Bazaar Quotes

Dana daydreamed of one day being able to set her agenda at B.Altman with the same courage and tenacity as the woman who was now driving the VW while speaking animatedly about her travel plans for the near future. She would be journeying to India in search of exotic merchandise for the store's Indian extravaganza, a lavish event planned by Ira Neimark and Dawn Mello to compete with Bloomingdale's Retailing as Theater movement. The movement was the brainchild of Bloomingdale's Marvin Traub, who staged elaborate presentations such as China: Heralding the Dawn of a New Era. Typical extravaganzas featured fashion, clothing, food, and art from various regions of the world.
"I'll bring back enough items to make Bloomingdale's blush!" Nina said confidently. "And I'm not just talking sweaters, hats, and walking sticks. I'll stop first in the Himalayas and prowl the Landour Bazaar."
Lynn Steward ~ A Very Good Life ~ Lynn Steward

He beheld Lourdes, contaminated by Mammon, turned into a spot of abomination and perdition, transformed into a huge bazaar, where everything was sold, masses and souls alike! ~ Emile Zola

There are many different words inside a city. The world of the rich and the world of beggars. The world of men and the world behind the veil. The worlds of Muslims and of Christians and of Jews.
If you are a rich woman living inside a harem, the world of a poor Christian beggarman is as foreign as China or Abyssinia.
All the worlds touch at the bazaar. And the other place where they touch is in stories. Shahrazad crossed borders all the time, telling tales of country women and Bedouin sheikhs, of poor fishermen and scheming sultanas, of Jewish doctors and Christian brokers, of India and China and the lands of the jinn.
If we don't share our stories - trading them across our borders as freely as spices and ebony and silk - we will all be strangers forever. ~ Susan Fletcher

The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection. ~ Anna Sui

Another of them died last night. His body was in the bazaar this morning. It lay, with a collecting bowl at its feet, on the charpoy that is reserved for those who die without money or family to bury them. He looked desiccated and his skin had the sheen and color of the dates we eat to break our fast. There are new bodies on that charpoy every week. ~ Louise Brown

Faith is, by its very definition, belief without proof. ~ Stephen King

Biblical prayer is impertinent, persistent, shameless, indecorous. It is more like haggling in an oriental bazaar than the polite monologues of the churches. ~ John Ortberg Jr.

Because I Cannot Sleep

Because I cannot sleep
I make music at night.
I am troubled by the one
whose face has the color of spring flowers.
I have neither sleep nor patience,
neither a good reputation nor disgrace.
A thousand robes of wisdom are gone.
All my good manners have moved a thousand miles away.
The heart and the mind are left angry with each other.
The stars and the moon are envious of each other.
Because of this alienation the physical universe
is getting tighter and tighter.
The moon says, 'How long will I remain
suspended without a sun?'
Without Love's jewel inside of me,
let the bazaar of my existence be destroyed stone by stone.
O Love, You who have been called by a thousand names,
You who know how to pour the wine
into the chalice of the body,
You who give culture to a thousand cultures,
You who are faceless but have a thousand faces,
O Love, You who shape the faces
of Turks, Europeans, and Zanzibaris,
give me a glass from Your bottle,
or a handful of being from Your Branch.
Remove the cork once more.
Then we'll see a thousand chiefs prostrate themselves,
and a circle of ecstatic troubadours will play.
Then the addict will be freed of craving.
and will be resurrected,
and stand in awe till Judgement Day ~ Rumi

My mother was a wonderful, wonderful woman with a lovely voice who hated housework, hated cooking even more and loved her children. She was always arranging church activities such as a bazaar. ~ Maureen Forrester

The woman was Diana Vreeland, the high priestess of fashion and legendary fashion editor of Harper's Bazaar and editor-in-chief of Vogue. Dana paused, eyes wide. Well, perhaps she was a bit star-struck after all. ~ Lynn Steward

[…] I began to see Algiers as one of the most fascinating and dramatic places on earth. In the small space of this beautiful but congested city intersected two great conflicts of the contemporary world. The first was the one between Christianity and Islam (expressed here in the clash between colonizing France and colonized Algeria). The second, which acquired a sharpness of focus immediately after the independence and departure of the French, was a conflict at the very heart of Islam, between its open, dialectical - I would even say "Mediterranean" - current and its other, inward-looking one, born of a sense of uncertainty and confusion vis-à-vis the contemporary world, guided by fundamentalists who take advantage of modern technology and organizational principles yet at the same time deem the defense of faith and custom against modernity as the condition of their own existence, their sole identity.

