Literary Tradition Quotes

If there is a gay ghetto, then that's where James Baldwin is, and Thomas Mann is, and Virginia Woolf is, and that's the only place I would ever want to be. And that's not on the margins of the literary tradition: That's right at the heart of it. ~ Garth Greenwell

Authors as diverse as Matthew Arnold and George Orwell have given thought to the serious question: what is to be done about morals and ethics now that religion has so much decayed? Arnold went almost as far as to propose that the study of literature replace the study of religion. I must say that I slightly dread the effect that this might have had on literary pursuit, but as a source of ethical reflection and as a mirror in which to see our human dilemmas reflected, the literary tradition is infinitely superior to the childish parables and morality tales, let alone the sanguinary and sectarian admonitions, of the "holy" books. ~ Christopher Hitchens

Fiction writers are fully ten times more likely to be bipolar than the general population, and poets are an amazing forty times more likely to struggle with the disorder. Based on statistics like these, psychologist Daniel Nettle writes, "It is hard to avoid the conclusion that most of the canon of Western culture was produced by people with a touch of madness." Essayist Brooke Allen does Nettle one better: "The Western literary tradition, it seems, has been dominated by a sorry collection of alcoholics, compulsive gamblers, manic-depressives, sexual predators, and various unfortunate combinations of two, three, or even all of the above. ~ Jonathan Gottschall

Every country should have a strong literary tradition of its own at the center, but it should also have an interest in other countries. ~ Kazuo Ishiguro

Literature is conscious mythology: as society develops, its mythical stories become structural principles of story-telling, its mythical concepts, sun-gods and the like, become habits of metaphoric thought. In a fully mature literary tradition the writerenters intoa structure of traditional stories and images. ~ Northrop Frye

The Chicago literary tradition is born not out of its Universities, but out of the sports desk and the city desk of its newspapers. Hemingway revolutionized English prose. His inspiration was the telegraph, whose use, at Western Union, taught this: every word costs something,
This, of course, is the essence of poetry, which is the essence of great prose. Chicagoan literature came from the newspaper, whose purpose, in those days, was to Tell What Happened. Hemingway's epiphany was reported, earlier, by Keats as " 'Beauty is truth, truth beauty' --that is all ye know earth, and all ye need to know." I would add to Keats' summation only this: "Don't let the other fellow piss on your back and tell you it's raining."
I believe one might theoretically forgive one who cheats at business, but never one who cheats at cards; for business adversaries operate at arm's length, the cardplayer under the strict rules of the game, period.
That was my first political epiphany.
And now, I have written a political book.
What are the qualifications for a Political Writer?
They are, I believe, the same as those of an aspiring critic: an inability to write for the Sports Page. ~ David Mamet

Something is missing in our culture. We can't quite celebrate the scientific literary tradition. ~ Ian McEwan

What is literary tradition? What is a classic? What is a canonical view of tradition? How are canons of accepted classics formed,and how are they unformed? I think that all these quite traditional questions can take one simplistic but still dialectical question as their summing up: do we choose tradition or does it choose us, and why is it necessary that a choosing take place, or a being chosen? What happens if one tries to write, or to teach, or to think, or even to read without the sense of a tradition? Why, nothing at all happens, just nothing. ~ Harold Bloom

In fact I don't think of literature, or music, or any art form as having a nationality. Where you're born is simply an accident of fate. I don't see why I shouldn't be more interested in say, Dickens, than in an author from Barcelona simply because I wasn't born in the UK. I do not have an ethno-centric view of things, much less of literature. Books hold no passports. There's only one true literary tradition: the human. ~ Carlos Ruiz Zafon

I think our sexuality is all yet to be recounted and that the rich male literary tradition constitutes a huge obstacle. ~ Elena Ferrante

I found, moreover, that there was no great literary tradition; there was only the tradition of the eventful death of every literary tradition ... . ~ F Scott Fitzgerald

Madness and passion have always been interchangeable. Throughout the entire western literary tradition. Madness is an abundance of existence. Madness is a way of asking difficult questions. What did he mean, the powerless tyrant king? O Fool, I shall go mad.
Maybe madness is the excess of possibility, ... And writingis about reducing possibility to ne idea, one book, one sentence, one word. Madness is a form of self-expression. It is the opposite of creativity. You cannot make anything that can be separated from yourself if you are mad. And yet, look at Rimbaud
and your wonderful Christopher Smart. But don't harbour any romantic ideas about what it means to be mad. My language was my protection, my guarantee against madness and when there was no one to listen my language vanished along with my reader. ~ Patricia Duncker

I think that a lot of things are hard to read if you're not in the vocabulary flow of that particular discourse. I sometimes forget that even though the words I'm using are fairly ordinary words, the concepts around which they cluster, which are the long concepts of literary tradition, may not be familiar to an audience. ~ Helen Vendler

