Legacy Of The Wild Mothers Quotes

As a woman lives them, she will understand more and more of these interior feminine rhythms, among them the rhythms of creativity, or birthing psychic babies and perhaps also human ones, the rhythms of solitude, of play, of rest, of sexuality, and of the hunt. ~ Clarissa Pinkola Estes

Gradually the mist had lifted, and the sun burst forth, a ball of fire radiating the sky with unnaturally incandescent hues. Coral was reminded of the strident brushwork and wild colours of the Fauvist paintings that filled her mother's gallery, which Coral had always loved. The scene was now set for the show to begin: the drama in which the broad, breath-taking landscapes of Africa were the stage and the animals the actors. ~ Hannah Fielding

Who will you be, my Little Ones? Will you dance for the fires of your youth and run at midnight to water's edge, diving into summer's heat? Will you ride a wild mare to any thought or dream or love of your making? Will you seek the artistry of your own infatuations and explore ... ~ Carew Papritz

I freely admit that the best of my fun, I owe it to Horse and Hound - Whyte Melville (1821-1878)


"Once more unto the breach, dear friends, once more;
Or close the wall up with our English dead.
In peace there's nothing so becomes a man
As modest stillness and humility:
But when the blast of war blows in our ears,
Then imitate the action of the tiger;
Stiffen the sinews, summon up the blood,
Disguise fair nature with hard-favour'd rage;
Then lend the eye a terrible aspect;
Let pry through the portage of the head
Like the brass cannon; let the brow o'erwhelm it
As fearfully as doth a galled rock
O'erhang and jutty his confounded base,
Swill'd with the wild and wasteful ocean.
Now set the teeth and stretch the nostril wide,
Hold hard the breath and bend up every spirit
To his full height. On, on, you noblest English.
Whose blood is fet from fathers of war-proof!
Fathers that, like so many Alexanders,
Have in these parts from morn till even fought
And sheathed their swords for lack of argument:
Dishonour not your mothers; now attest
That those whom you call'd fathers did beget you.
Be copy now to men of grosser blood,
And teach them how to war. And you, good yeoman,
Whose limbs were made in England, show us here
The mettle of your pasture; let us swear
That you are worth your breeding; which I doubt not;
For there is none of ~ Whyte Melville

This is what we can promise the future: a legacy of care. That we will be good stewards and not take too much or give back too little, that we will recognize wild nature for what it is, in all its magnificent and complex history - an unfathomable wealth that should be consciously saved, not ruthlessly spent. Privilege is what we inherit by our status as Homo sapiens living on this planet. This is the privilege of imagination. What we choose to do with our privilege as a species is up to each of us.
Humility is born in wildness. We are not protecting grizzlies from extinction; they are protecting us from the extinction of experience as we engage with a world beyond ourselves. The very presence of a grizzly returns us to an ecology of awe. We tremble at what appears to be a dream yet stands before us on two legs and roars. ~ Terry Tempest Williams

Tis a far cry from home for a poor lonely thing,
O'er the deeps and wild waters of seas,
Where you can't hear your dear mother's voice softly sing
Like a breeze gently stirring the trees.
Come home, little one, wander back here someday,
I'll watch for you, each evening and morn,
Through all the long season 'til I'm old and grey
As the frost on the hedges at dawn.
There's a lantern that shines in my window at night,
I have long kept it burning for you,
It glows through the dark, like a clear guiding light,
And I know someday you'll see it, too.
So hasten back, little one, or I will soon be gone,
No more to see your dear face,
But I know that I'll feel your tears fall one by one,
On the flowers o'er my resting place. ~ Brian Jacques

This is why mothers have more babies. We forget about the pain and discomfort and wild inconvenience of pregnancy and childbirth so we can feel that heavenly feeling of holding a warm baby snuggled and content against our chests again. It's like nothing else in this world. ~ Lisa Genova

I think rappers are the fall guy because some of us don't have the wits to point the finger back. The thing is when you take a whole generation and whip them out, string the mothers out and put the fathers in jail - the reason I know respect is because my father is the mediator between me and my grandfather. I'm the mediator between my son and my father because I'm old enough to understand where my father is coming from and young enough to understand what my kid is trying to do. When you whip out the mediator the kids run wild and the old people are scared of them. ~ Nelly

Self-Exam

Dear audience, please stand if you were raised
By a terrible mother. Okay, okay,

Approximately half of you. So I'd say
That terrible mothers are commonplace.

