Excellent Descriptions Of Fists Quotes

He struggled wildly and got one hand free just as a fist looped down into his face like a runaway moon. ~ Stephen King

I just love the days when you come out of the archives with half a dozen excellent descriptions or poignant accounts of personal experiences. ~ Antony Beevor

We would bestow some pains here in minutely describing all the mad pranks which Jones played on this occasion could we be well assured that the reader would take the same pains in perusing them, but as we are apprehensive that after all the labour which we should employ in painting this scene the said reader would be very apt to skip it entirely over, we have saved ourself that trouble. To say the truth, we have from this reason alone often done great violence to the luxuriance of our genius, and have left many excellent descriptions out of our work which would otherwise have been in it. ~ Henry Fielding

6One hand full of rest is better than two fists full of labor and striving after wind. ~ Anonymous

Most disconcerting of all were those experiences in which the patient's consciousness appeared to expand beyond the usual boundaries of the ego and explore what it was like to be other living things and even other objects. For example, Grof had one female patient who suddenly became convinced she had assumed the identity of a female prehistoric reptile. She not only gave a richly detailed description of what it felt like to be encapsuled in such a form, but noted that the portion of the male of the species' anatomy she found most sexually arousing was a patch of colored scales on the side of its head. Although the woman had no prior knowledge of such things, a conversation Grof had with a zoologist later confirmed that in certain species of reptiles, colored areas on the head do indeed play an important role as triggers of sexual arousal. Patients were also able to tap into the consciousness of their relatives and ancestors. One woman experienced what it was like to be her mother at the age of three and accurately described a frightening event that had befallen her mother at the time. The woman also gave a precise description of the house her mother had lived in as well as the white pinafore she had been wearing - all details her mother later confirmed and admitted she had never talked about before. Other patients gave equally accurate descriptions of events that had befallen ancestors who had lived decades and even centuries before. Other experiences included the accessing o ~ Michael Talbot

If we paint the phases of a riot, the crowd bustling with uplifted fists and the noisy onslaughts od cavalry are translated upon the canvas in sheaves of lines corresponding with all the conflicting forces, following the general laws of violence of the picture ... These force-lines must encircle and involve the spectator so that he will an a manner be forced to struggle himself with the persons in the picture. ~ Umberto Boccioni

Soon I find myself squatting on the floor. I am still striking my face; not with my fists this time, but with wide-open hands. I am slapping myself. The sounds I make when my palms meet my cheeks are like an unrelenting round of applause. I am clapping myself. Or clapping for myself. I start to giggle.

All the voices are receding now. I am no longer filled with rage or disappointment. I clap and clap and simply cannot stop. ~ Cyril Wong

It took Aaron a minute to find his voice again. He still sounded angry, but there was a muted edge to his, "You wouldn't even look at me. You wouldn't say a word to me unless I said something first. I'm not psychic. How was I supposed to know?" "Because I made you a promise," Andrew said. "I did not forget it just because you chose not to believe me. I did what I said I would do, and fuck you for expecting anything else." There it was again: a hint of that infinite anger at Andrew's core. Aaron opened his mouth, closed it again, and dropped his eyes. Andrew stared at his brother's bowed head for an endless minute. Aaron had given up the fight, but every passing second seemed to put more tension in Andrew's frame. Neil watched Andrew's fingers curl against his thighs, not into fists but a mimicry of crushing the life from someone, and knew Andrew's temper was nearing a breaking point. He put his hand up between them, trying to block Andrew's view of Aaron, and Andrew cut a vicious look at him. A heartbeat later Andrew's expression went dead. Neil regretted his intervention immediately. No one could let go of that much rage that easily; Andrew had simply buried it where it could hurt only him. It was too late to take it back, so Neil dropped his hand to his lap in defeat. ~ Nora Sakavic

I attribute the little I know to my not having been ashamed to ask for information, and to my rule of conversing with all descriptions of men on those topics that form their own peculiar professions and pursuits. ~ John Locke

Jessica tended Kendrick's hurts before the fire and Richard only had to unclench his fists two or three times. And then his turn came. He sat down on the floor and Jessica fussed over him. He couldn't remember the last time someone had done the like. It had probably been at Artane years ago. Somehow, Lady Anne's touch hadn't pleased him as Jessica's did. When she pulled away, he opened his eyes to beg her not to cease, then realized there was nothing left to do. He caught her by the hand and pulled her close, not caring that Kendrick sat behind him and was likely on the verge of laughing. He very carefully pressed his lips against hers. "Thank you." "You're extremely welcome. ~ Lynn Kurland