I do not come out of a literary tradition. ~ Richard Flanagan

The authors we classified as villains, detractors, and bad role models for our children are part of the educational curriculum. Freethinkers and the gutsy ones who pursued love and went against what society preordained are those we admire. The talented that wrote about these adventurous escapades and secret interludes are part of our literary tradition. ~ Julia Ann Charpentier

What I find difficult, when I read, is to encounter other people's achievements passed off as one's own. I find it difficult to discover literary tradition so warmly embraced and coddled, as if artists existed merely to have flagrant intercourse with the past, guaranteed to draw a crowd but also certain to cover that crowd in an old, heavy breading. I find it difficult when a narrative veers toward soap opera, when characters are explained by their childhoods, when setting is used as spackle to hold together chicken-wire characters who couldn't even stand up to an artificial wind, when depictions of landscape are intermissions while the author catches his breath and gets another scene ready. I find writing difficult that too readily subscribes to the artistic ideas of other writers, that willingly accepts language as a tool that must be seen and not heard, that believes in happy endings, easy revelations, and bittersweet moments of self-understanding. I find writing difficult that could have been written by anyone. That's difficult to me, horribly so. Mr. Difficult? It's not Gaddis. Mr. Difficult is the writer willing to sell short the aims of literature, to serve as its fuming, unwanted ambassador, to apologize for its excesses or near misses, its blind alleys, to insult the reading public with film-ready versions of reality and experience and inner sensations, scenes flying jauntily by under the banner of realism, which lately grants it full critical immunity. ~ Ben Marcus

One of the things that bugs me about the Western Literary Tradition is that the conventions of narrative in particular seem to confine the stories you can tell about characters to tropes of bone-headed action and old models of psychological realism. And as readers, too, we have been conditioned to understand characters as - and forgive me for saying it out loud - what the market says they should be. Namely, safe, clean, proper. ~ Lidia Yuknavitch

A writer is someone who spends years patiently trying to discover the second being inside him, and the world that makes him who he is: when I speak of writing, what comes first to my mind is not a novel, a poem, or literary tradition, it is a person who shuts himself up in a room, sits down at a table, and alone, turns inward; amid its shadows, he builds a new world with words. ~ Orhan Pamuk

I bet it was also the triumphant Aha! and not the truth itself that had fueled all those famous literary detectives I knew not much about except their names - Philip Marlowe, Sherlock Holmes, Joe and Frank Hardy. I felt like yelling something celebratory on my way home, something like, Yeah! or Fuck, yeah! just like Marlowe would have yelled, just like the Hardys would have yelled, and maybe Holmes, too, although maybe that's why he kept Watson around; to tell Holmes to simmer down and not get too far ahead of himself. ~ Brock Clarke

For our teams that do great work, we have a tradition of giving Rolex watches. If you see all the key guys with their Rolexes, that's sort of our Medal of Honor if you do something big. ~ Ross Perot, Jr.

Powell belongs, in fact to the first generation of American poets who may have grown up without even a vestigial connection to the accentual-syllabic, rhyming English tradition - his inventive lines have this absence at their back. ~ Stephen Burt

All Renaissance drama, especially the works of Marlowe and Shakespeare, is profoundly concerned with shifting power relations within society. The individual was a new force in relation to the state. The threat of rebellion, of the overturning of established order, was forcefully brought home to the Elizabethan public by the revolt of the Earl of Essex, once the Queen's favourite. The contemporary debate questioned the relationship between individual life, the power and authority of the state, and the establishing of moral absolutes. Where mediaeval drama was largely used as a means of showing God's designs, drama in Renaissance England focuses on man, and becomes a way of exploring his weaknesses, depravities, flaws - and qualities. ~ Ronald Carter

I have often received messages from diverse readers that, with some variations, pose similar questions. For example:
'What did you want to symbolize with: a) the man that hits another man on his head with an umbrella? b) the mosquito that dominates the man? c) the fifty chastising lambs?'
In all cases my answers, in these words or words like these, are;
When I write a story I try to make it the best possible story in a literary sense: I just want to write a story. ~ Fernando Sorrentino

There's never really been a tradition of making films about Jewish themes or using Judaism as a constant. ~ James Gray

Inez and I had been in the same book club for a while. She once told me that literary theory was reading without imagination, and I've loved her ever since. ~ John Dufresne

An essay is a work of literary art which has a minimum of one anecdote and one universal idea. ~ Carol Bly

