Glass Bones And Paper Skin Quotes

People with glass bones and paper skin are stronger than you think. ~ Nicole Cheng

Some catastrophic moments invite clarity, explode in split moments: You smash your hand through a windowpane and then there is blood and shattered glass stained with red all over the place; you fall out a window and break some bones and scrape some skin. Stitches and casts and bandages and antiseptic solve and salve the wounds. But depression is not a sudden disaster. It is more like a cancer: At first its tumorous mass is not even noticeable to the careful eye, and then one day -- wham! -- there is a huge, deadly seven-pound lump lodged in your brain or your stomach or your shoulder blade, and this thing that your own body has produced is actually trying to kill you. Depression is a lot like that: Slowly, over the years, the data will accumulate in your heart and mind, a computer program for total negativity will build into your system, making life feel more and more unbearable. But you won't even notice it coming on, thinking that it is somehow normal, something about getting older, about turning eight or turning twelve or turning fifteen, and then one day you realize that your entire life is just awful, not worth living, a horror and a black blot on the white terrain of human existence. One morning you wake up afraid you are going to live.

In my case, I was not frightened in the least bit at the thought that I might live because I was certain, quite certain, that I was already dead. The actual dying part, the withering away of my physical body, was a mere formal ~ Elizabeth Wurtzel

Poor Tony had once had the hubris to fancy he'd had occasion really to shiver, ever, before. But he had never truly really shivered until time's cadences - jagged and cold and smelling oddly of deodorant - entered his body via several openings, cold the way only damp cold is cold (the phrase he'd once had the gall to imagine he understood was the phrase "chilled to the bone"), shard-studded columns of chill entering to fill his bones with ground glass, and he could hear his joints' glassy crunch with every slightest shift of his hunched position, time ambient and in the air and entering and exiting at will, very cold and slow; and the pain of his breath against his teeth. ~ David Foster Wallace

derelict. my voice cracked and yolk poured out. wind chimes rigid, no breeze, no song. my wings found hidden in your suitcase. pleas for help mistaken for a swan song. i'm stuffing pages from my journal down my throat as kindling. hoping the smoke will get the taste of you out of my mouth. he looks at me from across the room and all i want is to push him against the wall. ravage. ravage. carnage has never been more vogue. is it still art if it doesn't bring you to your knees? lover, let me prey at your altar. let me bare my fangs in praise. don't i look so pretty in a funeral shroud? i keep time with the click of my creaking bones. dance with me under the milky translucence of a world suffocating. how did you find me? i buried myself beneath the cicadas. is a girl trapped in glass still a prize?
let me get under your skin. i want to know what your fears taste like. i want to consume. ~ Taylor Rhodes

I try to explain in my own words, and I gesture to his chest. "It's in your bones; it's what keeps you alive. The foundation of your body. To suck out all the marrow of life... I think about how Thoreau went into the woods and stripped life to the barest necessities. To learn what life is really made of, the feeling of water slipping between fingers, the chilled glass in my hand, the wind that rustles your damn hair. And I think about how I feel these barest things every day with you. To live life at its most essential level so as to fully live. ~ Krista Ritchie

Maybe if we both wish hard enough, I will become invisible, with watery veins and glass bones. My translucent heart will beat on but my father will not notice me. He sees only my mother in the spaces around him. ~ Corrine Jackson

You haven't given me any ink," he said.
"Oh, you won't need ink," said Professor Umbridge with the merest suggestion of a laugh in her voice.
Harry placed the point of the quill on the paper and wrote: I must not tell lies.
He let out a gasp of pain. The words had appeared on the parchment in what appeared to be shining red ink. At the same time, the words had appeared on the back of Harry's right hand, cut into his skin as though traced there by a scalpel - yet even as he stared at the shining cut, the skin healed over again, leaving the place where it had been slightly redder than before but quite smooth.
Harry looked around at Umbridge. She was watching him, her wide, toadlike mouth stretched in a smile.
"Yes?"
"Nothing," said Harry quietly. ~ J.K. Rowling

