Classic Literature Beauty Quotes

Nobody could have put her in the shade, blown out her light that evening; she was too evidently shining. ~ Elizabeth Von Arnim

Rationality is the way to lead life. So high time,
let's stop feeding our dreams and shake hands with the reality. ~ Parul Wadhwa

That evening was the evening of the full moon. The garden was an enchanted place where all the flowers seemed white. The lilies, the daphnes, the orange-blossom, the white stocks, the white pinks, the white roses - you could see these as plainly as in the daytime; but the coloured flowers existed only as fragrance. ~ Elizabeth Von Arnim

I sat up in the strange bed fearing it had been a dream, afraid I would never see her again. Not because I wanted anything from her, only her presence. The disappearance of the presence of beauty is the most despairing of events on this time-wheel of ours that rolls onward towards death. ~ Roman Payne

Literature isn't a moral beauty contest. Its power arises from the authority and audacity with which the impersonation is pulled off; the belief it inspires is what counts. ~ Philip Roth

One girl is worth more than twenty boys. ~ J.M. Barrie

He Said...

Your garden at dusk
Is the soul of love
Blurred in its beauty
And softly caressing;
I, gently daring
This sweetest confessing,
Say your garden at dusk
Is your soul, My Love. ~ Anne Spencer

A classic is classic not because it conforms to certain structural rules, or fits certain definitions (of which its author had quite probably never heard). It is classic because of a certain eternal and irrepressible freshness. ~ Edith Wharton

Church socials, beauty shops and barbershops. If two guys were standing on a corner, I would cross the street to hand them campaign literature. And everywhere I went, I'd get some version of the same two questions. "Where'd you get that funny name?" And then: "You seem ~ Barack Obama

…the expression "beyond good and evil" is all too easily (mis)understood. When we say of someone that he is acting as if he were "beyond good and evil," we usually mean that, to put it plainly, he doesn't give a damn about the good. The expression "beyond good and evil," which has become a kind of ritornello, is typically misused - that is to say, it is used to refer to what would be more correctly referred to as "beyond good." In other words, it is employed to describe a space where, although the good is no longer taken into consideration, the evil and fascination with evil are still very much at work. In this context (and if we follow Lacan's thinking to its logical conclusion), even the scandalous Marquis de Sade got no further than merely transgressing the good. In de Sade's literature, the victims not only remain beautiful throughout the horror to which they are subjected, but even gain in beauty during this process: right up to the end, a sublime beauty "covers" the bodies of the victims, even in their naked exposure. Lacan's point is that there are walls and defences that humanity has erected as shields against the central field of das Ding (connoted as evil): the first protective barrier is the good; the second is the beautiful or sublime. This is where the intimate link between sublime beauty and evil (or danger) originally springs from. Nietzsche himself develops the idea that, by transgressing (or being indifferent to) the good, we enter the domain of the sublime, ~ Alenka Zupančič

The Meadow ... Only one of them succeeded in making a life here ... He weathered. Before a backdrop of natural beauty, he lived a life from which everything was taken but a place. He lived so close to the real world it almost let him in. ~ James Galvin

Beauty is a cheap word, but beauty remains priceless. ~ Dejan Stojanovic

Our fiction is not merely in flight from the physical data of the actual world…it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic – a literature of darkness and the grotesque in a land of light and affirmation…our classic [American] literature is a literature of horror for boys ~ Leslie Fielder

I said, "Don't do nothing of the kind; it's one of the most jackass ideas I ever struck; ~ Mark Twain

I thought you'd be interested in these things as a government man. Ain't you mixed up in the prices of things we eat or something? Ain't that it? Making them more costly or something. Making the grits cost more and the grunts less? ~ Ernest Hemingway,

The highest use of the great masters of literature is not literary; it is apart from their superb style and even from their emotional inspiration. The first use of good literature is that it prevents a man from being merely modern. To be merely modern is to condemn oneself to an ultimate narrowness; just as to spend one's last earthly money on the newest hat is to condemn oneself to the old-fashioned. The road of the ancient centuries is strewn with dead moderns. Literature, classic and enduring literature, does its best work in reminding us perpetually of the whole round of truth and balancing other and older ideas against the ideas to which we might for a moment be prone. ~ G.K. Chesterton

The ruinous deeds of the ravaging foe

(Beowulf)

