No One Says This Ever Quotes

Kiss my lickity-split," the doper shouted. ~ Judy Byington

I think maybe they come out into the grounds in nightwear. But no, in typical anorexic stype they have read the fashion magazines literally. This is their version of thin girls in strappy clothes.
The girl in the petticoat talks to me, as Emma has done on occsasion, in a rather grand style, as if she is a 'lady' of some substance and I a visiting guest.
Do they chat much about clothes? I ask Emma in the car.
She shakes her head.
So, does she, Emma, see the difference between underwear or nightwear and 'going out' clothes?
'Yes,' she says, her voices strained again. 'But it's one of the things you don't know properly when you're ill and confused. You see these pictures and the people in the magazines are real for you. ~ Carol Lee

She says it is a good thing to have no sense of how it is done in the things that amuse you. You should have one absorbing occupation and as for the other things in life for full enjoyment you should only contemplate results. In this way you are bound to feel more about it than those who know a little of how it is done. ~ Gertrude Stein

One certainly does work badly in spring: and why? Because one's feelings are being stimulated. And only amateurs think that a creative artist can afford to have feelings. It's a naïve amateur illusion; any genuine honest artist will smile at it. Sadly, perhaps, but he will smile. Because, of course, what one says must never be one's main concern. It must merely be the raw material, quite indifferent in itself, out of which the work of art is made; and the act of making must be a game, aloof and detached, performed in tranquillity. If you attach too much importance to what you have to say, if it means too much to you emotionally, then you may be certain that your work will be a complete fiasco. You will become solemn, you will become sentimental, you will produce something clumsy, ponderous, pompous, ungainly, unironical, insipid, dreary and commonplace; it will be of no interest to anyone, and you yourself will end up disillusioned and miserable… For that is how it is, Lisaveta: emotion, warm, heartfelt emotion, is invariably commonplace and unserviceable - only the stimulation of our corrupted nervous system, its cold ecstasies and acrobatics, can bring forth art. One simply has to be something inhuman, something standing outside humanity, strangely remote and detached from its concerns, if one is to have the ability or indeed even the desire to play this game with it, to play with men's lives, to portray them effectively and tastefully. Our stylistic and formal talent, our ~ Thomas Mann

A hedgehog flies from the safety of a bush, startling me. It darts past us in a terrible hurry. Kartik nods toward the furry little thing. "Don't mind him. He's off to meet his lady friend."
"How can you be sure?"
"He has on his best hedgehog suit."
"Ah, I should have noticed." I say, happy to be playing this game-any game-with him. I put my hand on the tree's trunk and swing myself around it slowly, letting my body feel gravity's pull. "And why has he worn his best?"
"He's been away in London, you see, and now he has returned to her," Kartik continues.
"And what if she is angry with him for being away so long?"
Kartik circles just behind me. "She will forgive him."
"Will she?" I say pointedly.
"It is his hope that she will, for he didn't mean to upset her." Kartik answers, and I am no longer sure we speak of the hedgehog.
"And is he happy to see her again?"
"Yes," Kartik says. "He should like to stay longer, but he cannot."
The bark chafes against my hand. "Why is that?"
"He has his reasons, and hopes his lady will understand them one day." Kartik has changed direction. He comes around the other side of the tree. We are face to face. A palm of moonglow reaches through the branches to caress his face.
"Oh," I say, heart beating fast.
"And what would the lady hedgehog say to that?" he asks. His voice soft and low.
"She would say..." I swallow hard.
Kartik steps closer. "Yes?"
"She would say," ~ Libba Bray

Russian love of justice is far less vigorous than Russian respect for brute force, and that in practice, what passes for love of justice is simply a kind of equalitarianism which says that no one should live better than the next person. This idea of justice is motivated by hatred of everything outstanding which we (Russians) make no effort to imitate, but, on the contrary, try to bring down to our level, by hatred of any sense of initiative, of any higher or more dynamic way of life than the life we live ourselves. This psychology is, of course, most typical of the peasantry and least typical of the "middle class." However, peasants and those of peasant origin constitute the overwhelming majority of our country. ~ Donald G. Boudreau