I came up with a new reason
To write your name today
I plagiarized each letter
From a love note you wrote me.
The scent of ink was sacred to me
In that relapsed moment…
For a minute I could pretend
The paper reminded me of your skin;
I could pretend the glimmering ink
Was the moonlit lake
Of our summer night.
But the pretending crumpled with paper
And I threw us into the trash can
For the bridge between us is long burned
And it's time I accepted that. ~ Justin Wetch

Each course was more delectable than the last. Phoebe would have thought nothing could have surpassed the efforts of the French cook at Heron's Point, but this was some of the most delicious fare she'd ever had. Her bread plate was frequently replenished with piping-hot milk rolls and doughy slivers of stottie cake, served with thick curls of salted butter. The footmen brought out perfectly broiled game hens, the skin crisp and delicately heat-blistered... fried veal cutlets puddled in cognac sauce... slices of vegetable terrine studded with tiny boiled quail eggs. Brilliantly colorful salads were topped with dried flakes of smoked ham or paper-thin slices of pungent black truffle. Roasted joints of beef and lamb were presented and carved beside the table, the tender meat sliced thinly and served with drippings thickened into gravy. ~ Lisa Kleypas

But even now, a full century after he wrote his first school poem, scratched out in startlingly plain words on onion skin paper with a number two pencil, his heart and soul remain as fresh and brave as ever. Hemingway lives. ~ Clancy Sigal

In all things there is beauty. In the glint of dew clinging to the strands of a spider's web; in the way the setting sun winks off shards of broken glass; in the rainbow forming in the soap suds in a sink full of dirty dishes; in a blade of grass which manages to force its way, with patience and time, through the all too willing grasp of sidewalk cement. It is in the faded brown of leaves, turning, twisting against their fate, as they fall to the ground, light and dry as brittle bones, and in the bare, thin-tipped branches, denuded by a change in season. It is in the way a stranger's laughter cradles you if you let it. It is in the intricate scars of a lover's back and in our upturned eyes when we ask for forgiveness. ~ Marta Curti

Then shouts from the direction of the doorway. I started to black out, kneeing him in the crotch to no effect and clawing in panic at his hands, the flesh sloughing off under my nails.

Then suddenly he straightened, and looked toward the door.

Schubert came charging through, his service revolver raised. Two more officers came right behind.

He whirled away from them as if to hide his ruined face. But he didn't hide it from me! He looked at me with what passed for a fixed and hideous grin, although it might have been the death rictus of his facial muscles. His voice was like a tinny rasp, hollow and unreal.

"When the world starts to chew itself up alive, and spits out its own guts... be it on your conscience, Mr. Kolchak!"

He staggered away. Schubert was yelling for me to stop him. I made a grab for his coat but it came off in my hand. The acid.

He bolted for what had been an outside window, now boarded up, and smashed through it.

We could hear his wail all the way down. And a distant, echoing clatter of falling wood... and glass... and bones. ~ Jeff Rice

My skin feels too tight, like I might rupture. My mother must have read the end, the cards Enola keeps reading, the same thing Verona Bonn read, all the way back to Ryzhkova. They passed the cards to each other creating history, fingers touching paper, imbuing it with hope and fears, fear like a curse. Of course they wouldn't clear their cards, they were talking to their mothers, and isn't that part of why I've stayed here? The book noted a falling out between Ryzhkova and her apprentice, a falling out over the mermaid. Enola said that cards build history - what a perfect way to wound someone. The cards were hers, Ryzhkova's, then Amos and Evangeline's on down the line, each leaving themselves in the ink, each pulling from the deck, pulling in fears that work like poison. The wind blows a sheet of paper across a split board. The only paper of consequence was never in my possession - it was in Enola's. ~ Erika Swyler

There's a level at which words are spirit and paper is skin. That's the fascination of archives. There's still a bodily trace. ~ Susan Howe

I don't know how many busted bones he had, but he felt like a bag full of broken glass when Bren and I went to move him. ~ Kit Rocha