[…] In Algiers one speaks simply of the existence of two varieties of Islam - one, which is called the Islam of the desert, and a second, which is defined as the Islam of the river (or of the sea). The first is the religion practiced by warlike nomadic tribes struggling to survive in one of the world's most hostile environments, the Sahara. The second Islam is the faith of merchants, itinerant peddlers, people of the road and of the bazaar, for whom openness, compromise, and exchange are not only beneficial to trade, but necessary to life itself. ~ Ryszard Kapuscinski

Although a life-long fashion dropout, I have absorbed enough by reading Harper's Bazaar while waiting at the dentist's to have grasped that the purpose of fashion is to make A Statement. My own modest Statement, discerned by true cognoscenti, is, Woman Who Wears Clothes So She Won't Be Naked. ~ Molly Ivins

If you are a reader of 'Harper's Bazaar,' to me, you are a woman who loves fashion, but not just fashion; you love fashion, you love travel, you love art, you love music. ~ Carine Roitfeld

We have nothing to destroy," said Rud. "All these things are done for already. They are falling in all over the world. They are dead. No need for destructive activities. But if we have nothing to destroy we have much to clear away. That's different. What is needed is a brand-new common-sense reorganisation of the world's affairs, and that's what we have to give them. I can't imagine how the government sleeps of nights. I should lie awake at night listening all the time for the trickle of plaster that comes before a smash. Ever since they began blundering in the Near East and Spain, they've never done a single wise thing. This American adventure spells disaster. Plainly. Australia has protested already. India now is plainly in collapse. Everyone who has been there lately with open eyes speaks of the vague miasma of hatred in the streets. We don't get half the news from India. Just because there exists no clear idea whatever of a new India, it doesn't mean that the old isn't disintegrating. Things that are tumbling down, tumble down. They don't
wait to be shown the plans of the new building. The East crumbles. All over the world it becomes unpleasant to be a foreigner, but an Englishman now can't walk in a bazaar without a policeman behind him... ~ H.G. Wells

War is a bazaar where lives are traded like any other commodity: chocolate or bullets or parachute silk. ~ Anthony Doerr

The history of prescriptions about English ... is in part a history of bogus rules, superstitions, half-baked logic, groaningly unhelpful lists, baffling abstract statements, false classifications, contemptuous insiderism and educational malfeasance. But it is also a history of attempts to make sense of the world and its bazaar of competing ideas and interests. ~ Henry Hitchings

All liberty required was that the space for discourse itself be protected. Liberty lay in the argument itself, not the resolution of that argument, in the ability to quarrel, even with the most cherished beliefs of others; a free society was not placid but turbulent. The bazaar of conflicting was the place where freedom rang. ~ Salman Rushdie

Oh, anywhere, driver, anywhere - it doesn't matter. Just keep driving.
It's better here in this taxi than it was walking. It's no good my trying to walk. There is always a glimpse through the crowd of someone who looks like him - someone with his swing of the shoulders, his slant of the hat. And I think it's he, I think he's come back. And my heart goes to scalding water and the buildings sway and bend above me. No, it's better to be here. But I wish the driver would go fast, so fast that people walking by would be a long gray blur, and I could see no swinging shoulders, no slanted hat.
Dorothy Parker, Sentiment, Harper's Bazaar, May 1933. ~ Dorothy Parker

From an interview with Susie Bright:

SB: You were recently reviewed by the New York Times. How do you think the mainstream media regards sex museums, schools and cultural centers these days? What's their spin versus your own observations?

[Note: Here's the article Susie mentions: http://www.nytimes.com/2005/12/05/nat... ]

CQ: Lots of people have seen the little NY Times article, which was about an event we did, the Belle Bizarre Bazaar -- a holiday shopping fair where most of the vendors were sex workers selling sexy stuff. Proceeds went to our Exotic Dancers' Education Project, providing dancers with skills that will help them maximize their potential and choices. This event got into the Times despite the worries of its author, a journalist who'd been posted over by her editor. She thought the Times was way too conservative for the likes of us, which may be true, except they now have so many column inches to fill with distracting stuff that isn't about Judith Miller!