If you have to ask someone to change, to tell you they love you, to bring wine to dinner, to call you when they land, you can't afford to be with them. It's not worth the price, even though, just like the Tiffany catalog, no one tells you what the price is. You set it yourself, and if you're lucky it's reasonable. You have a sense of when you're about to go bankrupt. Your own sense of self-worth takes the wheel and says, Enough of this shit. Stop making excuses. No one's that busy at work. No one's allergic to whipped cream. There are too cell phones in Sweden. But most people don't get lucky. They get human. They get crushes. This means you irrationally mortgage what little logic you own to pay for this one thing. This relationship is an impulse buy, and you'll figure out if it's worth it later. ~ Sloane Crosley

I end up watching this movie about some girl who's supposed to be so smart and edgy and unpopular. She wears glasses, that's how you know she's so smart. And she's the only one that has dark hair in the school- a place that looks like Planet Blond.

Anyway, she somehow ends up going to the prom- hello, gag- and she doesn't wear her glasses, so suddenly she's all beautiful. And she's bashful and shy because she doesn't feel comfortable wearing a dress. But then the guy says something like, "Wow, I never knew you were so pretty," and she feels on top of the world.

So, basically, the whole point is she's pretty. Oh, and smart, too. But what's really important here is that she's pretty.

For a second I think about Katie. About her thin little Clarissa Le Fey.

It must be a pain being fat. There are NO fat people on Planet Blond.

I don't get it. I mean, even movies where the actress is smart- like they seem like they'd be smart in real life, they're all gorgeous. And they usually get a boyfriend somewhere in the story. Even if they say they don't want one. They always, always end up falling in love, and you're supposed to be like, "Oh, good."

I once said this to my mom, and she laughed. "Honey, Hollywood... reality- two different universes. Don't make yourself crazy."

Which made me feel pretty pathetic. Like I didn't know the difference between a movie and the real world.

But then when eve ~ Mariah Fredericks

But no one wants that anymore. People want a choice." Maxon shook his head. "You're terrifying to him, but he can't expel you. They adore you, America.
I swallowed. "Adore?"
He nodded. "And ... I feel similarly. So, no matter what he says or does, don't lose faith, this isn't over. ~ Kiera Cass

It's not that your mother didn't love you,' the boy named Crow says from behind me. 'She loved you very deeply. The first thing you have to do is believe that. That's your starting point.'
'But she abandoned me. She disappeared, leaving me alone where I shouldn't be. I'm finally beginning to understand how much that hurt. How could she do it if she really loved me?'
'That's the reality of it. It did happen,'the boy named Crow says. 'You were hurt badly, and those scars will be with you forever. I feel sorry for you, I really do. But think of it like this: It's not too late to recover. You're young, you're tough. You're adaptable. You can patch up your wounds, lift your head, and move on. But for her that's not an option. The only thing she'll ever be is lost. It doesn't matter whether somebody judges this as good or bad- that's not the point. You're the one who has the advantage. You ought to consider that.'
I don't respond.
'It all really happened, you can't undo it,' Crow tells me. 'She shouldn't have abandoned you then, and you shouldn't have been abandoned. But things in the past are like a plate that's shattered to pieces. You can never put it back together like it was, right?'
I nod. You can never put it back together like it was. He's hit the nail on the head.
The boy named Crow continues. 'Your mother felt a gut-wrenching kind of fear and anger inside her, okay? Just like you do now. Which is why she had to abandon you.'
'Eve ~ Haruki Murakami

So,Batman,eh?"
Effing St. Clair.
I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it.
St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..."
"Yes,great,I get it.Ha ha. Stupid me."
"What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!"
"Wait." I frown. "What?"
"What what?"
"You're singing it wrong."
"No,I'm not." He pauses. "How do you sing it?"
I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-"
St. Clair snorts. "Laid an egg? Robin didn't lay an egg-"
"'Batmobile lost a wheel,and the Joker got away.'"
He stares at me for a moment,and then says with perfect conviction. "No."
"Yes.I mean,seriously,what's up with the motorway thing?"
"M1 motorway. Connects London to Leeds."
I smirk. "Batman is American. He doesn't take the M1 motorway."
"When he's on holiday he does."
"Who says Batman has time to vacation?"
"Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Olip ~ Stephanie Perkins

Praise be to Allah, who revealed the Book, controls the clouds, defeats factionalism, and says in His Book: 'But when the forbidden months are past, then fight and slay the pagans wherever ye find them, seize them, beleaguer them, and lie in wait for them in every stratagem (of war)'; and peace be upon our Prophet, Muhammad Bin-'Abdallah, who said: I have been sent with the sword between my hands to ensure that no one but Allah is worshipped, Allah who put my livelihood under the shadow of my spear and who inflicts humiliation and scorn on those who disobey my orders.

