooney!" / And dance like a wave of the sea.

I wish for you constantly for I want to talk about everybody and everything. I can't go up to a stranger & say 'your manners &looks have stirred me to this profound meditation'-

But he heard high up in the air
A piper piping away,
And never was piping so sad,
And never was piping so gay.

Do not wait to strike till the iron is hot; but make it hot by striking.

An Irish Airman foresees his Death
I Know that I shall meet my fate
Somewhere among the clouds above;
Those that I fight I do not hate
Those that I guard I do not love,
My country is Kiltartan Cross,
My countrymen Kiltartan's poor,
No likely end could bring them loss
Or leave them happier than before.
Nor law, nor duty bade me fight,
Nor public man, nor cheering crowds,
A lonely impulse of delight
Drove to this tumult in the clouds;
I balanced all, brought all to mind,
The years to come seemed waste of breath,
A waste of breath the years behind
In balance with this life, this death.

How but in custom and in ceremony are innocence and beauty born?

We taste and feel and see the truth. We do not reason ourselves into it.

Go gather by the humming sea
Some twisted, echo-harbouring shell,
And to its lips thy story tell.

All empty souls tend toward extreme opinions.

And pluck till time and times are done The silver apples of the moon, the golden apples of the sun.

My anthology continues to sell & the critics get more & more angry. When I excluded Wilfred Owen, whom I consider unworthy of the poets' corner of a country newspaper, I did not know I was excluding a revered sandwich-board Man of the revolution & that some body has put his worst & most famous poem in a glass-case in the British Museum
however if I had known it I would have excluded him just the same. He is all blood, dirt & sucked sugar stick (look at the selection in Faber's Anthology
he calls poets 'bards,' a girl a 'maid,' & talks about 'Titanic wars'). There is every excuse for him but none for those who like him ... (from a letter of December 26, 1936, in Letters on Poetry from W. B. Yeats to Dorothy Wellesley, p. 124).

THE ROSE

TOTHE ROSE UPON THE ROOD OF TIME
Red Rose, proud Rose, sad Rose of all my days!
Come near me, while I sing the ancient ways:
Cuchulain battling with the bitter tide;
The Druid, grey, wood-nurtured, quiet-eyed,
Who cast round Fergus dreams, and ruin untold;
And thine own sadness, where of stars, grown old
In dancing silver-sandalled on the sea,
Sing in their high and lonely melody.
Come near, that no more blinded by man's fate,
I find under the boughs of love and hate,
In all poor foolish things that live a day,
Eternal beauty wandering on her way.
Come near, come near, come near - Ah, leave me still
A little space for the rose-breath to fill!
Lest I no more bear common things that crave;
The weak worm hiding down in its small cave,
The field-mouse running by me in the grass,
And heavy mortal hopes that toil and pass;
But seek alone to hear the strange things said
By God to the bright hearts of those long dead,
And learn to chaunt a tongue men do not know.
Come near; I would, before my time to go,
Sing of old Eire and the ancient ways:
Red Rose, proud Rose, sad Rose of all my days.


A king is but a foolish labourer
Who wastes his blood to be another's dream.

Nothing in them but tittering jeering emptiness.

As I thought of these things, I drew aside the curtains and looked out into the darkness, and it seemed to my troubled fancy that all those little points of light filling the sky were the furnaces of innumerable divine alchemists, who labour continually, turning lead into gold, weariness into ecstasy, bodies into souls, the darkness into God; and at their perfect labour my mortality grew heavy, and I cried out, as so many dreamers and men of letters in our age have cried, for the birth of that elaborate spiritual beauty which could alone uplift souls weighted with so many dreams.

In tombs of gold and lapis lazuli
Bodies of holy men and women exude
Miraculous oil, odour of violet.
But under heavy loads of trampled clay
Lie bodies of the vampires full of blood;
Their shrouds are bloody and their lips are wet
("Oil and Blood")

And then the man whom Sorrow named his friend,
Sought once again the shore, and found a shell,
And thought, I will my heavy story tell
Till my own words, re-echoing, shall send
Their sadness through a hollow, pearly heart;
And my own tale again for me shall sing,
And my own whispering words be comforting,
And lo! my ancient burden may depart.
Then he sang softly nigh the pearly rim;
But the sad dweller by the sea-ways lone
Changed all he sang to inarticulate moan
Among her wildering whirls, forgetting him.
-from The Sad Shepherd

Things fall apart; the centre cannot hold
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere the ceremony of innocence is lost
The best lack all conviction, while the worst are filled with passionate intensity.

Nor dread nor hope attend
A dying animal;
A man awaits his end
Dreading and hoping all.

Down by the salley gardens my love and I did meet;
She passed the salley gardens with little snow-white feet.
She bid me take love easy, as the leaves grow on the tree;
But I, being young and foolish, with her did not agree.
In a field by the river my love and I did stand,
And on my leaning shoulder she laid her snow-white hand.
She bid me take life easy, as the grass grows on the weirs;
But I was young and foolish, and now am full of tears.

For nothing can be sole or whole. That has not been rent.

I will arise and go now,
And go to Innisfree,
And a small cabin build there,
Of clay and wattles made;
Nine bean rows will I have there,
A hive for the honey bee,
And live alone in the bee-loud glade.