The new friends whom we make after attaining a certain age and by whom we would fain replace those whom we have lost, are to our old friends what glass eyes, false teeth and wooden legs are to real eyes, natrual teeth and legs of flesh and bone. ~ Nicolas Chamfort

This is a crucial time in the fight for corporate civil rights. Just look at the hateful signs at Occupy Wallstreet: 'Corporations Are Not People!' Wow, I thought we were past the point in this country where some people aren't people just because they have different color skin or different religion or were born in a lawyer's office, only exist on paper, have no soul and can never die. ~ Stephen Colbert

When I lived on the Bluff in Yokohama I spend a good deal of my leisure in the company of foreign residents, at their banquets and balls. At close range I was not particularly struck by their whiteness, but from a distance I could distinguish them quite clearly from the Japanese. Among the Japanese were ladies who were dressed in gowns no less splendid than the foreigners', and whose skin was whiter than theirs. Yet from across the room these ladies, even one alone, would stand out unmistakably from amongst a group of foreigners. For the Japanese complexion, no matter how white, is tinged by a slight cloudiness. These women were in no way reticent about powdering themselves. Every bit of exposed flesh - even their backs and arms - they covered with a thick coat of white. Still they could not efface the darkness that lay below their skin. It was as plainly visible as dirt at the bottom of a pool of pure water. Between the fingers, around the nostrils, on the nape of the neck, along the spine - about these places especially, dark, almost dirty, shadows gathered. But the skin of the Westerners, even those of a darker complexion, had a limpid glow. Nowhere were they tainted by this gray shadow. From the tops of their heads to the tips of their fingers the whiteness was pure and unadulterated. Thus it is that when one of us goes among a group of Westerners it is like a grimy stain on a sheet of white paper. The sight offends even our own eyes and leaves none too pleasant a feeling ~ Junichiro Tanizaki

There's a part of grief that's unexpected. After the days when you think you'll never be able to get out of bed again and after walking about feeling like your insides are hollow and your skin is made of paper, you start remembering. You remember not the death and seeing the one you love in a hospital bed with tubes. You remember what he was like before all of that, when he was well and you were whole. It's that remembering that catches up with you and then you know the person you lost isn't lost after all, but has become part of you and you're the better for it. ~ Shelly King

Breaking from the universe,
like waves spilling, plunging and surging
against a shore,
we crash with life and vigor,
scrape and scour,
spit beaches and eat land,
polish stone, glass and driftwood of splintered dreams,
uncover and bury bleached bones
of ambitions and aspirations,
carve grottoes of intentions and regrets
and then slip back into the deep
from whence we came
and may return again. ~ Jeffrey A. White

Women are sewers just like we are, the once pure boys recognize with a start; it's raw sewage that produces fertilization; once you understand that you can be fond of yourself and members of the Opposite Sex, but you can never quite see them again as ice cream bars. I, the author, don't really mind this, for I love all girls and love to hug and kiss them and cheer them up when they cry, and have them perform all the same services for me; and a woman's saliva is certainly a miracle, think of all those enzymes and germs; and if I took and wrote the chemicals down on a sheet of paper, all COOOHs and sighs, it would look pretty, just like a face all pretty, like the dear round moon-face of her who loves you or the creamy-freckled skin and blue eyes and heavenly hair of that Irish beauty back in college, so don't think I'm complaining. ~ William T. Vollmann

When a writer puts words on paper, it is an intimate act. The reader hears your words in his voice and he becomes the bones of your story. The reader is the foundation that you wrap in muscle and sinew. You build the hero on the reader's delicate frame until your story is his story. Your sorrow is his; your joy is a communion you both celebrate. ~ N.M. Kelby

Curse him for being all tight muscle, with ivory skin and a mouth as soft as rose petals. Curse him for having hair as fair as the sun, and eyes as black as night. Curse him for having the grace of a cat and deft, cool hands.
And now I am having the same argument on paper that I have in my own head on too many nights. I know my choice is sensible, but it isn't my common sense I think with, those times Rosto's stolen a kiss from me. ~ Tamora Pierce