...All these crimes and sins committed by the Americans are a clear declaration of war on Allah, his messenger, and Muslims. And ulema have throughout Islamic history unanimously agreed that the jihad is an individual duty if the enemy destroys the Muslim countries. This was revealed by Imam Bin-Qadamah in 'Al- Mughni,' Imam al-Kisa'i in 'Al-Bada'i,' al-Qurtubi in his interpretation, and the shaykh of al-Islam in his books, where he said: 'As for the fighting to repulse [an enemy], it is aimed at defending sanctity and religion, and it is a duty as agreed [by the ulema]. Nothing is more sacred than belief except repulsing an enemy who is attacking religion and life.'

On that basis, and in compliance with Allah's order, we issue the following fatwa to all Muslims:

The ruling to kill the Americans and their allies -- civilians and military -- is an individual duty for every Muslim ~ Osama Bin Laden

It reminded me of second grade when our teacher said each of us had a skeleton inside us; you know, to hold up your body. I'd been watching some horror flick with witches and werewolves and skeletons and stuff, and it absolutely terrorized me, Lar, because I couldn't figure out how I was going to get away from a monster that lived inside me. But Mr. Nak kept at it. So you have the answer. It ain't about Redmond, it's about you. When you come face-to-face with this here Jesse James of a football coach, you tell your pain-in-the-butt cousin, Fear, he can come along if he wants to, but you're gonna take care of binniss once an' for all, no matter what he does or says, because you're by God fed up with gettin' jerked around. His presence ain't gonna change your actions one whit. ~ Chris Crutcher

Triton's trident, they put the Royals on trial!
But as much as Galen would love to throw that in their faces, he won't. This is his one chance, however small it is, to turn things around for him and Emma. And he's not about to toss that chance to sea with both hands.
Rachel has pulled more chairs out to accommodate the gathering. The table they circle is shinier than Emma's lip gloss. Unlike the human meetings Galen has attended with Rachel to sell his underwater finds, there is no paperwork on the table, no cups of coffee, no cell phones. Also unlike human meetings, most participants are either dressed in bathing suits or bathrobes. Leave it to Rachel's creative hospitality. It is a sight Galen will never forget, seeing the elderly council of Archives sit uncomfortably in human chairs. If the situation weren't so dire, he'd have to laugh. Especially since Tandel's bathrobe has the human symbol of peace all over it in fluorescent colors.
"Thank you for coming," Galen says. He takes his place next to Grom, who sits at the head of the table. Appropriately, Antonis sits at the head of the other end, accompanied by Rayna and Toraf. Emma is at Galen's left side. He doesn't need to look at her to know she's scowling at him. ~ Anna Banks

Falling in love for the first time is a completely transcendent experience. It's like eating pizza-flavored ice cream. Your brain can't even process that level of joy. Love makes people do crazy things like kill other people or shop at Crate & Barrel. I think on some level it makes us all delusional. Deep down, our whole lives, no matter how low our self-esteem gets, we think, I have a special skill that no one knows about and if they knew they'd be amazed. And then eventually we meet someone who says, "You have a secret special skill." And you're like, "I know! So do you!" And they're like, "I know!" And then you're like, "We should eat pizza ice cream together." And that's what love is. It's this giant mound of pizza-flavored ice cream and delusion ~ Mike Birbiglia

Buttressing this argument (that you can prevent children from learning to read or ride bicycles but you can't stop them from learning to talk), Chomsky had pointed to two other universals in human language: that its emergence in children follows a very precise timetable of development, no matter where they live or which particular language is the first they learn; and that language itself has an innate structure. Chomsky has recently reminded audiences that the origins of the structure of language - how semantics and syntax interact - remain as "arcane" as do its behavioral and neurologic roots. Chomsky himself finds nothing in classical Darwinism to account for human language.* And for that reason, says Plotkin, linguistics is left with a major theoretical dilemma. If human language is a heritable trait but one that represents a complete discontinuity from animal communicative behavior, where did it come from? ~ Frank R. Wilson