And I shall have some peace there,
For peace comes dropping slow,
Dropping from the veils of the morning
To where the cricket sings;
There midnight's all a glimmer,
And noon a purple glow,
And evening full of the linnet's wings

I will arise and go now,
For always night and day
I hear lake water lapping
With low sounds by the shore;
While I stand on the roadway
Or on the pavements gray,
I hear it in the deep heart's core.

I kiss you and kiss you, With arms around my own, Ah, how shall I miss you, When, dear, you have grown.

SHE hears me strike the board and say
That she is under ban
Of all good men and women,
Being mentioned with a man
That has the worst of all bad names;
And thereupon replies
That his hair is beautiful,
Cold as the March wind his eyes.

....tradition gives the one thing many shapes.

Why should I blame her that she filled my days
With misery, or that she would of late
Have taught to ignorant men most violent ways,
Or hurled the little streets upon the great,
Had they but courage equal to desire?
What could have made her peaceful with a mind
That nobleness made simple as a fire,
With beauty like a tightened bow, a kind
That is not natural in an age like this
Being high and solitary and most stern?
Why, what could she have done, being what she is?
Was there another Troy for her to burn?

the cloak of Sorrow: O

I am still of [the] opinion that only two topics can be of the least interest to a serious and studious mood
sex and the dead.

She pulled the thread and bit the thread
And made a golden gown,
And wept because she'd dreamt that I
Was born to wear a crown.

One loses, as one grows older, something of the lightness of one's dreams; one begins to take life up in both hands, and to care more for the fruit than the flower, and that is no great loss perhaps.

I believe when I am in the mood that all nature is full of people whom we cannot see, and that some of these are ugly or grotesque, and some wicked or foolish, but very many beautiful beyond any one we have ever seen, and that these are not far away ... the simple of all times and the wise men of ancient times have seen them and even spoken to them.

I had fallen into a profound dream-like reverie in which I heard him speaking as at a distance. 'And yet there is no one who communes with only one god,' he was saying, 'and the more a man lives in imagination and in a refined understanding, the more gods does he meet with and talk with, and the more does he come under the power of Roland, who sounded in the Valley of Roncesvalles the last trumpet of the body's will and pleasure; and of Hamlet, who saw them perishing away, and sighed; and of Faust, who looked for them up and down the world and could not find them; and under the power of all those countless divinities who have taken upon themselves spiritual bodies in the minds of the modern poets and romance writers, and under the power of the old divinities, who since the Renaissance have won everything of their ancient worship except the sacrifice of birds and fishes, the fragrance of garlands and the smoke of incense. The many think humanity made these divinities, and that it can unmake them again; but we who have seen them pass in rattling harness, and in soft robes, and heard them speak with articulate voices while we lay in deathlike trance, know that they are always making and unmaking humanity, which is indeed but the trembling of their lips.

O body swayed to music, O brightening glance,
How can we know the dancer from the dance?

A couple of hours after Sunset Michael Robartes returned and told me that I would have to learn the steps of an exceedingly antique dance, because before my initiation could be perfected I had to join three times in a magical dance, for rhythm was the wheel of Eternity, on which alone the transient and accidental could be broken, and the spirit set free.

Life is a long preparation for something that never happens.

I have desired, like every artist, to create a little world out of the beautiful, pleasant, and significant things of this marred and clumsy world, and to show in a vision something of the face of Ireland to any of my own people who would look where I bid them. I have therefore
written down accurately and candidly much that I have heard and seen,
and, except by way of commentary, nothing that I have merely imagined.

They must go out of the theatre with the strength they live by strengthened from looking upon some passion that could, whatever its chosen way of life, strike down an enemy, fill a long stocking with money or move a girl's heart.

I shall arise and go to Innisfree

Out of the quarrel with others we make rhetoric; out of the quarrel with ourselves we make poetry.

Be not inhospitable to strangers, lest they be angels in disguise.

It takes more courage to examine the dark corners of your own soul than it does for a soldier to fight on a battlefield

Heart-mysteries there, and yet when all is said
It was the dream itself enchanted me
("The Circus Animal's Desertion")

...All literature in some degree, exists to reveal a more powerful and passionate, a more divine world than ours.

And no more turn aside and brood
Upon love's bitter mystery;

On Midsummer Eve, when the bonfires are lighted on every hill in honour of St. John, the fairies are at their gayest, and sometime steal away beautiful mortals to be their brides.

Everything exists, everything is true and the earth is just a bit of dust beneath our feet.

Where there is nothing, there is God.

THE HOST is riding from Knocknarea
And over the grave of Clooth-na-bare;
Caolte tossing his burning hair
And Niamh calling Away, come away:
Empty your heart of its mortal dream.
The winds awaken, the leaves whirl round,
Our cheeks are pale, our hair is unbound,
Our breasts are heaving, our eyes are a-gleam,
Our arms are waving, our lips are apart;
And if any gaze on our rushing band,
We come between him and the deed of his hand,
We come between him and the hope of his heart.
The host is rushing 'twixt night and day,
And where is there hope or deed as fair?
Caolte tossing his burning hair,
And Niamh calling Away, come away

I gave what other women gave That stepped out of their clothes, But when this soul, its body off, Naked to naked goes, He it has found shall find therein What none other knows, And give his own and take his own And rule in his own right; And though it loved in misery Close and cling so tight, There's not a bird of day that dare Extinguish that delight.

A man awaits his end
Dreading and hoping all;
Many times he died,
Many times rose again

Now that my ladder's gone,
I must lie down where all my ladders start,
In the foul rag-and-bone shop of the heart.