To stand alone is to be uncorrupted, innocent, free of all tradition, of dogma, of opinion, of what another says, and so on. Such a mind does not seek because there is nothing to seek; being free, such a mind is completely still without a want, without movement.
But this state is not to be achieved; it isn't a thing that you buy through discipline; it doesn't come into being by giving up sex, or practicing a certain yoga.
It comes into being only when there is understanding of the ways of the self, the 'me', which shows itself through the conscious mind in everyday activity, and also in the unconscious. What matters is to understand for oneself, not through the direction of others, the total content of consciousness, which is conditioned, which is the result of society, of religion, of various impacts, impressions, memories - to understand all that conditioning and be free of it. But there is no "how" to be free. If you ask how to be free, you are not listening. ~ Jiddu Krishnamurti

Honor the tradition but expand the understanding. That's what religions must do right now if they hope to be helpful to humans in the years ahead. ~ Neale Donald Walsch

There are many who occasionally attend church and who are trying experimentally to be Christians, yet are unable to identify well or define accurately the central truths of Christian teaching. The knowledge they have of the Christian tradition may have come chiefly through hymns. Their strong and sincere feelings are not matched with serious biblical or historical reflection on those feelings. Religious feelings are, indeed, crucial to the deeper learning of Christian truth, but they easily become superficial and narcissistic if the mind of Christ is not a mentor to natural religious impulse. The loss of center in Christian education is arguably due to a serious default of pastoral leadership; when the teaching elder does not teach, the effect is felt throughout the entire Christian congregation. ~ Thomas C. Oden

Christian monks and nuns were, in effect, the guardians of culture, as they were virtually the only people who could read and write before the fourteenth century. It is interesting therefore that most of the native English culture they preserved is not in Latin, the language of the church, but in Old English, the language of the Angles, Saxons, and Jutes. ~ Ronald Carter

There will always be something about two men in the ring - a mystique because it's pure man-to-man competition. Because of the history boxing has and the tradition it holds, boxing will always have a that mystique. ~ Sugar Ray Leonard

In revolt against this new and very evil thing came the republicanism of the eighteenth century, inspired and directed in large measure by members of the fast perishing aristocracy of race, character and tradition. ~ Ralph Adams Cram

As the strata of the earth preserve in succession the living creatures of past epochs, so the shelves of libraries preserve in succession the errors of the past and their expositions, which like the former were very lively and made a great commotion in their own age but now stand petrified and stiff in a place where only the literary palaeontologist regards them. ~ Arthur Schopenhauer

I grew up in a society with a very ancient and strong oral storytelling tradition. I was told stories, as a child, by my grandmother, and my father as well. ~ Khaled Hosseini

Another term for preventive war is aggressive war - starting wars because someday somebody might do something to us. That is not part of the American tradition. ~ Ron Paul

It doesn't take a literary detective, scanning the passage above, to notice that he is partly saying of Orwell what Orwell actually says about Gissing. This half-buried resentment can be further noticed when Williams turns to paradox. I have already insisted that Orwell contains opposites and even contradictions, but where is the paradox in a 'humane man who communicated an extreme of inhuman terror'? Where is the paradox in 'a man committed to decency who actualized a distinctive squalor'? The choice of verbs is downright odd, if not a little shady. 'Communicated'? 'Actualised'? Assuming that Williams means to refer to Nineteen Eighty-Four in the first case, which he certainly does, would it not be more precise to say that Orwell 'evoked' or even 'prefigured' or perhaps simply 'described' an extreme of inhuman terror? Yet that choice of verb, because more accurate, would be less 'paradoxical.' Because what Williams means to imply, but is not brave enough to say, is that Orwell 'invented' the picture of totalitarian collectivism.

As for 'actualising' a distinctive squalor, the author of that useful book Keywords has here chosen a deliberately inexact term. He may mean Nineteen Eighty-Four again - he is obsessed with the 'gritty dust' that infests Orwell's opening passage - or he may mean the depictions of the mean and cramped (and malodorous) existence imposed on the denizens of Wigan Pier. But to 'actualise' such squalor is either to make it real - no contradictio ~ Christopher Hitchens

So finding our place in the world as culture makers requires us to pay attention to culture's many dimensions. We will make something of the world in a particular ethnic tradition, in particular spheres, at particular scales. There is no such thing as "the Culture," and any attempt to talk about "the Culture," especially in terms of "transforming the Culture," is misled and misleading. Real culture making, not to mention cultural transformation, begins with a decision about which cultural world - or, better, worlds - we will attempt to make something of. ~ Andy Crouch

French rhetorical models are too narrow for the English tradition. Most pernicious of French imports is the notion that there is no person behind a text. Is there anything more affected, aggressive, and relentlessly concrete than a Parisan intellectual behind his/her turgid text? The Parisian is a provincial when he pretends to speak for the universe. ~ Camille Paglia

Being asked to read another writer's rough draft is the literary equivalent of being asked to help a friend move a couch to a new place. ~ Paul Tremblay

