As The World Turns Memorable Quotes

It turns out that prayer is one more way through which we can create changes in the land. By setting aside some places as sacred, we engage in an interaction with wild nature in which we do not take our sustenance from the earth, but instead make an offering to it. To construct "a portal to another world" through ceremony or ritual or private meditation is to create another type of working landscape - one that is at work by being a sanctuary and a site of communion with the wonders of Earth. Prayer, too, is a use of the landscape. It's how we can give back to wild nature, by doing what humans do best: investing a place with meaning and with myth. ~ Jason Mark

The generation of choice has left us no choices. As our world turns and we devour ourselves. We stare into the eyes of our children, a brilliant reflection of our image. And, we blame them for what we see. ~ Sonja Cassandra Perdue

Cara: I used to believe everything my brother told me, because he was older and I figured he knew more about the world. But as it turns out, being a grown-up doesn't mean you're fearless. It just means you fear different things. ~ Jodi Picoult

I do not understand how it is that financial institutions could think that they could take taxpayer money and then turn around and act like it's business as usual. I don't understand how they can't see that the world has changed in a fundamental way, that it is not business as usual when you take taxpayer dollars. ~ Elizabeth Warren

I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. ~ L. Frank Baum

The American house has been TV-centered for three generations. It is the focus of family life, and the life of the house correspondingly turns inward, away from whatever corresponds beyond its four walls.At the same time, the television if the families chief connection to the world. The physical envelope of the house itself no longer connects their lives to the outside in any active way; rather it seals them from it.The outside world has become an abstraction filtered through television, just as the weather is an abstraction filtered through air conditioning. ~ James Howard Kunstler

You see a moment from only one angle. You see in only two dimensions. You cannot see that the line is actually a circle. You've never been forced to step around a situation and view it from another perspective. You stand glued to your spot as the world turns if front of you and you assume what you see is the only. But it's not. You are one man in one place in one moment is time. You rule this space, but one quake can fill the hole. One solar flare can destroy everything that is you. ~ Michael Soll

But if he is angry at the world for doing him harm, why does he take it out on his loving partner? Couldn't he just as readily express his rage by playing racquetball or pounding pillows. His ideas about her role seem paradoxical. On the one hand, the narcissistic husband has vested his wife with tremendous power. She is necessary for his self-repair, but instead of valuing her and seeking comfort in her arms, he beats and humiliates her. Because he sees her as available to meet any and all of his needs, he releases his rage and any self-hate at her; such an act helps him ultimately feel powerful again, making him realize he is not weak and shattered.
When the narcissistic man eels the terror and rage associated with his own internal fragmentation, his outburst restores his sense of power and control. He turns the anger expanding within him away from himself, toward his wife. He insists that she's the defective one, she's to blame, because she has not met his needs. Such acts of externalization are key to the NPD batterer. His violent behavior restores his self-esteem. He believes that his actions are not his fault; he is just trying to take care of himself. ~ Susan Weitzman

This week I was watching the Rachel Maddow Show (you'd love her: she's funny and brilliant and just happens to be a stunning butch), and she was interviewing the outgoing attorney general, Loretta Lynch, about the country's post election future. The entire show was like a burst of hope so bright I almost had to put on sunglasses. The African American attorney general, prim and plump, sat perched on a barstool talking to a white butch lesbian who has her own national television news show! The event was being recorded in the Stonewall Inn, the site of one of the first places where queer people fought back against police violence! (I was so nervous about being a lesbian in 1969, I hid the tiny newspaper clipping from you.) Simply that the interview was happening made me remember that there are people in the world who are not such egotistical, political careerists as to believe that human rights don't matter. Then, as if just showing up wasn't enough, Attorney General Lynch spoke a truth that is hard to remember from our short-lived perspective: "History is bigger than one turn of the electoral wheel." During your eighty-eight years on this plane, you saw numerous turns of the wheel, and many of them did not land on a prize. Still, toward the end of your life, you took me in and bestowed not just a roof and clothes and food but the gift of your history and the knowledge that we find hope inside ourselves. ~ Jewelle L. Gómez

…There is some firm place in me which knows that what happened to Wally, whatever it was, whatever it is that death is as it transliterates us, moving us out of this life into what we can't know, is kind.
I shock myself, writing that. I know that many deaths are anything but gentle. I know people suffer terribly…I know many die abandoned, unseen, their stories unheard, their dignity violated, their human worth ignored.
I suspect that the ease of Wally's death, the rightness of it, the loving recognition which surrounded him, all made it possible for me to see clearly, to witness what other circumstances might obscure. I know, as surely as I know anything, that he's all right now.

And yet.