You and I, we must carry on, Gemma. I cannot afford the luxury of love. I must marry well. And now I must look after you. It is my duty."
"If you wish to suffer, you do so of your own free will, not on my behalf. Or Father's or Grandmama's or anyone's. You are a fine physician, Thomas. Why is that not enough?"
"Because it isn't," he says with a rare candor. "Only this and the hope of nothing more? A quiet respectability with no true greatness or heroism in it, with only my reputation to recommend me. So you see, Gemma, you are not the only one who cannot rule her own life. ~ Libba Bray

In reality, the damned are in the same place as the saved - in reality! But they hate it; it is their Hell. The saved love it, and it is their Heaven. It is like two people sitting side by side at an opera or a rock concert: the very thing that is Heaven to one is Hell to the other. Dostoyevski says, 'We are all in paradise, but we won't see it'…Hell is not literally the 'wrath of God.' The love of God is an objective fact; the 'wrath of God' is a human projection of our own wrath upon God, as the Lady Julian saw - a disastrous misinterpretation of God's love as wrath. God really says to all His creatures, 'I know you and I love you' but they hear Him saying, 'I never knew you; depart from me.' It is like angry children misinterpreting their loving parents' affectionate advances as threats. They project their own hate onto their parents' love and experience love as an enemy - which it is: an enemy to their egotistic defenses against joy…

Since God is love, since love is the essence of the divine life, the consequence of loss of this life is loss of love...Though the damned do not love God, God loves them, and this is their torture. The very fires of Hell are made of the love of God! Love received by one who only wants to hate and fight thwarts his deepest want and is therefore torture. If God could stop loving the damned, Hell would cease to be pure torture. If the sun could stop shining, lovers of the dark would no longer be tortured by it. But the sun could soone ~ Peter Kreeft

Fathers and teachers, what is hell? I think it is the suffering of one who can no longer love. Once, in the infinity of existence unmeasurable by time or space, a spiritual creature, upon its appearance on earth, is given the power to say: "I am and I love." Once, and only for a moment, is that creature given the knowledge of active, living love, and this is why that creature was given life on earth, and with it, time and space. And what happens? The privileged creature rejects that priceless gift, fails to appreciate it, does not even like it, sneers at it, and remains unmoved. When such a creature leaves the earth, sees Abraham, and talks with him as in the parable about Lazarus and the rich man--when he is already in sight of heaven and is allowed into the presence of the Lord, he is filled with suffering at the thought that he will appear before the Lord never having loved and will be brought into the presence of those who have loved him but whose love he has scorned. For now he sees clearly and says to himself: "I now have the knowledge and I am yearning for love; but now that my earthly life is over, there can be no self-abnegation, no sacrifice in love, and Abraham will not come to me again and bring me even a tiny drop of living water (that is, the gift of life on earth, the active life which I possessed before); since I will never again be given life and time, I will never be able to quench the fiery thirst for love that burns within me, because I scorned love while ~ Fyodor Dostoyevsky

So Recklessly Exposed

December and January, gone.
Tulips coming up. It's time to watch
how trees stagger in the wind
and roses never rest.

Wisteria and Jasmine twist on themselves.
Violet kneels to Hyacinth, who bows.

Narcissus winks, wondering what will
the lightheaded Willow say
of such slow dancing by Cypress.

Painters come outdoors with brushes.
I love their hands.

The birds sing suddenly and all at once.
The soul says Ya Hu, quietly.

A dove calls, Where, ku?
Soul, you will find it.

Now the roses show their breasts.
No one hides when the Friend arrives.

The Rose speaks openly to the Nightingale.
Notice how the Green Lily has several tongues
but still keeps her secret.