It's never over. Not really. Not when you stay down there as long as I did, not when you've lived in the netherworld longer than you've lived in this material one, where things are very bright and large and make such strange noises. You never come back, not all the way. Always, there is an odd distance between you and the people you love and the people you meet, a barrier, thin as the glass of a mirror. You never come all the way out of the mirror; you stand, for the rest of your life, with one foot in this world and one in another, where everything is upside down and backward and sad.
It is the distance of marred memory, of a twisted and shape-shifting past. When people talk about their childhood, their adolescence, their college days, I laugh along and try not to think: that was when I was throwing up in my elementary school bathroom, that was when I was sleeping with strangers to show off the sharp tips of my bones, that was when I lost sight of my soul and died.
And it is the distance of the present, as well - the distance that lies between people in general because of the different lives we have lived. I don't know who I would be, now, if I had not lived the life I have, and so I cannot alter my need for distance - nor can I lessen the low and omnipresent pain that that distance creates. The entirety of my life is overshadowed by one singular and near-fatal obsession. ~ Marya Hornbacher

You've got to try this," I told Bones, handing him the glass. "It's like Cristal and O-Negative had a love child. ~ Jeaniene Frost

It was a voice she had heard before, deep and raspy. It made her bones crack and splinter, made her feel the astonishing cold of a winter long since passed. ~ Sarah J. Maas

The day Stamp Paid saw the two backs through the window and then hurried down the steps, he believed the undecipherable language clamoring around the house was the mumbling of the black and angry dead. Very few had died in bed, like Baby Suggs, and none that he knew of, including Baby, had lived a livable life. Even the educated colored: the long-school people, the doctors, the teachers, the paper-writers and businessmen had a hard row to hoe. In addition to having to use their heads to get ahead, they had the weight of the whole race sitting there. You needed two heads for that. Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. ~ Toni Morrison

The things I need to say can only be written furtively on scraps of smuggled paper, in moments of time stolen from the dead for the sake of their memory. They can only be hidden away in tins and jars, carefully sealed with scraps of cloth and hidden with great fear and greater longing amid fragmented bones - buried in the uncaring ground soaked with our blood. We bury them as we could not bury our loved ones. These things can never be told. ~ Ovadya Ben Malka

My head a moon
Of Japanese paper, my gold beaten skin
Infinitely delicate and infinitely expensive. ~ Sylvia Plath

THE BARROW

In this high field strewn with stones
I walk by a green mound,
Its edges sheared by the plough.
Crumbs of animal bone
Lie smashed and scattered round
Under the clover leaves
And slivers of flint seem to grow
Like white leaves among green.
In the wind, the chestnut heaves
Where a man's grave has been.

Whatever the barrow held
Once, has been taken away:
A hollow of nettles and dock
Lies at the centre, filled
With rain from a sky so grey
It reflects nothing at all.
I poke in the crumbled rock
For something they left behind
But after that funeral
There is nothing at all to find.

On the map in front of me
The gothic letters pick out
Dozens of tombs like this,
Breached, plundered, left empty,
No fragments littered about
Of a dead and buried race
In the margins of histories.
No fragments: these splintered bones
Construct no human face,
These stones are simply stones.

In museums their urns lie
Behind glass, and their shaped flints
Are labelled like butterflies.
All that they did was die,
And all that has happened since
Means nothing to this place.
Above long clouds, the skies
Turn to a brilliant red
And show in the water's face
One living, and not these dead."

- Anthony Thwaite, from The Owl In The Tree ~ Anthony Thwaite

I cannot decide whether it is an illness or a sin, the need to write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if it were final.
But I was always word-smitten. ~ Charles Frazier

People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. ~ Diane Setterfield

These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?"

By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat.

"I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!"

"Oh, well, Holmes," I drawled int ~ Laurie R. King

I took my solo and beat hell out of the skins. Then Spoof swiped at his mouth and let go with a blast and moved it up into that squeal and stopped and started playing. It was all headwork. All new to us.

New to anybody.

I saw Sonny get a look on his face, and we sat still and listened while Spoof made love to that horn.