The one thing the Times article does not do is present the spectrum of the Center for Sex & Culture's work, especially the academic and serious side of what we do. This, I think, points to the real answer to your question: mainstream media culture remains quite nervous and touchy about sex-related issues, especially those that take sex really seriously. A frivolous take (or a good, juicy, shocking angle) on a sex story works for the mainstream press: a sex-positive ~ Carol Queen

When preparing for a trip, we can read about architecture and restaurants. But what ultimately breathes life into the daydreams of anticipation are the people we encounter when we're actually there, including those we merely pass on the street or, in this case, the stairwell. I thought, too, of the man on the pier who offered his hand to steady me as I stepped off the ferry, and of the old woman in the public restroom who motioned for me to come and share with her the sole tiny sink. The possibility of these wordless interactions, to which we can be particularly attuned when alone, didn't cross my mind when I was anticipating my days in Istanbul. I had envisioned ships and minarets, the Grand Bazaar and the Hagia Sofia, yet not these faces, not these moments that silently transmit the warmth of a city. ~ Stephanie Rosenbloom

Coming to New York from the muted mistiness of London, as I regularly do, is like travelling from a monochrome antique shop to a technicolor bazaar. ~ Kenneth Tynan

Never pretend to have money except when you are in straits. The poor man who pretends to have a bank account betters his credit and takes no risk. But the prosperous individual who counts his money in the street, forthwith will be invited to attend a charity bazaar. ~ George Ade

The exchangeability that is expressed in money must inevitably have repercussions upon the quality of commodities themselves, or must interact
with it. The disparagement of the interest in the individuality of a
commodity leads to a disparagement of
individuality itself. If the two sides
to a commodity are its quality and it
s price, then it seems logically
impossible for the interest to be focused on only one of these sides: for
cheapness is an empty word if it does not imply a low price for a relative
good quality, and good quality is
an economic attraction only for a
correspondingly fair price. And yet this conceptual impossibility is psychologically real and effective.
The interest in the one side can be so
great that its logically necessary counterpart completely disappears. The
typical instance of one of these case
s is the 'fifty cents bazaar'. The
principle of valuation in the mode
rn money economy finds its clearest
expression here. It is not the commodity
that is the centre of interest here
but the price - a principle that in former times not only would have appeared shameless but would have been
absolutely impossible. It has been
rightly pointed out that the medieval town, despite all the progress it
embodied, still lacked the extensive
capital economy, and that this was the
reason for seeking the ideal of the economy not so much in the expansio ~ Georg Simmel

That transactions at the market, at the rice seller, in the narrow archways of the gold bazaar were belaboured exchanges of tuts and hisses, whispered offers with lowered eyes, counter-offers protested while patting empty wallets in pockets. That upon agreeing a suitable price, buyer and seller would shake hands three times, reach into stashes of tightly rolled banknotes tucked into nylon socks and secret compartments hand-sewn into underpants. ~ Jennifer Klinec

Shortly before school started, I moved into a studio apartment on a quiet street near the bustle of the downtown in one of the most self-conscious bends of the world. The "Gold Coast" was a neighborhood that stretched five blocks along the lake in a sliver of land just south of Lincoln Park and north of River North. The streets were like fine necklaces and strung together were the brownstone houses and tall condominiums and tiny mansions like pearls, and when the day broke and the sun faded away, their lights burned like jewels shining gaudily in the night.
The world's most elegant bazaar, Michigan Avenue, jutted out from its eastern tip near The Drake Hotel and the timeless blue-green waters of Lake Michigan pressed its shores. The fractious make-up of the people that inhabited it, the flat squareness of its parks and the hint of the lake at the ends of its tree-lined streets squeezed together a domesticated cesspool of age and wealth and standing. It was a place one could readily dress up for an expensive dinner at one of the fashionable restaurants or have a drink miles high in the lounge of the looming John Hancock Building and five minutes later be out walking on the beach with pants cuffed and feet in the cool water at the lake's edge. ~ Daniel Amory

The low-ceiling price bazaar for sexual relief was a street called Middie Alley. You could barely get a pushcart through this avenue. Top price-twenty-five cents. ~ W.C. Fields