And yet he's gone, an absence so forceful it is itself a daily hourly presence.
My experience of being with Wally… brought me to another sort of perception, but I can't stay in that place, can't sustain that way of seeing. The experience of knowing, somehow, that he's all right, lifted in some kind process that turns at the heart of the world, gives way, as it must, to the plain aching fact that he's gone.
And doubt. And the fact that we can't understand, that it's our condition to not know. Is that our work in the world, to learn to dwell in such not-knowing?
We need our doubt so as to not settle for easy answers. Not-knowing pushes us to struggle after meaning for ourselves…Doubt's lesson seems to be that whatever we conclude must be provisio ~ Mark Doty

Now it's my turn to give you advice." The tightened his grip, eliminating any doubt about whether he was as ready for this as she was. "Any time you're talking about having hot, dirty sex that makes you come so hard your whole world turns neon, the last thing you want to bring into the conversation is the word 'little'". ~ Avery Flynn

Kalmar nodded. "I'm sorry, Papa. I wasn't strong enough."
"None of us are, lad. Me least of all." Esben smiled and took a rattling breath. "But it's weakness that the Maker turns to strength. Your fur is why you alone loved a dying cloven. You alone in all the world knew my need and ministered to my wounds." Esben pulled Kalmar closer and kissed him on the head. "And in my weakness, I alone know your need. Hear me, son. I loved you when you were born. I loved you when I wept in the Deeps of Throg. I loved you even as you sang the song that broke you. And I love you now in the glory of your humility. You're more fit to be the king than I ever was. Do you understand?"
Kalmar shook his head.
Esben smiled and shuddered with pain. "A good answer, my boy. Then do you believe that I love you?"
"Yes, sir. I believe you." Kalmar buried his face in his father's fur.
"Remember that in the days to come. Nia, Janner, Leeli - help him to remember. ~ Andrew Peterson

In music, as you develop a theme or musical idea, there are many points at which directions must be decided, and at any time I was in the throes of debate with myself, harmonically or melodically, I would turn to Billy Strayhorn. We would talk, and then the whole world would come into focus. The steady hand of his good judgment pointed to the clear way that was fitting for us. He was not, as he was often referred to by many, my alter ego. Billy Strayhorn was my right arm, my left arm, all the eyes in the back of my head, my brainwaves in his head, and his in mine. ~ Duke Ellington

This is not the "relativism of truth" presented by journalistic takes on postmodernism. Rather, the ironist's cage is a state of irony by way of powerlessness and inactivity: In a world where terrorism makes cultural relativism harder and harder to defend against its critics, marauding international corporations follow fair-trade practices, increasing right-wing demagoguery and violence can't be answered in kind, and the first black U.S. president turns out to lean right of center, the intelligentsia can see no clear path of action. Irony dominates as a "mockery of the promise and fitness of things," to return to the OED definition of irony.

This thinking is appropriate to Wes Anderson, whose central characters are so deeply locked in ironist cages that his films become two-hour documents of them rattling their ironist bars. Without the irony dilemma Roth describes, we would find it hard to explain figures like Max Fischer, Steve Zissou, Royal Tenenbaum, Mr. Fox, and Peter Whitman. I'm not speaking here of specific political beliefs. The characters in question aren't liberals; they may in fact, along with Anderson himself, have no particular political or philosophical interests. But they are certainly involved in a frustrated and digressive kind of irony that suggests a certain political situation. Though intensely self-absorbed and central to their films, Anderson's protagonists are neither heroes nor antiheroes. These characters are not lovable eccentrics. They a ~ Arved Mark Ashby

In the innermost recesses of humanism, as its very soul, there rages a frantic prisoner who, as a Fascist, turns the world into a prison. ~ Theodor W. Adorno

I first read The Lord of the Rings and The Hobbit when I was eighteen. It felt as though the author had taken every element I'd ever want in a story and woven them into one huge, seamless narrative; but more important, for me, Tolkien had created a place, a vast, beautiful, awesome landscape, which remained a resource long after the protagonists had finished their battles and gone their separate ways. In illustrating The Lord of the Rings I allowed the landscapes to predominate. In some of the scenes the characters are so small they are barely discernible. This suited my own inclinations and my wish to avoid, as much as possible, interfering with the pictures being built up in the reader's mind, which tends to be more closely focussed on characters and their inter-relationships. I felt my task lay in shadowing the heroes on their epic quest, often at a distance, closing in on them at times of heightened emotion but avoiding trying to re-create the dramatic highpoints of the text. With The Hobbit, however, it didn't seem appropriate to keep such a distance, particularly from the hero himself. I don't think I've ever seen a drawing of a Hobbit which quite convinced me, and I don't know whether I've gotten any closer myself with my depictions of Bilbo. I'm fairly happy with the picture of him standing outside Bag End, before Gandalf arrives and turns his world upside-down, but I've come to the conclusion that one of the reasons Hobbits are so quiet and elusive is to avoid the pr ~ Alan Lee (artist)