Now the Nightingale sings this love
that is so recklessly exposed, like you. ~ Jalaluddin Rumi

Did you already forget how to promise?" I worm my pinkie around his and squeeze.
He squeezes back and lowers our joined hands to the bed. My heartbeat is strong in my ears. Do I pull away first? Do I wait for him to? What if he doesn't? What if we fall asleep like this?
"I promise I don't write mushy, girly stuff," he says. "I just like to keep track of what's going on, you know? The places I go, the things I find. The people I meet."
I could be imagining it, but the hold on my hand seems to be tighter.
"I know one day I'll want to look back," he continues, "and I don't trust my memory alone to remember everything. What's important to me right now might not be later, but that doesn't mean I want to forget it." He yawns and his eyes get watery, tired.
I fight the temptation to yawn myself. "I think you've just made an excellent case for diaries. Maybe I'll start keeping one."
He yawns again and his grip on my pinkie loosens, but we're still mostly hooked together. "It looked like you already were," he says in a fading whisper. His eyes drift closed.
I stare at his relaxed face, pale in the dim light. Nearly asleep, he looks vulnerable. Like I could tell him anything I wanted and he wouldn't remember it in the morning.
When I first met him, I thought he was attractive but not in an omg-he's-the-most-gorgeous-thing-I've-ever-seen way. But somehow, now that I know him, how his light brown eyes can sear right through me, how the corner of ~ Kristin Rae

And she didn't take it well. I saw that for myself. I'm convinced that she's Lissa's half-sister, now, but she's in the same position Lissa was in - under Gavin's thumb."

"You think I haven't considered that?" Winkler's words were a growl. "We have no claim on this one, Weldon. The vamps have full control, although Bill says they have no idea she can walk in daylight."

"I heard her asking for fruit, so that's not the only similarity," Weldon huffed. "Lissa got used by the vampires and killed by her father's interference."

"Let's hope Griffin stays the hell away from this one, then. ~ Connie Suttle

Quince leans in over the map, studying, and I think he's going to ask me something about the kingdoms or my plan or Daddy's trident.
Instead, without taking his eyes off the map, he asks, "What happens if I fail?"

"What?" I whisper.

"If I don't pass the three tests," he says. "What's the consequence?"

I suck in a shaky breath. This is the part I didn't want to talk about, the part I hoped he wouldn't ask about. But I guess he's too clever - or has learned too much about how mer-world magic works - to assume there won't be a price.

There is, and it's a big one.

"If you fail," I say, keeping my voice steady, "then you are banished from the water forever."

He lifts his Caribbean-blue eyes to stare into mine. "And?"

"And?" I echo.

"I know that can't be it," he says. "Nothing in your world is ever that simple."

A part of my heart breaks when he calls it my world. I want it to feel like his world, too. But now isn't the time. He's right; there's more to the consequence of failure than him being exiled.

"And . . . ," I say, wishing I didn't have to tell him this, "I'll be banished from land." I swallow hard. "Forever."

He stares into my eyes, unblinking, and I can't read any sort of reaction. His mind is racing, I'm sure, but everything on the outside is a stone facade.

Finally, after what feels like an eternity, he says, "Then I won't fail. ~ Tera Lynn Childs

Look upon life and death; there is no separation between them,
The right hand and the left hand are one and the same.
Kabîr says: "There the wise man is speechless; for this truth may
never be found in Vedas or in books. ~ Kabir

Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip.
He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says.
"Sweet pea, what happened? Can't be that bad."
He nods. "It is. I knocked Emma unconscious."
Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now."
"Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel.
"Oh?" Rachel says. "That how she got your attention?"
"She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-"
Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous."
"No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead.
"Okay, good. Now, back up there, sweet pea. Why did she run from you?"
"A misunderstanding."
Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures."
He runs a hand through his hair. "Tell me about it. First she's being nice and coopera ~ Anna Banks

In historical terms women, black people in general, were very attracted to very bright-colored clothing. Most people are frightened by color anyway...They just are. In this culture quiet colors are considered elegant. Civilized Western people wouldn't buy bloodred sheets or dishes. There may be something more to it than what I am suggesting. But the slave population had no access even to what color there was, because they wore slave clothes, hand-me-downs, work clothes made out of burlap and sacking. For them a colored dress would be luxurious; it wouldn't matter whether it was rich or poor cloth . . . just to have a red or a yellow dress. I stripped Beloved of color so that there are only the small moments when Sethe runs amok buying ribbons and bows, enjoying herself the way children enjoy that kind of color. The whole business of color was why slavery was able to last such a long time. It wasn't as though you had a class of convicts who could dress themselves up and pass themselves off. No, these were people marked because of their skin color, as well as other features. So color is a signifying mark. Baby Suggs dreams of color and says, "Bring me a little lavender." It is a kind of luxury. We are so inundated with color and visuals. I just wanted to pull it back so that one could feel that hunger and that delight. ~ Toni Morrison