On the day of the agni pariksha, light transfixed Amar's face.
"I have every faith in you, my love," he said, trailing fingers along my jaw. "This will put an end to every rumor. This will keep you safe from them. I know our days have been cold, but after this, we will be as we once were."
Inside, my heart snarled, but I kept my face blank. "I will not disappoint."
All the members of the Otherworld assembled for my trial. I wore white, the dress of mourning. In the Night Bazaar, a dim glow lit up the faces of the attendees, clinging to well-oiled horns and scaled skin. Leonine rakshasa waited patiently, weapons quivering in their grip. If I failed, they were free to depose me. If I succeeded, they would end their bloodshed in the human realms.
Sacred flames lapped up from the ground. Ribbons of fire snaked out like tongues and grasping hands. I looked to Amar. His face was stern. Hopeful. For what outcome, I thought I knew. But I was wrong. ~ Roshani Chokshi

The Reading Terminal Market on 12th and Arch was created in 1892 when the Reading Railroad opened markets below the elevated tracks of the new train shed. It had consistently housed an undetermined amount of aromas since then by creating a gastronomic bazaar conveniently located at street level. ~ Craig Johnson

Housing projects can seem like labyrinths to outsiders, as complicated and intimidating as a Moroccan bazaar. But we knew our way around. ~ Jay-Z

The Night Bazaar had ensnared me. I could smell its perfume on my skin - of stories and secrets, flashing teeth and slow smiles. ~ Roshani Chokshi

We help each other by sharing our experiences. At the end of the day, the human condition requests one thing: to share. You are not here just to profit. If you don't share, you are nothing. I'll give you an example. You can be watching the most beautiful sunset, in the most beautiful place in the world, and this beautiful sunset can be an oppressive experience because you have nobody to share it with. But if you are in a bazaar or a train station full of people, even without any beautiful sunset, it gives you more emotion, more interaction, it becomes a kind of paradise. We are born to share, we are really born to share, so you have to do it. You have to share what you have. In my case, the Internet is a tool to share. My blog is free. Facebook is free. It's an inner cause I have: to use my celebrity to bring people together and share what I have and what each of them have. ~ Paulo Coelho

Bazaar shoppers who wear dark glasses in order to hide their level of interest from merchants. ~ Daniel Kahneman

There was more she wanted to say. He could feel the words scrabbling at the clasps of her thoughts, eager to be known. Freed. But she stood there, stony- faced and impassive. And he remembered the girl he had glimpsed from the Grotto - the one who let her shoulders drop when no one looked, the one who fought every day when no one noticed. The one who had once hoped that the Night Bazaar traded on dreams. She deserved more than loneliness. ~ Roshani Chokshi

Separated by the polite distance of a green table, we easily could be strangers, counting our change and settling down for a treat. The bazaar is loud, even from the refuge of this archway, with the shouting of prices and hammering of copper. ~ Jennifer Klinec

The trains in any country contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Singhalese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar, with its gadgets and passengers, represented the society so completely that to board it was to be challenged by the national character. ~ Paul Theroux

I have a sentimental feeling for my very first cover I was on - it was 'Bazaar' Magazine. ~ Carol Alt

I worked for Harper's Bazaar. They fired me. I recommend that you all get fired; it's a great learning experience. ~ Anna Wintour

Amar loosed a breath. "I understand, you know."
I looked up.
"The forced silence…the voices of this palace."
We stood there, not saying anything. I felt too aware of the space between us. Even with Akaran's secrets spiraling in the shadows of my head, I couldn't ignore the weightless feeling that had gripped me. Standing beside Amar did something to me. Like my center had shifted to make room for him.
"You do not trust me, do you?"
"No," I said. I had no reason to lie. "I told you in the Night Bazaar that trust is won in actions and time. Not words."
"I wish you trusted me."
"I don't place my faith in wishes," I said. "How can I? I can't even--"
I bit back the rest of my words. I can't even see your face. Perhaps Gupta was lying and he really did have a disfiguring scar. Amar moved closer until we were only a hand space apart.
"What?" he coaxed, his voice hovering between a growl and a question.
"I can't even see your face."
A strange chill still curled off of him like smoke and even though the glass garden was teeming with little lights, shades veiled him.
"Is that what you want?" he said. "Would it make you trust me?"
"It would be a start."
"You are impossible to please."
I said nothing. Amar leaned forward, and I felt the silken trails of his hood brush across my neck. My breath constricted. "Is that what you want? An unguarded gaze can spill a thousand secrets."
"I would know them anyway," I s ~ Roshani Chokshi