Just like terrible fathers. So let's mourn
For the children who never knew childhood.

Our grief is justified. Our anger is good.
I won't blame children for childish scorn.

But there comes a day when a broken child
Becomes an adult. On that day, you'll need

To choose between the domestic and wild.
You'll need to escalate war or declare peace.

I tell you this because I'm the kid, mother-stung,
Who became a terrible adult son.

And I'm to blame for that. I made that mess.
Because I am the Amateur of Forgiveness. ~ Sherman Alexie

The following spring was a time of calving. Great icebergs calved from the vast glaciers which stretched down to our fjords from distant mountains. The heifers and cows of Kaupangen gave birth to over one hundred calves that spring. Most survived. Gudrod, the master shepherd, had seventy-five new lambkins skipping after their mothers. Ten sets of lamb twins were born in the city that year. Bitches had pups suckling at their breasts. The mountain goats that stood watch over the fjord, indifferently chewing on the wild grasses between the rocks, had kids following them on their steep paths. The residents of the city, too, gave birth. Twenty-one new healthy babies were born within thirty days of the spring equinox; boys and girls with thick blonde, brown, black, or red hair; others with smooth bald heads. Olaf, my third father, my king, had a son, stillborn. Olaf wept. Kenna wept. I wept as the boy was buried inside the casket with his mother in our graveyard by the church. ~ Jason Born

We invoke the words of Jefferson and Lincoln because they say something about our legacy and our traditions. We do this because we recognize our links to the past--at least when they flatter us. But black history does not flatter American democracy; it chastens it. The popular mocking of reparations as a harebrained scheme authored by wild-eyed lefties and intellectually unserious black nationalists is fear masquerading as laughter. Black nationalists have always perceived something unmentionable about America that integrationists dare not acknowledge --that white supremacy is not merely the work of hotheaded demagogues, or a matter of false consciousness, but a force so fundamental to America that it is difficult to imagine the country without it. ~ Ta-Nehisi Coates

Something wild was going on in that coffin ... .I was growing shoots and leaves and blossoms. Moss. Bugs. Worms. She leaned over my corpse to kiss my lips, but they were warm instead of cold, and then she realized the dead girl wasn't me at all. Who was that? Who was that dead girl squirming with life? And then she realized- That was her. Our bodies had been switched. Mine for hers. ~ Laura Kasischke

I was weaned not on television or Wild West sagas but on stories of nationalism and patriotism. I would sit at my mother's feet by the hour and drink in these exciting tales of the freedom fighters in our family. ~ Sukarno

What do think about abortion?"
"I could feel the tension growing in the plane. I dropped my head, acknowledging that we had very different value systems for our lives. Then I thought of a way to respond to his question.
"You're Jewish, right?" I asked.
"Yes," he said defensively. "I told you I was!"
"Do you know how Hitler persuaded the German people to destroy more than six million of your Jewish ancestors?" The man looked at me expectantly, so I continued. "He convinced them that Jews were not human and then exterminated your people like rats."
I could see that I had his attention, so I went on. "Do you understand how Americans enslaved, tortured, and killed millions of Africans? We dehumanized them so our constitution didn't apply to them, and then we treated them worse than animals."
"How about the Native Americans?" I pressed. "Do you have any idea how we managed to hunt Indians like wild animals, drive them out of their own land, burn their villages, rape their women, and slaughter their children? Do you have any clue how everyday people turned into cruel murderers?"
My Jewish friend was silent, and his eyes were filling with tears as I made my point. "We made people believe that the Native Americans were wild savages, not real human beings, and then we brutalized them without any conviction of wrongdoing! Now do you understand how we have persuaded mothers to kill their own babies? We took the word fetus, which is the Latin word for ~ Kris Vallotton

Jen's Mum Will Write
Jen's mum writes advertising copy.
She specializes in white goods:
washing machines, dryers, fridges,
freezers, dishwashers.
She hates these appliances
hulking
in corners,
power-hungry and fractious.
One day, she will have a wood stove,
and she'll write about things that matter-
she will write about birth and death,
about love and the absence of love,
about fathers and children,
about mothers and daughters,
about lovers and friends.
She'll write about the whole goddamn
wonderful, awful business
of loving and being loved ~ Margaret Wild

Death and the Turtle"

I watched the turtle dwindle day by day,
Get more remote, lie limp upon my hand;
When offered food he turned his head away;
The emerald shell grew soft. Quite near the end
Those withdrawn paws stretched out to grasp
His long head in a poignant dying gesture.
It was so strangely like a human clasp,
My heart cracked for the brother creature.