As regards authority I so proceed. Boetius says in the second prologue to his Arithmetic, 'If an inquirer lacks the four parts of mathematics, he has very little ability to discover truth.' And again, 'Without this theory no one can have a correct insight into truth.' And he says also, 'I warn the man who spurns these paths of knowledge that he cannot philosophize correctly.' And Again, 'It is clear that whosoever passes these by, has lost the knowledge of all learning.' ~ Roger Bacon

Rachel left," he says, sighing. "Says she's never coming back."
Galen nods. "She always says that. It's probably for the better tonight, though." They both wince as Rayna plants the ball of her foot in Emma's back, splaying her across the sea of shards.
"I taught her that," Toraf says.
"It's a good move."
Neither of the combatants seem to care about the rain, lightning, or the whereabouts of their hostess. The storm billows in, drenching the furniture, the TV, the strange art on the wall. No wonder Rachel didn't want to see this. She fussed over this stuff for days.
"So, it kind of threw me when she said she didn't like fish," Toraf says.
"I noticed. Surprised me, too, but everything else is there."
"Bad temper."
"The eyes."
"That white hair is shocking though, isn't it?"
"Yeah, I like it. Shut up." Galen throws a sideways glare at his friend, whose grin makes him ball his fists.
"Hard bones and thick skin, obviously. There's no sign of blood. And she took some pretty hard hits from Rayna," Toraf continues neutrally.
Galen nods, relaxes his fists.
"Plus, you feel the pull-" Toraf is greeted with a forceful shove that sends him skidding on one foot across the slippery marble floor. Laughing, he comes back to stand beside Galen again.
"Jackass," Galen mutters.
"Jackass? What's a jackass?"
"Not sure. Emma called me that today when she was irritated with me."
"You're insulting me in human-talk no ~ Anna Banks

Alex, please."
He balls his fists. "Stop saying my name. You don't know me anymore."
"I do know you." I'm still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. "It's me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard - "
"Don't," he says. His voice breaks on the word.
"And I always beat you in Scrabble," I say. I have to keep talking, and keep him here, and make him remember. "Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them - "
"Don't."
"And we did, and it wasn't bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me." I'm gasping, feeling as though I am about to drown; I'm reaching for him blindly, grabbing at his collar.
"Stop." He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. "Just stop. No more. It's done, okay? That's all done now."
"Alex, please - "
"Stop!" His v ~ Lauren Oliver

When I pursued an education in healing in the USA in 1984, I was told that I had the capacity to become a crownchakrahealer, a spiritual healer, to act as a channel and catalyst for spiritual energy from the 7th chakra through the heart. At that time I had no idea what a crownchakrahealer really was and since than it has been a continuous process during the last 17 years to deepen and develop my understanding about what a crownchakrahealer is. This process has resulted in a way of working I call "Synchronicity – Transmission of the Light", which uses healing and energy work from the Source on a formless level. With this way of working I have worked with groups up to 80 people. It is really a way of working, which goes around the ego and speaks directly to the heart. It allows a person to come in direct contact with his own inner being, with his own life source. With my intellect I still do not understand how this way of working functions. It is not a way of working, which can be understood on a method plane. It is a way of working, which relates directly to the heart and which can only be understood through insight and experience.
One participant in Gothenburg in Sweden described his experience of Synchronicity as being like a thousand suns suddenly had been lit in his own consciousness. He says: "It was like an inner explosion, an expansion of my own consciousness – and I felt only love for the other people in the room". ~ Swami Dhyan Giten

First, he says, you have to go out into the world. This is not a simple matter of going outside one's door. No, that is simply going out. That's what one does when one is on the way to the store to buy a loaf of bread, some cheese, and a bottle of wine. When one goes out into the world, one is shedding preconceptions of past paths and ideas of past paths, and trying to move freely through an unsubstantiated and new geography. ~ Jesse Ball

emmersmacks: E youre going to be around for the Dog Days livewatch right

MirkerLurker: Duh. The day I miss Dog Days is the day I eat my own foot.