Now like a scream, now like a laugh - now we're swinging in the trees, now the white men are coming, now we're in the boat and chains are hanging from our ankles and we're rowing, rowing - Spoof, what is it? - now we're sawing wood and picking cotton and serving up those cool cool drinks to the Colonel in his chair - Well, blow, man! - now we're free, and we're struttin' down Lenox Avenue and State & Madison and Pirate's Alley, laughing, crying - Who said free? - and we want to go back and we don't want to go back - Play it, Spoof! God, God, tell us all about it! Talk to us! - and we're sitting in a cellar with a comb wrapped up in paper, with a skin-barrel and a tinklebox - Don't stop, Spoof! Oh Lord, please don't stop! - and we're making something, something, what is it? Is it jazz? Why, yes, Lord, it's jazz. Thank you, sir, and thank you, sir, we finally got it, something that is ours, something great that belongs to us and to us alone, that we made, and that's why it's important and that's what it's all about and - Spoof! Spoof, you can;t stop now --

But it was over, middle of the trip. And there was Spoof st ~ Charles Beaumont

I'm no good at loving people but…


I will love you
like the darkness loves the stars.
I'm the goddess of the night.
I will smear my ink
over your skin,
and leave paper cuts
where the light can get in.
I will break you
then make you whole.
You'll be the moon
lighting up the sky.
But I will never be done –
we'll dance together
until my darkness is gone. ~ Nessie Q.

The first is simple: I only accept and pay attention to feedback from people who are also in the arena. If you're occasionally getting your butt kicked as you respond, and if you're also figuring out how to stay open to feedback without getting pummeled by insults, I'm more likely to pay attention to your thoughts about my work. If, on the other hand, you're not helping, contributing, or wrestling with your own gremlins, I'm not at all interested in your commentary.
The second strategy is also simple. I carry a small sheet of paper in my wallet that has written on it the names of people whose opinions of me matter. To be on that list, you have to love me for my strengths and struggles... To be on my list, you have to be what I call a "stretch-mark friend" - our connection has been stretched and pulled so much that it's become part of who we are, a second skin, and there are a few scars to prove it. ~ Brene Brown

I saw the folded note peeking up from behind the cover of the book in which I'd hidden it.
I brushed my fingertips across the lineny surface, my skin sparking with electricity, my fingers itching to pull it free.
I shoudn't, I told myself, even as I held my breath and watched myself withdrawing it from the book. I tried to tamp down the feeling of anticipation coursing through me at the same time I argued that it was a mistake to look at it again.
It didn't deserve anymore of my time. He didn't deserve the space he already occupied in my mind.
I glanced around to see if anyone had noticed me there, tucked beneath my desk, reading a note that I'd already memorized.
No one paid me any attention.
I held the letter, vividly picturing the six words written inside the folds. Six words that I already knew by heart. Six words that meant more to me than they should.
I unfolded the top third of the paper, then the bottom, purposely keeping my eyes unfocused for just a moment.
My heart stopped.
And then my eyesight cleared.

I pledge to keep you safe. ~ Kimberly Derting

Personally, if I were trying to discourage people from smoking, my sign would be a little different. In fact, I might even go too far in the opposite direction. My sign would say something like, "Smoke if you wish. But if you do, be prepared for the following series of events: First, we will confiscate your cigarette and extinguish it somewhere on the surface of your skin. We will then run you nicotine-stained fingers through a paper shredder and throw them into the street, where wild dogs will swallow them and then regurgitate them into the sewers, so that infected rats can further soil them before they're flushed out to sea with the rest of the city's filth. After such time, we will sysematically seek out your friends and loved one and destroy their lives."
Wouldn't you like to see a sign like that? ~ George Carlin

I was breathing life into the book through my hand, and the book was breathing back out through me into the world. And what was a book but leather? And what was leather but animal skin? And what was paper but a tree, and vellum but lamb? And what was I but an idea? ~ Wesley Stace