The best-known long text in Old English is the epic poem Beowulf. Beowulf himself is a classic hero, who comes from afar. He has defeated the mortal enemy of the area - the monster Grendel - and has thus made the territory safe for its people. The people and the setting are both Germanic. The poem recalls a shared heroic past, somewhere in the general consciousness of the audience who would hear it.
It starts with a mention of 'olden days', looking back, as many stories do, to an indefinite past ('once upon a time'), in which fact blends with fiction to make the tale. But the hero is a mortal man, and images of foreboding and doom prepare the way for a tragic outcome. He will be betrayed, and civil war will follow. Contrasts between splendour and destruction, success and failure, honour and betrayal, emerge in a story which contains a great many of the elements of future literature. Power, and the battles to achieve and hold on to power, are a main theme of literature in every culture - as is the theme of transience and mortality.
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Beowulf can be read in many ways: as myth; as territorial history of the Baltic kingdoms in which it is set; as forward-looking reassurance. Questions of history, time and humanity are at the heart of it: it moves between past, present, and hope for the future, and shows its origins in oral tradition. It is full of human speech and sonorous images, ~ Ronald Carter

Nature is amazing wonder. ~ Lailah Gifty Akita

It's amazing what people create using their pain. Work that is touched by melancholy has its own unique beauty. Even the word 'melancholy' is pretty, the way it rolls on your tongue. I think sadness adds something to literature that is unique. It's an ingredient like . . ." I thought for a moment. "Like salt. Salt has that power to completely transform a dish. I think sadness has that same transformative effect in literature. ~ Lang Leav

I watched commercial ave. slide past and there in the distance were the lights of route 18. that was one of those moments that would always be Rutgers for me. ~ Junot Diaz

In the window were displayed the covers of several pornographic videos.
"The Story of O-Positive," Armod said aloud. "I don't understand. Is that like HIV positive?"
"Idiot," Mordr said, slapping Armod lightly upside the head.
"Ah, but I am in the mood for good literature," Ivak said with a grin. "How about these? A Tale of Two Vampyres. The Stakes of Wrath. Or that one." He pointed to the left. "Great Neckspectations."
"I still don't understand." Armod was frowning, although his white skin did color when he craned his head from side to side and realized what one of the pictures depicted.
"Now me, I always did like a good classic mystery movie," Sigurd added, also grinning. "A Tomb with a View."
Vikar worried that they were embarrassing Alex, but then she said, "My favorite is Vlad Really Did Impale Her."
His brothers glanced at him, then Alex, and burst out laughing.
"Mayhap I will not kill her after all," Mordr declared, giving Alex a wink that did not sit well with Vikar. Not one bit.
"Can we buy some?" Armod asked. ~ Sandra Hill

Sleeping beauty awoke at the kiss of a scientist and expired at the fatal puncture of his syringe. ~ Ray Bradbury

There's a lot of beauty to be found in sadness and melancholia. One of the things that you find time and time again - not just with music, but with literature - is that things that appear to be quite depressing on the surface can ironically be very uplifting and touching to other people. When you hear something that really reminds you that you're not alone in feeling sad, depressed, melancholic, angry - I think that can actually be a very cathartic experience. ~ Steven John Wilson

The absence of fatherhood implies the impossibility of brotherhood. It is no accident that Schopenhauer, Nietzsche, and Sartre, in addition to Freud, all struggled with the notion of fatherlessness. Its exalted, but unrealistic, implication is godlessness and self-deification. But its more immediate, existential implication, as we have seen, is being orphaned and abandoned. It is curious that Freud, despite his extensive knowledge of classic literature, either ignored or repressed its most trenchant moral, namely, that by equating oneself with the gods, one invokes their anger and punishment. The gods will not be mocked, and they are intolerant of hubris. ~ Donald DeMarco

Seaward ho! Hang the treasure! It's the glory of the sea that has turned my head. ~ Robert Louis Stevenson

I love the walking contradiction of the body. I want to make corporeal characters, corporeal writing, I want to bring the intensities and contradictions and beauty and violence and stench and desire and astonishing physicality of the body back into literature. ~ Lidia Yuknavitch

That is a compliment which gives me no pleasure. ~ Jane Austen

Over the centuries, this interpretation and reinterpretation creates a long chain connecting a writer to all future readers- who frequently read each other as well as the original. Virginia Woolf had a beautiful vision of generations interlinked in this way: of how "minds are threaded together- how any live mind is of the very same stuff as Plato's & Euripides ... It is this common mind that binds the whole world together; & all the world is mind." This capacity for living on through readers' inner worlds over long periods of history is what makes a book like the 'Essays' a true classic. As it is reborn differently in each mind, it also brings those minds together. ~ Sarah Bakewell