Apocalypse_Cow: *takes screenshot*

Apocalypse_Cow: let it be known on this day that if eliza ever misses dog days, she will eat her own foot.

emmersmacks: Masterminds would love that one

emmersmacks: Creator of Monstrous Sea eats own foot over teen soap opera

Apocalypse_Cow: tacky teen soap opera.

MirkerLurker: Tacky teen soap opera? Yes. Wildly entertaining? Also yes.

emmersmacks: Amen

...

Apocalypse_Cow: but seriously tho, dog days is the worst

emmersmacks: Not worse than the second season when Chris got with Ben

Apocalypse_Cow: chris got with jason in the second season, not ben

emmersmacks: Says the guy who doesnt watch Dog Days

Apocalypse_Cow: . . .

emmersmacks: Ah how the mighty have fallen ~ Francesca Zappia

I'm walking off the dance floor when I see him. Peter, in a suit, standing to the side, beside the dogwood tree. He looks so handsome I can hardly stand it. I cross the backyard, and he watches me the whole time. My heart is pounding so hard. Is he here for me? Or did he just come because he promised my dad?
When I'm standing in front of him, I say, "You came."
Peter looks away. "Of course I came."
Softly I say, "I wish I could take back the things I said the other night. I don't even remember all of them."
Looking down, he says, "But you meant them, right? So it's a good thing you said them then, because somebody had to and you were right."
"Which part?" I whisper.
"About UNC. About me not transferring there." He lifts his head, his eyes wounded. "But you should have told me my mom talked to you."
I take a shaky breath. "You should have told me you were thinking about transferring! You should've told me how you were feeling, period. You shut down after graduation; you wouldn't let me in. You kept saying everything was going to be fine."
"Because I was fucking scared, okay!" he bursts out. He looks around to see if anyone heard, but the music is loud, and everyone is dancing; no one is looking at us, and it's like we are alone here in this backyard.
"What were you so scared about?" I whisper.
His hands tighten into fists at his sides. When he finally speaks, his voice comes out raw, like he hasn't used it in a while. "I was sc ~ Jenny Han

Who Says Words With My Mouth?

All day I think about it, then at night I say it.
Where did I come from, and what am I supposed to be doing?
I have no idea.
My soul is from elsewhere, I'm sure of that,
and I intend to end up there.

This drunkenness began in some other tavern.
When I get back around to that place,
I'll be completely sober. Meanwhile,
I'm like a bird from another continent, sitting in this aviary.
The day is coming when I fly off,
but who is it now in my ear who hears my voice?
Who says words with my mouth?

Who looks out with my eyes? What is the soul?
I cannot stop asking.
If I could taste one sip of an answer,
I could break out of this prison for drunks.
I didn't come here of my own accord, and I can't leave that way.
Whoever brought me here will have to take me home.

This poetry, I never know what I'm going to say.
I don't plan it.
When I'm outside the saying of it,
I get very quiet and rarely speak at all. ~ Rumi

The function, the very serious function of racism is distraction. It keeps you from doing your work. It keeps you explaining, over and over again, your reason for being. Somebody says you have no language and you spend twenty years proving that you do. Somebody says your head isn't shaped properly so you have scientists working on the fact that it is. Somebody says you have no art, so you dredge that up. Somebody says you have no kingdoms, so you dredge that up. None of this is necessary. There will always be one more thing. ~ Toni Morrison

In the parable of the ten virgins, Jesus is clearly saying that prior to his return the whole church will be asleep (Mt. 25:5), not just the foolish virgins but the wise as well. This verse turned my thinking upside down. No matter how I looked at it, no matter what commentary I read, no one had an adequate answer for what this verse really says. Denomination Presidents, Seminary Professors, Pastors and everyone in the pews: Jesus is telling us that we're all snoozing. ~ Nelson Walters