I buried him, wrapped in a lettuce leaf,
The vivid eye sunk inward, a dull stone.
So this was it, the universal grief:
Each bears his own end knit up in the bone.
Where are the dead? we ask, as we hurtle
Toward the dark, part of this strange creation,
One with each limpet, leaf, and smallest turtle---
Cry out for life, cry out in desperation!

Who will remember you when I have gone,
My darling ones, or who remember me?
Only in our wild hearts the dead live on.
Yet these frail engines bound to mystery
Break the harsh turn of all creation's wheel,
for we remember China, Greece, and Rome,
Our mothers and our fathers, and we steal
From death itself its rich store, and bring it home. ~ May Sarton

Women were accustomed to making substantial efforts to please men, while men spent comparatively little of theirs trying to please women. The reports women received from their mothers and married older sisters about intimacy with men probably suggested that it was not all sweetness and light. Living with men required something of the caution needed for handling wild animals. Even for women who were skilled at managing them, there was always an element of danger because of their power and unpredictability. So it would not be at all surprising if women were less troubled by distracting thoughts of the opposite sex. ~ Kate Cooper

Begin. Keep on beginning. Nibble on everything.
Take a hike. Teach yourself to whistle. Lie.
The older you get the more they'll want your stories.
Make them up. Talk to stones. Short-out electric
fences. Swim with the sea turtle into the moon. Learn
how to die. Eat moonshine pie. Drink wild geranium
tea. Run naked in the rain. Everything that happens
will happen and none of us will be safe from it.
Pull up anchors. Sit close to the god of night.
Lie still in a stream and breathe water. Climb to the
top of the highest tree until you come to the branch
where the blue heron sleeps. Eat poems for breakfast.
Wear them on your forehead. Lick the mountain's
bare shoulder. Measure the color of days
around your mother's death. Put your hands over
your face and listen to what they tell you. ~ Ellen Kort

Wild horses wouldn't have made Daniel admit that his wife, Anna, would have lectured him for an hour if she'd known what he was up to.Daniel considered it basic strategy not to tell her until it was done. "Since she's been moping and sighing around here," he lied without qualm, "I thought I'd bury my pride and call you myself.It's time you took a weekend and came to see your mother."
Alan lifted a wry brow, knowing his father all too well. "I'd think she'd be all wrapped up in her first prospective granchild. How is Rena?"
"You can see for yourself this weekend," Daniel informed him. "I-that is, Rena and Justin have decided they want to spend a weekend with the family. Caine and Diana are coming too."
"You've been busy," Alan murmured.
"What was that? Don't mumble, boy."
"I said you'll be busy," Alan amended prudently.
"For your mother's sake, I can sacrifice my peace and quiet.She worries about all of you-you especially since you're still without wife and family.The firstborn," he added, working himself up, "and both your brother and sister settled before you. The eldest son,my own father's namesake, and too busy flitting around to do his duty to the MacGregor line."
Alan thought about his grueling morning and nearly smiled. "The MacGregor line seems to be moving along nicely. Maybe Rena'll have twins. ~ Nora Roberts

The Relics"

