Nate Parker Famous Quotes
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Sadly, black people disassociate ourselves from the things which make us who we are, identifying them as lesser, or inferior. It's a form of self hate. So, with reckless abandon, we strive to be like the majority.
I think Jesse [Zwick] is part of a new generation of director, because we'd be kidding ourselves if we did not acknowledge that there is this unsaid rule that the hero looks a certain way.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
Leadership is one of the things I really strive to excel in in my life.
I just feel like if I really believe what Dr. King said, 'Injustice anywhere is a threat to justice everywhere,' then I should be compelled to use my God-given platform to effect change.
When an artist becomes complacent, he dies.
We have a tendency to sugar coat the Civil Rights movement by showing arm in arm and everyone singing 'Kumbaya'. We don't really always show the resistance from the government, the resistance from the status quo, from the majority to silence the movement.
I believe in hiring people to do their jobs.I want to hire an editor.They say you make a movie three times: when you write it, when you direct it, and when you edit it. So I have three shots to get it right!
It's therapy. [people] say true healing requires honest confrontation, and that can be seen on a macro scale with America and the things that have been swept under the rug, whether it be with the native Americans or slavery, or whatever holocaust that's happened on this soil.
We all serve a purpose. My purpose isn't to be rejected. My purpose isn't to think small or to be introverted. This door closed is literally pushing me to the next door.
Sometimes little things can prolong an experience in a way that you run over budget. It's very scientific; a lot of people don't understand the science that goes behind making a film.
I'm a big Hall and Oates fan.
I prefer to make movies which not only have a message for 'then' but a message for 'now.'
Because we are a conglomerate of our experiences - you take away any experience and you take away a piece of identity. You take away a piece of identity and we don't really know who we are.
How many films are there about friendships between teenagers? And how many projects are there dealing with friendships among adults? True friendships - really dealing with the intimacy behind what happened then, and how long you've known each other, and the wounds that haven't healed. That's what [About Alex] film is about.
I was working in computers when this stranger approached me out of the blue, saying I should become an actor. I took it as a gift from God, because I had been praying for clarity about what He wanted me to do, since I wasn't happy in computers.
The American dream is more about opportunity than anything else.
I think it's like the '60s - we're going to see another revolution in film where these new filmmakers stand up and take ownership of what film is and mould it into what they want.
I think chemistry and great acting go hand-in-hand.
When I was young, to have a big nose, big lips or dark skin was the worst. You were the wretched. That was something I not only felt, but I participated in.
I think it takes a lot of courage to be able to direct a film. If you have that courage and that vision together, and you pick the cast that you believe will achieve your vision, you win.
This is the psychosis of being a human being - the things that we deal with on a day-to-day basis that make us who we are and that sometimes we have to get on the couch and talk out.
I want young people to ask me if I'm serious. Our young people have been lied to and misled for so long. When I stand on this soapbox, I want young people to ask me that because once they know I'm serious, they'll be willing to ride with me.
Identify your niche and dominate it. And when I say dominate, I just mean work harder than anyone else could possibly work at it.