Sometimes, authors' descriptions of unique fictional characters are like mirrors that reflect the readers image back. ~ Ben Abix

Yeah, you were doing a real bang-up job of it. I particularly liked the way you were bruising his fists with your face. A few minutes more and I'm sure your heart would have been on the attack ... after it was ripped from your chest. (Kat) ~ Sherrilyn Kenyon

Where are you taking me?" Andrew demanded, whirling on the Ferryman. His muscles tensed, hands curling in and out of fists.
"To my master." The voice was ghostly, whispers of black ash and death, words cold and detached.
He had an idea who that was but asked anyway: "And who is your master?"
No answer came.
Andrew's insatiable rage rose up and swallowed his grief like a yawning ocean mouth, the darkest depths surging to the surface to form a mighty tidal wave. He closed the distance and seized the Ferryman's gaunt wrist. There was no substance, no life beneath the cloak. The Ferryman slowly turned his hooded head, and Andrew found himself looking into the black hole of a self-contained night. The olfactory of decay was a punch in the face. Andrew released the Ferryman's wrist and hastily stepped back, rocking the boat as he put distance between him and the unnatural wind spilling from the gaping orifice. Andrew shivered, the tiny hairs on his neck saluting. The cloaked head faced forward again, and the wind died away. ~ Laura Kreitzer

If, while observing the boundless universe, the writer is able to scrutinise his own self as well as others, the resulting incisiveness of his observations will far surpass objective descriptions of reality. ~ Gao Xingjian

First of all, principles should be general. That is, it must be possible to formulate them without use of what would be intuitively recognized as proper names, or rigged definite descriptions. ~ John Rawls

The idea that hardware on networks should just be caches for movable process descriptions and the processes themselves goes back quite a ways. There's a real sense in which MS and Apple never understood networking or operating systems (or what objects really are), and when they decided to beef up their OSs, they went to (different) very old bad mainframe models of OS design to try to adapt to personal computers. ~ Alan Kay

Mrs. Weasley glanced at the grandfather clock in the corner. Harry liked this clock. It was completely useless if you wanted to know the time, but otherwise very informative. It had nine golden hands, and each of them was engraved with one of the Weasley family's names. There were no numerals around the face, but descriptions of where each family member might be. "Home," "school," and "work" were there, but there was also "traveling," "lost," "hospital," "prison," and, in the position where the number twelve would be on a normal clock, "mortal peril. ~ J.K. Rowling

All descriptions of matter are descriptions of modes of human perception within consciousness. ~ Deepak Chopra

Nobody can remember when the sperm became large enough to see, but we agree on this: once that point was reached, every generation topped the last. They went from guppy to goldfish, and before long they could frighten a schnauzer, and not much later even Great Danes made way for them....
Sperm are ancient creatures, single-minded as coelacanths. They are drawn to the sun, the moon, and dots and disks of all descriptions, including periods, stop signs, and stars. They worship at nail heads, doorknobs and tennis balls. More than one life has been saved by a penny tossed in the air. ~ Shelley Jackson

Has he ever trapped you in a room and not let you out?
Has he ever raised a fist as if he were going to hit you?
Has he ever thrown an object that hit you or nearly did?
Has he ever held you down or grabbed you to restrain you?
Has he ever threatened to hurt you?
If the answer to any of these questions is yes, then we can stop wondering whether he'll ever be violent; he already has been. ~ Lundy Bancroft

Thai prostitution was a haven for the men and a nuisance for the women. The streets of Phuket were outlined with bars ready to nourish thirsty sailors with euphoric intoxication to smother their pinched nerves from their personal lives deteriorating in their six-month absence.
Thailand truly lived up to its port reputation. Hundreds of bikini-clad prostitutes littered the strip. Slim and petite, their narrow hips and flat chests appeared to be the appropriate age for the pink plaid schoolgirl skirts, dress shirts, ties, and pigtails intended to entice pedophilic eroticism. They wore heavy coats of pastel liquid shadow that clashed against their yellow tinted tans. They awkwardly wiggled to a nauseating blend of techno and Reggaeton as cotton-haired granddaddies lustfully gawked at them. Any Caucasian male cannot trek a block without the treatment of a pop culture heartthrob with a trail of Thai teens at his heels.
"Wan hunnet baaht!" they taunt in a nasal screech. "Wan hunnet baht and I suck yo cock!"
The oriental beauties cup their fists and hold them to their mouths as they wiggle their tongues against their cheeks to provide a clear visual for their performance skills.
It's easy to dismiss the humanity in Thai prostitutes. Their splotchy, heavily accented English allows the language barrier to muffle signs of intellect. They're overtly sexual in their crotch bearing ensembles, loud and vulgar invitations, and provocative dancing that makes even corn ~ Maggie Georgiana Young