I slipped them into my friend's palm  -  
the tiny crucifix, and dove,
from off my mother's pendant watch  -  
and I asked her to walk them up through the brush
toward timberline, and find a place
to hurl them, for safekeeping. Now,
she writes, "I walked up the canyon at dusk,
warm, with a touch of fall blowing down the canyon,
came to an outcrop, above a steep
drop  -  far below, a seasonal
creek, green willows. I stood on a boulder
and held out my hand. I wished your mother all the
love in the world, and I sent the talismans
flying off the cliff. They were so small,
and the wind was blowing, so I never saw or
heard them land." My mother is where
I cannot find her, she is gone beyond
recall, she lies in her sterling shapes
light as the most weightless bone in the body, her
stirrup bone, which was ground up
and sown into the sea. I do not know
what a soul is, I think of it
as the smallest, the core, civil right. And she
is wild now with it, she touches and is
touched by no one knows  -  down, or
droppings of a common nighthawk,
root of bird's foot fern, antenna of
Hairstreak or Echo Azure, or stepped on by the
huge translucent Jerusalem cricket. There was
something deeply right about
the physical elements  -  atoms, and cells,
and marrow  -  of my mother's body,
when I was young, and now her deli ~ Sharon Olds

He was halfway to the house, thinking to set the cabbage inside the kitchen door,when a brown blur thundered past him.
Joanna Robbins tore out of the barn astride a magnificent chestnut quarter horse. She leaned forward in the saddle,hat flopping against her back, hair streaming out behind her in a wild curly mass as she urged her mount to a full-out gallop. Unable to do anything but stare, Crockett stood dumbstruck as she raced past.
She was the most amazing horsewoman he'd ever seen. Joanna Robbins. The shy creature who claimed painting and reading were her favorite pastimes had just bolted across the yard like a seasoned jockey atop Thoroughbred. She might have inherited her mother's grace and manners, but the woman rode like her outlaw father.Maybe better. ~ Karen Witemeyer

There is no lie. The world is presented as it is. Nothing is concealed, except for perhaps the identity of the Creator, which is not so much a lie as it is a reasonable omission. No view is, however, disguised. No composition of the natural landscape is purposefully twisted or deformed so as to deliberately deceive, and no function of the natural world is dressed in sweet deception. No scream is muffled, no laceration sanitised, and the pain of hunger and thirst are naked for all to see and be sickened by. Diseases of every ghastly flavour are on loathsome display, the blights of parasitism are laid bare, and the crippling agonies of old age are public property. The terror of predation is revealed in every anguished look, the fear of infanticide written on every mother's face, and the misery of earthquakes, landslides, cyclones, floods, volcanoes, tsunamis, droughts, heat waves, and wild fires conferred uncensored upon stunned and appropriately intimidated audiences. ~ John Zande

She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow. ~ Paula Brackston

And at night the river flows, it bears pale stars on the holy water, some sink like veils, some show like fish, the great moon that once was rose now high like a blazing milk flails its white reflection vertical and deep in the dark surgey mass wall river's grinding bed push. As in a sad dream, under the streetlamp, by pocky unpaved holes in dirt, the father James Cassidy comes home with lunchpail and lantern, limping, redfaced, and turns in for supper and sleep.

Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of Lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips, murmuring kisses, eating night, stealing sand, sneaky.

'Mag-gie!' the kids are calling under the railroad bridge where they've been swimming. The freight train still rumbles over a hundred cars long, the engine threw the flare on little white bathers, little Picasso horses of the night as dense and tragic in the gloom comes my soul looking for what was there that disappeared and le ~ Jack Kerouac

Oh antic God
return to me
my mother in her thirties
leaned across the front porch
the huge pillow of her breasts
pressing against the rail
summoning me in for bed.
I am almost the dead woman's age times two.
I can barely recall her song
the scent of her hands
though her wild hair scratches my dreams
at night. return to me, oh Lord of then
and now, my mother's calling,
her young voice humming my name. ~ Lucille Clifton

There she stands before me, and old woman with an anxious, care-worn face. Her hands are clasped - weary, toil-worn hands with a soft, wrinkled skin, where the veins stand out bluish; hands become so for my sake. - I never thought of that before. There is a lot I did not think of before; I was too young. But now I understand how it is that to this withered, little woman I am something different from any other soldier in the world: I am her child. To her I have always remained so, even as a soldier. In the war she has seen only a pack of wild beasts threatening the life of her child. It has never occurred to her that this same threatened child has been just such another wild beast to the children of yet other mothers. My ~ Erich Maria Remarque

The only ghosts, I believe, who creep into this world, are dead
young mothers, returned to see how their children fare. There is
no other inducement great enough to bring the departed back.
They glide into the acquainted room when day and night, their
jailers, are in the grip, and whisper, "How is it with you, my
child?" but always, lest a strange face should frighten him, they
whisper it so low that he may not hear. They bend over him to
see that he sleeps peacefully, and replace his sweet arm beneath
the coverlet, and they open the drawers to count how many little
vests he has. They love to do these things.