It's incredible to me how blithely even intelligent people sometimes toss around terms like "transcendence" and "crucifixion." The words move us on paper. They feel noble upon the tongue. But when they cease to be sounds and begin to caress the flesh and bones, when they leave the page and get physical, there is little that even the best of us woudn't do to escape them. ~ David James Duncan

something that at first sight appeared to be the luminous bones of some massive, extinct creature, now disinterred, with its ribs gathered into a neat bundle around the thick stump of a massive spinal column which time and the elements had polished to such a cool ceramic gloss that if I were to leave my hand on it I would have been surprised if it felt like anything other than glass ~ Mike McCormack

We write because the blank piece of paper and the pen are there. We write because this is our addiction and we are proud of it. Our habit, our drug, our crutch. Whatever you wish to call it. We write because since an early age we felt it deep in our souls and in our bones. The poem must be written, the story must be told and the new myths and Gods are waiting for you to bring them forth from out of the darkness and to bring them into the light of being. You are a creator, so create. You are the writer. So write. ~ R.M. Engelhardt

Josh stared at Kate. She was watching the happy couple, smiling. The warm spring breeze caught her hair and ruffled it like a shining curtain in an open window. It also caught her dress, flipping up the front and giving him an eyeful of long, slender thigh. He could remember planting kisses up that thigh, listening to her sighs as he refused to stop there. She looked ravishing, and all of a sudden he felt a surge of naughtiness, like a schoolboy passing an open box of sweets.

He walked up to her, holding a handful of confetti. Slowly he pulled the front of her dress forward and stuffed the paper in the bodice, his fingers lingering against her warm, slightly damp skin. Then he patted the red satin carefully flat. Probably for slightly longer than was necessary. ~ Serenity Woods

Oh, the envelope did contain magic," a strange, low voice said from the doorway.
Judith looked over. She forgot her cut and her coffee. And how to breathe.
The tall, broad man filling up the door frame looked like a warrior angel with gold hair falling into his eyes, a pale-gold undertone to his skin, and 'heartbreaking' green eyes….
"Any magic that involves blood is a grave threat," he continued. "And death by paper cut would be a long and tedious way to go. I can help. ~ Erin Kellison

The blaze from the trees spreads to tablecloths and crepe paper - a chain reaction so brilliantly spectacular and terrible, I ache to be a part of it ... to devour and destroy,then relish in the plunder.
I could do it.I could stand here amid the flames,let them lap at my skin,and laugh in a death-defying haze - because they belong to me. I could watch the world crumble and then dance,triumphant,in the snowfall of ash left behind.
All I have to do is set the power free. Escape the chains of my humanity,let madness be my guide. ~ A.G. Howard

I don't encourage any act of murder nor do I glorify in anyone's death, but I do think that when the white public uses it's press to magnify the fact that there are lives of white hostages at stake, they don't say "hostages," every paper says "white hostages." They give me the impression that they attach more importance to a white hostage and a white death, than they do the death of a human being, despite the color of his skin. ~ Malcolm X

A man who is in the habit of smiling in the glass at his handsome face and stalwart figure, if you shew him their radiograph, will have, face to face with that rosary of bones, labelled as being the image of himself, the same suspicion of error as the visitor to an art gallery who, on coming to the portrait of a girl, reads in his catalogue: Dromedary resting. ~ Marcel Proust

My tastes, like my bones, fossilized decades ago. Reach a certain age and you are obliged to become an anthropologist. It's the only way to ignore that the rest of the world regards you as an artifact, that your culture has faded beyond the horizon, leaving you adrift on your tiny, solitary life raft. ~ Julia Glass

On the box he had a stack of magazines. Without seeing the covers, I knew they were pornography. Precious finds in the days before the internet. The combination of glossy pages and sperm is the smell of boyhood for men my age. You used to find them hidden in the bushes. I guess kids stole them from the shops and then were too scared to take them home. Sometimes they'd be damaged by rain or fire (masturbation and setting fire to things: the two great impulses of boyhood), the paper as brittle as an old man's skin. Meanwhile, as I found out years later, girls were reading 'romance novels' in the comfort of their bedrooms. Men, have you ever read those things? Damn. ~ James Hutchings