Sonnet LXXXI
And now you're mine. Rest with your dream in my dream.
Love and pain and work should all sleep, now.
The night turns on its invisible wheels,
and you are pure beside me as a sleeping ember.
No one else, Love, will sleep in my dreams. You will go,
we will go together, over the waters of time.
No one else will travel through the shadows with me,
only you, evergreen, ever sun, ever moon.
Your hands have already opened their delicate fists
and let their soft drifting signs drop away;
your eyes closed like two gray wings, and I move
after, following the folding water you carry, that carries
me away. The night, the world, the wind spin out their destiny.
Without you, I am your dream, only that, and that is all. ~ Pablo Neruda

Someone who accepts that in the world as currently divided war can become inevitable, and even just, might reply that the photographs supply no evidence, none at all, for renouncing war - except to those form whom the notions of valor and sacrifice have been emptied of meaning and credibility. The destructiveness of war - short of total destruction, which is not war but suicide - is not in itself an argument against waging war unless one thinks (as few people actually do think) that violence is always unjustifiable, that force is always and in all circumstances wrong - wrong because, as Simone Weil affirms in her sublime essay on war, "The Iliad, or The Poem of Force" (1940), violence turns anybody subjected to it into a thing. No, retort those who in a given situation see no alternative to armed struggle, violence can exalt someone subjected to it into a martyr or hero. ~ Susan Sontag

Genevieve announces in her pinched voice for all to hear, "I stuck a fork in your butt, but you're so fat didn't feel a thing!!"
As everyone turns to look at me, the world- even the air itself- jerks to a standstill.
My heart stops. And waits. For anything. Rescue. Reinforcements. The end of the world, with any luck...
I get down on one knee in the sand and pretend to tie my shoes, so I don't have to look at the others
looking at me
looking at them
looking at me.
We ate with spoons this morning.
But I can't help but wonder, I'll wonder for the longest time, if Genevieve really did what she said. ~ Fanny Britt

To turn to the Lord and to trust him through revelation will help any individual, at any time, in any part of the world, understand and interpret correctly and righteously life's experiences from the only true perspective, which is the Lord's perspective revealed to man. To turn to the Lord and to trust his revelations is live in such a way as to resist the floods and the winds of doubt and uncertainty. ~ Charles A. Didier

Find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will lie under the stars and listen to your heartbeat, or will stay awake just to watch you sleep ... wait for the boy who kisses your forehead, who wants to show you off to the world when you are in sweats, who holds your hand in front of his friends, who thinks you're just as pretty without makeup on. One who is constantly reminding you of how much he cares and how lucky his is to have you ... The one who turns to his friends and says, 'that's her.' ~ Chuck Palahniuk

The Mayans were right, as it turns out, when they predicted the world would end in 2012. It was just a select world: the G.O.P. universe of arrogant, uptight, entitled, bossy, retrogressive white guys ... Instead of smallpox, plagues, drought and Conquistadors, the Republican decline will be traced to a stubborn refusal to adapt to a world where poor people and sick people and black people and brown people and female people and gay people count. ~ Maureen Dowd

Turns out that loving yourself is the greatest way to improve yourself, and as you improve yourself, your improve your world. ~ Joe Vitale

You know what's heartbreaking?" He slipped his hands into his pockets, as if to keep them from touching me. "It's not when bad things happen to you, or when your life turns out completely different from what you thought it would be, or when people let you down, or when the world knocks you down. What's heartbreaking is when you don't get back up, when you don't care enough to pick up the million broken pieces of you that are screaming to be put back together, and you just lie there, listening to a shattered chorus of yourself.
"What's heartbreaking is letting the love of your life walk away, because you can't give up your work or your home to go with her, because everything you love gets taken away from you. So I'm saying no to heartbreak. Right here, right now. This is me getting back up, crossing an ocean and coming straight to your door, Rodel.
"I can't unlove you. And I can't stop thinking about you. So I'm here to say the words because I never said them and that is what's breaking my heart. I'm not saying them to hear it back. I'm not saying them so we can have a happily ever after. I don't know where you're at, or if you still think about us, or if we can even make it work. I'm saying them for me. Because they've been growing in my chest with every breath I take, and I have to get them out or I'll explode. I love you, Rodel Emerson. That's what I'm here to say. This is me, unbreaking my heart. I know it's selfish and thoughtless and just plain arrogant to show ~ Leylah Attar

She has a newness," he said. "Everything is for the first time. See how she moves, how she walks, how she turns her head - all for the first time, the first time anyone has ever done these things. See how she draws her breath and lets it go again, as though no one else in the world knew that air was good. It is all for her. If I learned that she had been born this very morning, I would only be surprised that she was so old. ~ Peter S. Beagle

And as the Moon eclipsed,
sulking in envy, he wailed to the Earth
"I wonder how you could never see,
My deep Love for you - illuminating, beautifying your world when the
Sun leaves you hurled...