What is saddest about ghosts is that they may not know their
child. They expect him to be just as he was when they left him,
and they are easily bewildered, and search for him from room to
room, and hate the unknown boy he has become. Poor, passionate
souls, they may even do him an injury. These are the ghosts that
go wailing about old houses, and foolish wild stories are
invented to explain what is all so pathetic and simple. I know
of a man who, after wandering far, returned to his early home to
pass the evening of his days in it, and sometimes from his chair
by the fire he saw the door open softly and a woman's face
appear. She always looked at him very vindictively, and then
vanished. Strange things happened in this house. Windows were < ~ J.M. Barrie

That's my big problem. That's it! Before the Arrival,guys like Evan Walker never looked twice at me, much less shot wild game for me and washed my hair. They never grabbed me by the back of the neck like the airbrushed model on his mother's paperback,abs a-clenching, pecs a-popping. My eyes have never been looked into, or my chin raised to bring my lips within an inch of theirs. I was the girl in the background, the just-friend,or -worse- the friend of a just-friend, the you-sit-next-to-her-in-geometry-but-can't-remember-her-name girl. ~ Rick Yancey

Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers.

Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a cu ~ David Foster Wallace

Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details - how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo - could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park's very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion.
All of it was on display in the garden of captives. ~ Thomas French

My mother's people, the people who captured my imagination when I was growing up, were of the Deep South - emotional, changeable, touched with charisma and given to histrionic flourishes. They were courageous under tension and unexpectedly tough beneath their wild eccentricities, for they had and unusually close working agreement with God. They also had an unusually high quota of bullshit. ~ Willie Morris

They were all growing so fast. In just a few short years they would be all young men and women ... youth tiptoe ... expectant ... a-star with its sweet wild dreams ... little ships sailing out of safe harbor to unknown ports. The boys would go away to their life work and the girls ... ah, the mist-veiled forms of beautiful brides might be seen coming down the old stairs at Ingleside. But they would still be hers for a few years yet ... hers to love and guide ... to sing the songs that so many mothers had sung ... Hers ... and Gilbert's. ~ L.M. Montgomery

imagine the desert
mothers, with hair tangled
tighter than their theology
and breasts that flowed milk
and mystic wisdom. they
knew how to draw the singing
sigils in the sand, how to dig
rough and bitten fingers
into desiccated dirt for water
to wet the lips of their young.

women of hips and heft, who
learned how to burn
beneath the wild and searing
sun, who made loud love
against the star-flecked threat
of night, who knew that strength
is not always a matter of muscle.

imagine your ancestresses,
the prophetesses of the arid
lands, before these starched
traditions and pews too hard
to pray from, who bled true
ritual and birthed their own fierce
souls at creation's crowning -- ~ Beth Morey

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.

Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.

In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...

In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Sw ~ Rebecca Solnit

Now a door slams. The kids have rushed out for the last play, the mothers are planning and slamming in kitchens, you can hear it out in swish leaf orchards, on popcorn swings, in the million-foliaged sweet wafted night of sighs, songs, shushes. A thousand things up and down the street, deep, lovely, dangerous, aureating, breathing, throbbing like stars; a whistle, a faint yell; the flow of lowell over rooftops beyond; the bark on the river, the wild goose of the night yakking, ducking in the sand and sparkle; the ululating lap and purl and lovely mystery on the shore, dark, always dark the river's cunning unseen lips murmuring kisses, eating night, stealing sand, sneaky. ~ Jack Kerouac

Long past sunset an old blind woman sat on a camp-stool with her back to the stone wall of the Union of London and Smith's Bank, clasping a brown mongrel tight in her arms and singing out loud, not for coppers, no, from the depths of her gay wild heart - her sinful, tanned heart - for the child who fetches her is the fruit of sin, and should have been in bed, curtained, asleep, instead of hearing in the lamplight her mother's wild song, where she sits against the Bank, singing not for coppers, with her dog against her breast. ~ Virginia Woolf