Bridget's tight fists began to shake as something from deep inside, born of utter anger and hatred, crept from the depths of her soul. She lunged at him, prepared to pound his handsome face to blood and bone, but the straps prevented her. Instead, she was quickly zapped with a heady pulse of electricity. As she howled in anguish, Doctor Spencer beamed with satanic amusement. ~ Emmie White

Look, Ella..." He stared down at his hands, opening and closing his fists. I waited.
I think we might have a little bit of a misunderstanding here...
You're a nice girl and all,but...
I really like you,but I don't really like you...
The unmistakable notes of "Don't Stop Believin'," electronic version, suddenly filled my room, followed by the audible and visual treat of my phone vibrating its way across my desk toward Alex's hip. I flung myself on it. In a clear-headed moment, I would have just turned it off. As it was, I did manage a "Sorry!" to Alex before flipping it open/
"Are you dead?" Frankie demanded from the other end.
"No." I edged away from Alex, who was very politely pretending to be interested in the biscotti.
"Are you even sick?"
"No," I admitted.
"Of course not. Okay, I'm coming over."
"No!" I cringed as Alex jumped a little. I took a breath. "God, no. Don't. It's wedding central here. Sienna will have you trying up birdseed in little purple pouches."
There was a long pause. "You okay, Marino?"
"Yeah," I managed.
"Truth time.Where were you today?"
Could I do it? Could I actually use the word cramps with Alex Bainbridge standing three feet away? I could only imagine how the actual truth would sound. Here, in bed, hiding because I thought I'd made the queen of all fools out of myself e-mailing Alex Bainbridge over the break, and I can't even tell you about it because I promised...But it's okay- ~ Melissa Jensen

My kingdom for a camera," he said, his gray eyes crinkling in amusement. "You ought to see your face." I closed my gaping mouth and shook my head, amazed. "How on earth did you know I was there?" I asked him. Iain braced both fists in the small of his back and stretched. "I'm no clairvoyant," he assured me. "I saw you hopping the fence. Thought you were taking a devil of a time getting here. Besides," he added, pointing at the clear outline of our shadows on the shed wall, "if you've a mind to sneak up on a Scotsman, you'd best do it when the sun's not at your back. ~ Susanna Kearsley

Isn't it odd, the attractiveness of type and paper and ink, bodying thoughts and descriptions? Isn't it odd how much the sight can teach us about writing? Commas really look like commas in print. ~ Shelby Foote

Sin is a clenched fist and a blow in the face of God. ~ Joseph Parker

Jesper and Kaz swung around, crashed into the mechanism of the clock, righted themselves. It wasn't a fight, it was a brawl - graceless, a tangle of elbows and fists.
"Ghezen and his works, someone stop them!" Wylan said desperately.
"Jesper hasn't shot him," Nina said.
"Kaz isn't using his cane," said Inej.
"You think they can't kill each other with their bare hands?"
They were both bleeding - Jesper from a cut on his lip and Kaz from somewhere near his brow. Jesper's shirt was halfway over his head and Kaz's sleeve was tearing at the seam. ~ Leigh Bardugo

Think of Chicago as a piece of music, perhaps," he continued. "In it you can hear the thousands of years of people living here and fishing and hunting, and then bullets and axes, and the whine of machinery, and the bellowing of cattle, and the shriek of railroads, and the thud of fists and staves and crowbars, and a hundred languages, a thousand dialects. And the murmur of the lake like a basso undertone. Ships and storms, snow and fire. To the north the vast dark forests, and everywhere else around the city rolling fields of farms, and all roads leading to Chicago, which rises from the plains like Oz, glowing with light and fire at night, drawing people to it from around the world. A roaring city, gunfire and applause and thunder. Gleaming but made of bone and stone. Bitter cold and melting hot and clotheslines hung in the alleys and porches like the webbing of countless spiders. A city without illusions but with vaulting imaginations and expectations. A city of burning energies on the shore of a huge northern sea. An American city, with all the violence and humor and grace and greed of this particular powerful adolescent country. Perhaps the American city - no other city in the nation is as big and central and grown up from the very soil. Chicago was never ruled by Spain or England or France or Russia or Texas, it shares no ocean with other countries, it is no mere regional captain, like Cincinnati or Nashville; it is itself, all brawn and greed and song, brilliant and vena ~ Brian Doyle