Sufi, the magus's camel,
was a remarkable mammal,
as at home in a busy bazaar
as alone on a dune with a star. ~ John Biccard

Mumbai is the sweet, sweaty smell of hope, which is the opposite of hate; and it's the sour, stifled smell of greed, which is the opposite of love. It's the smell of Gods, demons, empires, and civilizations in resurrection and decay. Its the blue skin-smell of the sea, no matter where you are in the island city, and the blood metal smell of machines. It smells of the stir and sleep and the waste of sixty million animals, more than half of them humans and rats. It smells of heartbreak, and the struggle to live, and of the crucial failures and love that produces courage. It smells of ten thousand restaurants, five thousand temples, shrines, churches and mosques, and of hunderd bazaar devoted exclusively to perfume, spices, incense, and freshly cut flowers. That smell, above all things - is that what welcomes me and tells me that I have come home.

Then there were people. Assamese, Jats, and Punjabis; people from Rajasthan, Bengal, and Tamil Nadu; from Pushkar, Cochin, and Konark; warrior caste, Brahmin, and untouchable; Hindi, Muslim, Christian, Buddhist, Jain, Parsee, Animist; fair skin and dark, green eyes and golden brown and black; every different face and form of that extravagant variety, that incoparable beauty, India. ~ Gregory David Roberts

Such grave matters as sin and forgiveness should remain between man and God ~ Stephen King

I think the 'Harpers Bazaar' woman is not a fashion victim; she understands fashion but is not a victim, you know. ~ Carine Roitfeld

But: all journeys were return journeys. The farther one traveled, the nakeder one got, until, towards the end, ceasing to be animated by any scene, one was most oneself, a man in a bed surrounded by empty bottles. The man who says, "I've got a wife and kids" is far from home; at home he speaks of Japan. But he does not know - how could he? - that the scenes changing in the train window from Victoria Station to Tokyo Central are nothing compared to the change in himself; and travel writing, which cannot but be droll at the outset, moves from journalism to fiction, arriving promptly as the Kodama Echo at autobiography. From there any further travel makes a beeline to confession, the embarrassed monologue in a deserted bazaar. The anonymous hotel room in a strange city ... ~ Paul Theroux

In July 1964 an alleged incident involving Paco Rabanne rocked the
model community to its foundations. The innovative Spanish-born designer
had used black beauties in his Paris show to model his futuristic
plastic dresses, a move that enraged the American fashion press. According
to Rabanne in Barbara Summers's book Skin Deep, things got
out of hand backstage after the show. 'I watched them coming,' he said,
'the girls from American Vogue and Harper's Bazaar. "Why did you do
that?" they said. "You don't have the right to do that, to take those kind
of girls. Fashion is for us, white people." They spat in my face. I had to
wipe it off.' Rabanne was subsequently blacklisted by the fashion cartels
until black runway models finally became chic in the 1970s. ~ Ben Arogundade

In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping.

A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised.

A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral d ~ Italo Calvino

'Reinventing the Bazaar,' by John McMillan, is a great and fun introduction to the wild variety and importance of markets throughout history and around the world. I finally understood how a Middle Eastern souk actually works economically and how to compare that to modern-day telecom-spectrum auctions. I love that book. ~ Adam Davidson

Rosemary bubbled with delight at the trunks. Her naivete responded whole-heartedly to the expensive simplicity of the Divers, unaware of its complexity and its lack of innocence, unaware that it was all a selection of quality rather than quantity from the run of the world's bazaar; and that the simplicity of behavior also, the nursery-like peace and good will, the emphasis on the simpler virtues, was part of a desperate bargain with the gods and had been attained through struggles she could not have guessed at. ~ F Scott Fitzgerald

