Jonah Hill Famous Quotes
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I am a filmmaker fanatic. I have never been star-struck by an actor once in my entire life.
Writing has made me a better actor. Acting has made me a better writer. So why wouldn't directing make me a better actor and writer?
I love my parents. But I'm almost 28 and it's not fun to be asked, 'What are you doing today? What do you want for dinner? When are you going to be home?' It just makes you feel like a kid. It's this juxtaposition of feeling annoyed and really lucky to have people who love you so much.
All my friends were in college when I was making 'Superbad.' We were drinking beer and watching movies and eating pizza. It wasn't like I was going to nice restaurants or anything like that, and I lived like a frat guy. Eventually it was time to grow up, be healthy and be responsible. You can't live like a kid forever, you know?
Albert Brooks is definitely one of my biggest influences, for sure.
The great thing about 'Allen Gregory' is that we try to make it really questionable that the things he says have happened, have really happened. We like that ambiguity.
I don't like to say mean things about people's hard work.
It's harder to be funny if you're handsome than if you're very normal-looking. It's just more relatable. You're the underdog. I mean it's funny to see people struggle, and you don't buy that Brad Pitt is struggling, you know that guy could be the most skill-less guy in the world, but if you look like that you will be fine for the rest of your life.
'Allen Gregory' came about because we wanted an animated show and we were just tossing around some ideas about me playing a 7-year-old. We thought that would be cool, because we couldn't do that in real life.
In the comedies I've been lucky enough to be a part of a world like Judd Apatow's, where I believe comedy comes from real people.
I always wanted to be a film-maker when I was younger, not an actor. I was an eight-year-old who dreamed of being a writer on 'The Simpsons,' which was a weird dream to have. But I started taking acting classes as a way to learn how to direct actors and I sort of fell in love with it.
When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.
I've learned through experience of playing different characters, some of whom were jerks, that when you play a character who is pretentious or obnoxious, in any way, it's important to knock them down a peg.
I'm a lifelong Simpsons fanatic and I wanted to create my own animated show, one day.
I think this movie, 'Moneyball,' symbolizes becoming a man for me, and I think my character becomes a man. It's important to me: I'm becoming a man. I'm taking my life seriously. I'm taking my acting really seriously, and it's important for me to play adults. It's important for me to change and develop as I get older.
I'm an actor, I'm not a comedian, I never was a comedian.
I learn a lot from every director that I work with. I sit on set and watch them, every one.
Be open to other people's ideas. Don't get arrogant about your ideas. Shoot a lot of options so you're not stuck with just one version of something.
I'm a big hip hop fan.
I run and do a lot of push-ups and eat healthy.
I don't like to compare things to other things. It always sounds arrogant in print.
It's not unexpected for me to be in a comedy film anymore; I'm no longer the underdog in that world.
Germany's amongst my top three places in the world I'd like to live.
It's almost like, when someone plays poker for the first time, they might be a professional poker player out of ignorance, just accidentally winning. That was how it felt in my first stand-up appearance.
Once you make a movie like 'Superbad,' when it's popular and you're the lead, you get offered all kinds of things and there's a temptation to make bad movies either for the money or to maintain your relevance in pop culture.
I have other tastes besides comedy. I love comedy. I adore it, but I love dramatic movies just as much.
I think it's kind of strange when people talk about how hyped-up the movie is. It almost sets you up for a bigger fall.
I mean, I find things that happened in real life to be the funniest - things that you observe instead of crazy abstract things, you know.
I believe in collaboration. I think that is the most entertaining and effective way to write for me, personally.
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
When you create something you're free to explore it however you want to do it.
I'm too judgmental of other people putting themselves out there in any way, I guess.
If I ever over hear people saying I give off an 'Ed Harris type of sexy vibe.' I'll be pretty psyched.
The fact that the Kardashians could be more popular than a show like 'Mad Men' is disgusting. It's a super disgusting part of our culture, but I still find it funny to make a joke about it.
I started writing and acting in these little plays and then I was discovered by Dustin Hoffman. He got me my first audition for a film he was in, called 'I Heart Huckabees.'
When a movie like 'Superbad' or 'Moneyball' comes out, people make you feel like you're the most important person on the planet. The truth is, you're a billion percent not the most important person on the planet. It's all insulated in your world and no one could care less. It's just a movie.
I play a lot of games on my iPhone. There is a game called Rat on a Scooter that I will promote as much as possible because it has brought me so much joy.
Comedies are doing well because I think people want to laugh and not think about everything for a little bit.
When I was growing up, my parents asked me what I wanted to do, and I said that I wanted to live in Springfield. They were like, "Well, that's not how it works. There is an actor who play Homer, and someone who writes what Homer says." So, I was like, "Well, I want to write what Homer says."
Jump Street merging with MiB I think that's clean and rad and powerful.
I think a lot of actors, sometimes what happens I think is that actors finish a movie and they go, 'Oh my god, I'm never going to work again,' even big huge actors, and so they'll take something thinking that something else will never come along.
I want to meet the man who saw a turtle and said, "People will LOVE the ninja version of that."
There are a lot of things going into making a movie. So many things can go wrong. So many people that need to show up and bring their "A" game. If one thing is out of place, the whole movie can fall apart.
A whole generation was raised to learn about comedy from 'The Simpsons.' To get to be in a booth with Homer and Marge and be in Springfield - it was unimaginable the emotions that I felt.
My heroes are Bill Murray and Dustin Hoffman. Those are the two actors that both do comedies and dramas, seamlessly. Also John C. Reilly and Philip Seymour Hoffman. They're all just great actors, neither comedic nor dramatic. They're just great actors.
If you're trying to make someone happy, you gotta try and make them happy. If you're trying to have a normal conversation, you've got to have a normal conversation. If you're trying to make them sad, you've got to make them sad. I think that's how you get real performances out of people.
I grew up with baseball; I played in Little League and went to games with my dad. But I, as I grew up, became more of a basketball fanatic than a baseball one.
The hardest thing for me to do, and the best thing I've done and learned as an actor is to sacrifice being funny in certain circumstances in order to do something that makes sense for the story or the character, or emotionally.
Look, at the same time that I don't want to be a celebrity, I understand that when you make movies you put yourself out in the public eye. I'd be a baby and a fool to be like, 'Why are there cameras taking pictures of me?' when I'm on a billboard for a movie. I think that's a very absurd concept.
When I first met the world, basically, or introduced myself to people, I was in 'Superbad,' and I feel the same way I felt promoting 'Superbad' in an underdog style that I feel promoting 'Moneyball.'
As an actor, you tell part of a story. As a writer, you get more of telling that story. But as a director, they're seeing the world through your eyes.