But despite it all,
you still revolve around the Sun,
who shuns you here in the dark,
half the run."

The Earth confessed with teary eyes
still retaining a smile
"It is not the Sun that leaves me,
It is me who turns away, blocking his light.
But yet his love for me is far more magnanimous,
for he lights you up to render me luminous."

Cosmic Love ~ Drishti Bablani

Galen and Rayna are close."
I gasp. "How do you know that? I can't feel them." My heart turns traitor, beating like I just ran five miles uphill. It has nothing to do with sensing and everything to do with the mention of Galen's name.
"I'm a Tracker, Emma. I can sense them from almost across the world. Especially Rayna. And from the feel of things, Galen is flittering that cute little fin of his like crazy to get back to you. Rayna must be riding on his back."
"You can tell what she's doing?"
"I can tell how fast she's moving. No one can swim as fast as Galen, Rayna included. He must be pretty impatient to see you."
"Yeah. Impatient for me to change so he can have another royal subject to order around."
Toraf's laughter startles me, not because it's loud, but because his mood seems to swing around on an axis. "Is that what you think?" he says. ~ Anna Banks

Some people imagine that rhyme interferes with the rational processes of thought by obliging us to distort what we originally had in mind. But are rational processes so important? In many of us, even in poets, they can be dull and predictable. An interruption, a few detours and unexpected turns, might make a trip with them less routine. The necessity of finding a rhyme may jolt the mind out of its ruts, force it to turn wildly across the fields in some more exhilarating direction. Force it out of the world of reason into the world of mystery, magic, and imagination, in which relationships between sounds may be as exciting as a Great Idea. ~ John Frederick Nims

it's a terrible feeling when you first fall in love. your mind gets completely taken over, you can't function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don't care as you can't hear what they're saying anyway, and it doesn't matter since your not really there. things you cared about before don't seem to matter anymore and things you didn't think you cared about suddenly do. I must become a brilliant cook, I don't want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It's a kind of hell, but you feel like your in heaven.
even your body goes out of control, you can't eat, you don't sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything's just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don't seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down ~ Annabel Giles

When the world turns and and we operate at our own personal vibration, it is in our power to withhold our dignity and integrity at the highest possible frequency, with this as an active force, we can command our reality in the physical realm. Justly, we shall take all the opportunity that manifests itself in arms reach. To be one, and to have and do what we dream is concurrent only on a high wavelength, and operative to those who seek a higher sense of self. Are you ready to expand to these levels of operation? Have you taken the steps? Step forward and release all your fears. ~ Will Barnes

Most people see the world as a threatening place, and, because they do, the world turns out, indeed, to be a threatening place. ~ Paulo Coelho

Like most things in the story the natural sciences can tell about the world, it's all so beautiful, so gracefully simple, yet so rewardingly complex, so neatly connected - not to mention true - that I can't even begin to imagine why anyone would ever want to believe some New Age 'alternative' nonsense instead. I would go so far as to say that even if we are all under the control of a benevolent God, and the whole of reality turns out to be down to some flaky spiritual 'energy' that only alternative therapists can truly harness, that's still neither so interesting nor so graceful as the most basic stuff I was taught at school about how plants work. ~ Ben Goldacre

When a soul in sin, under the impetus of grace, turns to God, there is penance; but when a soul in sin refuses to change, God sends chastisement. This chastisement need not be external, and certainly it is never arbitrary; it comes as an inevitable result of breaking God's moral law. But the entrenched forces of the modern world are irrational, men nowadays do not always interpret disasters as the moral events they are. When calamity strikes the flint of human hearts, sparks of sacred fire are kindled and men will normally begin to make an estimate of their true worth. In previous ages this was usual: a disordered individual could find his way back to peace because he lived in an objective world inspired by Christian order. But the frustrated man of today, having lost his faith in God, living as he does, in a disordered chaotic world, has no beacon to guide him. In times of trouble he sometimes turns in upon himself, like a serpent devouring its own tail. Given such a man, who worships the false trinity of (1) his own pride, which acknowledges no law; (2) his own sensuality, which makes earthly comfort it goal; (3) his license, which interprets liberty as the absences of all restraint and law - then a cancer is created which is impossible to cure except through an operation or calamity unmistakable as God's action in history. It is always through sweat and blood and tears that the soul is purged of its animal egotism and laid open to the Spirit … Catastrophe can be to a world ~ Fulton J. Sheen