Back then, come July, and the blazers would again make their way out of the steel trunks and evenings would be spent looking at snow-capped mountains from our terrace and spotting the first few lights on the hills above. It was the time for radishes and mulberries in the garden and violets on the slopes. The wind carried with it the comforting fragrance of eucalyptus. It was in fact all about the fragrances, like you know, in a Sherlock Holmes story. Even if you walked with your eyes closed, you could tell at a whiff, when you had arrived at the place, deduce it just by its scent. So, the oranges denoted the start of the fruit-bazaar near Prakash ji's book shop, and the smell of freshly baked plum cake meant you had arrived opposite Air Force school and the burnt lingering aroma of coffee connoted Mayfair. But when they carved a new state out of the land and Dehra was made its capital, we watched besotted as that little town sprouted new buildings, high-rise apartments, restaurant chains, shopping malls and traffic jams, and eventually it spilled over here. I can't help noticing now that the fragrances have changed; the Mogra is tinged with a hint of smoke and will be on the market tomorrow. The Church has remained and so has everything old that was cast in brick and stone, but they seem so much more alien that I almost wish they had been ruined.'
('Left from Dhakeshwari') ~ Kunal Sen

Whenever the sadness got too much, I would hire a rickshaw and go to the Upper Bazaar. Those little rickshaw trips to the market and back, shopping for lipsticks and imitation Gucci bags and wind-chimes and what not, are some of my happiest memories today. You know, one day, during one of those trips, I sold all my well-thumbed copies of 'Inside Outside' to the Tibetan guy who ran the old book store on Netaji Road for seventy rupees, six Tintins and a disarming smile. And all of a sudden, that moment, standing at the corner of Netaji road, I found out who I was.'
('Left from Dhakeshwari') ~ Kunal Sen

Photographers should make three or four prints from one negative and then crop them differently. When I was art director at Harper's Bazaar and at several agencies as a consultant, young photographers would bring me their portfolios and all the prints would be in the same standard proportions, either for the Leica or the Rolleiflex. Many times, by limiting themselves in this way, they missed the true potentialities of their photographs. ~ Alexey Brodovitch

I was partially raised by an aunt who was a dress designer, so I was around her studio all of my early life. I know materials. I can look through Harper's Bazaar and decide what works and what doesn't, or any other magazine, Seventeen if you wish. ~ Ray Bradbury

In the bazaar today I noticed a shopkeeper sitting cross-legged on the platform of his shop making up his ledger. A common sight - but there was something wrong, I could not at first see what. Then I understood: what was his heavy ledge resting on? It was lying open before him, on his stomach, but unsupported by his free hand, not resting against his knees. What on earth was propping it up?
The problem teased my mind so much that I had to retrace my steps for another look. There he was, comfortably scribbling away in the large ledger, which was standing up, apparently unsupported, in his lap. Then, as I stared, he closed it, and got to his feet - and the mystery was explained. He had elephantiasis of the scrotum, and had been utilising this huge football of tissue as a book-rest. ~ J.R. Ackerley

Is not at all uncommon for women in my country to be illiterate, but to see my mother, a proud and intelligent woman, struggle to read the prices in the bazaar was an unspoken sadness for both of us, I think. ~ Malala Yousafzai

I just saw Twilight on TV, for the first time, a few days ago, and, when my song came on, I was just thinking that is so bazaar that I actually had a song in the movie. ~ Robert Pattinson

I scrambled off the water buffalo, biting back a wince as I struggled for some balance. Catching my breath, I backed away from Amar. In the shadows, the hood over his face glinted sinister.
"Do not come near me!" I hissed.
Amar halted.
"Let me explain," he began. "I understand that this is not--"
I lunged for a stick and brandished it at him.
"Who are you?"
Amar laughed. "A stick? I've brought you to the Night Bazaar; do you really think a stick would protect you?" I gripped the stick harder. "Not that you need protection from me," he added quickly.
"Who are you?"
"Amar."
"Where are you from?"
"Akaran."
I gave him a hard look, but I wasn't sure how much he could see through his covering. "What are you?"
He drew himself up. "A raja and your husband."
There was no hesitation in his voice.
"Why have you brought me here?" My voice shook. I couldn't stop staring at the Night Bazaar. There it was. And here I was. Standing on the same plot of land shared with beings that--until now--had only existed in stories. "What do you want from me?"
He stopped. The smile was gone from his lips.
"I want your perspective and honesty," he said, before adding in a softer voice, "I want to be humbled by you. ~ Roshani Chokshi

New York is essentially a bazaar, not a Presbyterian church. ~ Pete Hamill

In Broadway, I suddenly found myself face to face with William de la Touche Clancey.