You can be good for the mere sake of goodness; you cannot be bad for the mere sake of badness. You can do a kind action when you are not feeling kind and when it gives you no pleasure, simply because kindness is right; but no one ever did a cruel action simply because cruelty is wrong - only because cruelty is pleasant or useful to him, In other words, badness cannot succeed even in being bad in the same way in which goodness is good. Goodness is, so to speak, itself: badness is only spoiled goodness. And there must be something good first before it can be spoiled. ~ C.S. Lewis

It is untrue that fiction is nonutilitarian. The uses of fiction are synonymous with the uses of literature. They include refreshment, clarification of life, self-awareness, expansion of our range of experiences, and enlargement of our sense of understanding and discovery, perception, intensification, expression, beauty , and understanding. Like literature generally, fiction is a form of discovery, perception, intensification, expression, beauty, and understanding. If it is all these things, the question of whether it is a legitimate use of time should not even arise. ~ Leland Ryken

Follow those rats! They may lead us back to Muggins! ~ A.F. Stewart

Men call you fayre, and you doe credit it,
For that your self ye daily such doe see:
But the trew fayre, that is the gentle wit,
And vertuous mind, is much more praysd of me.
For all the rest, how ever fayre it be,
Shall turne to nought and loose that glorious hew:
But onely that is permanent and free
From frayle corruption, that doth flesh ensew.
That is true beautie: that doth argue you
To be divine and borne of heavenly seed:
Deriv'd from that fayre Spirit, from whom al true
And perfect beauty did at first proceed.
He onely fayre, and what he fayre hath made,
All other fayre lyke flowres untymely fade. ~ Edmund Spenser

I do feel that literature should be demystified. What I object to is what is happening in our era: literature is only something you get at school as an assignment. No one reads for fun, or to be subversive or to get turned on to something. It's just like doing math at school. I mean, how often do we sit down and do trigonometry for fun, to relax. I've thought about this, the domination of the literary arts by theory over the past 25 years -- which I detest -- and it's as if you have to be a critic to mediate between the author and the reader and that's utter crap. Literature can be great in all ways, but it's just entertainment like rock'n'roll or a film. It is entertainment. If it doesn't capture you on that level, as entertainment, movement of plot, then it doesn't work. Nothing else will come out of it. The beauty of the language, the characterisation, the structure, all that's irrelevant if you're not getting the reader on that level -- moving a story. If that's friendly to readers, I cop to it. ~ T. Coraghessan Boyle

Before his and Pushkin's advent Russian literature was purblind. What form it perceived was an outline directed by reason: it did not see color for itself but merely used the hackneyed combinations of blind noun and dog-like adjective that Europe had inherited from the ancients. The sky was blue, the dawn red, the foliage green, the eyes of beauty black, the clouds grey, and so on. It was Gogol (and after him Lermontov and Tolstoy) who first saw yellow and violet at all. That the sky could be pale green at sunrise, or the snow a rich blue on a cloudless day, would have sounded like heretical nonsense to your so-called "classical" writer, accustomed as he was to the rigid conventional color-schemes of the Eighteenth Century French school of literature. Thus the development of the art of description throughout the centuries may be profitably treated in terms of vision, the faceted eye becoming a unified and prodigiously complex organ and the dead dim "accepted colors" (in the sense of "idées reçues") yielding gradually their subtle shades and allowing new wonders of application. I doubt whether any writer, and certainly not in Russia, had ever noticed before, to give the most striking instance, the moving pattern of light and shade on the ground under trees or the tricks of color played by sunlight with leaves. ~ Vladimir Nabokov

The pleasure we derive from the representation of the present is due, not only to the beauty it can be clothed in, but also to its essential quality of being the present. ~ Charles Baudelaire

If I could describe myself, I'd say that I am a poetic gerd. (A geek and nerd combo) I love Shakespeare and romance, but sci-fi and action have a big slice of my heart. When I meet a man who can quote some Hitchcock out of thin air, do a perfect 'Timey Whimey' impression, play me some classic rock when I'm sad and can give a 'Gone with the Wind' kiss, I will have my soul mate. ~ Melanie Kay Taylor

On the Day of Judgment , life and death are not determined by the world but by God's wisdom and law ~ John Bunyan