Ryder! What's taking you so long?"
"I'm on my way!" he yells back.
It feels like forever before he pushes open the door and ducks inside. Then I see why it took him so long. He's somehow got the three cats tucked under one arm and the cake plate clutched in the other hand. No spare for a flashlight or lantern--so he accomplished this all in the dark.
"Here," he says, handing off the cake to me before releasing Kirk, Spock, and Sulu into the crate and latching the door.
"Seriously, Ryder? You brought the cake?"
He shrugs. "I was hungry."
Hmm, I guess all that kissing worked up his appetite. For cake. I'm not sure if I should be offended or not. On the plus side, he doesn't look like he's about to puke. So we're making progress as far as his fear of storms goes. I guess that's something.
"Did you happen to bring a fork?" I ask, setting the plate on the makeshift tabletop.
He produces two from his pocket, holding them up triumphantly. So we eat cake while the sirens blare. Actually, it doesn't sound that bad out there. Still, the fact that we're so calm--that Ryder's so calm--should tell you how routine this is getting. As long as we don't hear that awful freight-train sound, we're good.
"What happened to the cake?" he asks between bites. "It looks like someone mutilated it while I was gone."
"Sorry," I mutter. "Guess I did some stress bingeing. You realize you're not wearing a shirt, right?"
He glances down and shrugs, his ~ Kristi Cook

Let me tell you a story," I say instead. "Once upon a time, there was a girl whose life was saved by the faery king - "

"This story sounds distinctly familiar. I think I might have heard it somewhere before."

I shush him and say not to interrupt. "If anyone asked her how she felt about the king, she would have said she loathed him. He ruthlessly trained her to fight his own kind. He taught her to kill. She learned from his lessons how to quiet the rage that burned inside her. But she had already decided that one day, when she had grown strong enough and learned everything she could about battle, she was going to murder him."

Kiaran goes still, his eyes glittering in the darkness. He says nothing.

"Her opportunity came one night when he decided she was ready to hunt her first faery. It was a skriker that had been terrorizing a nearby village, slaughtering children in the night. The king handed the girl his sword and ordered her to kill the goblin-like creature.

"She barely won. But in the end, as she thrust the sword deep into the monster's gut, she felt something so profoundly that she thought it would consume her. So she told the king. She whispered the words and meant them with every part of her rage-filled soul: 'I hate you. I hate all of you.' When she lifted the sword again, she intended to pierce it right through his heart.

"That was the first time the girl had ever seen the faery king smile."

~ Elizabeth May

Jesus Christ is not a cosmic errand boy. I mean no disrespect or irreverence in so saying, but I do intend to convey the idea that while he loves us deeply and dearly, Christ the Lord is not perched on the edge of heaven, anxiously anticipating our next wish. When we speak of God being good to us, we generally mean that he is kind to us. In the words of the inimitable C. S. Lewis, "What would really satisfy us would be a god who said of anything we happened to like doing, 'What does it matter so long as they are contented?' We want, in fact, not so much a father in heaven as a grandfather in heaven--a senile benevolence who as they say, 'liked to see young people enjoying themselves,' and whose plan for the universe was simply that it might be truly said at the end of each day, 'a good time was had by all.'" You know and I know that our Lord is much, much more than that.

One writer observed: "When we so emphasize Christ's benefits that he becomes nothing more than what his significance is 'for me' we are in danger. . . . Evangelism that says 'come on, it's good for you'; discipleship that concentrates on the benefits package; sermons that 'use' Jesus as the means to a better life or marriage or job or attitude--these all turn Jesus into an expression of that nice god who always meets my spiritual needs. And this is why I am increasingly hesitant to speak of Jesus as my personal Lord and Savior. As Ken Woodward put it in a 1994 essay, 'Now I think we all need to be ~ Robert L. Millet

No one is going to hear what she says whether she speaks or not. Simply she could close her eyes and never speak again. She could suck all of the air in this room-every dust mote, every atom-into her body and hide it inside her ... ~ Laura Kasischke

I hope she can't tell that I'm appraising her and that I'm completely worried by what I see. She's excitable and strange. She's ten. What do people do during the day when they're ten? She runs her fingers along the window and mumbles, "This could give me bird flu," and then she forms a circle around her mouth with her hand and makes trumpet noises. She's nuts. Who knows what's going on in that head of hers, and speaking of her head, she most definitely could use a haircut or a brushing. There are small tumbleweeds of hair resting on the top of her head. Where does she get haircuts? I wonder. Has she ever had one before? She scratches her scalp, then looks at her nails. She wears a shirt that says I'M NOT THAT KIND OF GIRL. BUT I CAN BE! I'm grateful that she isn't too pretty, but I realize this could change. ~ Kaui Hart Hemmings