"Well!" A long drawn-out syllable, in which fear and condescension were unpleasantly mingled. "What is the young Old Patroon about to turn his hand to next?"

"The Vauxhall Gardens, I should think." My dislike of Clancey is almost physical. Yet I stare at him with fascination; note that his protuberant eyes are yellowish; that he scratches himself compulsively; that his tongue darts in and out of his mouth like a lizard's catching flies.

"Of the delicious nymphs you sport with there?"

"Of the delicious fauns, too - and their goatish friends."

"Uh-huh..." A long, drawn-out attempt at sounding amused failed of its object. "I hope you realize that your editor's unholy passion for the Negro grows more embarrassing each day. If I were he I should beware. He might simply vanish one dark night."

"Murdered? Or sold into slavery?" Clancey recently delighted his admirers by proposing that since the institution of slavery has been an integral part of every high civilization (and peculiarly well-adapted to those nations that follow the word as well as the spirit of Old and New Testaments), poor whites should be bought and sold as well as blacks.

"I don't believe that poor sick Mr. Leggett would command a high price in the bazaar. Only his diseased mind would have a certain morbid interest to the special collector. You, on the o ~ Gore Vidal

Why have you brought me here?" My voice shook. I couldn't stop staring at the Night Bazaar. There it was. And here I was. Standing on the same plot of land shared with beings that--until now--had only existed in stories. "What do you want from me?"
He stopped. The smile was gone from his lips.
"I want your perspective and honesty," he said, before adding in a softer voice, "I want to be humbled by you."
Heat flared in my cheeks. I paused, the stick in my hand falling a fraction. Perspective and honesty? Humbled by me? Rajas never asked for anything other than sons from their consorts.
"My kingdom needs a queen," he said. "It needs someone with fury in her heart and shadows in her smile. It needs someone restless and clever. It needs you."
"You know nothing about me."
"I know your soul. Everything else is an ornament."
His voice wrapped around me, lustrous and dark. It was the kind of voice that could soothe you to sleep in the same moment that it slit your throat. Still, I leaned toward it.
"Come with me," he said. "You would never be content in that world. They would cage you. They would give you playthings of silver and silk."
His teeth burned white when he smiled. "I could give you whole worlds. ~ Roshani Chokshi

They were all as timeless as that moment of rescue, perpetuated but forever just occurring, these ornaments, utensils, and mementos stranded in the Terazín bazaar, objects that for reasons one could never know had outlived their former owners and survived the process of destruction, so that I could now see my own faint shadow image barely perceptible among them. ~ W.G. Sebald

The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical. ~ Paul Theroux

His creation was a sort of new religion; the churches, gradually deserted by a wavering faith, were replaced by this bazaar, in the minds of the idle women of Paris. Women now came and spent their leisure time in his establishment, the shivering and anxious hours they formerly passed in churches: a necessary consumption of nervous passion, a growing struggle of the god of dress against the husband, the incessantly renewed religion of the body with the divine future of beauty. ~ Emile Zola

Entering the office, Evie found Sebastian and Cam on opposite sides of the desk. They both mulled over account ledgers, scratching out some entries with freshly inked pens, and making notations beside the long columns. Both men looked up as she crossed the threshold. Evie met Sebastian's gaze only briefly; she found it hard to maintain her composure around him after the intimacy of the previous night. He paused in mid-sentence as he stared at her, seeming to forget what he had been saying to Cam. It seemed that neither of them was yet comfortable with feelings that were still too new and powerful. Murmuring good morning to them both, she bid them to remain seated, and she went to stand beside Sebastian's chair.
"Have you breakfasted yet, my lord?" she asked.
Sebastian shook his head, a smile glinting in his eyes. "Not yet."
"I'll go to the kitchen and see what is to be had."
"Stay a moment," he urged. "We're almost finished."
As the two men discussed a few last points of business, which pertained to a potential investment in a proposed shopping bazaar to be constructed on St. James Street, Sebastian picked up Evie's hand, which was resting on the desk. Absently he drew the backs of her fingers against the edge of his jaw and his ear while contemplating the written proposal on the desk before him. Although Sebastian was not aware of what the casual familiarity of the gesture revealed, Evie felt her color rise as she met Cam's gaze over her husband ~ Lisa Kleypas