You know one of the best things? Women gathering, marching, doing anything together makes a lot of men go crazy. They yell and scream and taunt and shake their fists. You know why? They're scared. They're scared we'll actually gain power and force them to change. ~ Kate Alcott

She cast a glance at Diana. "This all probably seems really silly to you, right?"
Diana wasn't entirely sure what ritual she'd just witnessed, so she said, "The dresses? Attire is important. It sends a message to everyone you meet."
"Yes!" Nim declared, fists held aloft in victory.
"Nooo," wailed Alia, burying her head in the pillows. Now there's two of you."
"You said as much in the drugstore," Diana pointed out, leaning against the desk.
"But there's a difference between looking respectable and saying, Look at me!"
"Perhaps you should think of it as armor," suggested Diana. "When a warrior readies herself for battle, she doesn't just worry about practicality."
Alia rolled onto her side and propped her head on one hand "I'd think not dying would be the big concern."
"Yes, but the goal is also to intimidate. A general wears her rank. The same is true of athletes when they compete. ~ Leigh Bardugo

She tried to tear herself away from him. The effort broke against his arms that had not felt it. Her fists beat against his shoulders, against his face. He moved one had, took her two wrists, pinned them behind her, under his arm, wrenching her shoulder blades. She twisted her head back. She felt his lips on her breast. She tore herself free…She fought like an animal. But she made no sound. She did not call for help. She heard the echoes of her blows in a gasp of his breath, and she knew that it was a gasp of pleasure…She felt the hatred and his hands; his hands moving over her body, the hands that broke granite. She fought the last convulsion. Then the sudden pain shot up, through her body, to her throat, and she screamed. Then she laid still. It was an act that could be performed in tenderness, as a seal of love, or in contempt, as a symbol of humiliation and conquest. It could be an act of a lover or the act of a soldier violating an enemy woman. He did it as an act of scorn. Not as love, but as defilement. And this made her still and submit…the act of a master taking shameful , contemptuous possession of her was the kind of rapture she had wanted… ~ Ayn Rand

Ultimately, eventually, we let go. We do this not because we're ready. We do this not because we've mended. We do this not because we've mourned and come to terms and gotten over it and moved on. We never move on. We don't let go so much as lose our grip and fall because remembering is not enough..memory is imperfect. It is full of holes. It is more space than matter, like lace. It is at once sodden with sorrow and desiccated from lack of blood flow, the obvious result of a broken heart. It makes things up in hopeless attempts to comfort itself. It fills fissure with fantasy. It screws shut its eyes and balls up its fists and flings itself to the ground in a kicking, screaming, blind-rage temper tantrum against reality. But mostly,..memory keeps taking on more. ~ Laurie Frankel

Men fight for lots of different reasons--some good, some really dumb--but as long as we can use our fists, we give it our all. It's when we have to fight with our hearts that we give nothing and end up with even less in return. Whether you want to admit it or not, Ev, that woman is your all or nothing.
- Reid to Evan ~ A.D. Marrow

The subjects range from the pastoral (sniffing of the butt of a melon to tell if it's ripe. and almost romantically lush descriptions of lightening storms sweeping across fields on summer nights) to elaborations on the value of man's having a life of his own, apart from whatever life he has with his family, a private life that no one knows anything about, "a place he can be himself without concern of disappointment or rejection". ~ A.M. Homes

And in it all, the sensation of shaking my fists at the sky, shaking my fists high up to the sky, because that is what we do when someone dies too early, too beautiful, too undervalued by the world, or sometimes just at all
we shake our fists at the big, beautiful, indifferent sky, and the anger is righteous and strong and helpless and huge. I shook and I shook, and I put all of it into the dress. ~ Aimee Bender

Every change of scene requires new expositions, descriptions, explanations. ~ Milan Kundera