If these walls could talk, the buildings would stutter, wouldn't remember their names. ~ NoViolet Bulawayo

It is a shallow criticism that would define poetry as confined to literary productions in rhyme and meter rhythm. The written poem is only poetry talking, and the statue, the picture, and the musical composition are poetry acting. Milton and Goethe, at their desks, were not more truly poets than Phidias with his chisel, Raphael at his easel, or deaf Beethoven bending over his piano, inventing and producing strains, which he himself could never hope to hear. ~ John Ruskin

America's poor and working-class people have long been subject to invasive surveillance, midnight raids, and punitive public policy that increase the stigma and hardship of poverty. During the nineteenth century, they were quarantined in county poorhouses. During the twentieth century, they were investigated by caseworkers, treated like criminals on trial. Today, we have forged what I call a digital poorhouse from databases, algorithms, and risk models. It promises to eclipse the reach and repercussions of everything that came before.

Like earlier technological innovations in poverty management, digital tracking and automated decision-making hid poverty from the professional middle-class public and give the nation the ethical distance it needs to make inhuman choices: who gets food and who starves, who has housing and who remains homeless, and which families are broken up by the state. The digital poorhouse is part of a long American tradition. We manage the individual poor in order to escape our shared responsibility for eradicating poverty. ~ Virginia Eubanks

As always, I wonder if I'll get through the winter. Then when winter is over, I wonder about the summer. But that's because the system decided which author shall be commercially successful. As I said, the most vicious of them all is The New York Times, because it pretends to be literary and impartial, and it's really this opinionated, myopic, stupid giant of incompetence. ~ James Purdy

My first novel took almost six years to sell and was rejected 37 times in the interim, and then finally sold for the smallest amount of money my literary agent had ever negotiated for a work of fiction. ~ Daniel Handler

My aspiration to spend time at sea as requisite literary training died long ago, as a teenager, on a white-knuckled ferry ride to Elba during a torrential rainstorm [Kushner, Rachel, Diary, London Review of Books, January 14, 2015]. ~ Rachel Kushner

Man must not check reason by tradition, but contrariwise, must check tradition by reason. ~ Leo Tolstoy

I had hoped that the board would accept Johnny Hon's offer of a loan to buy the stadium back for the club, as I think this would be best way of continuing the long tradition of Cambridge United in Cambridge - and it was a generous offer. ~ Anne Campbell

I went to a boarding school with a strong Maori tradition, where we were taught all about the haka. ~ Jonah Lomu

But if roteness is a danger, it is also the way liturgy works. When you don't have to think all the time about what words you are going to say next, you are free to fully enter into the act of praying; you are free to participate in the life of God. ~ Lauren F. Winner

I thought, as I wiped my eyes on the corner of my apron:
Penelope did this too.
And more than once: you can't keep weaving all day
And undoing it all through the night;
Your arms get tired, and the back of your neck gets tight;
And along towards morning, when you think it will never be light,
And your husband has been gone, and you don't know where, for years.
Suddenly you burst into tears;
There is simply nothing else to do.
And I thought, as I wiped my eyes on the corner of my apron:
This is an ancient gesture, authentic, antique,
In the very best tradition, classic, Greek;
Ulysses did this too.
But only as a gesture, - a gesture which implied
To the assembled throng that he was much too moved to speak.
He learned it from Penelope ...
Penelope, who really cried. ~ Edna St. Vincent Millay

He rolled her on the bed and turned so he could look at her. 'Are you hurt?' His stomach lurched in the seconds it took her to answer. 'I'm happy.' She opened her eyes and looked at him shyly. 'I'm glad for this. I'm glad that it was you.' Her tiger's eyes glowed in vibrant gold and green. A surge of possessiveness clawed at him, like talons around his heart. He had wild thoughts about taking her with him. They could keep on running, accountable to no one but each other. She'd never have to marry a man she didn't want. But that was what his life had always been. Ailey needed more. She needed honour, tradition and family. Yet she'd chosen him. She'd given herself without reservation. The knowledge stunned him. It made him believe that he could be more. He kissed her. It was the only way to stop thinking. He was never a thinking man anyway. He kissed her again, then released her lips to move his mouth over her breast, sliding his tongue over her nipple, sucking gently until he could feel her squirm beneath him. He ran his hands over her satiny skin until her breath caught and she whispered his name, her breath fanning soft against his ear. He had never gone hard so quickly. When he entered her moments later, she closed around him and he moved within her, lifting and lowering as he waited for the dark pleasure to overcome him. But it wouldn't. Not completely. Through the slick heat and the unbelievable tightness gripping him, Ailey was there. When he shut his eyes, he saw her fa ~ Jeannie Lin

In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing. ~ Evelyn Lau